Are you into quirky, emotional, indie rock music? Because Active Bird Community – and their brand new album Amends, out today – could really do the trick for you. The Brooklyn-based collective has been creating their brand of alternative music together since 2005 when the guys were in middle school, and the evolution has been impeccable, as they hone their sound into something 90’s babies will cherish, perhaps, more than anyone else. Amends is direct evidence of that.
Beginning with the title track, Amends establishes that slacker sound to a T while it meanders through with rough guitars, perfectly sometimes-whiny vocals, and a robust, head-bobbing energy. This carries well into second track “Holier”, though third track “Sweaty Lake” – as memorable as that name is – picks up the pace immensely, and understandably so. (See: the title “Sweaty Lake”.) Things slow again in “Unwind With Me”, which is, again, a direct reflection of the song title.
Once we get to “Baby It’s You”, I don’t think anyone is expecting a horns section. But there it is, an intro that wakes you back up with its differentiation from its predecessors. The pace takes that of a Weezer track, and we’re on board with the energy again. .”Virginia” feels more 90s grunge than others thus far, ragging on people for being “just a cliche” and challenging the object of their attention. “Blame” slows down to a ballad-like crawl, emotional in its disposition, while “Downstairs” adds some more quirk back into the feel of the album with light percussion and a rough, beautiful bass line.
“Metrics” starts with a toe-tapping, pop-like feel, and then delves back into the whirring guitars, hard percussion, and upbeat attitude of the majority of Amends. “Silver Screen” begins slow, simple, and then bursts into this kaleidoscope of sound that we didn’t necessarily see coming. “Lighthouse” rounds it all out quite beautifully, performed on acoustic guitar to really enhance the lovely, soft feeling of the lyrics.
You know, until it gets a little rowdy toward the end. But we really couldn’t have hoped for anything different.
Florida natives Deaf Poets just released “Change & Bloom”, a single off of their upcoming EP of the same title which is due out on June 15th. The duo has already enjoyed quite a bit of success, having played with The Growlers, Mac DeMarco, and Matt and Kim just to name a few. Their latest single brings a throwback while incorporating a 90’s grunge style. Sean Waters provides us both the angsty vocals and the guitar on “Change & Bloom”. Bandmate Nico E.P on the other hand, shows off his mad drum skills and does not hold back. So if you are somewhere in between “I like rock” and “not heavy rock”, “Change & Bloom” is definitely for you.
Speedy Ortiz just released the latest track “Villain,” which opens with a heavy bass line and grunge rock feel. The lyrics remain quirky with lines like, “He talks like he knows me so I’m being polite,” and “I want to know if no means all right.” The track takes a stab at the topic of unwanted advances and the struggle of having to act “polite” in awkward situations.
Take a look at the vintage, candy-colored inspired video and you’ll agree that “Villain” is more than just a song, it’s an anthem for many.
We wanted to pick a theme that relates to the type of music we played, the music that influenced our sound, and the music that speaks to each of us personally. A couple suggestions came out that had the words glitter, psychonautic and rock, but we eventually settled on Sonic Glitter Bomb. Once we each started picking songs, we realized that not all of the songs were very glittery… Someone said, okay this is like anarchy on the playlist and thats what we ended up with! It makes perfect sense for this playlist. What you get is anarchy on any given theme. We all come from different musical backgrounds and have different influences, whether its’s metal, punk, grunge, garage or americana…but all of us unite under the umbrella of rock and roll!
Honey and Salt just released their self titled LP. The grunge/rock/punk band has a variety of ten tracks on the LP starting with “A Nihilist Takes Up Knitting” and ending with “Cascade.” The band is described as sociopolitical or as I like to call it “music with a purpose.” Honey and Salt has good reason though. Wade Allen, on main vocals, is a philosophy teacher which definitely influences the bands lyrics. On “A Nihilist Takes Up Knitting” Wade pleads “Right or wrong is not subjective.” “Blame game” is an anthem of “who and what is blame?”
My favorite, though, is “Bowling Green Memorial.” “Bowling Green Memorial” rounds out at a whooping eight minutes and nine seconds. What most impressive though, is that the majority of that is a drum/guitar solo that will take you be surprise. Just when you think the solo is over, Honey and Salt will bring you back into the music. Honey and Salt is definitely worth the listen. The LP is more than just an album—it is truly one big box of sociopolitical prompts, wrapped carefully and neatly to give to any listener so that they can ask themselves “How and why are we here now?”
Reaching new heights since the release of their second album is Melbourne-based band PrettyCity who have not only taken over the Britpop grunge scene in Australia, but have also been gaining radio traction here in the US. Most recently, this group has been busy writing, performing and producing their new album Cancel the Future which was released this month. Despite their busy schedule, the band members of PrettyCity took the time to sit down with us and talk about some exciting news, here’s what they had to say.
When you started working together, what were your goals and plans for the future? How have they changed since then?
When we started, we had all been in other bands that weren’t playing as many shows as we’d have liked. We were all kind of frustrated, so we just played as many shows as possible. We said yes to absolutely everything and started touring straight away. I guess it was a very explosive but scattergun approach. Over the years we’ve refined this to try and build a more of a global fan base and not limit ourselves to Australian shores.
Was there ever a time where you felt that you had achieved what you set out to do? Or are you still chasing that dream?
No. Never. We’re always chasing better song writing and better albums. I don’t think we’ll ever stop trying to create that piece of art that we think is perfect, which is the trap because there’s no such thing. I think the four of us are just those kinds of people. Are there any bands or artists that you like to model your sound or style after?
I don’t think there’s anyone in particular that we’ve tried to model our sound and style after but we certainly have strong influences. The four of us have really diverse tastes and influences, but the band has always been great at allowing those influences to shine through and take Hugh’s songs in interesting directions. I think we draw we draw a lot from other band’s attitudes and approaches to song writing. We all love the Beatles and the Stones and the art of simplicity, but we also love bands like the Killers, Jet, and the Brian Jonestown Massacre for how they were able to reinterpret older ideas and make them their own. From the grunge era there are so many bands but I’ve been prettyinfluenced by Green River, Soundgarden, L7, Hole and the Smashing Pumpkins. From an attitude perspective we love Black Sabbath and the Doors and T. Rex. It’s just sexy stuff. What does your writing process look like? Is it a team or individual effort?
Hugh, our lead singer and guitarist, writes the songs for the most part. Or he at least has melodies and some lyrics and then we work on structures and parts together. It’s really very collaborative and each of us is totally free to make our own parts and contribute to the song writing. Hugh’s got an incredible ear for melody and for capturing and distilling complex emotions into catchy sing along lyrics, which is such a hard thing to do. We’re very lucky to have him, and the group dynamic is really productive and supportive. As you prepare for your 27-day long European tour, what are your expectations? What are you most excited for?
I’m expecting a lot of time on the autobahn. I’m expecting to eat more cheese and pork products than I would usually consume in a year. I’m really excited to go back and experience the amazing European hospitality. We had such a great time last year and we can’t wait to get back and reconnect with all the friends we made. Now that you are looking to take your music and sound to an international level, what are your expectations as far as reactions from fans and crowds?
I guess we’re excited to share our new music with people. That’s the unchanging thing for all of us that is the same whether we’re in Melbourne, Austin or Hamburg, we are excited to play music and share our experiences with everyone. I hope more people will come share that with us, but at the same time, we love playing music so much, so we’re happy either way. I think the crowds will grow in Europe significantly though.
What can fans expect in the year 2018?
Well, we’ve already recorded our third album, so you can expect to hear an early single from that later in the year. Other than that, I think we’ll be doing some more touring back home and enjoying our home town for a bit 🙂
On one of the most gorgeous nights of 2018 so far, Thursday, March 15th, P!nk regaled a massive crowd at Sprint Center in the heart of downtown Kansas City, Missouri. Bursting into the room in her signature aerial acrobatic harness, she came swinging in from a chandelier to “Get This Party Started”, as if there were any better way to make a grand entrance. Decked out in so much glitter the audience probably should have been wearing sunglasses, she bounced right into “Beautiful Trauma” and then a little throwback rendition of “Just Like a Pill” for the loyal fans who have been around to enjoy her incredible career for the last two decades. There were a lot of them, as the event itself sold out so quickly that the arena had to open more seats on the side to accommodate her midwest fanbase.
Which is really no surprise, as this woman has been setting the world on fire – literally and figuratively, if you count the pyrotechnics during “Just Like Fire” – since she started back in the last 90s. With a flare for the most athletic endeavors, her stage performance has taken a turn from upbeat pop maneuvers, to an intense and beautifully artful experience, replete with Cirque du Soleil-style acrobatics and bright, fun pops of color amidst glitter for days. Slowing it down for a soulful rendition of “Barbies” and “I Am Here” brought the crowd to their feet, belting out the lyrics with a fiery passion we haven’t witnessed at another show in quite some time. But not all the magic was found in the lyrics, though so relatable in so many ways.
But if ever our hearts stopped during a cover of “Smells Like Teen Spirit”, this was it. Dressed in a more grunged up look, the crowd went wild with her slightly more soulful vocals layered over those unmistakable guitar riffs and edgy flare.
P!nk incorporated her moving and incredibly heroic 2017 MTV VMAs acceptance speech into her set, bringing faces of every color, race, and ethnicity to the forefront in a little video that played while she was changing outfits. But the message hit very close to home, as we continue to deal with issues of sexism, racism, and other types of hatred. P!nk’s message is just as resounding as in tracks like “What About Us?” where she seems to call out people in power with her questioning, much like she did in 2011’s “Dear Mr. President”. And though she didn’t get to sing that song in particular, her rally cry could probably be heard for miles while thousands of women joined her in powerful, captivating song.
I personally got to enjoy the show with my mother and my sister, both of whom I have gone with to see P!nk’s previous shows. I will say it once and then say it a million times after, this woman knows how to impress. Not even for the sake of others, but you can tell she does this to prove everything to herself and to pave the way for other dreamers, which leaves little room to be disappointed in the work she does. We even got a treat this time, as the last show she came through held no encore goodness – Though, really, who is complaining? – with an exciting, Tinker Bell-esque performance of “So What” and “Glitter In The Air” before she disappeared into the night, most likely to get into a cuddle puddle with her adorable traveling family.
Keep up with P!nk here, and make sure to check out her Beautiful Trauma tour in a city near you!
the lampshades, a trio from Pittsburgh, are getting ready to release their album Astrology on March the 23rd of 2018 through Mint 400 Records. As a teaser, the guys, that have been playing together since they were teenagers, have released a video to accompany their teaser single release, “Civilization and its Discontents” via YouTube.
A traveling video with plenty of the cities views with some cool effects added to the sequences. Wait for the 0:38 mark as the guys are squished together singing in unison looking just as the song says, discontent. It’s a little humorous. I definitely got the vibe of a mundane, in and out, everyday, routine where they city just becomes so blah.
Behold, as comes the ending and images of nature in flight. Maybe it represents the ability to be free and fly away, or maybe its a look at the everyday beauty of things we often take for granted as we shrug off passing the same skyscraper every day.
Either way, this indie-alternative-grunge sounding band has something to offer both visual and auditory. The Lampshades will be playing some local shows in support of the album release. HEY PITTSBURGH, get out and support your homegrown boys. For the rest of the world keep up with the lampshades by visiting their website.
