by Abby Trapp | May 14, 2018 | singles, wolf tracks
Australian native Vilde just released latest track “Flash In The Pan”, which is the first track on the singer’s new album Thud, set to release July 13th. With a Glass Animals vibe, “Flash In The Pan” is hauntingly psychedelic. The track is infused with tribal beat and synth electronic sounds. The jungle-electronic sound is backed by soft vocals which brings the song home. Vilde is equally excited about the album saying:
Thud was a new experience for me. I realised that I felt like the last time I really knuckled down and dug into something was making the Kins album in 2012. I’d lost touch with the concept of work ethic in music. Everything since had been whimsical, I believed inspiration was reliable. My productivity waned. I felt an urge to prove to myself that I could actually commit to something and follow it through.
Keep up with Vilde here.
by Christie McMenamin | May 14, 2018 | show review, snapshot, visual
Glam rockers The Darkness brought their Tour de Prance to Brooklyn Steel on April 20th. Beloved since they first burst onto the scene in 2003 with their mega-hit “I Believe in a Thing Called Love,” The Darkness has amassed a fanbase of epic proportions over their decades-long career, one whose enthusiasm hasn’t waned.
Made up of frontman Justin Hawkins, guitarist Dan Hawkins, bassist Frankie Poullain, and drummer Rufus Tiger Taylor, The Darkness is theatrical and over-the-top. They’re a band of superlatives, vibrant and entertaining, animated and hilariously embellished. They’re absolutely, purposely ridiculous, bordering on the absurd. With infectious hooks that sink their claws permanently into your ears and an undaunted, almost impossible falsetto, The Darkness stands alone. They are the absolute best at everything, and they let you know it (in fact, sometimes they’ll outright say it). Their energy is unmatched and incomparable. They’ve carved out a special place for themselves in the music industry, unique enough to have bested even the most remote of rivals; they simply, spectacularly, don’t have any.
Most musicians are afraid to be seen as anything but serious artists. The Darkness proves you can have both talent and fun at the same time without one detracting from the other.
As the band first made their entrance, Justin Hawkins, in his trademark leopard-print, skintight bodysuit, walked the length of the stage, pausing inch by inch and blowing kisses in response to the deafening cheers of the crowd. Each member presented one another to the audience, grandly gesturing as if car salesmen showcasing a brand new vehicle. In response, the fans raised their drinks, toasting to the band as Hawkins dramatically threw his hands in the air, striking a pose. Ripping into “Open Fire,” off 2015’s Last of Our Kind, The Darkness filled the room with joyous, driving, hard-hitting noise as the night kicked off.
Hawkins hammed it up throughout the set, cracking jokes, running, leaping, doing handstands, unzipping the top of his bodysuit to reveal his chiseled, tattooed chest, donning accessories from fans in the audience (such as a pair of glasses, a fedora, and, best of all, a Darth Vader mask for drummer Taylor), and making his way, towards the end, down to a t-shirt and boxer shorts. Hawkins proved himself to be a true performer, both entertaining and powerful.
The setlist consisted of their greatest hits, with songs going all the way back to Permission to Land. There was, of course, one song in particular that the audience held their breath all night for. When the encore arrived, Hawkins became dictatorial, commanding the entire crowd to jump. He wasn’t easily satisfied; it took more than a few tries until he finally relented, playing as everyone sang.
The Darkness could have left it at that; it was an excellent finish to an incredible show. But, being who they are, they took it to one last, even higher level: during “Love on the Rocks with No Ice,” Hawkins sat on the shoulders of a reluctant security guard, triumphantly playing guitar as he was walked through the crowd.
The Darkness will be releasing a live album, Live at Hammersmith, on June 15th.
by Christie McMenamin | May 14, 2018 | show review, snapshot, visual
Mobile Steam Unit makes business music.
Literally.
As openers for Animal Years, they single-handedly managed to grab the attention of the entire audience at Brooklyn’s Music Hall of Williamsburg. Not only are they talented musicians, but they’re hilarious, as well. Based on their experiences working on Wall Street, Mobile Steam Unit has crafted lyrics that hit home for anyone who’s worked in business. For those in New York City, this was an extremely relatable topic that resonated with crowd, who immediately broke into cheers when frontman Sam Huntington asked if anyone in attendance had ever worked on Wall Street.
Solemnly filing out in requisite business attire, the band began their set. Interestingly, Mobile Steam Unit has the uncanny ability to deftly span genres; they can do anything from rock to country to soul and beyond. With lyrical topics ranging from everything such as texting, Microsoft Office, and commuting, to name a few, they document the daily minutia of American life while keeping the crowd in hysterics. And during the last song of the set, Mobile Steam Unit surprised the audience by bringing out yoga dancers who tried, as best they could, to keep straight faces while striking poses throughout the song. It was an epic finish to their performance, rivaling that of Animal Years. Mobile Steam Unit is undoubtedly a tough act to follow.
Work takes up a good portion of our lives. By giving focus to this specific, and usually lamented, chore, Mobile Steam Unit has set themselves apart from other bands. By examining the workday through the lens of humor, Mobile Steam Unit is able to give rise to daily frustrations while enjoyably expelling them at the same time.
Check out their video for “Working Boy” below!
by ImperfectFifth | May 14, 2018 | soundtrack
The beauty of a great song for me has always been when a slow dark song or an underground uptempo dance song can move me the exact same way. One moment I can dance or run to it, the other just lay in bed & let the song take me away. When that feeling occur the song haunts me forever.
Song List:
Chris isaak – Wicked games
Portishead – Glory box
Portishead – Roads
Massive attack – Angel
Banks – Alibi
Banks – Poltergeist
Sevdaliza – The language of limbo
David lynch – Dark night of the soul
Nina Simone – Strange fruit
Cat Power – Satisfaction
Thievery Corporation – Depth of my soul (feat. Shana Halligan)
Nightmares on wax – You wish
Cigarettes after sex – Apocalypse
S.Maharba – Girls in pearls
Savages – You’re my chocolate
Tycho, Heathered Pearls – Division remix
TOKiMONSTA – Smoke & Mirrors
Keep up with Alezzandra here.
by Abby Trapp | May 14, 2018 | singles, wolf tracks
LIFE just released their latest single “Grown Up” coming off of their latest LP. Following up from their breakthrough album Popular Music, the band is back with progression and “Grown Up.” “Grown Up” discusses the coming of age with adulthood and the struggles of love. On the song Frontman Mez describes the single as: “Grown Up is about getting to grips with adulthood and wanting to fall in love again. Seeing the decay of human life as it ages in a park with the dying swans. Is there hope between the space on your plate as you fork at your tea? Can you be too grown up for love?” The “Grown Up” track is infused with punk and enough angst to vent your frustrations. The band has a bit of a Blur sound with a retro rock vibe to it.
by Madison Blom | May 11, 2018 | singles, wolf tracks
In order to speak about issues that are constantly being thrown in the faces of teens and adults throughout the world, rising indie band Black Moth Super Rainbow has created a new track that is truly a wakeup call to all those who seem to me in “ignorant bliss.” As with many of their other songs, this recent release is incredibly organic in a way that makes listeners stop and listen to what is being said as well as come to understand the economical and moral crisis that we find ourselves in today.
One aspect of this track stands out among all of the rest, however, and that would the their incredible skill in turning such a universal idea and represent it musically. Throughout the entire song, listeners and fans are able to enjoy the juxtaposition that inevitably happens when you take such a lovely thing and pair it with something incredibly lack luster. In their own words:
Here we are in 2018, inhabiting a tumorous wasteland with singed nerves and synapses fried from scrolling for far too long. This is what the fear sounds like in its most pristine form. The floral bloom and the toxic wilt, the sound of dreams and nightmares reaching détente, a ride through the void, where the fumes offer all the anesthetic you need.
Keep up with Black Moth Super Rainbow here.
by Madison Blom | May 11, 2018 | albums, review, wolf tracks
From the very depth of New Orleans based brother band Holy Knives comes their debut EP, Ritual Bloom. Over the past few months, fans and followers have gotten to know Kyle & Kody Valentine through their successful singles, “To Be Mine,” and “Every Day” – both of which have been released in recent months. Both of these releases have revealed a little bit more of what we can come to expect from such a young band. Creative and passionate are just two words that can be used to describe this dynamic duo. Their creative streak runs deep–right down to their name which was a clever combination of two of their favorite works of art, the film “The Holy Mountain” by Alejandro Jodorowsky and the poetry book The Singing Knives by Frank Stanford. Despite the fact that both of these artistic works are found in two separate mediums, their message of surviving a daunting quest through unpredictable circumstances to find solace in the beauty of knowledge.
Musically, these brothers have found their niche in a world that contains all of the rich overtones of classic rock and roll that is highlighted by a psychedelically, unique flare. Unlike most artists, the Valentine brothers have found a way to mix together two diverse worlds in the music universe to create something beautiful; just like the name chosen for their group.As the music and the plot therein thickens, listeners are totally and completely captured by the creative and intricate instrumental rhythms. All of the music produced by Holy Knives is intended to be intuitive and plain to all who stumble upon their work, much like a well written story. Without a doubt, this new release will aid them in their goal of becoming the best musicians they can be.
Keep up with The Holy Knives here.
by Veronica DeFeo | May 11, 2018 | singles, wolf tracks
Exploding out of the Bay Area, garage-surf rockers The Silhouette Era have just dropped a brand new track, “Waste Me”. “Waste Me” is the first single off The Silhouette Era’s new self-titled EP, due for release on June 22. Their self-titled EP follows the success of their 2015 record Beacons, as well as other singles. The San Francisco based band is made up of drummer James Findlay, bassist Clayton Payton, guitarist Sean Thompson, and vocalist/guitarist/keyboardist Carlos J Gonzalez.
Now, the four-piece anticipates the release of their upcoming EP with killer track “Waste Me”. With a vivacious start, “Waste Me” features not only gritty instrumentation but also hard-hitting lyricism – all set on a danceable, carefree rock soundscape. “Waste Me” will wake you up and have you on your feet in no time. From the truly garage-rock intro to the more laid-back vocals, “Waste Me” showcases The Silhouette Era’s ability to bridge sub-genres and soundscapes to create their own unique sound that’s sure to please a wide variety of rock devotees.
“Waste Me” is not a track to miss, so check it out today!
Pre-order their upcoming self-titled EP on Bandcamp. Stay connected with The Silhouette Era: Twitter // Facebook // Instagram
by Veronica DeFeo | May 11, 2018 | singles, wolf tracks
Looking for your new favorite song? You’ve got to give Scott Helman’s “Ripple Effect” a listen. “Ripple Effect” appears on Helman’s latest record, Hotel de Ville, and follows the success of his previous single “PDA”, which is now certified Gold. The Toronto-based singer-songwriter has made huge strides in Canada since his debut EP Augusta in 2014, and has been spreading his wonderful talent around the world since then. “Ripple Effect” is a reflective and emotive track, simple yet powerful in instrumentation to highlight Helman’s confident and yearning vocals. The Canadian artist clearly has a grasp on presenting deep thematic material in an approachable manner. Not only is the song beautiful lyrically, but the instrumentation in “Ripple Effect” is also perfectly balanced down to the last note. Old fans and new listeners alike will be smitten by Helman’s fantastic composition of the track (not to mention his dreamy vocals).
Scott Helman has released many amazing songs in the past few years, but “Ripple Effect” might just be our new favorite – and we think you’ll love it too.
In Europe this summer? Check out Scott Helman on tour! Stay connected with Scott Helman:
Website // Instagram // Youtube // Spotify // Twitter // Facebook
