by Meredith Schneider | Jul 5, 2018 | 5 to 7
On July 12th, Austin-based indie pop act Carry Illinois – comprised of Lizzy Lehman (Lead Singer/ Rhythm Guitar), Andrew Pressman (Bass), Rudy Villarreal (Drums), Darwin Smith (Guitar), and Benjamin Rowe Violet (Keys) – will make a much anticipated appearance The Rino in Kansas City, MO. But before we head out to celebrate the summertime with this impressive quintet, we wanted to ask brainchild and front woman Lizzy Lehman some questions. Below, she delves into her inspiration and the development of the band.
What was your first musical memory? Do you think that memory has any bearing on how you create music now?
My first musical memories are of watching The Beatles’ “Yellow Submarine” and Maurice Sendak’s cartoon musical “Really Rosie” (with music sung by Carole King). Hearing the music from both artists absolutely inspired my love of singing and a deep desire to create truthful, emotional, and relatable music that reflects the journey of navigating the challenges and triumphs of life.
What unique flare do you think performing and creating in Austin, TX has given to your music?
Austin is a very accepting and supportive city where it is ok, and even encouraged, to be different and loud and proud about being yourself. Performing and creating here has made it possible for my music to fully represent my awkward, wonderful, painful, scary, and hopeful personal experience without fear of being judged.
Music lovers in Austin want to see artists expressing themselves in the most authentic way possible. My music has been embraced by people from all walks of life, even by those I would never expect to connect to it, and that is truly rewarding and validating.
What’s the story of how the musical project started and expanded? Was it a meet cute?
After the break up of a previous band, I knew I did not want to go back to playing solo. I had grown to love the power that comes with having a full band behind me. I set to work recruiting some of my favorite musicians- some old friends, and some new friends of friends. Darwin and Rudy have been with me from the beginning, through all the experiments, and the ups and downs. I am so grateful for their love and support. Following the painful loss of our bass player and dear friend John, we brought on Andrew, who has been a good friend and part of my chosen family for a long time. We lost our former keys player to the domestic life, but it made us think more about the sounds we want to hear, and we were very lucky to find Benjamin. He has added depth and sparkle to our sound in all the right places, with his array of synths and keys. We’ve made some changes to our sound over the years, with me “going electric” and accepting my love of pop and rock music. I couldn’t ask for a more supportive and creative group of guys. It wasn’t exactly a meet cute but the love is strong!
Your new EP Work in Progress is so vulnerable and honestly provides such a kaleidoscope soundscape. What was it like, making that EP?
Making the new EP was a highly creative, visceral, and fully collaborative experience. It was amazing to have several days to build up the instrumentation, allow my band members to flex their creative muscles by experimenting with different sounds, and then record my vocals with a fully realized and rich musical context already in place. I was able to engage my emotions in a much deeper and connected manner while recording this EP because I was singing my most revealing and brutally honest lyrics to date.
How do you feel your music has progressed since you started?
My music has become much more personal, honest, and revealing. It has also gone from having a very rootsy/folk feel to fully embracing my unabashed love for pop music. While the subject matter of the songs has become more earnest, the music itself has gained a more driving, catchy, and relatable feel. I have gone from making up songs about things I have never experienced, to confronting my most painful insecurities and challenging life experiences. I have become a truth-teller who is no longer afraid to tell my story.
What is your favorite part about live performance?
I love getting to belt my heart out, and in doing so I am able to share my true voice with the audience. Singing is my first instrument and my greatest musical passion. When I sing live I feel alive, and it is extremely fulfilling to see people engage in both the intimate and dramatic moments throughout our set.
What do you hope people take away from your music, and from seeing you live?
I want people to know that we are all connected by a need for love, support, and understanding. I want them to know that it is ok to feel their feelings and process their own pain. I hope that they feel comfortable enough to come up to me and let me know that they share a common experience, and that my music helps them to not feel alone in the struggle for self-acceptance.
If you could be any superhero, who would you be and why?
I would be Wonder Woman because she is strong, powerful, confident, and can face any challenge that comes her way! I would love to be able to stand tall even when I am having a difficult time maintaining stamina to get through my toughest moments.
Anything else?
I’m looking forward to meeting you in Kansas City! Please come say hello!
___
Keep up with Carry Illinois
here.
by Meredith Schneider | Jun 28, 2018 | albums, premieres
Alternative electro-synth pop artist HiRSH – the ethereal, enchanting brainchild of musician Beau Hirshfield – is releasing his new EP Going on Friday. If first track “Ready to Go” didn’t offer the expression of his readiness to take on this industry with strong instrumentals and luscious vocals in its soundscape, the lyrics tackle that question head on. “Beating Heart” brings the tempo down, though somehow maintains a “party anthem” feel to it despite its dark lyrical tones. And while “Feels Like” boasts enviable percussion, Last track “The Well” perfectly rounds out the EP, riling up every emotion a human soul is capable within its 3 minutes and forty-seven seconds of smooth vocalization.
Says Hirshfield: “Trial and error. Guess and check. Ebb and flow. Peaks and valleys. Go ahead and pick any cliché you like to describe this journey. We are all in a mad dash to get somewhere while nobody has any real clue where were actually going. Life.”
Going is out June 29th. The EP release show is at The Peppermint Club in LA on June 29th. Tickets are available here. Keep up with HiRSH here.
by Karina Marquez | Jun 14, 2018 | albums, review
Mallrat’s new EP, In the Sky, is electrifying and emotional in every way. She seems to take a piece of you and a piece of herself, giving the songs a personal yet nostalgic tone with sweet pop melodies. She also incorporates the beauty of nature in many ways, whether it be in the cover art, the accompanying videos on Spotify, or in the album title itself. It’s clear that she is inspired by everything around her, which is clearly shown in each song.
The EP opens with the cool simplicity of “Groceries.” It has a steady, bouncing beat and acoustic guitar that gives it an upbeat vibe. But the lyrics are surprisingly deep: “I just want to get groceries” shows emotional depth about what you want in a relationship. “Texas” starts off as a ballad with pretty harmonies, but as the song goes on, it becomes a track that makes you want to dance around your room. “Better” is an upbeat song with painfully honest lyrics. Her voice croons about young optimism: “Everyone’s alive so everything’s alright.” At the same time, she reminds us of how fleeting everything is when you’re young and growing up: “Maybe when the summer ends / I’ll drift away from all my friends.” This song was a personal favorite, and it really shows how personal her lyrics can be. UFO sounds like a summer Top 40 hit with its electro-pop vibe and a rap verse from fellow Australian artist Allday. The EP ends with “Make Time,” which is more subdued than the rest. it allows you to daydream and think about someone you miss.
Mallrat’s cool, unique sound is taking over the world. Not only does she sing and write her own songs, but she co-produced every song on this EP. At only 19 years old, she is a powerhouse of talent and passion.
Keep up with the latest on Mallrat here.
by Kayla Hutton | Jun 7, 2018 | albums, review
Lolaa, consisting of Toronto-based sisters Lex Valentine & Nadia Valerie King will release a Spanish version of their debut EP on June 8th. The musical project allows the sisters to explore their Mexican heritage, taking inspiration from Latin American 80’s pop music. The EP is a soulful approach with Latin-inspired instrumentation. Similar to that of Gloria Estefan minus the pop American influence and hiding the cultural percussion in the background. Lolaa puts them in the forefront and the result is a feel good, twilight, dancing in the streets fiesta.
“Lola” – the song bearing the proper spelling of the band’s namesake, meaning “Lady of Sorrows” – sways slowly in a gentle breeze accompanied by impactful and heartfelt vocals. While the verses are sung solo and with minimal instrumentation the chorus is filled out by an overlay of vocals giving it a thicker, meatier, stronger delivery. “Cancion 6” has a passionate vibe and produces a lot of warmth. Taking some influence from a 70’s disco ballad with a swaggering groove, intense pre-chorus vocal melody that leads the way for a full-on Pop anthem chorus. I have no clue what they are saying, but I feel the need to sing along. Maybe I will make up my own words. Could be fun.
[youtube https://www.youtube.com/watch?v=Bepmx9t4-CA]
Thus far Lolaa is bringing the synth-pop and danceable rhythms even during the slower paced songs. Embracing all the emotions in life and creating a sound that despite the mood or event, you can dance. “Barricada” demonstrates an almost haunting calling. While the beat boasts a Casio powered hi-hat and a simplistic stock snare kick combination the vocals definitely take the bull by the horns. I think this track could easily be even more dramatic and impactful a cappella aside from the ending with the comforting sound of an old music box. While none of the tracks are high energy they maintain a joggers pace and are in the key of motivation and are cinematically dramatic, the key of each song designed to appeal directly to the heart of your emotions.
Lolaa has a unique sound as you can definitely and obviously pick up on the Latin influence, as these tracks are En Espanol, but the music itself has a fusion of American pop, latin and old-school instruments, Canadian imagination and an immense of amount of passion. Don’t let the language barrier stop you from checking them out. You don’t need words to express an exact message. Tone and delivery will impact you just the same. A video premiere for the single “Espiritu” has been released via Nylon Espanol to hold you over until the E.P. is released.
Tour Dates
July 12th Coney Island Baby at 8 pm New York, NY
August 4th Handlebar’s at 8 pm Toronto, ON
Keep up with Lolaa here.
by Abby Trapp | May 25, 2018 | albums, Uncategorized, wolf tracks
IAKO is excited to release his debut EP Queen of Balance. Raised in Venice, IAKO (also known as Jacopo Rosetto) draws inspiration for his music through memories of canals, poetry, and relaxing soundscapes. His EP consists of six tracks in total which include his single “Paint” and “Queen of Balance.” “Paint” is a soulful track with powerful lyrics. “My heart is yours/You can paint it as you want,” sings IAKO. A love song of hopeless infatuation, the track is almost, in a sense, sad. “You can play with it as you want,” IAKO says of his heart. Combining the sounds of IAKO’s beautiful voice, piano, and lyrical thoughtfulness, “Paint” will take your heart home.
Title track “Queen of Balance,” remains a little more fast paced but keeps a somber mood. “I’m no king, and you’re the queen of balance,” proclaims IAKO. Also realizing sadness, IAKO asks “Why would you crush the fortress we built?” A plead to his queen, IAKO sings of the king he will never be. My favorite line is “You bring me down, so down,” because while hurt remains, how can you not see the person you love a royalty regardless of actions? My favorite song on this EP is “Vanishing Point.” Unlike most of the tracks, “Vanishing Point” starts off with a jazzy upbeat feel. It remains hopeful and references art in a fascinating way. “We’re just two parallel lines, so close but so far from the vanishing point, from the vanishing point.” “Take my silence, and decorate your walls,” the song pleads.
Queen of Balance is an emotive display of indie-folk with lyrical creativity that really makes you want to listen.
Queen of Balance is out now. Keep up with IAKO here.
by Veronica DeFeo | May 9, 2018 | albums, review
It’s a great day for a new EP! Toronto-based Century Thief is back with their new self-released EP, Deaf Beneath the Waves, which is their second release since their debut record, Reverie. Century Thief is made up of vocalist/guitarist Omar Shabbar, bassist, Dante Matas, drummer Colin McNally, guitarist/vocalist Michael Legere, Kathryn Kearns on keys, wind, and vocals, Adam Reid on brass.
Says Century Thief about the creative recording process for Deaf Beneath the Waves,
We found it very important to have a bigger hand in the recording process, and decided to self-produce this material. In the spring of 2016, we isolated ourselves at a farmhouse in Northern Ontario for a week and a half to begin tracking, and then finalized the recordings at The Root Down Studio back home in Toronto. The result was songs that are darker, and more spacious, incorporating more electronic sounds, synthesizers, ambient noise, and effected guitars and vocals.
Deaf Beneath the Waves tracklist:
1. “406” starts off Deaf Beneath the Waves on a dramatic note. With full instrumentation and great vocals, Century Thief does not waste any time getting their EP going. Read more about “406” here.
2. “You Are Here” picks up where “406” left off. A bit mellower, but simply showcasing a different kind of strength. Century Thief clearly has an excellent hold on their composition, and knows how to display their well-crafted sound in the best way possible.
3. “Science of Solace” closes out the EP on a more upbeat tone. The most indie-rock of all the tracks, “Science of Solace” is filled with excellent harmonies, guitar, and bass. Til the last moment, Century Thief will have the listener hooked, holding onto every last note of the moving, soaring song.
Stay up to date with Century Thief:
FACEBOOK / TWITTER / INSTAGRAM / SPOTIFY/ SOUNDCLOUD
by Jai'Tyria Hatton | May 3, 2018 | albums, review, wolf tracks
Rock group Rad Horror is on the brink of success with the recent release of their four track EP Anti-Teenage Sensation Part 1. The collection of quirkily beautiful pop/rock tracks takes you back to that casual, laid back, feeling that we all crave from the 90s. The first track is called “Dark Times”, and is a song that takes you on a journey addressing people who act fake while making you feel like an outcast. Endearing as all hell, it paves the way perfectly for second track “Teenage Love”, which looks at the thin line between love and lust.
The album comes around full circle, touching on a variety of topics with “Stay Out” – which talks about all-too-relatable mind games – and “Only When You’re Lonely”, which seems to bring each topic element of the album together. Anti-Teenage Sensation Part 1 is a future classic at its finest, preparing us all for the ups and downs of summertime love.
Keep up with Rad Horror here.
**co-written by Meredith Schneider
by Veronica DeFeo | Apr 24, 2018 | albums, review
Nashville-based Pale Houses has just released their new EP, Songs of the Isolation. Collaborating with producer Brandon Owens (Mutemath), the four-piece follows up their 2013 self-titled debut with this EP. Pale Houses is made up of drummer Ryan Rayborn, vocalist/guitarist Aaron Robinson, bassist/guitarist Aaron Yung, and Joshua Hood on lap steel/guitar. This long awaited second release encapsulates the beautifully different sound that Pale Houses so wonderfully owns. While the title of this EP references isolation, it is anything but uninviting. Pale Houses touches on familiar emotions and experiences in a deeper and different way through their lyricism and instrumentation.
Songs of the Isolation:
1. “The Ocean Bed” starts off the EP with a metaphoric track, featuring some hitting lyrics and carefully crafted guitar playing. Leading into the chorus is a beautiful moment of rising percussion that is truly the clincher for this track.
2. “Tenderfoot” carries a sound of persistence along with earnest vocals and an energetic beat. This song simply has to be amazing live.
3, Who Will I Be For You?”, a unique track, layers soft synth in its beginning, questioning the roles we play in each others’ lives.
4. “Ring Around the Moon” brings the listener into a nostalgic, gentler soundscape highlighted by smooth vocals and a yearning, soulful sound.
5. “Hideaway” is a moving track with a strong beat and emotional lyrics, featuring a beautiful medley of guitar playing.
6. “Olivia and Courage” is a slightly abstract piece that hovers on the edge of breaking, while maintaining a quiet strength that keeps the listener in its hold through the entirety of the track.
Moving along a variety of instrumentally breathtaking tracks, Pale Houses manages to be both flexible and focused with their sound. Songs of the Isolation is simultaneously different and perfect. This EP is not one to miss, so check it out today.
Stay connected with Pale Houses:
Facebook – Instagram – Spotify – Bandcamp
by Abby Trapp | Apr 20, 2018 | albums, review, wolf tracks
Brazilian/American rock band Added Color are excited to release their latest EP Mr. Industry. The Brooklyn-based band has played has played 200 shows since 2014, touring in over 20 states and even internationally in Canada, Morocco, and Brazil. They have even played in festivals such as Porao do Roc in Brazil. With budding success, we’re thrilled to share the follow-up to their Psycho EP with you.
Mr. Industry covers an intense and diverse side of the band’s sound— the angst is in the lyrics and it is evident that this is rock that you can scream or even relax to. The song “My Industry” discusses the darker side music/entertainment industry in a very honest light. “Mr. Industry” discusses how many followers you have, what you can do to sell a band or a product and how is it that I can only live on ten dollars a day? “Mr. Industry” rightfully states “I call bullshit.” “Same Place” is a little different in the fact that it dials back the vibe to a more pyschedlic state. “I had a dream, in a familiar place but all the people that I thought I knew had unfamiliar faces,” sings the band. Added Color is able to keep a balance between chill/funky and “frustrated” rock with tracks that vary such as “Mr. Industry” and “Same Place.”
March 1 – Washington, DC – Songbyrd
March 2 – Philadelphia, PA – Tusk
March 15 – Norwich, CT – Strange Brew
March 16 – Portland, ME – Portland Empire
March 17 – Florence, MA – 13th Floor
April 28 – Layounne, Morocco
May 1 – Safi, Morocco
May 2 – Youssoufia, Morocco
May 3 – Benguerir, Morocco
May 4 – Casablanca, Morocco
May 5 – Khouribga, Morocco
May 6 – El Jadida, Morocco
May 19 – Brooklyn, NY – Knitting Factory
June 15 – Portland, ME – Portland House of Music
June 16 – New London, CT – 33 Golden St
Keep up with Added Color here.
