After her tour on NBC’s Emmy-award winning show The Voice season 13, Whitney Fenimore has found herself knee deep in a career that is just beginning. Although she has had so much happen in the space in between her tv appearance and the present, the most exciting news is yet to come as she releases her first ever full EP, Battle Within on May 18. Although the EP is scheduled to drop later in the week, we have had the chance to grab a sneak peak and are excited about Fenimore’s unique ability to seamlessly mesh so many genres–from country to folk and rock to pop.
One of the greatest skills that is highlighted by this Ep is Fenimore’s vocal flexibility. Within each individual track there is such a wide array of emotions that listeners pick up on just by the way she emotes each and every note. With each breath, this young artists draws energy and atmosphere into her long, beautiful melodies. Perhaps The Boot said it best when they proclaimed, “powerful, distinct vocals [and] strong melodies.” All three points accurately sums up all of the highlights presented in this wonderfully written and produced EP. Without a doubt, this will accelerate the career track that she has so clearly set for herself.
From being one of the strongest vocal contestants on America’s favorite pass time show to becoming one of the most credible and content reliable musicians of her time, Fenimore has nowhere to go but up as she continues to develop music that is both relevant and utterly breath taking. At age 28-the amount of quality work that we have seen is astounding. As each single on this track is unique and holds a different feel, fans are inclined to continue listening, viewing several different facades of Fenimore with each passing track. Look out for the release of Battle Within, scheduled to drop May 18. Until then check out her latest teaser, “Stones” which will be included on the release.
Battle Within is out May 18th. Keep up with Whitney here.
Brooklyn-based indie funk/rock act Cosmonaut Radio – consisting of Austin Deyo (drums, back up vocals), Russell Castiglione (lead guitar, back up vocals), and Freddy Millan Jr (lead vocals) –
Austin:
Peg-Steely Dan – Could’ve chosen any of their songs honestly. And although we don’t sound like them (I don’t think anyone ever will), the way they wrote music, and found success with strange vocal melodies and crazy jazz chords is inspiring.
The Chicken-Jaco Pastorius – Arguably the best ever, this song paved the way for fusion music and bands like Snarky Puppy. It’s so catchy and the band is so top notch.
Thing of Gold-Snarky Puppy – Some of the best music I’ve ever heard, and the Moog solo will change your life.
Sharon Jones and the Dap Kings-100 Days, 100 Nights – Brooklyn based, funk revival, powerful vocals, groovy horns. It’s the best of like 5 different kind of musical genres combined. They’re one of the biggest reasons that funk and funk based music is popular again.
And I’m Telling You I’m Not Going-Jennifer Holliday – Jennifer hudson’s version is also impressive. This song is so epic. Musically, it’s interesting, and complex, vocally, it’s out of this world.
Love On The Rocks-Sara Bareilles – I love everything Sara Bareilles does.
Miss You-The Rolling Stones – This is one of my favorite songs, and we used to cover it. I put it on this list because it also symbolizes the end of “The Cosmonauts” and the beginning of Cosmonaut Radio. Although rock, and more specifically, blues, will always influence our music, this new record is an evolution and graduation to the next level for us. And I know you can’t graduate from the stones, but this song specifically signifies the next chapter for me and and for the band.
Another Kind of Green-John Mayer Trio – Steve Jordan, Pino Palladino, and John Mayer. Come on. The pocket is as solid as solid gets. And everything else about this song is fantastic.
Freddy:
1. “Daylight” by Failure
“Daylight” is a weird but great song to jam out to while pondering life and the universe, and it serves as the final song (and bookend) to my favorite album of all time.
2. “Dance, Dance” by Fall Out Boy
The song that originally made me want to join a rock band, the appeal of “Dance, Dance” is right there in the title, with an energy and style that always makes me want to get up and move.
3. “Ogre Battle” by Queen
One of the best songs by one of the best bands of all time, “Ogre Battle” is a microcosm of everything that made Queen great: experimental yet catchy songwriting, intensity and energy bred from tight and layered musicianship, and the inimitable vocal stylings of Freddie Mercury.
4. “Emotions” by Mariah Carey
What else can be said about Mariah Carey? Her insane range and riffing abilities were big inspirations to me as a vocalist growing up, and this song is a showcase of those talents at their peak.
5. “Greedy” by Ariana Grande
Ariana Grande is one of very few A-list pop artists right now who I think is bringing anything interesting to the table, and this song combines her pop, R&B, and theater sensibilities, powerhouse voice, and knack for insanely catchy hooks and key changes into something that’s arguably better than any radio single she’s ever released.
6. “Run Away With Me” by Carly Rae Jepsen
Carly Rae Jepsen is what I wish more radio-friendly pop sounded like, and “Run Away With Me” perfectly tinges her overt sentimentality with slightly more melancholic tones to produce a song that’s somehow both romantically fleeting and timelessly grounded.
7. “Dorothy Dandridge Eyes” by Janelle Monae
As far as I’m concerned, Janelle Monae is almost single-handedly carrying on the musical legacies of Prince and David Bowie in the mainstream, and she’s doing justice to both of them. I debated between a lot of songs to put here, but few songs demonstrate Monae’s effortless cool and subtle sensuality as well as this one.
8. “Starship Trooper” by Yes
Yes is one of my favorite bands to put on and just chill out to, and “Starship Trooper” puts their unusually long song runtimes to good use by constantly changing while remaining consistently catchy and engaging from start to finish.
9. “Glory Box” by Portishead
I love Portishead because they are a seemingly very sad band with certain songs that speak to an inner torment that I never knew I had, but I decided to go with the vaguely more upbeat closer to their stellar first album.
10. “Fortress” by Queens of the Stone Age
I’ve always liked Queens of the Stone Age, but I was not expecting to love their newest album as much as I did, and this song about vulnerability and getting back up when life knocks you down is definitely one of its many highlights.
Russell:
1. People Get Up and Drive Your Funky Soul – James Brown
This song has definitely influenced me as a funk guitar player. It was one of the first James Brown songs that I fell in love with instantly.
2. What A Fool Believes – Doobie Brothers
I love this song because Michael McDonald has a hauntingly amazing voice, the harmonies are killer, the key change into the chorus is a lovely change, and the song itself is so happy! I could have the worst day, listen to this song, and instantly feel better.
3. Reckoner – Radiohead
This is my favorite song from Radiohead at the moment (it changes). Thom Yorke is a huge inspiration for me because of his high falsetto range and the melodies he chooses over the band’s interesting chord progressions.
4. Skate U – Snarky Puppy
This song has an incredible build up with great breakdowns and solos, one of the best by this band in my opinion.
5. No Quarter – Led Zeppelin
This is my favorite band of all time so I had to include this. This song in particular captures the expertise of each member so well and is just really a beautiful/powerful song.
Nashville-based Pale Houses has just released their new EP, Songs of the Isolation. Collaborating with producer Brandon Owens (Mutemath), the four-piece follows up their 2013 self-titled debut with this EP. Pale Houses is made up of drummer Ryan Rayborn, vocalist/guitarist Aaron Robinson, bassist/guitarist Aaron Yung, and Joshua Hood on lap steel/guitar. This long awaited second release encapsulates the beautifully different sound that Pale Houses so wonderfully owns. While the title of this EP references isolation, it is anything but uninviting. Pale Houses touches on familiar emotions and experiences in a deeper and different way through their lyricism and instrumentation. Songs of the Isolation: 1. “The Ocean Bed” starts off the EP with a metaphoric track, featuring some hitting lyrics and carefully crafted guitar playing. Leading into the chorus is a beautiful moment of rising percussion that is truly the clincher for this track. 2. “Tenderfoot” carries a sound of persistence along with earnest vocals and an energetic beat. This song simply has to be amazing live. 3, Who Will I Be For You?”, a unique track, layers soft synth in its beginning, questioning the roles we play in each others’ lives. 4. “Ring Around the Moon” brings the listener into a nostalgic, gentler soundscape highlighted by smooth vocals and a yearning, soulful sound. 5. “Hideaway” is a moving track with a strong beat and emotional lyrics, featuring a beautiful medley of guitar playing. 6. “Olivia and Courage” is a slightly abstract piece that hovers on the edge of breaking, while maintaining a quiet strength that keeps the listener in its hold through the entirety of the track. Moving along a variety of instrumentally breathtaking tracks, Pale Houses manages to be both flexible and focused with their sound. Songs of the Isolation is simultaneously different and perfect. This EP is not one to miss, so check it out today.
New York based artist Sam Himself has made a name for himself with his new single “Heartphones”. With a classic take on rock, “Heartphones” gives the listener a taste of dreams, hope, and commitment. The song talks about having to take sacrifices to get to where you want to go in life.
“Heartphones” tests the question of how far you are willing to go for something you love. The track is a love song that tugs at your emotions and plays a part in your decision making when it comes to questioning big decisions you have to make in life.
Need to forget about your worries? We’ve got just the song for you. Molly Moore has just released her brand new track, “No Stress”, which appears on her upcoming EP, Third Eye High. The L.A. singer-songwriter has worked as a solo artist, a member of Cosmos & Creature, and has written for the likes of Lea Michele, EXO, and Jesse McCartney. Moore’s new track is just as the title suggests: easygoing, stress-free, and laid back. Splashes of electronica on a pop canvas make for a delightfully fun yet relatable track.
Says Moore: “Self reflection can be hard, especially in a time when everyone wants to filter the best part of their story/image forward, but I try and find power in confronting the less comfortable things. Dealing with human emotions isn’t always easy but I do think that we innately want to help each other. I want my music to leave people with hope amidst the ‘reality’ we are faced with.”
Moore does a fantastic job of appealing to the tension that we all face in daily life, providing a temporary escape with “No Stress”.
Continuing to build on their past success is dynamic duo, Joan with a plethora of infections lyrics that are sure to pull of the heart strings of fans and followers throughout the world. Regrets and experiences have fused this group together into a force to be reckoned with. Once again, Joan has released a new single that has all of their talent and skills on display for their fans to soak up and adore. “I loved you first,” is a single that is laced with lyrics reminiscent of words unspoken to middle school crushes.
With this new release, Joan invites listeners to roll up those denim sleeves and prepare to be catapulted into a pool of emotions. Like many of their other tracks, “I loved you first,” was written from personal experiences that were particularly poignant in the lives of this Arkansas based group. Speaking of the new single Alan said, “I went through a relationship with this girl, I thought she was the one for me. right when I started falling for her, though, she started feeling really distant, I still had crazy feelings for her, but it turned out that she had feelings for Brandon the whole time. this one is for you, Brandon.”
Following the re-release of their Brain EP on Castle Face Records, Once & Future Band – the Oakland-based psych pop collective expertly comprised of Eli Eckert (bass, vocals), Joel Robinow (keyboards, vocals), Raj Ojha (drums), and Raze Regal (guitar) – sat down briefly with us for a quick interview. The EP is pieced together with four enigmatic, moody tracks that will make your tastebuds water with excitement as you stumble along the quirky and wonderful soundscape that the four piece provides. Check out everything they had to divulge to us about their musical lives below!
What was your first musical memory, and did it have an impact on the way you create now?
(Joel Robinow) My first musical memory was actually seeing les miserables on its first run when it came to San Francisco. It was with the ideal cast, Michael ball, the incomparable colm Wilkinson, lea salonga, and Tim Curry as Javier. I was electrified. I didn’t know that music was capable of making you feel emotions…I had butterflies in my stomach the entire time, the intricate arrangements, the opulence…it’s all still very clear in my mind. Dunno. That and the video for “steppin out” by joe Jackson.
Your Brain EP was just re-released, and we’re super super smitten. Any fun anecdotes from that original production process that you can share with us – or any new details in getting the re-release out?
(Raj Ojha) We do most of the production / recording ourselves, recording wherever our home studio is at the time. For some songs that need a larger space, we’ll record basics (drums, bass, some keyboards) at our buddy Phil Manley’s studio(s). For the Brain EP, we recorded two songs entirely (basics, overdubs) in Joel’s bedroom at the time. I remember shag carpet everywhere and low ceilings which really aided in the vibe and dry / tight sound we got for the bass and drums on those tracks. The drums, bass and keyboard for the other two EP songs were recorded in San Francisco, at Lucky Cat Studios (which is also where we mixed the EP). The room there was the literal antithesis of what we had at Joel’s.
While we did have a clear vision of what we wanted to achieve sonically, there was a lot of experimentation, a lot of trial and error. There were many long nights spent trying layered vocal harmonies, scrapping them, replacing them with synths, then guitars, and sometimes going back to mix all of them together just for a chorus or outro. It’s those parts of the recording process we enjoy the most, where we sculpt the song’s arrangement and sounds beyond what we initially had in mind. Deadlines really help us from going off the deep end when we go down those paths, usually because we never want to stop. Since then (about 5 years ago), we’ve gotten a lot better at knowing when a song is done, and when its final voice is apparent.
How does it feel knowing that your creation is finally out in the world – with wider distribution this go’round?
(RO) It feels great! We’ve been playing these songs for so long now, and they’ve changed over time in a live setting. It’s nice to show some our newer fans a little piece of our history. Hopefully it also helps tide over people while we work on a few other releases, including our next LP.
Do you have a favorite track from the EP, or one that you prefer to perform over others?
(RO) The song “Brain (Watching Your Eyes)” has been a mainstay in our live set since the beginning. It’s one of the first songs we started playing as a band and over the years has morphed into something that the EP couldn’t contain (we’ve been known to extend this song to over 15 minutes live). One reason for it’s longevity in our live show is because it really lets us stretch out, improvise and add new twists and turns that aren’t featured on other tracks of ours. Improvisation is an important aspect to our group, especially in a live setting and even though “Brain” has a tight arrangement, it allows us the freedom to do something new every night in the second half of the song. It’s nice to take chances in front of an audience, it keeps things fresh and allows us to communicate musically in new ways between each other.
How do you imagine people listening to your new EP?
(RO) I imagine it right now, probably because you suggested it…let’s see….there’s a guy, wait actually it might be a girl…hard to say, their back is turned. They’re holding something in their right hand, I can almost see it, it glints…a knife? No, that’s unlikely….oh…it’s a pen. Phew!!! They are bobbing their head in time with the music.
(EE) My dream scenario of someone hearing our EP is that it just feels to them like something they’ve been waiting to hear. It fits like a glove and they’re as stoked on what we created as we were to create it. They’re just all “Hell yes”.
If you could be any superhero – “real” or made up – who would you be and why?
(RO) I’m not a comic book head but great musicians usually fall under the category of superheroes for me personally. Wayne Shorter-For his stunning composition ability and otherworldly playing(Check out any of his work with Miles,Weather Report and any recordings where he’s the leader ie, JuJu, Adam’s Apple, Speak No Evil, Night Dreamer et al for the proof)
(JR) Yea Wayne is an inspiration…I dunno. Being a superhero seems like too much responsibility, I’d prefer to be one of those people pointing at the superhero when they are doing something cool
(EE) I know Wayne Shorter used to love to read comics (maybe he still does???) so this makes sense!
Now that the EP is out, what’s next? What are you most looking forward to? Tell us all the crazy details!
(RO) We’re about to embark on a North American tour in April, supporting Chris Robinson’s “As The Crow Flies” band, hopefully we’ll also get back to the UK and Europe (we just finished out first major tour of the UK) before the end of the year. We’ve also been working on a lot of new material which we’ve started recording ourselves. We have a lot of ideas for releases, videos, collaborations right now but it’s best that we keep a lid on those plans until the moment is right. We’ve also been playing out a lot recently which is our next favorite thing to being in the studio!
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Keep up with Once & Future Band here, and catch them out on tour at the performances below!
2018 “AS THE CROW FLIES TOUR” – With Chris Robinson Apr 17 Capitol Theatre, Port Chester, NY Apr 18 Electric Factory, Philadelphia, PA Apr 22 Iron City, Birmingham, AL Apr 24 Thalia Hall, Chicago, IL Apr 25 Manchester Music Hall, Lexington, KY Apr 26 The Signal, Chattanooga, TN Apr 28 Joy Theatre, New Orleans, LA Apr 29 Ryman Auditorium, Nashville, TN May 01 The Pageant, St. Louis, MO May 02 The Truman, Kansas City, MO May 06 Ogden Theatre, Denver, CO May 08 Brooklyn Bowl Las Vegas, Las Vegas, NV May 09 The Wiltern, Los Angeles, CA May 11 The Fox Theatre, Oakland, CA May 12 Montbleau Resort & Casino, Tahoe Village, NV May 13 Crystal Ballroom, Portland, OR
Toronto bred, L.A. based Alexander Vincent is about to drop his brand new debut single, “I Won’t”. Following four years as the drummer for Magic!, Alexander (aka Alex Tanas) has also established himself as a producer. Now, Alexander is able to put his own sound out, including his first track, “I Won’t”.
Says Alexander on where he’s at now:
My favorite word right now is ‘vulnerable’. You just have to open yourself up, and a lot of us are just closed down. When you’re open to your emotions, when you’re crying to a pop song, there’s actually something very mature about that. Being vulnerable means challenging yourself to connect with something deeper. Saying ‘yes’ means really opening yourself up, to musicality, to a more profound experience.
His new track is the culmination of this vulnerability. “I Won’t” combines the gently delivered hard-hitting lyrics. With Alexander’s versatility as a drummer, producer, and singer, he’s able to bring the best aspects of all his talents to the table.
Alexander hopes the future will bring an LP (including “I Won’t”), and we hope so too.
Sarah Shook & the Disarmers are back again after their debut album Sidelong. This year Sarah Shook and the Disarmers are back again with their follow Years. This album shows the groups growth from their previous album and shows the fearless and powerful stance that the group has taken on. Years has an even greater impact than the previous album.
In Years, Sarah Shook shows off her strong vocal delivery. Shook’s powerful vocals match the lyrics that are from her songwriting.
In “Heartache in Hell” Shook’s vocals display the sense of hurt that reflect the emotion of the lyrics in the song. The song has a country tone to it along with “The Bottle Never Lets Me Down”. “The Bottle Never Lets Me Down” shows submerging your emotions in alcohol.
Years takes you through several different emotions. The album tells a story of challenges. Years shows the struggle of having to pick yourself back up after going through challenges. The album is well worth the listen and shows a new transformation of Sarah Shook and the Disarmers.
