Putting rock back on the radar is wildly successful young group, Silent Rival and their first single since the release of their last album, The Kindness of Strangers. Right on the heels of their success comes, “Just One Voice” that gets fans moving and creates a fun, joyful atmosphere where band members proclaim this new anthem loud and proud. Since the release of this new single, it has risen to the top of playlists from fans across the globe and caught the attention of Spotify users which bumped the single up to the #12 spot on the “Fierce Femme” playlist. Much like their legendary predecessors such as the Strokes, New York Dolls, or Queens of the Stone Age their music is captivating and the driving beat encourages all who are listening to get up and move.
Since, “Just One Voice” is the first release for this new year, there is no telling exactly what this cheeky rock outfit has in store for their fans, however, one thing is for sure: they have already guaranteed a position in the hearts of thousands of fans from around the globe. Riding this success is sure to raise the bar on their future releases and encourage all of the band members to diligently work top develop and even more concentrated and focused overall soundscape. Without a doubt, the future is bright for Silent Revival as they continually release music that is as hearty and joyful as “Just One Voice.”
“Soothe The Soul” is the latest single by alternative-rock Ward. “Soothe The Soul” is the artist’s second single, following the lovely “Crush.” “Soothe The Soul” is personal for Ward as he shares his journey and goals as an artist on the track. “Soothe The Soul,” is in fact soothing and expresses the hope and search for personal freedom “I felt loose…like I felt then,” ponders Ward. For me the most powerful lyrics are “I’ve been living my life as some other guy, I’ve been living my days as somebody’s son…whose soul knows better.” “Soothe The Soul” came into the works when Ward realized he didn’t like the life he was living. As a tech executive in New York, Ward quit his job and moved to Los Angeles to pursue the life he wanted- the life of an artist and musician.
The L.A. based, We’re No Gentlemen just released a new video for their latest single “Promises”. The band was recently featured on Imperfect Fifth’s site with the release of their last music video for “Night.” “Promises” shows the band in playing in an intimate venue, with fans running to them. The video pans from each band member giving us an intimate look at We’re No Gentlemen.
Front woman Amanda Gabel really takes the lead as she sings to the camera and dances with fans on stage. The video is classic and incorporates fans and audience members jamming to “Promises”. The song itself channels early 2000’s rock with a garage feel. “Promises we make, promises we break, it’s too much to take everything is fake,” sings We’re No Gentlemen. My favorite is “Change me, no they cannot break me…I already broke in” as the band states that they are here to stay.
As a well known actor for 25 years on TV, film, and Broadway (receiving praise for the role King George in Hamilton) Jon Patrick Walker has leapt in the music scene of songwriting and singing after the release of his first album The Guilty Party . Soon after Walker released his second album People Going Somewhere. Now, the multi-talented artist is thrilled at the release of You & I, his latest EP. The EP is composed of six tracks, including the title track “You and I.” The first track “Your Open Hand,” is an innocent love song. Jon is joined by actress and his wife, Hope Davis. Their voices blend perfectly together and the lyrics are touching as Hope and Jon sing to each other “Your open hand- and in your open heart, a brand new start.”
“I Can’t Not Do the Robot (When I’m Dancing With You)” is drastically different from “Your Open Hand,” as the song pays homage to early rock and is a funky bop. “I can’t not do the robot when I’m with you!,” Jon enthusiastically shouts. Some tracks take a somber more reflective note like “I Won’t Sit Around & Cry.” Singing on the love that he wishes he had, Jon realizes that while he waits- he won’t be sulking in the meantime. “I want a real love…I want to feel love- but I won’t sit around and cry,” laments Walker. My favorite line is “Say it’s not the destination, it’s the journey no matter how lonely I am.” The folky song will have you feeling wishy washy but a little lifted as you listen to Jon patiently wait, with no tears in the meantime.
My favorite track is “You and I.” This jazzy title track has a little bit of everything; Jon’s soft airy vocals, love infused lyrics, the feeling of a live jazz band in a coffee shop, and even some whistling. “Raise the flag, just so long as it is black- I’ll make it green for earth, blue for sky, red for love- for you and I,” Walker sings on “You and I,” as his beautiful use of imagery shows not only his knack for writing but also for creativity. The EP holds a variety of folk, alternative, and jazz and has something for all music lovers alike.
You & I is available now. Keep up with Jon Patrick Walker here.
The Brooklyn based rock band Language, just released their latest EP Plymouth via Good Eye Records. The rock band consists of Omar Afzaal (guitar), Charles Sloan (bass) and Wes Black (drums). After self-released EP’s, Plymouth is the product of their signing with Good Eye Records. Plymouth has five tracks, including the title track “Plymouth.” The album encompasses all things rock and kicks off with the track “Where To.” With no vocals and only lasting at 1:21, “Where To,” holds up to its name. It really serves as an introduction to the band’s sound which include notes of bass, guitar, and a steady drums. “Game Piece” shows off the band’s vocal talents, far-reaching as they are. The band’s vocals remain gritty and angsty with true rock feel. “Fingers small, in a father’s hands,” Language sings on “Game Piece.” The song has a punk-rock feel and definitely is something to jam out to.
“Plymouth” remains creepy at first, with a distant sound of buildup to the drop of the beat. The song soon changes pace halfway with calming vocals– “Landed on a new rock, kinda like the old one.” I believe that the “rock” is in reference to Language’s new album, their signing with Good Eye Records, and coming full circle as a band and artists. Plymouth remains the band’s “new rock.”
Pop can sometimes feel like an afterthought in the rock and country-saturated musical landscape of Nashville, but Thursday night’s show at the East Room made it clear that Nashville’s pop scene is anything but marginal. POP MONSTER (a dual release party for local artists Whoa Dakota and Athena, hosted by Popsquad) showed that pop in Nashville is as varied and exciting as the people involved can imagine it to be. Four artists with unique takes on the different shapes pop can take proved what the Nashville pop scene is truly capable of: churning out emotionally nuanced and stylistically ambitious bangers.
Meaux opened the evening strong with her sensual electro-pop, a fusion of soulful and experimental sounds that provided an effortlessly changing landscape for her rich voice to traverse. Her powerful pipes and impressive dance moves energized the room as she stalked the stage in a split length red cape. Color-shifting gauzy lights set the tone in the room, a cozy dream cave that looked as if it had been styled by the collective efforts of Prince and the Little Prince. Between sets the alchemy in the room was maintained through a mixture of 90’s throwbacks and electro-pop, the dreamy vibes in the room conducted by the cotton candy stellariums (made by Athena) hovering moodily above the crowd.
Next was Soren Bryce, a Brooklyn local who’s no stranger to the Nashville music scene. Soren’s writing and performance seems to transform to keep up with the rapid pace of her own ever-expanding taste. It’s a testament to how talented Soren is that she can take a left turn away from the fantastic music on her last unreleased EP (largely synth-based) to the more guitar-centric rock we heard on Thursday—and accomplish it so effortlessly. Clearly there’s no genre of music that Soren can’t master, as demonstrated by her fantastic set: a grungy pop punk watercolor that borrowed from Kurt Cobain, Lorde, Joe Jackson, Elliot Smith and Fiona Apple without ever losing its own distinctive style. Soren’s varied influences find her a sound all her own, as well as a gravity at the mike that holds the center of any room she’s playing for. The thread that weaves through her stylistic choices is always her voice, melodic with an expansive range that she wielded precisely like a scalpel to cut through the colorful fog in the venue.
Soren Bryce by Rhea Foote
Athena played third in a powerhouse performance that you’d never know was her debut effort. She was right at home in front of an audience, prowling the stage in silver spandex like a modern day Xenon, an early 2000s fever dream kicking through pink fog clouds in Adidas stripes. Athena approached her performance with a fierce vulnerability, swinging from charm to rage to melancholy in a way that always felt authentic. She brought the crowd into her circle of trust and pulled them along for her journey—and despite (or because of) the emotional depth each song was catchier than the next, equal parts Paramore and Nelly Furtado, Athena bopping around the stage with her heart in her hands. If this was only her first show, I’d recommend showing up for Athena’s second show.
When Jesse Ott aka Whoa Dakota took the stage, she wasn’t afraid to own the space, immediately splaying herself out on the attached runway while the crowd encircled her. The show also served as a release party for the new single “Right Now” off of her upcoming album “Patterns,” but she saved that for the end of the show, satisfying the audience in the lead-up with her electrifying and adventurous performance. Her bold, anthemic sound imbued all of her songs with an epic energy, getting the crowd dancing and hollering along with her as she navigated the room in her floral bodysuit. It had the feel of a good block party—the raucous happiness, variety, community energy. Whoa Dakota delivered with their surprise guests, hauling Alanna Royalle and Jung Youth out of the crowd to sing and rap respectively alongside her, with Robert Gay joining on trumpet and Anthony Jorissen on sax. During “Patterns,” the hit for which a music video recently came out, it seemed like the whole room was bellowing all the words alongside her. The show’s joyful climax was a surprise birthday celebration for Ott’s 28th birthday, including a rendition of the birthday song led by friends from Pet Envy and Molly Rocket, and punctuated by an amazing display of cupcakes this reviewer found to be delicious.
by brandon de la cruz
Whoa Dakota’s ambitious, ecstatic performance was the perfect series of exclamation points on which to end the evening. Each performer showcased a different side of pop music and played to the infinite potential within Nashville’s nuanced pop scene. It was especially heartening to see a fantastic, well-executed show that just happened to be led both in front of and behind the scenes by female talent. Without billing itself as a girl power show, POP MONSTER reminded us that there’s a surplus of talented women with vision leaving their marks on the Nashville music scene—and with shows this collaborative and joyful, we should definitely be supporting that.
On May 9th, 2018 Brighton, U.K.’s rising band Thyla – comprised of Millie Duthie, Danny Southwell, Dan Hole, Mitch Duce – released their single “Blame” via B3SCI Records.This female fronted semi-pop/punk/rock band has definitely captured something extremely energetic. “Blame” begins with a steady but loaded enthusiasm. The picking and sound of the guitar is like that of The Cure. With a sprinting verse the chorus kicks down the door and leads the race with the propulsion of a jet engine. The pulse of “Blame” never runs dry providing a positive and motivating driving force. With enough fuel to get through any morning this would be the perfect track to start the days routine to. The kind of song that after hearing you’d walk out the door with an extra oomph in your step ready to take on the world. The punk like attributes are subtle but enough to show a little attitude. Thyla originated some time ago, however after not wanting to be one of those bands you hear potential in, they refocused and held back until they were ready. Ready they are. With only 5 single tracks available, you can’t help but let the anticipation build for a full length album. The vocals are melodic and at times a little bubblegum pop-ish. Never screeching or whining. The music section sounds very in sync and well rehearsed as if they were celebrating the release of a 5th album rather than a 5th single. Thyla has a commercial appeal that isn’t sleazy or trying to cash in on a female singer. They write realistic and catchy hooks leaving the lyrical content open to interpretation based on however it applies to the listeners life. They offer a modern approach, yet deeper into the heart and core of the band you can hear the 80’s alternative influences. For those of you in the U.K. be sure to catch Thyla as they have a couple of shows lined up. The rest of us will sit biting our nails waiting for a full album.
Tour Dates
MAY 12 @ Norwich Arts Centre
MAY 18 @ The Bees Mouth
MAY 19 @ Brighton StMary
MAY 23 @ The BOILERROOM
JUN 26 @ The Castle & Falcon
You can keep up with Thyla on their website or via Facebook.
For aspiring artist and writer James Alex of Beach Slang – now exploring uncharted territories with his new project Quiet Slang – “Rock and roll is sort of my consolation prize for wanting to have been a writer.” Both of these dreams are fulfilled as he performs all over the world and now hears lyrics, written by his own hand, shouted back to him while performing in front of hundreds of fans. On May 18th, alt-rock project Quiet Slang is set to release its debut, Everything Matters But No One Is Listening, which has earned the attention of an overwhelming amount of fans and critics all throughout the music industry.
Setting aside all of the hype surrounding this new release, there is a wonderful kind of artistry that is woven throughout each track. Each line holds poetic, relevant meaning to anyone who is lucky enough to hear it. Accompanied by the beautiful, hypnotizing rasp of Alex’s voice, the instrumental aspects of this album embrace the minimalistic nuances that are so clearly embodied in the title of this new rock outfit, Quiet Slang. As a wonderful tribute to the roots of this genre, the almost tangible melancholy of this album is wonderfully enticing and cushioned by the powerfully emotive cellos, piano and vocal talent.
In his own words, Alex explains that this group was brought together to convey one attribute: “Tenderness. I suppose that sounds overly simplified. But, still, it makes it no less sincere. Look, I’m trying to soften the world a little bit—there’s worse ways to be remembered.”
Throughout the album, certain themes are easily recognizable, the importance of sound and how silence can be more powerful. Along with this sentiment, each track emotes events and experiences that are relevant to young listeners and things that are often experienced at that age. With so much going for this upcoming group, it is almost impossible to ignore the blatant talent that is found within each verse of lyrical genius which has brought them to where they are now.
Keep your eyes peeled this Friday, and keep up with Quiet Slang here.
After her tour on NBC’s Emmy-award winning show The Voice season 13, Whitney Fenimore has found herself knee deep in a career that is just beginning. Although she has had so much happen in the space in between her tv appearance and the present, the most exciting news is yet to come as she releases her first ever full EP, Battle Within on May 18. Although the EP is scheduled to drop later in the week, we have had the chance to grab a sneak peak and are excited about Fenimore’s unique ability to seamlessly mesh so many genres–from country to folk and rock to pop.
One of the greatest skills that is highlighted by this Ep is Fenimore’s vocal flexibility. Within each individual track there is such a wide array of emotions that listeners pick up on just by the way she emotes each and every note. With each breath, this young artists draws energy and atmosphere into her long, beautiful melodies. Perhaps The Boot said it best when they proclaimed, “powerful, distinct vocals [and] strong melodies.” All three points accurately sums up all of the highlights presented in this wonderfully written and produced EP. Without a doubt, this will accelerate the career track that she has so clearly set for herself.
From being one of the strongest vocal contestants on America’s favorite pass time show to becoming one of the most credible and content reliable musicians of her time, Fenimore has nowhere to go but up as she continues to develop music that is both relevant and utterly breath taking. At age 28-the amount of quality work that we have seen is astounding. As each single on this track is unique and holds a different feel, fans are inclined to continue listening, viewing several different facades of Fenimore with each passing track. Look out for the release of Battle Within, scheduled to drop May 18. Until then check out her latest teaser, “Stones” which will be included on the release.
Battle Within is out May 18th. Keep up with Whitney here.
