Turning the music world on its head with innovative and meaningful lyricism is young, but talented, artist Deanna Devore and her latest single, “Seven Eight”. Along with her natural talent, Devore has brought a mysteriously lush new edge to the pop industry that fans and critics are sure to eat up. “Seven Eight” is scheduled to drop later this month and those who have already started to tune into her delicious sound are eagerly awaiting this new release. Of course, this young artist has added all of her usual flare, however, this single is also inlaid with smooth yet powerful vocals that will continue to rock the status quo that seems to have dominated the recent scene. Devore has a unique emotion behind her voice that will take any listener on a roller coaster from beginning to end. With out a doubt, this dark track will take Devore to a whole new level of experience in her budding profession and will open up doors for her that hold even more opportunities.
As fans listen to “Seven Eight,” they will find themselves escaping from present cares and falling into a whirlwind of feelings that will hypnotize and move them. With the smooth, steady tempo, combined with warm synth overlays, Deanna’s vocals will leave you with an experience we’ve all had when we are unable to control the outcome of our actions. Stunningly beautiful and mysteriously enticing, Deanna Devore’s newest single is sure to make the market explode when it hits the charts.
On the night of Friday May 7th, Modest Mouse kicked off the summer season at Starlight Theatre in Kansas City, MO with a visually stimulating – and otherwise utterly incredible – performance. Although the crowd was a bit riled up by the time they took the stage, slightly later than was expected – the sound was still being tweaked early in the performance -, which simply built up the excitement for the performance even more. As soon as the band started to assemble on stage, the crowd stood up and lost their minds, and rightfully so.
Bathed in vibrant lighting and smoke, the band was wildly entertaining through a large catalogue of their music, rendering the breezy, warm evening the perfect beginning to summer. A venue that sees a lot of polite, seated crowds was able to experience an energy unlike any I’ve seen in a while, the majority of concert-goers going wild with each new song that played. “King Rat”, “Float On”, “Shit In Your Cut”, “Tiny Cities Made of Ashes”, the list goes on. It was a night made for memories, enhanced by the alt rock we’ve come to know and love since Modest Mouse’s conception in 1993.
If you’re looking for a fun upcoming event, check out the band at Sasquatch! Music Festival Memorial Day Weekend in Quincy, WA. Keep up with Modest Mouse here.
“Elegant gloominess to hyperactive, twitching math rock” are exactly the words used by DIY to describe the new single, “Cold Shower” released by A Festival, A Parade on April, 24 of this year. Not only do these alt-rockers from Newcastle have have what it takes to elevate the sound of classic rock to a whole new level, but the release of their single and the forthcoming release of their EP, Sway Away From Me has the potential to get their name out of the recording studio and into the spotlight.
Talking about this new release, band frontman Joe Allen states, “‘Cold Shower’ is a song which takes a twisted look at endurance, empathy, and the chaos that could ensue when any even-tempered individual is pushed to their boiling point.” Not only is this message conveyed in the driving beats that occupy every second of this single, but it also found in the intense lyrical aspect of their release. Following the success of their first few releases as a fully formed alt-rock outfit, this single has become one of the highlights on play lists throughout the country and has fans sitting on the edge of their seats in anticipation for the EP that is scheduled to drop this fall. With some talented producers and musicians in their corner, A Festival, A Parade is a band to watch in the coming months as they continue to release meaningful, intricate tracks.
Glam rockers The Darkness brought their Tour de Prance to Brooklyn Steel on April 20th. Beloved since they first burst onto the scene in 2003 with their mega-hit “I Believe in a Thing Called Love,” The Darkness has amassed a fanbase of epic proportions over their decades-long career, one whose enthusiasm hasn’t waned.
Made up of frontman Justin Hawkins, guitarist Dan Hawkins, bassist Frankie Poullain, and drummer Rufus Tiger Taylor, The Darkness is theatrical and over-the-top. They’re a band of superlatives, vibrant and entertaining, animated and hilariously embellished. They’re absolutely, purposely ridiculous, bordering on the absurd. With infectious hooks that sink their claws permanently into your ears and an undaunted, almost impossible falsetto, The Darkness stands alone. They are the absolute best at everything, and they let you know it (in fact, sometimes they’ll outright say it). Their energy is unmatched and incomparable. They’ve carved out a special place for themselves in the music industry, unique enough to have bested even the most remote of rivals; they simply, spectacularly, don’t have any.
Most musicians are afraid to be seen as anything but serious artists. The Darkness proves you can have both talent and fun at the same time without one detracting from the other.
As the band first made their entrance, Justin Hawkins, in his trademark leopard-print, skintight bodysuit, walked the length of the stage, pausing inch by inch and blowing kisses in response to the deafening cheers of the crowd. Each member presented one another to the audience, grandly gesturing as if car salesmen showcasing a brand new vehicle. In response, the fans raised their drinks, toasting to the band as Hawkins dramatically threw his hands in the air, striking a pose. Ripping into “Open Fire,” off 2015’s Last of Our Kind, The Darkness filled the room with joyous, driving, hard-hitting noise as the night kicked off.
Hawkins hammed it up throughout the set, cracking jokes, running, leaping, doing handstands, unzipping the top of his bodysuit to reveal his chiseled, tattooed chest, donning accessories from fans in the audience (such as a pair of glasses, a fedora, and, best of all, a Darth Vader mask for drummer Taylor), and making his way, towards the end, down to a t-shirt and boxer shorts. Hawkins proved himself to be a true performer, both entertaining and powerful.
The setlist consisted of their greatest hits, with songs going all the way back to Permission to Land. There was, of course, one song in particular that the audience held their breath all night for. When the encore arrived, Hawkins became dictatorial, commanding the entire crowd to jump. He wasn’t easily satisfied; it took more than a few tries until he finally relented, playing as everyone sang.
The Darkness could have left it at that; it was an excellent finish to an incredible show. But, being who they are, they took it to one last, even higher level: during “Love on the Rocks with No Ice,” Hawkins sat on the shoulders of a reluctant security guard, triumphantly playing guitar as he was walked through the crowd.
The Darkness will be releasing a live album, Live at Hammersmith, on June 15th.
LIFE just released their latest single “Grown Up” coming off of their latest LP. Following up from their breakthrough album Popular Music, the band is back with progression and “Grown Up.” “Grown Up” discusses the coming of age with adulthood and the struggles of love. On the song Frontman Mez describes the single as: “Grown Up is about getting to grips with adulthood and wanting to fall in love again. Seeing the decay of human life as it ages in a park with the dying swans. Is there hope between the space on your plate as you fork at your tea? Can you be too grown up for love?” The “Grown Up” track is infused with punk and enough angst to vent your frustrations. The band has a bit of a Blur sound with a retro rock vibe to it.
From the very depth of New Orleans based brother band Holy Knives comes their debut EP, Ritual Bloom. Over the past few months, fans and followers have gotten to know Kyle & Kody Valentine through their successful singles, “To Be Mine,” and “Every Day” – both of which have been released in recent months. Both of these releases have revealed a little bit more of what we can come to expect from such a young band. Creative and passionate are just two words that can be used to describe this dynamic duo. Their creative streak runs deep–right down to their name which was a clever combination of two of their favorite works of art, the film “The Holy Mountain” by Alejandro Jodorowsky and the poetry book The Singing Knives by Frank Stanford. Despite the fact that both of these artistic works are found in two separate mediums, their message of surviving a daunting quest through unpredictable circumstances to find solace in the beauty of knowledge.
Musically, these brothers have found their niche in a world that contains all of the rich overtones of classic rock and roll that is highlighted by a psychedelically, unique flare. Unlike most artists, the Valentine brothers have found a way to mix together two diverse worlds in the music universe to create something beautiful; just like the name chosen for their group.As the music and the plot therein thickens, listeners are totally and completely captured by the creative and intricate instrumental rhythms. All of the music produced by Holy Knives is intended to be intuitive and plain to all who stumble upon their work, much like a well written story. Without a doubt, this new release will aid them in their goal of becoming the best musicians they can be.
Ready to be lost in a daydream? Los Angeles based songstress Sam Valdez has just dropped a stunning new single, “Farther Away”. The indie rock/folk/shoegaze/Americana singer-songwriter grew up in the Nevada desert, is a classically trained violinist, and has been a member of several bands in the past, but has found her niche as a solo artist. Her new track follows up her 2017 single “It’s Alright” and displays her dreamy sound, highlighted by her clear and ethereal vocals. Masterfully combining Americana aspects into an indie soundscape, Valdez creates a nostalgic, yearning sound with “Farther Away”. Valdez anticipates more music and touring in the future, so fans have a lot to look forward to. Be sure to check out “Farther Away” today!
Indie rock collective Kuwaisiana‘s new single, “Murra” breaks the boundaries on what we would normally consider a hit track as Kuwaiti-born artist +Aziz sings not only in Arabic, but in English as well. From the beginning of this track until the end, there is a sense of excitement and joy as this klezmer/indie band does what they do best. Although this single is performed in Arabic, one does not have to understand the words to comprehend the emotion that is so evidently packed into each rhythm and beat. Despite the several abnormalities, there is is so much talent behind each of +AZIZ’s tracks and, “Murra,” is no different.
Though Kuwaisiana is currently based in New Orleans, +Aziz came to the United States almost three years ago to establish himself as a viable musician across the world. At the beginning, there were difficulties adapting to the American style of music, however, instead of completely relinquishing his heritage, +Aziz was able to find a cohesive blend of the two here now, he is able to please both nationalities. Despite their small start in a new country, their music is taking off in their adopted home of New Orleans as fans come from all over the city to see Kuwaisiana perform.
Dance Gavin Dance has just released their new track, “Son of Robot”, the second single from their upcoming record, Artificial Selection. The Sacramento based quintet is made up of drummer Matt Mingus, bassist Tim Feerick, guitarist/vocalist Will Swan, and vocalists Tilian Pearson and Jon Mess. The rock band has now dropped “Son of Robot”, a second taste of what’s to come, following the release of “Midnight Crusade”.
“Son of Robot” is an explosive track, showcasing Pearson and Mess’ powerful vocals, as well as the strong synchronization of the band. With a thoroughly punk chorus of “How could we forget about you?”, “Son of Robot” is a sure sign that Dance Gavin Dance has a great album in store for their fans.
Watch for Artificial Selection, to be released June 8 via Rise Records.
Tour Dates
5.09.18 – Wallingford, CT – Oakdale Theatre *
5.12.18 – Niagara Falls, NY – The Rapids Theater *
5.13.18 – Somerset, WI – Somerset Amphiteater
5.14.18 – Des Moines, IA – Wooly’s *
5.15.18 – Sauget, IL – Pop’s *
5.16.18 – Fort Wayne, IN – Piere’s *
5.18.18 – Columbus, OH – Mapfre Stadium
5.19.18 – Lexington, KY – Manchester Music Hall *
5.20.18 – Springfield, MO – Gillioz Theatre *
5.22.18 – Corpus Christi, TX – Concrete Street Amphitheater *
5.23.18 – Houston, TX – White Oak Music Hall *
5.24.18 – Dallas, TX – The Bomb Factory *
5.25.18 – Little Rock, AR – The Metroplex *
5.26.18 – San Antonio, TX – Alamo City Music Hall
5.27.18 – Lubbock, TX – Jake’s Sports Cafe
5.29.18 – Memphis, TN – Growlers
5.31.18 – Ft. Lauderdale, FL – Culture Room
6.02.18 – Pointe Verda Beach, FL – Pointe Verda Concert Hall
6.03.18 – Richmond, VA – The National
6.05.18 – Westbury, NY – The Space @ Westbury
6.06.18 – Philadelphia, PA – Union Transfer
6.07.18 – Portland, ME – Port City Music Hall
6.08.18 – Clifton Park, NY – Upstate Concert Hall
6.09.18 – Sayreville, NJ – Starland Ballroom
6.10.18 – Rochester, NY – Anthology
6.11.18 – Toronto, ON – Opera House
6.13.18 – Cleveland, OH – Agora Ballroom
6.14.18 – Detroit, MI – Majestic Theatre
6.15.18 – Joliet, IL – The Forge
6.16.18 – Louisville, KY – The Mercury Ballroom
6.17.18 – Kansas City, MO – The Truman
6.18.18 – Englewood, CO – Gothic Theatre
6.20.18 – Santa Ana, CA – Observatory
6.21.18 -Santa Cruz, CA – The Catalyst
6.22.18 – Sacramento, CA – Concerts In The Park
