hello forever, “i want to marry you”

hello forever, “i want to marry you”

Indie group Hello Forever release video for newest track “I Want to Marry You”. Hailing from hippie-esque Topanga County, Calif., those same vibes are present in the song and the video.

Hello Forever, are shot at multiple locations in Topanga County. The look of the video is an off-shoot of their hippie style, seemingly recorded or mimicked to look like it was recorded on 35mm film.

“I Want to Marry You” is lead by ukulele with percussion used to keep the steady rhythm. The ukulele created melody give the song a light feeling. A feeling a listener can find themselves relaxing to or dancing along with.

Hello Forever’s style of music falls somewhere between the indie-rock powerhouse Vampire Weekend and psychedelic POND. This varied marker gives them the space to create and innovate in spaces that seem far apart. What Hello Forever are able to create in this space is a warped indie style that is highly enjoyable.

Keep up with Hello Forever here.

weird milk, “time machine”

weird milk, “time machine”

North London indie-pop band WEIRD MILK release video for newest track “Time Machine”. The video was released in the U.S through Austin, TX label Big Indie. The band consisting of Zach Campbell (guitar, vocals), Alex Griffiths (guitar, vocals), Charlie Glover Wright (drums), Joe ‘Blue’ Moyle (keys), and Harry Zwaig (bass), are moving their way to the front of the indie scene.

The pulsating new track pulls listeners back to the style of Beach Boys in harmonies, and The Strokes in guitar composition. This simple visual of the band standing in the backroom of some establishment while they harmonize, enhances the simplicity and influence of this track. This simplicity is helping them stand out in scene of acts trying to be different, WEIRD MILK strip the indie sound to it’s basic form and elevate it in a way that seems nostalgic.

Keep up with WEIRD MILK here.

dewr, dream pop is over

dewr, dream pop is over

Indie-pop act DEWR, consisting of songwriter Brian Dawer, is set to release his new EP Dream Pop Is Over on January 31st.

This release differs from his past works because the EP shies away from the regular indie-pop formula. While DEWR’s previous releases seem cluttered and unorganized, Dream Pop Is Over, is anything but. 

This 5-song EP flows like a stream of consciousness giving Dewar the space to be honest.

Accompanied by swaying rhythms and dynamic changes, this EP is both unique and listenable. The opening track “Front Line” drops listeners into Dewar’s mind, and every song following continues this exploration. Through these 5 songs, listeners are exposed to Dewar’s inner turmoils as he comes to terms with the idea that you can’t have it all, and that life keeps moving forward.

The EP’s title feels like a play on words. While his other works fall victim to indie-pop tropes of being over digitally-enhanced, Dream Pop Is Over feels natural and organic.

Keep up with DEWR here.

mae muller, “therapist”

mae muller, “therapist”

Emerging singer-songwriter Mae Muller releases her newest track “Therapist”. Muller says the song comes from her inner feelings of what is means to be a ‘good’ girlfriend. Specifically emphasizing the notion that “We are not here to teach men how to behave, we are not their mothers, or their therapists, and we shouldn’t have to take on that pressure! Especially when we receive nothing in return.”

She continues by talking about the song specifically saying, “In this particular song, it was about a situation where I really wanted to make it work but realized that this person did not need a relationship, and I couldn’t give him what he needed no matter how hard I tried.”

Muller’s sound is influenced by artists like H.E.R and Julia Michaels. She considers her songs are “emotion-based,” a concept she believes people have a hard time understanding. Muller’s music talks about what people are actually thinking or feeling, not metaphorically covering the topic. “Therapist” is no stranger to this style, pulling in listeners emotionally into a topic many can connect with.

Keep up with Mae Muller here.

ciel, “the shore”

ciel, “the shore”

Brighton, UK act CIEL released the lead single “The Shore” off their upcoming album Movement, set to be released this Spring. “The Shore” gives the first glimpse of their dreamy alt-pop world with interwoven guitars, pulsing bass-lines, and intriguing vocal harmonies. 

Lead singer Michelle Hindriks describes the song as “feeling stuck in your life and waiting for it to ‘really’ begin; yet at the same time, your realize it’s just an illusion and your life has already begun and you’re living it right now”. Continuing “losing the connection with that essence can feel extremely frustrating”.

Overall, CIEL’s sound is one that feels nostalgic while also being innovative. Bringing both these things together only adds to their mystique.

Keep up with CIEL here.

wire, “primed & ready”

wire, “primed & ready”

Post-punk group Wire release second single “Primed & Ready” from upcoming album Mind Hive, set to be released January 24th through the band’s own label pinkflag. 

In the band’s 40-year career, they have continued to grow and release a steady stream of music to keep their name on the map. Mind Hive will be the band’s seventh studio album, and continues to prove the influence and dominance of Wire.

The band’s music has always stretched the confines of the rock format while also showcases the genre’s essence. That again is proven with the newest track “Primed & Ready”. Lead vocalist Colin Newman notes the simplicity of the song’s structure. Stating that the song was easy to write and that the chord sequence and structure is relatively basic, with only 3 chords used throughout the whole song.

Mind Hive follows the band’s 2017 release Silver/Lead, which career sales and amazing reviews for the band. From just this first look, its seems Mind Hive easily reaches the high bar set from previous releases.

Keep up with Wire here.

best coast, “everything has changed”

best coast, “everything has changed”

California duo Best Coast are set to drop their newest record Always Tomorrow on February 21, 2020. The album will be released through Concord Records and was produced Carlos de la Garza, with additional production from Justin Meldal Johnsen. This will be the band’s newest release since their 2015 record California Nights.

The first track to be released from the album was “For the First Time” back in the fall. Now they are dropping their next track, “Everything Has Changed”. The new track was shared through a music video, directed by Ryan Baxely. The video features characters from lead singer Bethany Cosentino’s favorite show, Vanderpump Rules. 

Always Tomorrow is a look back on the past 10 years of Cosentino’s life. Through the emotions of personal discovery, newfound sobriety, touring, and heartbreak, listeners witness Cosentino close one chapter of her life and the beginnings of her new one. Leaving behind all the bad and focusing on and moving forward with the good. The main theme and biggest take away of Always Tomorrow is acceptance. 

This album is influenced by the sounds of those found in The Go-Go’s, The B-52’s, Fleetwood Mac, and Talking Heads. With sonic sounds and the feel of woozy pop, Best Coast continue to make a name for themselves in the independent music scene.

This winter, Best Coast are out on a full North American tour with support from Mannequin Pussy. All dates can be found below:

Tour Dates:
2/27 – Palm Springs, CA – The Alibi (with Lunch Lady)
2/28 – Los Angeles, CA – The Novo*
2/29 – San Francisco, CA – Regency Ballroom*
3/2 – Portland, OR – Wonder Ballroom*
3/3 – Vancouver, BC – VENUE *
3/4 – Seattle, WA – The Showbox*
3/6 – Salt Lake City, UT – Metro Music Hall*
3/7 – Denver, CO – Ogden Theatre*
3/9 – Minneapolis, MN – First Avenue*
3/10 – Evanston, IL @ SPACE*
3/11 – Chicago, IL @ Thalia Hall*
3/13 – Detroit, MI – El Club*
3/14 – Toronto, ON – Phoenix Concert Theatre*
3/15 – Montreal, QC – Corona Theatre*
3/16 – Boston, MA – Royale*
3/18 – Brooklyn, NY – Brooklyn Steel*
3/19 – Washington, DC – 9:30 Club*
3/20 – Philadelphia, PA – Union Transfer*
3/21 – Carrboro, NC – Cat’s Cradle*
3/23 – Nashville, TN – The Basement East*
3/24 – Atlanta, GA – Terminal West*
3/25 – New Orleans, LA – The Joy Theater*
3/27 – San Antonio, TX – Paper Tiger*
3/28 – Austin, TX – The Mohawk*
3/29 – Dallas, TX – Granada Theater*
3/31 – Phoenix, AZ – Crescent Ballroom*
4/1 – San Diego, CA – The Observatory North Park*
4/2 – Santa Ana, CA – The Observatory (w/ FEELS)

*w/ Mannequin Pussy