Musical newcomer Finlay has just released “Evolution”, an unflinchingly honest track that comes just in time for my second quarter-life crisis of the week. The song is the young artist’s second release following his debut single, “A Million Places” and premieres alongside a refreshingly simple music video. The song itself navigates the tricky gray area that many (and by many I mean all) feel as they try to transition from childhood to adulthood and the struggles that accompany that.
The video starts out with a shaky shot of Finlay himself laughing candidly before the music starts, at which point he appears to have a sobering moment. Twinkly piano reminiscent of childhood lullabies opens the track and, accompanied alongside the visual of the young artist laughing, serve to provide us with both auditory and visual evidence of what being young and carefree feels like.
Right off the bat Finlay’s voice is aching and the piano is thoughtful. The Yorkshire-based singer is both raw and genuine and possesses an encapsulating quality that listeners are sure to immediately feel. We witness the young artist experience a rollercoaster of emotions as he does something that most artists these days wouldn’t dream of attempting for a music video; He just stands there and sings to the camera. I know, I know. Crazy. The simplicity and honesty of the whole thing in a time where music videos are more often than not expected to be highly-produced, over-the-top artistic feats is a breath of fresh air. As the song progresses, Finlay backs away from the camera and into metaphorical uncertainty, and as the shot widens we start to see the vast (and might I add, stunning) landscape that is waiting beyond him. When he finishes singing, he walks off into the unknown, fading out of focus as his voice echoes behind him. He might be new to the scene, but what Finlay lacks in experience, he makes up for with his brave vulnerability and raw talent.
California duo Best Coast are set to drop their newest record Always Tomorrow on February 21, 2020. The album will be released through Concord Records and was produced Carlos de la Garza, with additional production from Justin Meldal Johnsen. This will be the band’s newest release since their 2015 record California Nights.
The first track to be released from the album was “For the First Time” back in the fall. Now they are dropping their next track, “Everything Has Changed”. The new track was shared through a music video, directed by Ryan Baxely. The video features characters from lead singer Bethany Cosentino’s favorite show, Vanderpump Rules.
Always Tomorrow is a look back on the past 10 years of Cosentino’s life. Through the emotions of personal discovery, newfound sobriety, touring, and heartbreak, listeners witness Cosentino close one chapter of her life and the beginnings of her new one. Leaving behind all the bad and focusing on and moving forward with the good. The main theme and biggest take away of Always Tomorrow is acceptance.
This album is influenced by the sounds of those found in The Go-Go’s, The B-52’s, Fleetwood Mac, and Talking Heads. With sonic sounds and the feel of woozy pop, Best Coast continue to make a name for themselves in the independent music scene.
This winter, Best Coast are out on a full North American tour with support from Mannequin Pussy. All dates can be found below:
Tour Dates:
2/27 – Palm Springs, CA – The Alibi (with Lunch Lady)
2/28 – Los Angeles, CA – The Novo*
2/29 – San Francisco, CA – Regency Ballroom*
3/2 – Portland, OR – Wonder Ballroom*
3/3 – Vancouver, BC – VENUE *
3/4 – Seattle, WA – The Showbox*
3/6 – Salt Lake City, UT – Metro Music Hall*
3/7 – Denver, CO – Ogden Theatre*
3/9 – Minneapolis, MN – First Avenue*
3/10 – Evanston, IL @ SPACE*
3/11 – Chicago, IL @ Thalia Hall*
3/13 – Detroit, MI – El Club*
3/14 – Toronto, ON – Phoenix Concert Theatre*
3/15 – Montreal, QC – Corona Theatre*
3/16 – Boston, MA – Royale*
3/18 – Brooklyn, NY – Brooklyn Steel*
3/19 – Washington, DC – 9:30 Club*
3/20 – Philadelphia, PA – Union Transfer*
3/21 – Carrboro, NC – Cat’s Cradle*
3/23 – Nashville, TN – The Basement East*
3/24 – Atlanta, GA – Terminal West*
3/25 – New Orleans, LA – The Joy Theater*
3/27 – San Antonio, TX – Paper Tiger*
3/28 – Austin, TX – The Mohawk*
3/29 – Dallas, TX – Granada Theater*
3/31 – Phoenix, AZ – Crescent Ballroom*
4/1 – San Diego, CA – The Observatory North Park*
4/2 – Santa Ana, CA – The Observatory (w/ FEELS)
Not even freezing temperatures and icy roads could stop Kansas City from showing up for their favorite hometown act last Saturday as indie-pop band The Greeting Committee returned home and took the stage for a sold-out crowd at Uptown Theater. The energy in the theater was absolutely electric as fans packed into the venue, eager for an escape from the cold and snowy night. It was delivered.
Addie Sartino, the band’s frontwoman and charismatic shining star, was, as expected by the eager crowd, a force to be reckoned with. It was a constant stream of highs as Sartino led the audience through a whirlwind of emotions throughout the night. The group played fan favorites like “Don’t Go”, “Pull It Together”, and “You’ve Got Me” as an ecstatic crowd danced and sang along with Sartino. She flawlessly demonstrated her talents on every one, not missing a beat and thriving throughout the spirited set.
A notable moment came fairly early on as a nostalgia-inducing “salute to our youth” saw the band bring on stage a large group of local Kansas City musicians for a cover of Arcade Fire’s “Wake Up” that bordered on spiritual. But the homegrown band was just getting started.
About halfway through the show, Sartino asked the audience to respect her request “human being to human being” as she asked that everyone be completely silent while she performed “Call in the Morning”, a somber track that deals with tragedy off of the band’s new EP. Complete and total silence blanketed Uptown as Sartino traded her typical high-energy performance style for vulnerability and a powerful stillness as she stood center-stage while singing the track. Even in her stillness, her ability to connect to her material shone through. A completely mesmerized crowd couldn’t peel their eyes away from the frontwoman, who encapsulated what it means to put yourself into a performance. Sartino’s demanor shifted as she made it to the song’s spoken word portion, and she frantically ran around the stage as the lights went blue and she yelled out the monologue to a sea of teary faces. “Call the police, drain the bathtub, hide the bleach, call ‘em quick love. I think we’ve lost it” she screamed. “I cannot find another you”.
Sartino threw herself to the floor and pounded her fists along with the heartbeat-like drums as she screamed “Call the police!” over and over again. The song appeared to be pure catharsis for the young performer. The theater went dark as “1-800-273-8255” and “If you’re looking for a sign to stay alive, this is it” appeared on the screen and remained there as the band played the ending to the song softly in the background. 2,000 fans stood unmoving and silent, and many faces were streaked with tears as the audience stared at the dark stage, completely overcome by the power of the moment that they had just witnessed. Uptown was momentarily still as the crowd stood frozen, unsure of how or if the silence should be broken.
But just like that, Sartino was back on stage and better than ever, and the crowd rallied along with their fearless leader. The band took what could easily have been a hard moment to recover from and kept the wonderful moments coming, and it was impossible not to latch on to their infectious energy. The crowd’s spirits climbed through the roof as the show continued to escalate. The back half of the night included a mosh pit during fan-favorite “Hands Down”, and crowd-surfing by literally everyone in the band. The final song of the night, “Gold Star”, got intimate as the band got off stage and played amongst the very crowd that helped them make their largest show to date possible before exiting (while still playing of course) out the front door. It was a full-circle kind of night for the band and fans alike, and, in the words of the guy in front of me who couldn’t stop crying, “That was just special”.
Erin P.S. Zimmerman has not only the memory of an elephant and the rhythm of one of Destiny’s children, but she’s the twin sister of our Editor, so she’s an absolute magnet for pop culture. She took a side road and grabbed us a large quantity of songs for a playlist that easily covers the entire decade. We’re sure it was inspired by her Spotify plays, as well as a deep dive into each year and her own iTunes library. But this girl’s got some gems. So read em, listen to em, and celebrate 2020 with the sounds of the past!
2009
Dick in a Box – Lonely Island ft Justin Timberlake One of the first times I realized that my mom has a wicked dirty sense of humor. In 2011, we requested this one at a piano bar “for our mom”. They pulled her on stage to sing and dance…and boy, did she!
I’m on a Boat – The Lonely Island Everyone seemed to know this one, and it brought us all togethe
Water Landing – Third Eye Blind Favorite TEB song. My new bf at the time – now my husband – made me a mix CD when we started dating, and this was the first song.
Boom Boom Pow – The Black Eyed Peas “You’re so two thousand and LATE!” – Also, my sorority formal date’s “THIS IS MY JAM!”
Gives You Hell – The All-American Rejects Our anthem for all the bullshit left behind in high school.
Use Somebody – Kings of Leon Favorite moment of my study abroad trip to London: a packed room at a bar singing this to a live band playing a cover.
Party in the USA – Miley Cyrus There is no physical possibility she could walk off the plane at LAX, hop in her cab and look to the right to see the Hollywood sign.
Battlefield – Jordin Sparks Why DOES love always feel like a battlefield?
Fireflies – Owl City Why did we like this one so much??
I Love College – Asher Roth This is the given on the soundtrack of someone who was in college in 2009 or any year after.
Breakeven – The Script This introduced me to The Script. Which became part of the soundtrack to my summer.
Lines, Vines, and Trying Times – Jonas Brothers YES, this is the whole album. Because I loved about 4/5ths of it. And it was the magical soundtrack to exploring London and Los Angeles.
2010
Cooler Than Me – Mike Posner Someone told me they thought of me every time they hear this song because I probably think I’m cooler than them. I am.
Billionaire – Travie McCoy ft Bruno Mars Heard this one for the first time driving around Los Angeles with some friends. And I could picture myself as a billionaire VERY clearly – and still do every time I hear it!
Club Can’t Handle Me – Flo Rida ft. David Guetta Always blasted in my dorm with my roommates. Always never at the club…because it can’t handle me right now.
Whataya Want from Me – Adam Lambert I felt like I had his vocal range. Spoiler alert: I didn’t. Also: what I sang in my head every time someone from high school reached out to me…
If I Die Young – The Band Perry My co-worker’s young daughter loved this song. And creepily sang every word as she stared deep into my eyes. I lived to tell the tale.
Shout It Out – Hanson Yes, it’s another boy band album. I truly love all of the upbeat music on this, and it’s great for running through the sprinklers and then enjoying a bomb pop on a summer day (or upbeat music for your NYE)!
2011
Under the Mistletoe – Justin Bieber My sister received a video invitation to a Christmas party in Manhattan, New York that featured this song. And it was original and funny and I can’t help but love the song now.
Rolling in the Deep – Adele Power ballad and my introduction to Adele [insert heart eyes]
Party Rock Anthem – LMFAO My little bro learned the dance. We made the gold box head from the video for him. This was his anthem.
Raise Your Glass – P!nk Underdogs. Weirdos. Dirty little freaks. I’ve never felt so seen…
F**kin’ Perfect – P!nk NOW I feel seen.
Look At Me Now – Chris Brown ft Lil Wayne and Busta Rhymes I spent an entire week vacationing in San Diego practicing rapping to Busta’s verse. I got most of it, performed it at my 21st birthday party, and retired from the rap game.
Good Life – OneRepublic Upbeat. Meaningful. Nostalgic. Perfect for a party!
Pretty Girl Rock – Keri Hilson Because, of course.
Jessie J’s entire album: Who You Are Spent the summer – and fall and winter and spring – driving around with my twin sis rockin’ out to this one! Daddio’s favorite is Price Tag
Threw it on the Ground – The Lonely Island Makes me giggle. Referenced often to this day.
2012
Somebody That I Used to Know – Gotye Just one of those songs from 2012 that defined the year…because it was played non-stop on every radio station. So, everyone knows it.
We Are Young – Fun Another one of those anthems for people of all ages about going out and painting the town red – or setting it on fire, whatever
Ni**as in Paris – Jay Z and Kanye West A fun one that made at least SOMETHING in Blades of Glory funny.
Birthday Cake – Rihanna ft Chris Brown Super weird collaboration following his assaulting her and the romantic breakup that followed 3 years prior…but a super catchy – albeit sometimes annoying – track.
2013
Thrift Shop – Macklemore and Ryan Lewis Who didn’t love this song, and then become a complete thrift shop junkie? It took me years to get back to thrifting and getting anything good!
Flawless – Beyonce Empowerment anthem OF THE DECADE. And, most days? I DID wake up like this.
Mirrors – Justin Timberlake Cried. Sang it with the windows down driving up the 101. Made my bridal party do a dance to it. There is video evidence.
Royals – Lorde I had somehow forgotten this song. It played in perpetuity from 2013-the KC Royals 2015 World Series Championship. Now I can’t get it out of my head…
Wrecking Ball – Miley Cyrus An ode to Miley’s breakup, breakdown and ripping off the bandaid that was her Disney persona. And you, too, can get a skin for your MacBook that turns your Apple logo into the wrecking ball in question.
Girl on Fire – Alicia Keys ANOTHER empowerment anthem? We will take all of them we can get!
Try – P!nk Have you ever seen the music video? Watch it. NOW.
You and I – John Legend Hell, really I just mean all of the album “Love in the Future”. Best of 2013.
2014
Happy – Pharrell Williams Who doesn’t want a feel-good song to take you from down in the dumps, to dancing on the hood of your car? Or the bar? Or the table or the street?
All of Me – John Legend Bawled. Became first dance at wedding. Years later, I told John Legend to his face that he only makes music to purposefully make me cry. And he guaranteed tears at his concert. And he delivered. Damn him.
Turn Down for What – DJ Snake and Lil Jon Only video I took at my wedding: Dance off in the foreground between 5 VERY white boys to this song. In the background? Family friend Russian kicking my 9-year-old niece into 2016.
Chandelier – Sia I DO want to swing from the chandeli-here!
The Man – Aloe Blacc Best basketball warm up song. Best slideshow music for the graduating seniors of the St. Pius X high school basketball team.
Partition – Beyonce This one just has me feelin’ myself, no matter what mood I was in before! In fact, I’m going to go listen to it, now!
2015
See You Again – Wiz Khalifa ft Charlie Puth First death of a friend my age. This played on a slideshow. He’s all I think of when I hear it and I cry. Which means I cried while watching Fast and the Furious. But not because of Fast and the Furious.
Take Me to Church – Hozier The year I really STOPPED going to church. But his voice more than made up for it!
Elastic Heart – Sia Two words: Shia. Labeouf.
Outlaws – Alessia Cara I felt like this was the anthem for myself and my fellow entrepreneurs as we retreated in the mountains and built our businesses and white-water rafted and had a jolly ole time.
House Party – Sam Hunt How the twin and I have always lived our lives: entertaining from the comfort of our own homes.
2016
Love Yourself – Justin Bieber
Sorry – Justin Bieber OK, let’s be honest. The whole damn album. I’m not embarrassed. I danced my way through 2016 to JB.
Work from Home – Fifth Harmony I had just started working from home as a full-time freelancer when this one came out. So, it was constantly in my head – and is a fun one to dance to, as well!
Just Like Fire – P!nk Apparently, I am drawn to fire. I believe it’s the Aries in me…
One Call Away – Charlie Puth Sister broke up with her boyfriend. I rallied the troops and had friends and family from across the US lip sync on video and put it together as a breakup gift. And a perpetual reminder.
Sit Still, Look Pretty – Daya Calling society in to question. While being catchy and easy to dance to? Yes, please and thank you! Because smashing the patriarchy can and should feel a hell of a lot more fun!
Lost Boy – Ruth B Haunting, gender-bending, put into question how we see ourselves vs. how we are seen.
I know, deep, right?
2017
HUMBLE – Kendrick Lamar I saw this one as a challenge for me to be less humble and take up space, while also singing along loudly in the direction of folx who need to sit the f*** down, shut up and listen.
Say You Won’t Let Go – James Arthur Does anyone else see Jane and Rafael from Jane the Virgin when they listen to this song? No? Just me?
Redbone – Childish Gambino A range and style no one expected, but everyone needed.
Slow Hands – Niall Horan Sexy from a former One Directioner…I should have seen it coming.
Sorry Not Sorry – Demi Lovato Hate the saying. LOVE the song.
DNA – Kendrick Lamar The BEST song to lift heavy weights and smash a bag around to! TRY to tell me differently!
Better Life – P!nk Sad and beautiful. It helps me to stop and take inventory and answer P!nk’s question for myself.
Younger Now – Miley Cyrus How I feel with each passing year…
Bastards – Kesha First song on her 2017 album. “Don’t let the bastards get you down” (America’s official slogan since, what, 2016?)
Everybody Lost Somebody – Bleachers Bleachers makes depression fun by helping folx find commonalities in one another. YOU are not alone!
Finesse – Bruno Mars and Cardi B LOVE the throwback late 80s/early 90s sound. MORE PLEASE!
All The Stars – Kendrick Lamar & SZA Black Panther. Entire Marvel/Disney soundtrack produced by Kendrick Lamar. My mom is friends with SZA’s mom.
This is America – Childish Gambino Calling us out. Poignant. This IS America. Always and still.
God is a Woman – Ariana Grande Finally. Someone got it right.
Shape of You – Ed Sheeran I’m still trying to hate it. But every time it comes on – and it still does a LOT – my foot just gets a’tappin’!
Thank U, Next – Ariana Grande I find myself singing this at my husband of 5+ years. Gotta keep um on their toes!
Hey Look Ma, I Made It – Pan!c at the Disco Haven’t heard much from Pan!c since the mid 2000s…and now they are back and better than ever! In fact: theirs was my favorite show of 2019 (and Elizabeth’s! Check out her review here: http://imperfectfifth.com/elizabeths-favorite-shows-of-2019-dont-threaten-me-with-a-good-time/)
2019
7 Rings – Ariana Grande Sound of Music is my favorite. And so are my bitches (though, I don’t have 6 of them…probably)
Old Town Road – Lil Nas X ft Billy Ray Cyrus Lil Nas X became a role model, THEN came out (and became an even BIGGER role model), all while trolling us with this annoyingly catchy – but really bad – anthem of 2019.
Bad Guy – Billie Eilish Hate to say it…I love it. Because, well, I don’t always want to be the nice guy!
I Don’t Care – Ed Sheeran and Justin Bieber This is literally how I feel about everyone and everything. Except for my family. Sometimes. Other times, it’s exactly how I feel about all humans except myself.
Homecoming: The Live Album – Beyonce Watching it live. Listening to it in its entirety. Tears to my eyes and over a decade of music and emotions.
Dori Freeman’s new album titled Every Single Star is a perfect follow up to her 2016 break out year. Produced by Teddy Thompson this album features a sparkling voice over simplistic instrumentals allowing her Appalachian style to fully shine through. The powerful way she talks about heartbreak in so many of the tracks allows you to feel a connection to the pain she has been able to withstand, leaving hope for women who are in similar situations. Though Freeman’s personal life has changed between the release of her first album to this one, her message remains clear as she is loyal to the roots that have gotten her this far in music.
Choosing to sing about motherhood and the music industry itself Freeman is able to bring to light a little-discussed topic in the business. Taking on the role of the contended mother instead of a rejected lover Freeman speaks to her experience making this album by saying, “Musicians that are also moms and have to juggle touring and being at home and spending enough time with your child; that’s something that’ really hard for me to find balance in.” In the track “Like I Do” she expresses her love for her child singing, “nobodies gonna love you like I do” a lyric I’m sure almost every parent can relate to. The song plays an important role in her need to include her daughter into the album without making it all about her; a charming tribute this song is definitely one to take note of.
Providing a classic feel Freeman does an exceptional job making her songs sound like they’ve been around for ages in a comfortable and quintessential way. As a listener, you will often experience hints of Reba McIntire, Loretta Lynn, or Dolly Parton through the old twang and lofty notes of the tracks. This is most noticeable in songs “How I Feel” and “Darlin’ Boy” with the way she utilizes the instrumentals to accentuate her lyricism.
The most unique track on the album is definitely “2 Step”, where produce Thompson joins in for a duet with Freeman, creating a mystical blend of dazzling harmony. As a song about dancing, it’s no wonder the track sets forth a desire to stand up and let yourself loose as the music flows through you with a strong mountain soul.
Creating an album with songs of all emotions, Freeman has done what so many artists strive to do in crafting a complete story of songs to settle into. Her sophomore album Every Single Star should definitely not be overlooked and will provide endless hours of joy and powerful feministic inspiration. Be sure to catch the release of Every Single Star and to follow Dori Freeman on Instagram.
On Friday, lo-fi garage pop musician Balue is set to release his new album Suburban Bliss. We’re lucky enough to have your first listen to the release in its entirety, starting with the sound bites that intro the title track. Jam packed with leisurely tunes perfect for your next road trip, Suburban Bliss leads you on a sonic journey that both urges you to open your mind and keeps a moderate tempo that tends to keep your emotions at bay. Moments of 70’s-inspired, glittery soundscapes are nestled amongst futuristic chord progressions and reverb for miles. It’s beautiful and fun and quirky, all wrapped into one wonderful collection that will easily make the “summer to autumn” transition with you.
Get your first listen below, and keep your eyes peeled for that album release on the 23rd!
With two sold-out shows in the New York City area at both Brooklyn Steel and Webster Hall, Snail Mail, fronted by Lindsey Jordan, is blowing up. At just 20 years old, Jordan already has two records under her belt: 2018’s Lush and 2016’s Habit EP. With Habit’s irresistibly infectious opening track, “Thinning,” Jordan began to catch the larger industry’s eye.
Signing to seminal indie label,Matador, Lush was an immediate success, gaining Jordan a devoted fanbase. She set to work playing show after show, no matter how big the venue. Between smaller shows at Brooklyn’s Warsaw and then larger shows, such as her performance at the legendary Madison Square Garden, opening for Interpol, Jordan knows how to work a crowd. And frankly, the reason why she resonates so much with others is that she is simply and unapologeticly herself. Nowhere is this more evident than in her lyrics. With sparse, straightforward lines, Jordan is able to effectively and powerfully communicate day-to-day emotions in an understated way. In “Pristine,” Lush’s opening track, Jordan sings about never loving anyone ever again, a statement that, at first glance, seems hyperbolic. However, when one is in the throes of love lost, it’s this emotion that seems to grab us and take hold, as unrealistic as it is. That feeling in and of itself is worth exploring, and listening to Jordan express sentiments that many prefer hide is cathartic. The act of saying something out loud, no matter how seemingly silly or embarrassing, is important. It holds up a mirror to ourselves and our experiences, and compels us towards reexamination.
Further, Jordan’s fans are of all different ages. At Webster Hall, the crowd, many of whom lined up hours early in order to obtain first-row spots, ranged from teens to those in their mid-forties. This speaks directly to the shared human experience and the way music can bring people of various generations together.
Jordan’s set, consisting of both records, was mostly sung with the audience in tow. Almost every track, especially that of “Pristine,” was a group effort. And “Pristine” itself had the added effect of the venue’s disco ball, with lights streaming around the room as squeals from the crowd heralded their addition. Ending with “Iris,” a Goo Goo Dolls cover, Jordan’s dynamic performance came to a close.
Jordan’s career is just beginning, and she’s already accomplished so much. Snail Mail is taking over the world.
Snail Mail Setlist
1) Intro
2) Heat Wave
3) Dirt
4) Slug
5) Golden Dream
6) Thinning
7) Deep Sea
8) Full Control
9) Let’s Find An Out
10) Pristine
11) Speaking Terms
12) Stick
13) Iris (Goo Goo Dolls cover)
With an easy instrumental opening and a soft voice, the new song “Slow” by Kensington Moore will be released today, just in time for those summer-is-ending emotions, we’ll all soon be experiencing.
Originally hailing from Nashville, TN, Kensington Moore moved out to Los Angeles two years ago to pursue her career creating soulful and lyrically honest music. Dedicated to her career, she has been able to produce tracks providing evidence that her wisdom far surpasses her 21 years on this Earth, and her new track “Slow” is no exception to this rule. A pleasingly mellow guitar riff will lead you right into her smooth voice allowing the listener to fully experience the weight of the lyrics themselves. This song will validate your feelings, remind you of a first love, and make you think of the one that got away, all at the same time. A track like this allows the listener to feel normal and safe within the space of a song, something I believe Kensington was shooting for with “Slow”. Finally, with her choice to end the song on the biggest gut-punch of a line, “But you’ll forever be a piece of me regardless” this song will have your attention all the way through.
It appears Kensington will have a bright future in the music world so be sure to give her a follow on Instagram, YouTube, or Facebook.
Mega Bog’s seventh album Dolphine gives listeners a ride through an auditory kaleidoscope with abstract and trippy sound coming out in every track. Get ready to picture yourself running barefoot through a field or swimming in a pool of seltzer water as singer Erin Birgy brings incredible vocal control with every song. This album could be played in a coffee shop or on a dance floor with its versatile and ever-changing melodies, giving listeners a hidden gem within the beat of every track.
Opening with “For the Old World” we are sent onto a mystic journey until the 30th second when the song takes a turn towards modern jazz. Then in “I Hear You Listening (to the Bug on My Wall)” we’re slowed down with an acoustic guitar strumming pattern that could leave you in a trance. “Diary of a Rose” is the longest track on the album, driven by the sound of chimes and lyrics dedicated to days of the past. The title track “Dolphine” opens with an upbeat and staccato electronic sound which moves the listener forward only to be swept up by Erin’s angelic and celestial voice. “Spit in the Eye of the Fire King” is the most unique song on the album, standing out among the rest as not only a duet with Ash Rickli but it also features a folk twang to it. “Truth in the Wild” tells a two-part story of a western style love that is broken up in “Shadows Break” where native whistling can be eerily felt next to the fading nature sounds and sad lyrics. In “Untitled (with ‘C’)” we’re transported back to the ethereal world of the tracks of the beginning. “Fwee Again” proves to be just as playful as its name being the only instrumental song on the whole album, and it doesn’t waste any time showing you. Finishing up with “Waiting in the Story” listeners can expect to enjoy a guitar-heavy vibe with harmonization in many octaves from singer Erin.
Saying to have written this album due to, “a myriad of overwhelming emotions” it’s no wonder we get so many different tempos and styles of songs. You can truly expect to be taken on a journey of self-discovery throughout this work. Let yourself float away and enjoy the dissonant and acoustic vibes given to us in this wonderful new album from Mega Bog.
