by Abby Trapp | May 31, 2018 | albums, review
Freedom Fry is set to release their debut album Classic Friday, June 1st. I know Freedom Fry fondly as I recently reviewed their single off of Classic “Cold Blooded Heart.” Freedom Fry is an indie duo, whose voices were meant to be together. The duo consists of Parisian born Marie Seyrat, and Michigan born Bruce Driscoll. “Die Tryin” is the second single release off of Classic. A regretful love song, Freedom Fry sings on what could have been done differently. “I’m the worst, I’m a first class jerk, but I need you tonight,” Bruce humbly sings. “Oh I’m going to get you or I’m gonna die tryin,” belts the chorus. What may seem like a hopeless track at first, turns into a sweet, romantic track and the will to “die tryin” to do right by a lover.
Of course, I love “Cold Blooded Heart,” a not so romantic track cursing a heart breaker with “Cold blooded heart, yeah that’s how I pegged you from the start.” “Awake,” remains a little more upbeat and even “tropical.” “Awake! Here we go,” harmonize the duo. The song remains lifted with sounds of ukulele, bongos, and whistles. Shifting from the somber side of Freedom Fry, “Awake” simply remains a positive feel-good, indie song. One really cool thing about the release of Classic, is the album trailer. The artsy trailer on YouTube feature Emma Kenney (Yes, Debbie from the hit Showtime series, Shameless.) Emma navigates her way around downtown through coffee shops, thrift, and record stores with her walkman cassette player as each song off of Classic is previewed. The trailer is really something, as Freedom Fry allows a sneak preview of their debut album in an aesthetic and cinematic nature.
Classic is out tomorrow. Keep up with Freedom Fry here.
by Abby Trapp | May 31, 2018 | singles, wolf tracks
LA-based producer Josh Pan just released his latest single, a track titled “Wait For Me”. Pan collaborates on his latest with the duo X&G. How do you change the expectations of what EDM and electronic should sound like? Easy, just listen to “Wait For Me.” What I thought would be a rock track, soon shifts to sounds of electronic piano and organ. Combined with ethereal sounds of synth and unexpected bass drops, “Wait For Me” proves to be one of a kind. It even incorporates a jazzy, gospel feel with the ever present sound of electronic keyboard. “Wait For Me” will keep you listening and wondering what will happen next. On his latest single, Pan really takes creative liberties by incorporating folk-rock into a familiar electronic sound. What’s even more, is Josh’s ability to create a memorable vocal sound as a baritone on “Wait For Me”. The track is unique, and if you’re like me and love new music, then “Wait For Me” is for you.
Keep up with Josh here.
by Kayla Hutton | May 31, 2018 | premieres, singles, wolf tracks
Michael Kight grew up in Dublin, Georgia, playing guitar since age 12. Influenced by Motown and Elvis as a child, he later came into his own inspired by the sounds of 90’s R&B. Always having a deep-rooted passion for music, he moved to Nashville and played with several musicians as well as took up producing. Wanting to break out and establish himself he auditioned for The Voice. Before auditioning for The Voice, he played guitar for Season 3 artist Amber Carrington. Now it’s his time to shine and front the show with his single, “Clear”, and we have the exclusive premiere. Here is the scoop on the sound of the new single.
“Clear” begins like a true R&B hit. Smooth and soulful vocals with soft jazz keys. As the intro transitions to verse joining the mix is a laid-back hip-hop beat and a slow romantically grooving bass line. Michael has a great mid-range voice that may throw some listeners as he sounds extremely ethnically cultured. He can also hit those high notes without any breaks, shakes, or vocal strain. Pre-chorus he is accompanied by reverse synth notes, finger snaps, and excellently placed vocal overdubs. The bass and drum find perfect harmony as they pump and pulsate like a beating human heart. It’s a deep punch as they strike, but it’s not overpowering to the song. It’s the right amount of slow jam and subwoofer teasing bass.
While the lyrics are semi-romantic asking a girl to be clear in her intentions, it’s pretty clear she caused a little damage. Enough to question if it was real, to begin with. It’s a real question as he states “even if hurts.” The midsection has a creative synth replicating jazz horns. The build is subtle and the song comes back in in a way that is refreshing. Allowing the music to be felt before slowly fading away.
It’s been made very clear that Micheal Kight has the vocal range, instrument and producer skill, a lot of experience in the background and is now ready to take and own center stage.
Find more details on his website and don’t forget to follow him on Facebook for more.
by ImperfectFifth | May 31, 2018 | soundtrack
These are the songs I listen to when I want to sit back and close my eyes and just vibe out and forget about everything around me.
by Abby Trapp | May 31, 2018 | albums, review
Tancred is excited to release their latest album, Nightstand. The release of Nightstand follows up on the well praised 2016 album Out of the Garden. The album rounds out with eleven tracks, the first fittingly titled “Song One.” It is slow, sweet, and at 1:44 it is all too brief. Jess Abbott (Tancred) shows off her vulnerability on this track. “I will not lie to you, these words will be true,” leads the first line of Nightstand. “Why must she love someone else?” wonders Tancred. “Apple Tree Girl” has a folk indie vibe to it, with some interesting lyrics. “Drink my heart out, drink it up,” and “send me a photo, the two of us in the unknown,” make for interesting and almost emo lyrics.
I really enjoy Tancred’s “Underwear”. The song starts off slow and self-loathing, almost punk. “I don’t want to fight you, I’m already fighting me…and I’m losing,” sings Jess before the guitar comes in. The quirky title comes from the electric song line: “Remember when we were in the halls at 5am in our underwear running from ghosts and in my room I was learning that you were soft.” “Rowing” the last track on Nightstand, equally mirrors “Song One” and again shows the artist’s honesty and vulnerability. “I am crude and sweet in bed, I am gentle in a dress,” sings Tancred. With a taste of rock and tambourine, tinged with Tancred’s simple vocals, “Rowing” is a series of positive, gentle thoughts.
Nightstand, in one word, is diverse. It shows Tancred’s ability to navigate through a series of genres and styles, while remaining true as an artist.
Look for Nightstand which will be out June 1st 2018. Keep up with Tancred here.
by Meredith Schneider | May 30, 2018 | premieres, videos, wolf tracks
Nashville-based folk rock artist Jerry Castle has been making waves with his brand of Americana for quite some time now, and we’re absolutely thrilled to announce that we’ve got the exclusive premiere of his brand new lyric video for “Room to Dance”. The sweet, slowly meandering track about a special connection between two people is absolutely beautiful, allowing for his rough vocals to add a depth to it all that might not otherwise be present. And while the lyric video is pretty straight forward – providing the lyrics scrolling across a red – at times glittering – backdrop, the song itself provides some introspective moments that will help you welcome June in a positive mood.
Says Jerry of the track:
“Room to Dance” was the very last songs written for the album. I had already mastered the album, so obviously I had no intention of putting any additional songs on it. But one day in Nov 2017, my buddy Carey Ott came over for a hang and we got into this conversation about the magical impact that strangers sometimes have on your life. The next thing you know, we had our guitars in hand, trying to write a song about it. It wasn’t until we wrote the first line of the chorus “you’ve got to get out of line while there’s time, time to take, time to take a chance” that I realized this song fit right into the theme of the album and I started getting really excited about it. A day later I was recording the song in my studio. Collectively, it’s one of my favorite songs on the album and it has the least amount of instrumentation of any song on the album.
“Room to Dance” is available now. Keep up with Jerry Castle here.
by Abby Trapp | May 30, 2018 | videos, wolf tracks
Pop-punk quartet Punchline just released a video for their latest single “Friend From The Future.” The single is off of their eighth and latest album Lion. As you may have guessed, the video is as quirky as the singles title. Starting off the video opens to a slide captioned “When you’re 87 years old, you won’t be able to watch this for the first time.” Yes my mind had to re-read that. It then follows, “In case you’re 87 now, in which case, that’s rad you’re watching our video!” I finally started to grasp the video’s “into the future” theme. Aside from the creative intro, the video keeps you interested with bright flashing lights, slideshow inspired here and their captions, colorful outfits and highlights on each band member. The songwriting is equally amazing with one liners like “The clock starts ticking but never stops,” and “God I wonder why the past tense comes last.” My favorite lyric is “It’s not your age that’s bringing down.” A line that could not be more true, is one of many on “Friend From The Future,” an anthem for the “here and now.”
Keep up with Punchline here.
by Abby Trapp | May 30, 2018 | videos, wolf tracks
Scarlet Sails just released a new video for their latest single “Hideaway”. The rock band is made up of Russian born Olya Viglione, former The Dresden Dolls drummer Brian Scarlet, guitarist Mark Kohut, and bassist Kevin Jones. “Hideaway” follows up on the band’s 2017 debut album Future From The Past. Now, “Hideaway” is just the first of many 2018 projects for the rock band. Inspired by retro rock, Scarlet Sails brings a fresh twist on a classic sound on “Hideaway.”
The video is visually aesthetic in turn. Set in a Victorian-era setting, we see Olya playing ukulele from her vanity, and searching up and down the halls for her ‘hideaway.’ “Every thing I do, every thing I say…you’re my hideaway,” sings Olya with airy vocals. The song comes together with guitar solos and very present drums. Combined with Olya’s distinctive voice, Scarlet Sails really breaks through on “Hideaway.”
Keep up with Scarlet Sails here.
by Christie McMenamin | May 29, 2018 | snapshot, visual
Slenderbodies headlined Brooklyn’s Rough Trade on May 7th. The indie/electronic guitar duo, made up of Ben and Max, were met with success quite quickly, scoring opening slots for both Passion Pit and PVRIS. For anyone who’s listened to Slenderbodies, it’s not much of a surprise. Not only is their guitar work deeply intricate, boasting a trademark wispiness that sets them apart from their peers, but they also sing, write, mix, and produce all their tracks. They fully own and control their creativity without anyone else interfering. It’s a rare feat in the music business, one that Slenderbodies deftly navigates with a seeming effortlessness.
Setting the mood prior to their set, two large lava lamps were placed to the right and left of the stage while a scarf swirled around a mic stand. The room was packed, and as Slenderbodies began to play in the near-darkness, the audience swayed and danced as the music gently wafted through the air. The only light came from brightly-colored, psychedelic graphics floating across a projector screen behind the band. The atmosphere was relaxing and peaceful; Slenderbodies delivered their fans a perfect ending to a Monday night.
Slenderbodies has a new LP coming out mid-late summer. Check out their latest single, “Anome,” here and for more Slenderbodies music, including a cover of MGMT’s “Electric Feel,” check out their Soundcloud here.
