Spiritus is the second album from blues rock group Jane Lee Hooker, following the band’s first album No B!.
Jane Lee Hooker consists of five women – Dana ‘Danger” Athens on vocals, Hail Mary Z on bass, Melissa ‘Cool Whip’ Houston on drums, Tracy ‘Hightop’ on guitar, and Tina ‘T Bone’ Gorin on guitar – and accepts taking on the challenge of good blues with Spiritus.
The ten track album is really good and has high energy throughout every song. The tracks are inspirational, full of high energy, and encourage the listener to live their best life. The sound of the blues is prominent in each track on the new release. “Gimmie That” has a sound that shifts from blues to pop with high energy. Tracks like “Ends Meet” and “Mama Said” contain the band’s quintessential blues influence, but also a little bit of rock n’ roll.
The name of the album means “spirit,” and follows the theme of finding yourself in life. It lends itself to the idea of taking chances and not being afraid to be yourself. It is a fun listen, and will absolutely keep you engaged from start to finish.
Previously of Victory Records, the four piece hardcore punk band American Standards independently produced, mixed, and released their album, ANTI-MELODY in April of 2017, following a tumultuous time in the lives of the bandmates, losing their founding guitarist to suicide amongst other traumatic events.While much has changed since their founding in 2011, Phoenix, AZ based American Standards have been putting out gritty tracks, always with a drive for authenticity, and ANTI-MELODY is no exception. Currently comprised of Brandon Kellum’s vocals, lead guitarist Corey Skowronski , Steven Mandell on bass, and Mitch Hosier providing drums, American Standards has never been a band to be put in a box. Described as noise/hardcorepunk, mathcore, and/or metal, American Standards makes their own name in the music world.
With explosive vocals and instrumentation to match, ANTI-MELODY not only touches on the band’s personal problems, but also global issues and relevant conversation – all, of course, wrapped up in music.
Coming off of the release of ANTI-MELODY, we had plenty of questions for Americans Standards, so we caught up with American Standards vocalist Brandon Kellum. He decided answer our seven questions about the band in all 90’s references, and we’re here for it.
What’s your favorite snack to eat while making music?
Dunkaroos washed down with an ice cold Fruitopia.
When was the defining moment for you guys to realize, “Wow, music is my life now!”
Somewhere in the 2nd chorus of “What’s Up” by 4 Non Blondes.
Do you come from musical families, or was your interest in music a deviation from “normal” growing up?
The closest thing I had to a musical family was watching Jesse And The Rippers on Full House.
Favorite track on your latest album, ANTI-MELODY?
The hidden track.
With so much accessibility to all kinds of music today, how do you make yourself stand out in the wide world of music?
ANTI-MELODY was birthed from what sounds to be a very emotional time. Do you consider writing/creating or performing music live to be more therapeutic?
It’s a nice distraction and more then anything, a vessel to connect with others. It allows us to start a conversation with people we may not have met otherwise, in a place we likely wouldn’t have gone. So out and create something and revel in the experience it brings you.
Pop newcomer Maria Lynn’s “Petty” is the epic vengeful breakup song we’ve all been craving. If you’ve ever wished ill thoughts onto an ex or felt bitter after a relationship ends, this is the song for you.
Catchy vocals overlay an effortlessly flowing instrumental that creates the perfect song to sing (or scream) to the image of any and all ex lovers. A breezy guitar melody combined with beautifully composed lyrics and smooth vocals powerfully invoke feelings of strength and fortitude.
The upbeat tempo, electro drops, and synthesizer blends transform this personal breakup song into a spirited dance mix that somehow emits feelings of reassurance. There is a flawless balance between the calm of the verses and the hard-hitting chorus which, at first listen, is unexpected yet satisfying.
“Petty” exquisitely and refreshingly unites heartbreak with feelings of vulnerability, power, and empathy.
Austin, TX rock/pop/r&b/guitar/soul artist Jackie Venson is coming off an an exciting national solo tour for her EP, Transcends, which was released in September of 2017. It was highlighted by shows with Gary Clark Jr. She has also dropped the music video for her song “Mysterious” off of Transcends.
With confidence and phenomenal guitar skills, Jackie brings a mix of genres to the table. After attending Berklee and playing piano for most of her life, Jackie took up guitar in 2011, and has been performing for over five years. She brings authentic, soulful feels to every song, at times with a playful twist. Her latest EP, Transcends, is teeming with talent-filled tracks. Be sure to check out Transcends .
Recently, Venson curated a playlist exclusively for Imperfect Fifth. Check it out – and the inspiration behind it – below!
Folks always ask me ‘what do you listen to Jackie?’ and I can never answer their question. I don’t believe in genres, I believe in great music and I think confining oneself to playing or listening to only one genre is dooming oneself to a life of monotony. Here is my super random playlist of songs I love that I have listened to all throughout my life.
africa – toto
come around – marc broussard
maggot brain – funkadelic
multiply – jamie lidell
soul rebel – bob marley
shade of a shadow – teitur
addicted – amy winehouse
unthinkable – alicia keys
defying gravity – Wicked
young blood – the naked and famous
to zion – lauryn hill
retrograde – james blake
waltz between eva and che – Evita
We wanted to speak with the voice behind this wonderful music, so we caught up with Jackie, who answered a few questions from us about her musical career, fears, and inspirations.
What’s your biggest fear? – Getting pregnant anytime within the next 5 years. It would impede on goals I have for sure which horrifies me because I have worked so hard.
How was your tour with Gary Clark Jr.? – it was really fun, exhilarating, and eye opening. It was cool to see how things work on that level.
Who would you call your favorite biggest musical inspiration? – hmm pretty impossible to narrow it down to 1. It’s a mixture of Stevie Wonder, Lauryn Hill, and Disney.
How much does social media affect your musical journey? – tremendously. It is responsible for about 90% of the opportunities I get as well as the fact that folks even show up to my shows on tour.
Do you prefer to be put in a genre, or make your own type of genre? – I like hybrid genres, I consider myself rock/r&b/soul.
Favorite song on “Transcends”? – gotta be Flying. We were able to capture the groove so well, it feels like how we play it live.
Favorite instrument to play? – definitely the guitar by a long shot. It feels like it’s a part of my body.
Lanterns, the full-length debut from Atlanta 3 piece A Very Loud Death opens with “Consumer” an atmospheric stage-setter for a lucid journey into a darkness that could be the background music to any Edgar Allen Poe story. Don’t question the production of a simple 3 piece band, somehow they pull off full spectrum sound that you would expect of a 5 piece. Chris Edge’s vocals are heartful and poignant, while the slow to medium paced music confirms the emotive romanticism of nurturing a heart you yourself inflicted damage upon.
The album overall has segments of dreary alternative rock, emo but not whiny, and some metal dynamics. With a vast audience opportunity, A Very Loud Death would appeal to fans of Chevelle, HIM, Mars Volta, and artists that have that hint of saddened macabre. Animated and heartfelt A Very Loud Death offers heart on sleeve honesty that you can feel with every musical change and vocal melody. “Lanterns” has a System of a down like guitar riff that takes an entirely new meaning once the chorus kicks in and tones become more epic and the vocals more desperately dyer. Applying instrument and vocal effects that expand the tonal dreariness yet cast a spooky shadow that is as perfectly subtle as a thin cloud coverage.
The vocals return with a soothing embrace on “The Ease of Absurdity”. Lightly brushed tom rolls accommodate a strong bass line that really takes the wheel and directs this track. The build-ups ad an unexpected turn that isn’t overpowering and breaks up the predictability that typically bores listeners. “The Wild” is the album’s most fast-paced song and pulls between the low dark overtone and a slight anger that cradles the ears yet instills that same uneasy feeling you get when someone shoots you an uncertain grin that you cant tell is sincere or wicked. With music that is melodic and driven to fulfill the albums intense theme, the lyrics have an offbeat obscurity that follows a rhyming pattern that kind of hints that a progressive rock influence had been tossed into the blender of sound that A Very Loud Death has inside their already genre-bending core.
In closing, the best way to describe A Very Loud Death’s latest offering is that there is enough dramatic loudness to wake up empathy in a stone-cold psychopath.
I had the opportunity to chat with Matt from Violent Revolution, a metal band based out of Phoenix, Arizona. While I am a little biased having liked a band he was in locally around 2001, I find it more inspiring to be able to pick the brain of a musician I respect. Matt is well known in this area. A scene veteran if you will. With Violent Revolution he has teamed up with some other tight players and together they have unleashed a brand of metal that not only has listeners asking “how did they do that” but keeps the mosh pit rotating like a ceiling fan.
Your name and role in the band?
Matt Ward, Lead Guitar and Vocals
What motivated you to play/create music?
Honestly, a big part of it was growing up kinda poor. My friends and I never had money to do pretty much anything so in my juvenile brain I thought shooting for the occupation of “Rock Star” would bring some cash and travel into my life… oops. Not quite the case. But also there are allot of musicians in my family and it seems to just be genetic. My Grandad was a guitar player who worked in Vaudeville and taught guitar and even worked with Les Paul for a time. Sadly he died before I could meet him so I’ve always kinda wanted to pay tribute to his memory. That and Jimmy Page.
Who are your influences?
That answer changes every few years it seems. Early days it was Zeppelin, AC/DC, Iron Maiden… Twisted Sister was actually my first favorite rock band and they brought me into the whole cosmos of metal. Over the years I have been influenced by so many things a competent list would be all but impossible. But lately I am very into Meshuggah, Aesop Rock, Opeth, Maximum the Hormone, Belphegor… and of course… a constant stream of Tom Waits flowing! He’s my god!
Describe the sound of Violent Revolution for a new listener.
That would depend on whether you hear the new stuff or the old stuff. Our Debut disc “State of Unrest” is pretty straight up Thrash/Punk kind of stuff. There has been some line up changes since then and nowadays we are quite a bit more adventurous. Imagine Nuclear Assault meets Lamb of God and The Haunted… maybe… this question I always suck at haha.
What sets Violent Revolution apart?
Another hard question to answer. I guess that may ride in the hands of the listener. It’s hard to be objective about that answer from the inside. I don’t wanna sound braggadocious or off base.
What is the story behind the name Violent Revolution?
It’s from a Kreator song. That’s really the whole story haha. Nothing too deep behind it. Just fit music that is fast and angry and somewhat politically charged.
What is the most rewarding aspect of being in Violent Revolution?
I think as of now the most rewarding thing is the new line up. We are just in a good groove with each other and the writing is flying. We all get along and we all keep each other on our toes but most importantly we all agree on pretty much everything. No bitching and moaning at each other EVER! If anyone complains it’s always me but never about them haha. It’s just actually fun playing in this band. I have been in plenty that were very far from fun.
What’s next for Violent Revolution?
We are shooting for finishing up all the new writing that is underway and then getting an EP together so we can get this stuff out to everyone. I don’t think enough people have had a chance to check out the new direction. Plus we have a ton of merch to make! It’s gonna be a busy spring for us. But we will be coming out swinging by summer. It seems as though we are on track for a really good year! Let’s hope that is the case.
Today, the world is finally able to hear new music from indie pop band Felsen. The album delivers a message through melody and lyrics that they created in their late-night West Oakland Studio. A highly anticipated work, Blood Orange Moon is eleven tracks of musical wonder, from first track “Vultures on Your Bones” through the title track at the end.
“Vultures on Your Bones” has many different melodies crafted together as one. The acoustic guitar blends perfectly with the rest of the instruments and the leading vocals on the track. The song seems like it is about a vulture eating at the bones of an individual and the vulture will not leave the vocalist alone. The vulture continues to come back and bother the individual.
Blood Orange Moon will definitely take the listener on an emotional rollercoaster ride. The album goes from being about wanting to be with someone in songs like “Lovecraft”, losing a loved one in songs like “You and I will Meet Again”, and desire. It addresses human emotion in a beautiful way.It tackles communication, whether it’s face to face or direct. “Blood Orange Moon” is not only amazing because of the vocals and instrumentals, but the songs are relatable and relaxing. The album is great to turn on during a late night car ride when you just want to vibe to music or when you just want to unwind for the day and relax.
Ciaran Lavery makes me glad I’m a writer for fear that I would pronounce his name like a 1st grader attempting to read Shakespeare. You can tell by his name that he isn’t from the U.S. and with his track “To Chicago” all of you American men could learn a thing or two. With Valentine’s Day approaching my best advice is this, if you want to get some warm and tender loving, put “To Chicago” on for your girl and it’s a sure win. It’s an upbeat, simple, toe-tapping love song that is a million miles away from what has been the top 10 industry standard.
The acoustic guitar isn’t always just for those depressing cry your eyes out ballads. The guitar line in “To Chicago” is fun, and like love, it’s unconditional and without a deceptive hidden agenda.
Reminiscent of a song you would hear playing over the speaker system of your local drug store and while the line is long the ladies are sure to daydream away of a concert where they are the only audience member and Ciaran is singing solely to them.This is the kind of song that yields hope in thinking love like that does exist. It’s not generically sappy or holding hands skipping in the perfect meadow. It’s realistic. It’s a spontaneous road trip, sharing laughs when the map flies out of the window and there is no cell signal, opening a can of soda and it fizzing over and your lover giggling as she pats the couple of droplets from your shirt. All the pop song elements are there, but the lyrics are creative and uniquely written.
Overall this is a very refreshing love song that is sure to pull at the heartstrings, and possibly make a slew of listeners flock to Ireland ready to marry Mr. Lavery.
“To Chicago” is out today and the album it appears on, Sweet Decay, will be released April 13th. Keep up with Ciaran Lavery here.
Shot on the expansive and gorgeous Oregon coast and TIllamook State Forest – a beauty captured which the band is very proud of -, Rare Diagram brings us the exclusive premiere of the music video for their single “Keep Me”. The band is expertly comprised of Justin Chase (keys, vocals), Emma Browne (guitar, keys, vocals), Joseph Berman (guitar), Chris Marshall (bass), and Alex Radakovich (drums), and the song itself was written while Emma and Justin (who both make appearances in the video) were traveling in Argentina last year. Delivered mellifluously, “Keep Me” is a song about dealing with passivity in relationships and possesses a bittersweet feeling that only the Oregon coast could capture.
Director Hanna Hagen is the mastermind behind the video’s concept – which was inspired by the 70s vibe to the track itself – a movie-like quality to a tortured and beautiful plot line that could only be achieved by an array of vintage lenses and an incredible Director of Photography (Sean Conley). This video is also the perfect escape for those of us experiencing FOMO about not being able to go on luscious nature hikes in the dead of winter.
Let yourself get lost in this quirky, moving, and mesmerizing video.
Keep your eyes peeled for a record release in late summer 2018 via the band’s Facebook.
