Adding to their growing collection of produced music is up-and-coming indie/alternative rock group Lowpines with their newest single, “Parasite”. This track features dreamy synth sounds as well as hypnotizing vocals that speak truth and honesty. Like their other releases, the members of Lowpines have been able to put together a new single that will resonate with those who listen and is sure to be put on repeat. Check it out!
Amidst the release madness, we got a hot second to catch up with the artist behind it all. Those words can be found below.
Given your success among fans in the UK, do you have any intentions of reaching a bigger market or fan base in other countries?
Absolutely, it’s always fun to be invited to play in other countries, and I’m always looking to do more. I’ve played some wonderful festivals in Europe and Scandinavia and plan to do more later this year. A lot of my listeners are in the USA so we’re planning a first run dates there this summer.
While looking to expand your musical lexicon, do you ever find it difficult to create music that matches the same style palette that you have created in the past.
I think I have the opposite problem – I’m always experimenting with different sounds, styles, instruments, collaborating with different people and producing other people’s music. But as soon as I sing on something it sounds like me. Which is something I always used to find frustrating, but I’m starting to enjoy it. Someone once said to me, whatever it is you don’t like about your voice, exaggerate it – because that’s the thing that makes it you. And I can totally see that now.
Now that you have done a cover of “It’s Not Happening”, will you look to do more covers performed by other artists or is the focus to write music and lyrics that are all your own?
I did that version of ‘It’s Not Happening’ when I was just starting out as Lowpines, and I wanted to see what happened if I did a cover in the style of what I was working on. I did a few songs and only that one sat right. I was pleased with how it came out and I learned a few things about the sound I was going for. I’ve done a few other covers since, and I keep a long list of songs that I want to try. Most of them don’t sit right so I ditch them, but I always learn something from doing it. I covered Judee Sill ‘There’s A Rugged Road’ and it got picked up by the radio in the UK, and is still my most popular song on Soundcloud, so it’s interesting seeing what happens with a cover, even if it’s not an especially well known song.
Where do you see Lowpines in the near and distant future?
The new record ‘In Silver Halides’ is my first full-length with Lowpines so it’s exciting to get it out into the world and see what that does. It’s the first time I’ve taken Lowpines into a studio environment and worked with other people on the recordings. I’ve been very lucky so far that my lo-fi home-record Eps have picked up fans around the world and appeared in TV shows and films, which was beyond any expectation I had when I was recording them. Lowpines has always been a selfish place for me to do my own thing in my own way. I used to do it alongside other bands I was in and now I’m doing it full time. So long as it continues to feel like something I can do well and enjoy I imagine I’ll there’ll always be something I’m working on. Right now I’m just looking ahead to a new EP I’m finishing to follow up on the album.
Where do you find inspiration to write lyrics that have constantly been marked as honest, unique, and deep?
It’s always different places I think. I tend to write lyrics in bursts, sitting down with a million rough voice memos and writing down whatever sounds and half-words I hear in there until I think I have something. I think that way of working kind of taps into your state of mind at the time – perhaps your subconscious makes you hear what you want to hear, or need to hear. So when I start to flesh them out I start to see themes emerge and explore them further. Sometimes I realise I’m getting too close to something I haven’t really dealt with, and that can be unnerving. So I have to finish the song to see if it helps me come to any kind of conclusion. Then I have to decide if it’s any good.
I try to read as much as possible, and whatever I’m reading at the time of writing will probably influence some of the imagery. My last record was full of scenes from Raymond Carver stories as I’d imagined them while I read, but relocated to whatever narrative my song was taking. I’d been re-reading a lot of his short stories on tour so my head was full of these dark, charged situations and beautiful, nuanced imagery. So I’d try and take myself to those places while I wrote.
For this record, I actually wrote most of the lyrics very early in the morning, straight out of bed. I’d be half asleep and my brain still churning over whatever dumb shit I’d been dreaming about and start writing long streams of consciousness. Once I had the music coming together, I mined those streams to find things that fit and went together. Some, like the song ‘Chambers In The Canopy’ came out pretty much fully formed and fit straight into the song. I’ve never been good at setting out to write a song specifically ‘about’ something, I always enjoyed the discovery of figuring out the subject as I write it. So I guess that method leans toward a lot of personal experiences being woven into the words.
When your followers and fans listen to your music, what would you like them to feel? How would you like your music to influence their lives?
If someone listens to my music it’s enough for me that they’re listening. I don’t try and create a certain mood or specific influence, but it’s always interesting, and at times very moving, when people write to me and tell me how a song of mine has helped them in some way, or is of importance to them. Whatever it means to the listener is so much more valuable to me than any intention I had in making it.
If you were to associate a mood with the songs that you have produced thus far, what would it be?
It’s funny, I always played in noisy indie-rock bands. So in my mind I still do. But from the beginning Lowpines was always wilfully quiet and intimate. I tell myself I’m still in a rock band, but it’s the quietest rock band in the world.
So I guess the mood that most people associate with Lowpines would be one of quiet, stillness, calm. For some that seems to be a melancholy, reflective place. For others it’s a just a chill, relaxing music. Someone wrote to me once that their dog always jumps around to music, but that when Lowpines comes on he just lays down in the middle of the kitchen floor and won’t get up. That sounds perfect to me.
Last we touched base with Russian Baths, they were releasing “What’s Your Basement”; now, they are gearing up to drop their debut EP, Penance, on February 23rd. The four track record features “Slenderman”, “What’s Your Basement”, “Poolhouse” and “Black Cross” and is released via Good Eye Records. The Brooklyn-based noise rock band is made up of Luke Koz (guitar, vox) and Jess Rees (guitar, keys, vox) along with Evan Gill Smith (bass) and Jeff Widner (drums). Previous to the release of their upcoming EP, Russian Baths dropped a split single, “Ambulance/Ghost”.
“Slenderman” opens the EP and sets the tone immediately. Filled with intense percussion alongside floating vocals, the track sets the stage for the next song splendidly. “What’s Your Basement” follows “Slenderman”, and is the most noise-rock of the four tracks. With some killer guitar and drums, “What’s Your Basement” takes its place as a solid punk/noise rock track. Check out more about the track here.
“Poolhouse” is next up on the EP, and is closer to the the sound of “Slenderman” rather than “What’s Your Basement”, but still stands alone. Opened with a marvelous minute-and-a-half instrumental interlude, the track provides for a musical tour of an emotional ground zero.Guitarist/keyboardist/vocalist Jess Rees says of “Poolhouse”: “This song was inspired by a friend’s tumultuous breakup. The idea can apply to any situation where you wake up and say ‘how the f*** did I get here, I don’t want to be here and I don’t even know who I am’. It’s about an existential crisis.” “Black Cross” closes out the album with some well crafted bass and guitar. The last track finishes strong, leaves you with solid understanding of Russian Baths’ musical style after this tour of their soundscape. Penance is a record that will shake off that dreary winter feeling, and get you motivated to do great things.
Check out Penance by Russian Baths on February 23. Follow Russian Baths: Facebook //Instagram
Starting out in 2014 from Chicago Illinois is the recently signed road warriors and psychedelic rockers Post Animal. No joke while checking out their Facebook page, I was scrolling and scrolling through posts that were all tour stops throughout the U.S. dating back more than a year.
Hitting the road and pounding the pavement with their signature brand of music you swore you’ve heard before dominating radio waves in the 80’s, this 5 piece has been gaining attention, entertaining the masses, and will be hitting the road yet again in support of their debut full length album, When I Think Of You In A Castle appropriately available on 4/20 through Polyvinyl Records.
“Ralphie”, the band’s first single from the album, begins with an 80’s commercial pop synth line that becomes layered with a scale familiarly reminiscent of 70’s classic rock guitar riffs. Even with its commercial appeal, the first 21 seconds are a very technical and dynamic attention-grabber.
Originally a 6 piece group, Post Animal released an EP in 2015 and a collection of singles in 2016. Given the success and demands of Stranger Things, drummer Joe Keery, “being a member since the bands’ inception”, his role is stated as being “and inactive touring member”. He does still contribute and you can hear his vocal talents on “Ralphie”.
Post Animal has indie pop rock-ish hooks in their chorus lines, specific and clear-cut bass guitar and drum contributions, meticulously classic rock constructed guitar riffs that utilize delay to ad that psychedelic significance and verb usage that should land Post Animal into the Reverb Hall of Fame.
To sum it up, get out your blender and grab an 8-track of The Byrds’, a summarized memory from Woodstock, a record from Kansas, a cassette from Gary Numan, a VHS copy of an 80’s Revlon commercial and a Police CD. Post Animal have the ingredients that make aqua net girls bop their heads and smack their gum in unison, and make the high school douchebags lift the Firebird’s T-Top, roll down the windows, crank it up and squeal tires pulling out of the parking lot.
It’s not A Midsummer Night’s Dream, but Oberon Rose might just fulfill all your musical dreams. New England-based Oberon Rose is gearing up to release their sophomore album, Tell Me All About It on their own imprint, ThouART Records, and are dropping their single, “No Stranger” off the record. The trio is composed of Mike Keyes’ drums, Chris Listorti on bass/keys and Tommy Oberon providing guitar and vocals, with songwriting by the band’s namesakes, Tommy Oberon and Rebecca Rose. Says Rose of her writing: “As a lyricist, I want the listener to bring their own experiences to the song, so I like to keep it open. Let the listener decide what it means.”
Between the musical ideas of the trio and Rose has evolved what many call psychedelic pop/rock – but no matter what you want to call it, you’ll like it.
“No Stranger” is a bit of a retro track, with a 70s feel to it. Oberon’s vocals are accompanied by the the evident talent of his band. If Oberon Rose has got one thing down, it’s teamwork – you can tell how well all the members play together from the first notes. “No Stranger” is just a bop, period.
Check out the track below, and continue the fun with our exclusive interview below!
In your online bio, it relates Tommy and Rebecca to Elton John and Bernie Taupin as both have similar song writing relationships. Have you ever seen these two idols as role models?
I wouldn’t say role models but we are fans. To be clear, we are in no way comparing ourselves to them, it’s just that our method of collaboration is similar.
In order to give your lyrics and song writing the space to allow for people to relate, do you base the lyrics off of personal past experiences?
We like to base the lyrics around universal experiences. Generally, the experience of being human.
What kind of dynamic exists in the creation of music in Oberon Rose?
The dynamic is always different. Sometimes I’ll bring music to Rebecca, and sometimes she’ll bring lyrics to me.
What are your goals for Oberon Rose? Where do you see the band in the near future?
We’re looking forward to playing out as much as possible. We’re currently playing shows in New England, but we hope to do some touring in the near future.
Have you ever thought about expanding your performance locations to the more central or western areas of the United States?
Absolutely. We’re looking forward to getting out that way soon.
Has there ever been a time where you felt connected with an audience above any other time that you have performed in the past?
Connecting with the audience is what it’s all about. With each show, we try to make that connection stronger.
Is there an experience that brought the band together? Or did it just seem to form effortlessly?
I don’t believe anything in music happens effortlessly. Only after a lot of hard work and determination do things start to fall into place.
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Tell Me All About It is out March 30th. Stay connected with Oberon Rose below: Website – Facebook – YouTube
Last year, I got the insane pleasure of hanging out with Austin-based rock outfit The Cuckoos at SXSW. This year, they’re taking immense strides into the forefront of the industry, nabbing attention from some of the hottest music outlets in the world. Their brand of rock gives off this soulful, vintage vibe, while their style and attitudes reflect that same laid back comfort that has gone missing from so much of our modern music.
Don’t believe me? Check out their latest track “Heartbreak Paradise” below, then sidle on down to a playlist the quartet curated exclusively for Imperfect Fifth, which includes a look into their inspiration and taste. (Descriptions provided by Kenneth Frost.)
Heartbreak Paradise – TheCuckoos
Just a little shameless self promotion. This is our new song we just released on Valentine’s Day.
The Dude – Quincy Jones
This is just a funky, feel-good track with a little bit of rap, some horns, and Mr. Quincy Jones layin’ it down.
Uptown – Prince
I love the production of this record– Super funky and raw sounding. This song has some of my favorite lyrics as well.
Do I Make You Feel Shy? – Connan Mockasin
I’ve been listening to a lot of Connan Mockasin lately. I love the lyrics and the simplicity of this track. It’s very catchy and he always puts off such a watery, seductive vibe with his music which I really dig. It’s romantic.
Dinosaur Carebears – Ariel Pink
My favorite example of a song that makes you feel like you’re on drugs without actually being on them. It’s pretty much a 3-part psychedelic jam that goes into this weird ‘toy train from hell’ sounding bit before mellowing out into a pretty cosmic sounding groove.
Stay – Maurice Williams and The Zodiacs
It’s a lovey dovey old school tune with great falsetto vocals. It’s only about a minute and a half, so it makes you want to play it on repeat.
Redbone – Childish Gambino
This is probably my favorite track of 2017. Gambino made a dope funky 70s funkadelic Prince-y sounding pop song with some heart and it did really well. So not only do I dig the song, but I also feel like it was pretty ballsy and cool of him to do that style of music and also make it on to pop radio. It reminds me of the next few songs.
Do Me Baby – Prince
Another Prince tune. Super slow, super romantic. Great lyrics and dynamics. It has this bass pop that just gets me every time. Gambino did it in Redbone too. Both of those really influences TheCuckoos‘ song, Heartbreak Paradise.
I’d Rather Be With You – Bootsy Collins
A classic.
I Wanna Roll With You – Connan Mockasin
Another Connan song. The intro is genius and I love the backup vocals on this track.
Orange County Suite – The Doors
A kind of deep cut. Morrison wrote and recorded a version of himself singing and playing this song on piano before he passed. It wasn’t released until the remaining members of the doors recorded the instrumentals to the tracks. I found it on an old bootleg record, but I think they put it out with a deluxe L.A. Woman and on a compilation too. One of their most haunting songs and a personal favorite of mine.
Billie Jean – Michael Jackson
Bass Line. Production. Music Video. Moonwalk.
Ego Tripping Out – Marvin Gaye
Marvin Gaye getting funky as hell and telling everybody why he’s the best.
Mary Jane – Rick James
Rick James was cool as shit. The clavinet at the end is gnarly.
China Girl – Iggy Pop
I love ‘The Idiot’. To me this track is just melancholy gothic post punky perfection. Iggy’s screams are godlike.
Something About That Woman – Lakeside
One of my favorite songs. The guitars, the bass, the synths, the vocals. Everything is so tight.
The Wedding List – Kate Bush
The first song from Kate Bush I heard. She’s one of my biggest influences and I love her music dearly.
True Blue – Dirty Beaches
Sounds like Dirty Beaches doing The Ronettes. I feel like I’ve really been influenced by Dirty Beaches’ vocal style.
A Little Bit Funky – TheCuckoos
Us again 😉 I feel like this was the first song of ours we got people to dance to and that makes me proud.
This Night Has Opened My Eyes – The Smiths
What’s there to say? The Smiths are cooler than cool. I like the moody stuff.
Little Dark Age – MGMT
Their new track and album are dope. I dig where they’re going with this new record and I’ve been listening to this a lot lately.
Keep On Lying – Tame Impala
Probably my favorite Tame Impala song. The guitars and keys just put you in a trance. They’re one of the reasons why I started making music.
Into The Groove – Madonna
Keyboard lick (ugh). How could you not dance? Just an all around banger from the moment you put it on.
Los Angeles based band The GreatSadness – consisting of members Stephen McNeely (drums) and Cathy Cooper (guitar/vocals) – say they are “upset all the time and they put it in their music.”
When looking into The GreatSadness I started by getting acquainted with the video for “Underground” from their album Weep that was released in April of 2017. Maybe I just have a sick sense of humor, but I found nothing sad about this song while watching as the pair rode bicycles through a cemetery, stopped at the ice cream truck, the laundry mat, and hit up the massage chairs. As I was mid-laugh at the comical occasional middle finger, things got creepy and in their skull masks it felt as if death was out for a walk.
With lyrics boasting, “In this place, underground, there is no God,” one could embrace the sadness behind that realization. The further I descend into this album, the tonal quality and the words themselves do capture all that is wrong in the world. It is a sad place that we have created and The GreatSadness doesn’t sugar coat a bit of it. Cathy has an un-dusted gritty rasp to her voice reminiscent of Janis Joplin, Stevie Knicks, and early Melissa Etheridge. The music has a murky humidity that generates a grass rooted southern swamp rock feel as well as that D-tuned sludge grunge feel (don’t think Nirvana’s Nevermind album, think Nirvana’s Bleach album).
Being a D.I.Y. band and paying for your recording, production, pressing, touring can leave you financially depleted. The GreatSadness truly has a love for creating music no matter the cost and their hard work has paid off as they reached out to all of you to help release Weep on vinyl. Given the style of music, you want this on vinyl.
The shining moment for me was the song “Tonight.” A droning sometimes psychadelic darkness seems so fitting as she sings loudly, borderline a scream while maintaining great vocal control, “this dance through hell has done us in, hold me love, my breath is thin.” The GreatSadness is best described by this scenerio, if only Linda Blair (the original Exorsist movie, the possessed girl) had a band.
Glam rocker Danielle Duval delivers again, this time with her new single “Whenever You Want It”. Danielle Duval is a Montreal born and Toronto-based indie rocker. Duval caught the attention of musical fans and the industry when she debuted her debut EP L’Etranger. Since that release, Danielle Duval has been gearing up to take the world by storm.
“Whenever You Want It” is a song about being fearless. The song tells the listener to be open and ready for whatever comes his or her way. “Whenever You Want It” recognizes love with no fear and encourages the listener to go for it and be unapologetic. The song is great, passionate, and full of lots of high energy.
“Whenever You Want It” is the lead single off Duval’s sophomore album Lose It which is available to own right now. Keep up with her here.
The Jacks – a rock n’ roll band from Southern California featuring Jonny Stanback on vocals and rhythm guitar, Scott Stone on bass guitar, Tom Hunter on lead guitar, and Josh Roossinn on percussion and drums – has just released their new single “Hello My Friend” from their upcoming self-titled EP. The song is about watching someone close to you, such as a friend or family member, go through a lot of life changes. The song is about that person getting prepared for the unknown. “Hello My Friend” gives the listener a taste of 90s rock n’ roll. If you are into that rock, this song is just for you.
The Jacks are poised to have a long career in music. If you enjoy “Hello My Friend” check out The Jacks’ self-titled EP coming this March. Keep up with the band here.
Now that she has dropped out of Berklee College and left Boston behind to pursue her career in music as an artist, STEEGS has burned a path of success in front of her that is sure to lead her where she want to go. Not only is this passion and enthusiasm for music shown in her actions, but also in the songs that he has produced. Looking forward, there is a lot of hype that surrounds her upcoming release of, “Come Through” which was released on February 8, 2018. What has been marked as a “tenacious,” this single packs a punch at every turn and ends with an explosive last chorus. The art behind this song, however, is deeply rooted in her raw-guitar work and honesty driven lyrics. Like she has shown in the past, holding back is not an option which is clearly expressed in her music and choice of words.
Although “Come Through” is one of the first singles that STEEGS has released to the public, it is not her first experience with performing and brining music to her fans. While participating in a dark pop-rock band with two of her three sisters, she was able to win over the hearts of those on the Santa Monica Pier as a street performer. Since then, this artist has evolved and grown into herself and is ready to take the music industry by storm, with nothing standing in her way.
