by Kayla Hutton | Jun 7, 2018 | albums, review
Lolaa, consisting of Toronto-based sisters Lex Valentine & Nadia Valerie King will release a Spanish version of their debut EP on June 8th. The musical project allows the sisters to explore their Mexican heritage, taking inspiration from Latin American 80’s pop music. The EP is a soulful approach with Latin-inspired instrumentation. Similar to that of Gloria Estefan minus the pop American influence and hiding the cultural percussion in the background. Lolaa puts them in the forefront and the result is a feel good, twilight, dancing in the streets fiesta.
“Lola” – the song bearing the proper spelling of the band’s namesake, meaning “Lady of Sorrows” – sways slowly in a gentle breeze accompanied by impactful and heartfelt vocals. While the verses are sung solo and with minimal instrumentation the chorus is filled out by an overlay of vocals giving it a thicker, meatier, stronger delivery. “Cancion 6” has a passionate vibe and produces a lot of warmth. Taking some influence from a 70’s disco ballad with a swaggering groove, intense pre-chorus vocal melody that leads the way for a full-on Pop anthem chorus. I have no clue what they are saying, but I feel the need to sing along. Maybe I will make up my own words. Could be fun.
[youtube https://www.youtube.com/watch?v=Bepmx9t4-CA]
Thus far Lolaa is bringing the synth-pop and danceable rhythms even during the slower paced songs. Embracing all the emotions in life and creating a sound that despite the mood or event, you can dance. “Barricada” demonstrates an almost haunting calling. While the beat boasts a Casio powered hi-hat and a simplistic stock snare kick combination the vocals definitely take the bull by the horns. I think this track could easily be even more dramatic and impactful a cappella aside from the ending with the comforting sound of an old music box. While none of the tracks are high energy they maintain a joggers pace and are in the key of motivation and are cinematically dramatic, the key of each song designed to appeal directly to the heart of your emotions.
Lolaa has a unique sound as you can definitely and obviously pick up on the Latin influence, as these tracks are En Espanol, but the music itself has a fusion of American pop, latin and old-school instruments, Canadian imagination and an immense of amount of passion. Don’t let the language barrier stop you from checking them out. You don’t need words to express an exact message. Tone and delivery will impact you just the same. A video premiere for the single “Espiritu” has been released via Nylon Espanol to hold you over until the E.P. is released.
Tour Dates
July 12th Coney Island Baby at 8 pm New York, NY
August 4th Handlebar’s at 8 pm Toronto, ON
Keep up with Lolaa here.
by Abby Trapp | Jun 5, 2018 | albums, review
Jessie Kilguss recently released her latest album, The Fastness. The Fastness is the fifth album for the Brooklyn based singer/songwriter. The alternative-indie artist has a lot of things to offer on her latest album. The Fastness is an album of regrets, hope, love, and wanderlust. Jessie’s voice and style brings weight to the album as you can hear the Stevie Nicks and Norah Jones influences. The album has ten tracks, each song a little different from the last. “The Master” is a song about a person of great wisdom, holding the key to all the answers. Leaving his followers behind, Jessie asks “Who will be the oracle when he is gone?” “New Start,” tells the story of one’s ability to believe in love again. The hopeful and upbeat song will lift your spirits with lyrics like “I thought it was over, but I made a new start,” “Now I’m ready to be mystified, I know I’m not the only one,” and my favorite “You changed my mind.”
Jessie shows us her darker side on “Hell Creek.” The song is full of sinful regret, shame, and morbid themes. “I knew I the time had come to break myself free- and every thing went red,” cries out the singer. The song remains haunting with the line “Going down to hell creek, wash the blood off my hands.” The artist also shows off her love for travel and the world with “Spain,” and “Rainy Night in Copenhagen.” I completely related to the song “Spain” as I once fell in loved with Madrid and the beautiful lyric “Maybe I’ll find it here- Spain stretched out in front of me.” It describes the country perfectly. “Rainy Night in Copenhagen,” is a place to leave all your troubles. “So peaceful, so far away from home,” Jessie sings on the countryside. “I’m not ready to go home,” laments the artist as the song is a feeling of wanderlust, a thirst for the world- something we all experience at least once in our lives. The Fastness provides a variety of melodies to feed your soul, heart and mind. Jessie’s beautiful voice and thoughtful lyrics will take you to a peaceful place that is all your own.
The Fastness is currently available on major streaming services. Get your copy here.
by Abby Trapp | Jun 1, 2018 | albums, review
If you’re a fan of The Flaming Lips, then listen up! The classic rock band is giving a gift beyond your wildest dreams. As one of the most well known and influential rock band of their time, The Flaming Lips are pleased to announce the release of their first ever “hits” collection. The best news? The Greatest Hits Vol. 1 is officially out today via Warner Bros. Records. The collection will be available as a vinyl edition and as a deluxe edition (3-CD and digital).
The Flaming Lips offer so much in this collection, starting with debut hits such as “Transmissions From The Satellite Heart” (1993), “Clouds Taste Metallic” (1995), “The Soft Bulletin” (1999) and more recent tracks like “Yoshimi Battles”, “The Pink Robots” (2002), “At War With The Mystics” (2006), “Embryonic” (2009), and their current album “Oczy Mlody” (2017). If that weren’t enough, The Flaming Lips also include added specials such as studio outtakes, unreleased tracks, and international single B-sides on the deluxe edition. Other features include “Zero To A Million,” the unreleased demo track, “Spider-Man Vs Muhammed Ali” and “Silent Lord.” The collection is a great complication of the unique and creative sound that The Flaming Lips has spent so many years building. Here are the tracks for the two editions:
Tracklisting for Greatest Hits Vol. 1 (Vinyl edition)
Side One:
1. Do You Realize??
2. Yoshimi Battles The Pink Robots Pt. 1
3. Race For The Prize
4. Waitin’ For A Superman
5. When You Smile
6. She Don’t Use Jelly
Side Two:
1. Bad Days (Aurally Excited Version)
2. The W.A.N.D.
3. Silver Trembling Hands
4. The Castle
5. The Yeah Yeah Yeah Song
Tracklisting for Greatest Hits Vol. 1 Deluxe Edition (3-CD & Digital)
Disc 1:
1. Talkin’ ‘Bout The Smiling Deathporn Immortality Blues (Everyone Wants
To Live Forever)
2. Hit Me Like You Did The First Time
3. Frogs
4. Felt Good To Burn
5. Turn It On
6. She Don’t Use Jelly
7. Chewin The Apple Of Your Eye
8. Slow Nerve Action
9. Psychiatric Explorations of The Fetus With Needles
10. Brainville
11. Lightning Strikes The Postman
12. When You Smile
13. Bad Days (Aurally Excited Version)
14. Riding To Work In The Year 2025
15. Race For The Prize (Sacrifice Of The New Scientists)
16. Waitin’ For A Superman (Is It Getting Heavy?)
17. The Spark That Bled
18. What Is the Light?
Disc 2:
1. Yoshimi Battles The Pink Robots Pt. 1
2. In The Morning Of The Magicians
3. All We Have Is Now
4. Do You Realize??
5. The W.A.N.D.
6. Pompeii Am Gotterdammerung
7. Vein Of Stars
8. The Yeah Yeah Yeah Song
9. Convinced Of The Hex
10. See The Leaves
11. Silver Trembling Hands
12. Is David Bowie Dying?
13. Try To Explain
14. Always There In Our Hearts
15. How??
16. There Should Be Unicorns
17. The Castle
Disc 3:
1. Zero to A Million (Demo)
2. Jets (Cupid’s Kiss Vs The Psyche Of Death) (2-Track Demo)
3. Thirty-Five Thousand Feet Of Despair
4. The Captain
5. 1000 Ft. Hands
6. Noodling Theme (Epic Sunset Mix #5)
7. Up Above The Daily Hum
8. The Yeah Yeah Yeah Song (In Anatropous Reflex)
9. We Can’t Predict The Future
10. Your Face Can Tell The Future
11. You Gotta Hold On
12. What Does It Mean?
13. Spider-man Vs Muhammed Ali
14. I Was Zapped By The Lucky Super Rainbow
15. Enthusiasm For Life Defeats Existential Fear Part 2
16. If I Only Had A Brain
17. Silent Night / Lord, Can You Hear Me
You can order the collection here. Keep up with them here.
by Abby Trapp | May 31, 2018 | albums, review
Tancred is excited to release their latest album, Nightstand. The release of Nightstand follows up on the well praised 2016 album Out of the Garden. The album rounds out with eleven tracks, the first fittingly titled “Song One.” It is slow, sweet, and at 1:44 it is all too brief. Jess Abbott (Tancred) shows off her vulnerability on this track. “I will not lie to you, these words will be true,” leads the first line of Nightstand. “Why must she love someone else?” wonders Tancred. “Apple Tree Girl” has a folk indie vibe to it, with some interesting lyrics. “Drink my heart out, drink it up,” and “send me a photo, the two of us in the unknown,” make for interesting and almost emo lyrics.
I really enjoy Tancred’s “Underwear”. The song starts off slow and self-loathing, almost punk. “I don’t want to fight you, I’m already fighting me…and I’m losing,” sings Jess before the guitar comes in. The quirky title comes from the electric song line: “Remember when we were in the halls at 5am in our underwear running from ghosts and in my room I was learning that you were soft.” “Rowing” the last track on Nightstand, equally mirrors “Song One” and again shows the artist’s honesty and vulnerability. “I am crude and sweet in bed, I am gentle in a dress,” sings Tancred. With a taste of rock and tambourine, tinged with Tancred’s simple vocals, “Rowing” is a series of positive, gentle thoughts.
Nightstand, in one word, is diverse. It shows Tancred’s ability to navigate through a series of genres and styles, while remaining true as an artist.
Look for Nightstand which will be out June 1st 2018. Keep up with Tancred here.
by Madison Blom | May 25, 2018 | albums, wolf tracks
Although there are many ways to describe electronica’s newest sweetheart Amy Owens, one of the most accurate would have to be “charismatic.” As one of the only artists that own her type of special sound, there is a lot of freedom in the way she performs and records and fans all around the world are eating it up. Most recently, the long awaited album, Haethor is being prepared to be released and is scheduled to drop this Friday, May 25. Along with a single that had an incredible debut on IMPOSE, “Hook”, twelve other tracks have been put together that compose her full length album. Unconventional beauty is showcased as one of Owens’ specialties in each of the tracks which is sure to satisfy fans that have been long awaiting its release.
Like all of her releases in the past, Haethor, named after the Egyptian goddess of music, is the unorthodox combination of electronica and intense operatic bursts throughout each track. As a talented soprano, Owens owns each jump in pitch with apparent ease that grans the attention of the listener and pulls them even deeper into the almost psychedelic atmosphere that her unique soundscape creates.
Although all of the tracks on this new album come together under the same unique style, they are written from a diverse range of backgrounds and view points that assure each track can stand on its own. As each track weaves between operatic scales, to electronica, to complex sonic landscapes, one may wonder from where Owens draws her inspiration. Speaking on this subject, she stated,
“I don’t think about drawing from any style in particular, but I am very much aware that my tastes are shaped by the music with which I surround myself. Mostly, that’s classical music, because that’s what I do. A lot of the music I listen to is fairly complex, which is why I tend to write polyphonic and layered parts. And of course, everything has to be fun to sing. You’re talking to a girl who does bel canto, after all. “The Hook” is really difficult to sing, truth be told, but so is opera, so I’m used to it.”
Clearly, this young artist has much to offer to a variety of fans across a very wide spectrum of tastes and preferences. Not only does this allow Owens to expand her fan following at a rapid pace, but it also gives her music the room that it requires to find place in the hearts of fans all over the world. With so much in store for her fans, it will be exciting to see how she keeps us on our toes next.
The album is available now.
by Abby Trapp | May 22, 2018 | albums, review
As a well known actor for 25 years on TV, film, and Broadway (receiving praise for the role King George in Hamilton) Jon Patrick Walker has leapt in the music scene of songwriting and singing after the release of his first album The Guilty Party . Soon after Walker released his second album People Going Somewhere. Now, the multi-talented artist is thrilled at the release of You & I, his latest EP. The EP is composed of six tracks, including the title track “You and I.” The first track “Your Open Hand,” is an innocent love song. Jon is joined by actress and his wife, Hope Davis. Their voices blend perfectly together and the lyrics are touching as Hope and Jon sing to each other “Your open hand- and in your open heart, a brand new start.”
“I Can’t Not Do the Robot (When I’m Dancing With You)” is drastically different from “Your Open Hand,” as the song pays homage to early rock and is a funky bop. “I can’t not do the robot when I’m with you!,” Jon enthusiastically shouts. Some tracks take a somber more reflective note like “I Won’t Sit Around & Cry.” Singing on the love that he wishes he had, Jon realizes that while he waits- he won’t be sulking in the meantime. “I want a real love…I want to feel love- but I won’t sit around and cry,” laments Walker. My favorite line is “Say it’s not the destination, it’s the journey no matter how lonely I am.” The folky song will have you feeling wishy washy but a little lifted as you listen to Jon patiently wait, with no tears in the meantime.
My favorite track is “You and I.” This jazzy title track has a little bit of everything; Jon’s soft airy vocals, love infused lyrics, the feeling of a live jazz band in a coffee shop, and even some whistling. “Raise the flag, just so long as it is black- I’ll make it green for earth, blue for sky, red for love- for you and I,” Walker sings on “You and I,” as his beautiful use of imagery shows not only his knack for writing but also for creativity. The EP holds a variety of folk, alternative, and jazz and has something for all music lovers alike.
You & I is available now. Keep up with Jon Patrick Walker here.
by Abby Trapp | May 21, 2018 | albums, review
The Brooklyn based rock band Language, just released their latest EP Plymouth via Good Eye Records. The rock band consists of Omar Afzaal (guitar), Charles Sloan (bass) and Wes Black (drums). After self-released EP’s, Plymouth is the product of their signing with Good Eye Records. Plymouth has five tracks, including the title track “Plymouth.” The album encompasses all things rock and kicks off with the track “Where To.” With no vocals and only lasting at 1:21, “Where To,” holds up to its name. It really serves as an introduction to the band’s sound which include notes of bass, guitar, and a steady drums. “Game Piece” shows off the band’s vocal talents, far-reaching as they are. The band’s vocals remain gritty and angsty with true rock feel. “Fingers small, in a father’s hands,” Language sings on “Game Piece.” The song has a punk-rock feel and definitely is something to jam out to.
“Plymouth” remains creepy at first, with a distant sound of buildup to the drop of the beat. The song soon changes pace halfway with calming vocals– “Landed on a new rock, kinda like the old one.” I believe that the “rock” is in reference to Language’s new album, their signing with Good Eye Records, and coming full circle as a band and artists. Plymouth remains the band’s “new rock.”
Keep up with Language here.
by Madison Blom | May 18, 2018 | albums, review
Breaking out with his first ever full length album full of energizing anthems and inspiring lyrical loops, is Nashville native Taylor Cole (Chalaxy, Creature Comfort) and his music project Tayls. The self entitled album, Tayls is his greeting to a wider demographic of fans who he hopes to inspire with his commitment to insane fun and beautiful art. Although this indie project has gathered a great following since the very first single, this new release is surely going to push his popularity over the edge as he dives even deeper into the sound profile that he has created for himself. From a humble start to his current standing at the top of thousands of fan playlists, Tayls has created a movement composed of self-empowering music that is both easy to listen to and incredibly intricate.
The instrumental talent that is demonstrated captures the attention of listeners instantly. Coupled with the intense and pumped-up vocals that match the mood set by the music, Tayls can do no wrong as his lyrics pack a “powerful punch” of exciting empowerment to the individual. Known for overenthusiastic live performances, it is clear that Tayls was able to focus the same energy into the recording sessions. Although fans won’t be able to experience all of the lights, dance moves, drag queens and giant swan dives that have become essential elements of the live performance, the music on this album speaks for itself.
Layered with subtle scream vocals, there is no doubt that this album is going to pull in fans of The Flaming Lips, Bright Eyes and everything in between. As this project continues to deepen its understanding of its unique sound, Tayls is sure to pick up fans throughout the world who are inspired by the out of the box lyrics and fast paced rhythms.
Tayls is available now. Keep up with the project here.
by Abby Trapp | May 18, 2018 | albums, review
Deafman Glance is 28-year-old Ryley Walker‘s latest album, out May 18th via Dead Oceans. The album consists of nine tracks, each one a little different from the next. “22 Days,” the second track on the album is perhaps one of my favorite tracks. “22 Days” has a slow jazz instrumental intro for at least a two minutes, rendering the song tranquil, yet engaging. What sounds like a purely instrumental track at first, “22 Days” has help with Ryley’s vocals. “But I gave myself 22 days to come up with a master plan,” Walker sings. “And people can be so plain, with the power to re-arrange,” remains my favorite line. What seems like a tale of despair at first, the piece is soon picked up and flips gears to upbeat jazz, rock, and then slows back down again. “Can’t Ask Why” is yet another beautiful track on Deafman Glance. Like “22 Days,” the instrumental lasts for a while, except instead of jazz we hear wind chimes. In fact, the wind chimes are incorporated throughout the song. “I can’t sleep at night,” Ryley sings ironically, as if the chimes are the things will put him to sleep. “Telluride Speed” sounds like the beginning of a fairy tale with light sounds of a flute. Like a fairy tale Ryley sings “I threw a a rock at your window.” The track is sweet, innocent, and makes you feel at home.
Perhaps my favorite thing about Deafman Glance is the variety of sounds and instruments that Walker incorporates into each song. Inspired by the sounds of the city, Walker says:
And it’s more Chicago-y sounding. Chicago sounds like a train constantly coming towards you but never arriving. That’s the sound I hear, all the time, ringing in my ears. Everybody here’s always hustling. Everybody who talks to you on the street’s always got something they’re coming at you with. It’s the sound of strangers dodging one another. And landlords knocking on doors to get rent that people don’t have. But it’s eerily quiet at night. This record is the sound of walking home late at night through Chicago in the middle of winter and being half-creeped out, scared someone’s going to punch you in the back of the head, and half in the most tranquil state you’ve been in all day, enjoying the quiet and this faint wind, and buses going by on all-night routes. That’s the sound to tune in to. That’s the sound of Chicago to me.
Deafman Glance is out now. Keep up with Ryley Walker here.
