London-based singer-songwriter, CLOVES, does not wait to ask for permission in her newest track and accompanying music video, “Sicko”. Every aspect of the artist’s persona demands attention. With vibrant pink hair, disjointed dance movements and an occasionally-pained facial expression; the twenty-four year old makes it hard to look away during the duration of her three-minute-long production.
In her music video, the Australian-born singer peels back the layers of what it means to be an outsider. We are first introduced to her character via the television: an immediate suggestion to cast judgment onto the girl we see through the screen. We are then brought in for a closer look at the haunting side of isolation and loneliness, and the frailty of it all. Most interesting of all: despite the sadness behind CLOVES’ words, we are led to a chorus that resembles the melody of a lullaby, and there is somehow a sense of acceptance of the singer’s depressed state.
Like a really good horror movie you can’t stop yourself from watching, CLOVES’ “Sicko” touches on the scarier subjects in life– but you can’t help but be obsessed nonetheless.
There is a unique cadence to Nainnoh’s vocals that immediately draws you into the psychedelic, genre-bending, soulful work she creates. Her Eastern European upbringing, of course, influences those vocals, and has played an essential role in the type of Georgian folk, indie psych touches we get from her music. With her new track “Vital Illusions,” there is a beautiful, meandering quality from the composition that allows you to sort of melt into the soundscape and absorb the song’s energy as it plays.
What a way to start off 2021 for the talented songstress.
Nainnoh’s self-titled debut is due out April 2021.
Rare is it to find a musical duo that totally creates an ambiance all their own with the way their voices blend mellifluously into instrumentals. But let me tell you… duo Colin & Caroline can make a cover song all their own in a way I have never experienced. Luckily enough, these two have a history – they’ve known each other since high school and are now happily married – that informs their melodies, taking you on new, genre-bending adventures with each release.
Today, as part of the gradual release of a slew of incredible cover tracks over the winter months, we have the exclusive premiere of the duo’s new cover. Originally made famous by Jason Mraz, you’ll find yourself enveloped in clouds with this rendition. Try it on for size below!
Previously released Covers include:
“Wrecking Ball” – Greya
“Don’t Dream It’s Over” – Kristen Schaeffer
“When the Party’s Over” – Carl Anderson
“Holly Jolly Christmas” – Carl Anderson
“Cardigan” – Sophia Angelie
When working to fully connect with our human reality, music, like always, may be the best way to express our thoughts regarding the matter. That’s why RⱯHM ⚉’s new track “semiautomatical” was made. It highlights the complicated nature of our society by showing us the more mundane moments while also giving us a peek inside the soothing, wind-in-our -hair moments. Not to worry, the track itself is anything but mundane, keeping your ears perked for the entirety of the nearly four-minute track. With this, he pushes himself even further past any boundaries, cementing him as the adventurous face in music. As we listeners step into this portal to a new view of our planet and humanity as a whole, we face reinvention and peace, and glorious music, of course.
He says of the meaning behind the track:
“semiautomatical” is a non-word that I was using to refer to this kind of halfness. Closeness and farness simultaneously. Watching other people have sex on the internet. love in the anthropocene. blah blah you get it. but it’s more ambiguous than “wow this is fucked the bots are taking over my brainstem.”
The Dawn Drapes are Michael Sanzo and Daniel Rice. This musical duo formed in Harrisonburg, VA in 2010, and has been cultivating their sound with notable influences of shoegaze and psych-wave over the years. Their newest release is an indie masterpiece complete with beautiful melodies and splendid strings. “You Are The One” is the latest single to further the anticipation for their full-length album expected sometime this year. This single was recorded at Headroom Studios in Philadelphia with producer Shane Woods and musicians Noah Skaroff and Keaton Thandi.
At first listen, you’ll probably start to unravel all the layers of this song, and perhaps want to listen on repeat to take it all in again and again. Whether it’s the songwriting, fresh melodies, smooth synths, or tappy high-hat percussion, this song will only do wonders for your indie ears. The vibe of this duo is something so familiar, yet so foreign at the same time – it’s apparent they didn’t follow a recipe to make this song, but instead tapped into their most creative selves and made some magic. If you’re looking to build some new playlists for this year, then be sure to add this song, and give Dawn Drapes a follow on Spotify.
British rock band You Me at Six have delivered a moody turned explosion of a track with their newest release, “Adrenaline”. This is to say that the song eases you in with a gentle, soft verse before blowing you away with loud and catchy chorus to ripple through your mind. I can only imagine what it sounds like in a room full of people at a live show. The chorus isn’t nearly the only mind-blowing thing here. The moments leading up to the chorus are a direct contrast to the subsequent parts, with just a vocal and gripping melody to prepare you for what’s to come in the rest of the song.
The song’s dark sound matches the lyrical content to a tee. Appropriately, the listener is taken to the possible dark side of our personalities and the struggle that comes with balancing our thoughts while still being who we are. The sonics of the track amplify this idea, creating a world filled with intense emotions.
Lead singer Josh Franceschi says of the track: “Adrenaline is about understanding & accepting the capacity we all have as humans to have split personalities. Coming to terms with the idea of co-dependency.”