Today, Erika Wennerstrom’s debut LP Sweet Unknown is unleashed upon the world. The alternative indie artist’s latest album takes us through nine tracks. Sweet Unknown is a melancholy, yet pensive, take at life and love. “Staring Out The Window” tells us of a haunting of a past love. “I didn’t understand what it is that I did,” is a broken heart asking for questions as the track proclaims. “Gravity” is a reflective track on ones self. “Getting to know myself like I’ve never known…I’m ready for whatever life brings to me” screams the track. Fittingly enough, “Gravity” is the last track of Sweet Unknown. It is the acceptance, it is ending- but for the artist, a new beginning. My personal favorite is “Letting Go.” Starting off with “Come with me my friend,” the track feels lighthearted on a heavy album.
Sweet Unknown is definitely personal for Erika Wennerstrom, maybe even healing at time. This album is for you if you want to do some soul searching or simply wallow in your sorrows. I’m sure you can make Sweet Unknown personal to you too. Sweet Unknown is now available via all leading digital service providers and comes with an instant download of the album’s first single, “Extraordinary Love.” The physical copy includes a limited edition version pressed on double white vinyl.
Tour Dates
Mar 23 – Macon, GA – Cox Capitol Theatre**
Mar 24 – Wilmington, NC – Greenfield Lake Amphitheater**
Mar 25 – Norfolk, VA – The NorVA**
Mar 26 – Charlottesville, VA – Jefferson Theater**
Mar 28 – Wilmington, DE – The Queen**
Mar 29 – Brooklyn, NY – Brooklyn Bowl**
Mar 30 – Brooklyn, NY – Brooklyn Bowl**
Mar 31 – Philadelphia, PA – Union Transfer**
April 2 – State College, PA – The State Theatre**
April 3 – Toronto, ONT – The Mod Club**
April 4 – Toronto, ONT – The Mod Club**
April 6 – Chicago, IL – Thalia Hall**
April 7 – Chicago, IL – Thalia Hall**
Pick up your copy of Sweet Unknownhere, and keep up with Erika here.
Oregon-based beach rock/alternative collective Cities & Coasts – comprised of singer/songwriter/producer Nathan Hedges, drummer Michael Gould, engineer/producer/multi-instrumentalist Jimmy Weaver, along with a list of accompaniment – has completely tickled our summer-lovin’, springtime-craving fancies with their latest track “Long Time Coming”. Set to a mid-tempo, head-boppin’ beat, we can almost feel the sun’s warmth dancing on our shoulders when we spin this record, and we’re all about sharing that wealth.
Mt. Joy made its Kansas City debut last night at The Riot Room. The LA/Philadelphia alternative band filled up the Westport venue bar on the beginning of its spring tour. Opening acts included local singer Chloe Jacobson and rocker Olivia Jean.
Concert goers travelled from all over, including a few members of lead singer Matt Quinn’s family who trekked from their hometown three hours away. Now, less than two weeks after debuting its self-titled album, Mt. Joy is no stranger to drawing and playing for the masses with a solid setlist consisting of now 15 songs, thanks to the new album. Songs like “Astrovan” and “Silver Lining” mix the setlist with new and old tracks.
Fresh off playing 10 shows at SXSW in just a few days, it won’t take long before the rest of the Spring 2018 tour sells out clubs and theatres all over the United States.
This band is hungry and excited to see what comes next the tour continues through the end of May. “Mt. Joy” features 13 songs with deep lyrics and meanings. Find it on your favorite streaming service.
Saltwater Sun just graced us after a hiatus with their latest release “The Wire.” “The Wire” is the bands eighth single following up their Flawed EP released in 2016. The vocals are creepily haunting with an alternative rock beat. My favorite lyric is “…I can feel it in the fire, when it’s coming down to the wire.” “The Wire” is an angsty track yet manages to find balance with a “cool rock vibe.” “The Wire” is definitely a track that I believe worth listening to.
the lampshades, a trio from Pittsburgh, are getting ready to release their album Astrology on March the 23rd of 2018 through Mint 400 Records. As a teaser, the guys, that have been playing together since they were teenagers, have released a video to accompany their teaser single release, “Civilization and its Discontents” via YouTube.
A traveling video with plenty of the cities views with some cool effects added to the sequences. Wait for the 0:38 mark as the guys are squished together singing in unison looking just as the song says, discontent. It’s a little humorous. I definitely got the vibe of a mundane, in and out, everyday, routine where they city just becomes so blah.
Behold, as comes the ending and images of nature in flight. Maybe it represents the ability to be free and fly away, or maybe its a look at the everyday beauty of things we often take for granted as we shrug off passing the same skyscraper every day.
Either way, this indie-alternative-grunge sounding band has something to offer both visual and auditory. The Lampshades will be playing some local shows in support of the album release. HEY PITTSBURGH, get out and support your homegrown boys. For the rest of the world keep up with the lampshades by visiting their website.
Los Angeles-based alternative indie band BADTALKERS is at it again, their new track “No Pity” slaking any thirst for high energy summer beats by seducing its audience with easy-going, feel good vibes. Simultaneously, the lyrics themselves are incredibly serious and topical.
“‘No Pity’ touches on the gun violence and drug epidemic in the United States,” drummer Christian Edusada explains. “We wanted to reflect on our daily experiences living in urban communities, as well as current events involving police brutality, protests, and acts of terrorism within the country.”
We caught up with the guys, and here’s what they had to say:
How did you all meet?
We met through mutual bands and mutual friends, a few years back and decided to partner up to do something different.
At what point did you know that this is what you wanted to make a career out of?
We realized at a young age that music is what we’d love to make a living doing. We understand how far of a reach it can be in this oversaturated market, but we’ll see how far we can go.
Who influences you musically and non musically?
Musically, we have a wide range of influences from NWA to The Smiths. Non musically, Anthony Bourdain.
“No Pity” touches on personal experiences…was it difficult for you to share that in a public sense such as a song?
It wasn’t very difficult to share, as it’s something we’ve become used to. We understand how difficult it can be for certain listeners that have been affected personally, and can heavily relate.
As a young person in America do you feel it’s harder to be taken seriously on stances such as current events and national issues?
It’s always going to be tough, because everyone is different. Some people are open to having a conversation, while others will believe what they want to believe. Whether people take BADTALKERS seriously or not, we’re just utilizing the opportunity and platform we have to voice what we experience daily.
Your music has a political point; Do you believe it’s easier to create a dialogue through art such as your music?
It’s much easier for us, since music and writing is what we we’re best at.
What impact do you want to make for your listeners as an artist?
We want to prove, as minorities, that we can grow and be successful in a market that’s overpowered by artists fabricated with attraction and conventional music. We hope this inspires others to work hard towards their goals, and not let others decide for them, whether they can make it or not.
“How can I believe” is the first track from Steve Barton‘s latest album Tall Tales and Alibis. “How can I believe in God when you’re the one who’s divine?”, that line is absolutely brilliant. Part 1 of this 3 album release is filled with predominantly acoustic, folk-ish style music with a lot of great vocal harmonies. “Shadow of the Bride”, even with it being acoustic has a hint of some old punk influences as the song speeds up and states, “I don’t know what to do, I don’t know what to do, about you.” There are some elements of surf rock, old punk, and David Bowie. Steve’s vocal range produces a low, soothing, yet haunting tonal quality similar to Johnny Cash.
His diversity comes as no surprise when you start turning the pages of his resume. Having a publishing deal at the age of 14, touring in a Beatles cover band, and in 1979 forming the band Translator. Some would go as far to say Steve and Translator were the first actual “alternative” band.
Part 2 of the album is more melancholic. It’s as simple as a man and his guitar. A more serious and emotive feel that opens the door to explore his depth a little further. “Haunt me tonight” being the most upbeat track on part 2, shows no shortage of Steve’s amazing way with words that really paint a picture you can see and feel.
“Promises and miracles pour like honey down the street.” Grim yes, but man, why didn’t I think of that. He is truly the master of analogies.
“Wake up in roses” begins Part 3 and does it full on. Horns, full band, rawk, and roll. It’s astounding this is the same guy. Like a change of season, this 37 song triple album release covers every spectrum you could ever desire. For me, the true shining moment on Tall tales and Alibis is “She is the girl.” Returning with a blues style that is complemented by an organ creating a nicely dusted and subtle psychedelic aftertaste. The beat is straightforward, simple, and that perfect repetition that makes you just zone out into the song. So I was little disappointed when the song ended, that so could have kept going.
Seriously, if you have never heard of Steve Barton, let “She is the Girl” be the track that opens the door. He has captured the fantasy and reality of “that girl” far better than Sting did with “Roxanne.” The entire album is loaded with actual storytelling style songs that do not skimp on originality or brilliance.
Don’t be put off by the 37 tracks, you can purchase each song for only $0.99 from Steve’s Website or get the entire 3 part album for only $14.95.
“Blue Pigz” Is the latest track to come from rock band King Shelter off of their debut album $hame, a follow up to previous singles “Pick Your Poison” and “Teeth & Claws”. “Blue Pigz” is a combination of sounds from both previous singles, a mixture of alternative and grunge.
“Blue Pigz” is a song about people’s perspective on things and how they feel about certain situations. While the song does not identify one particular issue, the song does state issues going on and people and their pride. The song goes in about people’s values and why they should value other things that are not materialistic. “Blue Pigz” shows how people should focus on more important things in life. The song gives a look onto the darker side of society and why we admire the things we do.
NY-based alternative rock project Snow Villain has just released the new single ”Torches”, ahead of the upcoming EP 1 which is scheduled to be released April 27, 2018. All of the music that has been released by this group has featured raw, real sounds that highlights an honest view of central figure Grant Goldsworthy’s life while writing all of the music. Not only are the vocals perfectly adapted to match the rawness of the instrumental artistry, but the guitar riffs radically enhance the listening experience and bring exhilarating energy into the room. Unlike their other releases in the past, “Torches” has made the group dig deep inside themselves in order to portray the emotion behind the lyrics of this track.
Not only is their music lyrical genius, but is also highlights personal struggles that are faced by the general -public. Namely, self discovery and redefinition of the self. Although this band prides themselves on being, “often misunderstood, but appreciated,” there is something is this song for everyone and has the potential to reach a very general and wide audience. Currently, the band is looking forward to the EP release in April, but fans are hoping to hear more from them as soon as possible.
