Budding pop artist RAHH has just released her first ever single “Overkill.” When I first listened to “Overkill,” RAHH’s incredible voice stood out to me. She has the type of powerful voice that you may find yourself belting out too as it sparks inspiration. Despite its title, “Overkill” is not that bitter song about your ex. Instead, it’s about giving in to the power of music and letting go. “I can’t stand still, I can’t stand still, this beat is overkill,” belts RAHH. She continues to my favorite line “I need saving, I need saving.” What’s even more chilling is when RAHH gives us a taste of a cappella at the end of the song. “Overkill” puts into words the ways we feel, react, and engage in music. Aside from RAHH’s beautiful voice, the song holds a powerful meaning: that music has the ability to take us over at any time, and at any place.
UK-based indie quartet Plaza just released their latest single “In The Know”, which is pleasing with its rhythmic, steady beats and chill vibes from the very beginning of the track. Exactly at the minute mark, “In The Know” drastically shifts into a fast paced beat. Plaza talks about being at the precipice in their single, singing: “It’s like I’m stuck in the know, just when I needed the most.” “In The Know” is an inspirational track that will surprise you, as it is a testament to the middle that we all fight to push out of everyday. The track reminds listeners that, yes, it will all be okay in the end.
I had the pleasure of interviewing Irene Greene, a Philadelphia based singer-songwriter who released her enigmatic single “Platinum Baby” just today. After speaking with her, I have been beyond elated for the release of the single, and now we might be playing it on repeat. But I digress. Below, you can find what Irene had to say on her latest single and her inspiration for music.
When did you first decide that music was something you wanted to make a career?
“It was when I was a child, and I knew that nothing else would feel like making music does.”
Your debut single is titled “Platinum Baby.” What’s the story behind that name?
“The story is that I fell in love with my current partner who has (dyed) platinum hair, and how I felt that I wasn’t good enough for him.”
The cover art for this shows a girl holding a knife behind her back. Is this symbolic or where did you draw inspiration for that?
“It’s gonna sound silly, but I had a dream with a girl holding a knife behind her back. I love toying with line of love verses obsession in “Platinum Baby” and I think that this image captures it perfectly.”
This is your debut single. Is this single reflective of “Hey this is me as an artist”?
“Normally not, because this song is actually somewhat positive and I am a debby downer.”
Even though “Platinum Baby” is releasing May 1st, are you working on anything currently that we can look forward to?
“I’m putting out a new music video for “Platinum Baby” that is 1960s inspired and very spooky!”
Where do you hope to see yourself musically in the next five year?
“Hopefully touring around the country with my band and playing sweet tunes!”
Australian native and Nashville based Quinn Lewis just released his latest “Weekend Luv.” The indie-pop artist is following up on his recent releases “Slipping” and “In Between.” “Weekend Luv” is one man’s search for seven day of the week kind of love. “Five days is more than a foreplay,” Quinn comes in with his clever lyrics. “Weekend Luv” discusses the struggles of dating in an adult world. “I’ve been working too much lately- you’ve been waiting for the weekend…to see me, hold me, love me right,” Quinn says on his busy schedule but his desire to have a seven day romance stating “Don’t give me that weekend luv.” Along with Quinn Lewis’ clever lyrics, he incorporates several sounds that back his voice perfectly, and even throws in an electronic vibe with bass drops during the chorus. “Weekend Luv” is infectious and an instant summer jam.
RF Shannon just released their latest single “Tooth Ache”, which is off of their latest album, Trickster Blues, due out May 5th. “Tooth Ache” pays tribute to all things alternative-indie, but also throws in a western vibe. The intro gives us that western sound with an acoustic guitar, slow drums, and sounds of a classic piano. “I take it slow right in the back road,” hums the band.
Aside from the amazing instrumentals, the vocals are haunting and will capture you. My favorite thing about “Tooth Ache,” is its ability to put a new twist on a classic rock sound. Shane Renfro, of the band says, “I tend to feel like all is right in the world when I’m slowly driving down old country roads with the windows down, so this song is kind of an ode to that vibe. I wanted to write a good backroad song.” A vibe we have all felt, RF Shannon encompasses the feeling on “Tooth Ache.”
Kadhja Bonet just released her latest “Delphine”, which is the second single off of Bonet’s sophomore album Childqueen. “Delphine” is an ethereal, out of this world track. With sounds of bass, electronic keyboard, a slow drums, “Delphine” becomes relaxing and sultry. The thing that really sets the track apart is Bonet’s vocals, as she sings like a classic jazz singer and takes this track into another era. “I know exactly who you are Delphine, you’re the one for me, Delphine/I know the distance can confuse your mind, give it time Delphine, give it time” Kadhja sings as she rounds out the finishing sounds on “Delphine.” This song is one of a kind and definitely worth the trip.
Canada based COTIS just released his latest single, a track titled “Phone Light Up”. “Phone Light Up” takes a look at relationships in the modern era of technology and how to play by those rules. “We living it up, not playing it safe, I give and I take; give me some space,” COTIS preaches on “Phone Light Up.” COTIS goes further into it on the chorus, stating: “Yet baby tell me what’s come over you, your phone light up.” Aside from the amazing writing, “Phone Light Up” intermingles classic pop with with urban hip-hop and R&B beats. The track flows effortlessly and has a real message – “Why are there so many rules to this game and does it really even matter?” A true “I said, she said” track, COTIS’ “Phone Light Up” is something that you can play over and over again.
Toronto-based musician Bossie is set to release her latest album Not Pictured on April 27th. Not Pictured covers a wide variety of topics including modern culture, consumerism, and social media, among others. Bossie sparked public attention when she released her first single “Meteror” in 2015. Now, with her debut album, we are reminded of that infectious and beautiful sound that we have been falling in love with over the last couple of years. The album places emphasis on the sound of bubblegum pop with Boosie’s amazing, robust vocals.
First tack “Mild At Heart” discusses the mild nature in a relationship. “Take your headphones off we need to talk” says Bossie. Pondering the relationship she says, “What if we need to grow up?/Maybe we’re just mild at heart.” “Mild At Heart” really digs into the frustrations of a relationship. Bossie sings on falling in and out of love, not moving forward, and not having that “zest” in a relationship. “Strawberry Moon” shows off the artist’s quirky side. With the funky beat and electronic sounds, “Strawberry Moon” shows off Bossie’s diverse style. “Don’t set fire to the strawberry moon,” proclaims Bossie. What does it mean? Luckily enough, she leaves that up for interpretation. On “There Will Be Time,” Bossie takes a stab about the timing in life. A track about there being a time and place for everything, Bossie is transparent on “There Will Be Time.” “Yeah there will be time…there will be time to decide,” we hear on “There Will Be Time.” Bossie recognizes that whether it be a relationship, career move, or personal, not everything in life needs an immediate decision.
We are enamored by Bossie’s new album, and KNOW you will be too! Not Pictured is out everywhere April 27th. Keep up with Bossie here.
Ever-impressed by the incredible talent that is Jimmy, we are delighted to share his new haunting and dark single “Smile”, the follow up to his self-titled single “Jimmy.” “Smile” discusses the struggles of being told to smile when times are tough an not the easiest. It displays the power of connection, as listeners relate to the same feelings of powerlessness in a corporate world.
Jimmy explains his inspiration behind “the track by stating:
I didn’t write “Smile” because I’d found any answers and writing it hasn’t afforded me any catharsis. “Smile” is simply a reaction to the corporations who perpetuate addiction as a pillar of business, to all the trendy marketing campaigns of the tobacco, alcohol, and pharmaceutical industries with their side effects in fine print or sped-up voice-overs, and the innocent souls on the other side of a rigged transaction.
