filmspeed talks podcast, beer 4 boobs, and covering foreigner

filmspeed talks podcast, beer 4 boobs, and covering foreigner

You put your all into your music, it’s all you. You do everything yourselves with no other input from anyone. What is the importance of this to Filmspeed, to do everything yourselves?

Filmspeed: As indie artists? It’s everything. We’re in a modern industry that lives and dies by the innovation of musicians. Time, budget, schedules- these are all things you’ve got to constantly balance. The more we can do internally as a unit, the better chance we have at long term survival, and with any luck, success.

You thrive on the live experience, describe your typical emotions and feeling when you are all on stage?

Filmspeed: Its the rush. Its the purpose. Its home. A live audience is our drinking buddies, our close friends. It’s not quite the same to type it out in words. Its those moments where a whole room gets together and collectively loses their minds if only for a split second.

You hail from Orange County, I don’t know Orange County but I do know that rock and roll is everywhere and at it’s heart. How does Orange County reflect in your music?

Filmspeed: Well… although we live and work in OC and around Los Angeles. The soul of the music is directly channeled from the Motor City, Detroit. Nick and Craig are born and raised with the whole family still living there. “You gotta lose your mind in Detroit, Rock City”. Over the years though Orange County has sprinkled in refinement, professionalism, and tripled down our drive and passion. In a place where the weather is always great, it means we can gig 7 days a week.

You have your own podcast, so tell us more about it. Why did you decide to do the podcast and apart from the music what is all your artistic input into your podcast?

Filmspeed: Well it’s a recent development for us. We actually wanted to get much more candid with our fans. Since theres so many outlets for bands to reach people, (social media, gigs, albums, etc.) we wanted to peel back the curtain and have folks get to know us on a friend-level. So the podcast, “Consistently Off” is really just a recording of the 3 of us catching up for the week and whatever rants ensue thereafter.

Not good to hear about the break in to your rehearsal space guys, how did this make you feel and has it stopped you from doing what you do so well musically?

Filmspeed: Yeaaa, thanks so much! We appreciate the wishes. Being on the losing end of thievery is never great. Immediately following though, our close friends and fans all jumped into action. GoFundMe accounts were opened, plans were made, and guitars were replaced all without our knowledge. A few days of sorrow for sure, but instantly being reminded that we are loved, supported and respected is more than a fortunate turn; its fuel to put the pedal down and take this thing to the top!

Tell us a little more about Beer 4 Boobs, I personally take my hat off to you gentlemen for doing this but please tell the world more about the whole event?

Filmspeed: These events are always a privilege. Its not even a soft spot for us, it’s a requirement. Everyone has had their lives affected by cancer, most recently, both Nick and Craig had parents taken by cancer. Cancer benefits will be on our show schedule as long as folks ask us to appear.

Loving the Cold As Ice cover guys, what made you want to officially cover Foreigner then do a phone video of it?

Filmspeed: Hey thanks! Its all about thinking “outside the box”, as you can probably tell from the video, we didn’t take it too seriously. Best part is that all our closest friends got together for a night of laughs and drinks. In our opinion, theres no better way to make a music video.

Purple Rain, great choice of film and it’s soundtrack, can you all tell me your favourite films that have just as good soundtracks apart from Purple Rain?

Filmspeed: Sh^ttt manggg… theres no better production. That’s prime Prince. Better than that? Let’s put a small vote in for “Team America: World Police”, there’s a genuine brilliance to that whole work of art.

It’s time to go Hexadecimal, it’s time for you to have a great big plug of the great musical wonder that is Hexadecimal. Time for you to tell all Wicked Spins Radio readers and also their listeners (Will be plugging it on my show) all about Hexadecimal. AND 3….. 2….. 1…. GO

Filmspeed: ATTENTION ALBUM LOVERS! Repeat! ATTENTION ALBUM LOVERS: We have self-produced, full length album that covers over 2 years worth of material. It spans a massive range of stories, moods and energies. It is non-stop sound, filled with interludes and segues. It’s a record that you’re encouraged to press play and strap in for the ride.

Site | Facebook

 

frozen nation @ musée d’art fantastique

frozen nation @ musée d’art fantastique

Arriving at the venue I didn’t know what to expect, I was very familiar with Frozen Nation’s music.  I should be, Alteria Anarchy was the first radio show to air Frozen Nation’s first single I Failed for you and I was the first journalist ever to interview them.  I had become very good friends with Idris but this is the first time I would have met him in the flesh. The venue itself was a very artistic place, one side where the music happened and the other a very arty bar.  

The first person who I met and recognised was Moss, the frontman of Frozen Nation.  A tall handsome man who when I said Moss I’m Phill his face lit up and I was greeted with a big hug for a welcome.  Frozen Nation are one of the very few bands I have a very close affinity to, a band like only a couple more that I have seen grow and followed.  It felt like meeting someone I have known all my life but yet I was meeting in the flesh for the first time. After Moss greeted me he introduced me firstly to my great friend Idris of whom again I was met with a big hug and a smile, then to Dorian of whom I had never actually spoken to but yet he like Moss and Idris just seemed like part of my extended family.

As the night rolled on Idris, Moss and Dorian were there making sure we had a great night.  They introduced us to people and the whole air of the gig was very much a personal one, to say we were made welcome is truly the understatement.  It was a perfect night with great friends, but to my honour my great friends were also the headline band. Dorian chatted to me and told me the very intricacies of the music and told me stories of Elvis.  Me being a Jethro Tull fan I was wowed by this.

Swan Death came on and they were very Goth Rock in style, their style mixed with their visuals blended well and was a great opening act.

Perverted By Language had more an attitude, slightly punkish and again really great live.

But I was waiting, waiting to see my friends, the headline band.  The lights were dim and then the music started and so did the visuals in the background.  As the music began the crowd just started to move. I had listened to Dark Belgian Disco so many times so when I heard Genghis Khan my body also started to instinctively move, the music just put you under a spell and you just couldn’t help yourself.  Then in the background the silver spinning disco ball led to the title track of Frozen Nation’s album, Dark Belgian Disco which was played with perfection.

I personally was waiting for one song, the song that has been on my alarm since the first day I heard it.  The song people have heard so much on Alteria Anarchy, my favourite song. And as I heard the start of I Failed For You, Idris shouted “This is for you Phill”, to say this was a true honour was an understatement.  One of my favourite bands, my friends, dedicate my favourite song to me was just unbelievable. I couldn’t help myself move and then following I Failed For You was Come On To The Ride which is another song that is just so funky with such a great feeling.

As they played more yet another familiar favourite played, Give Me The Perfect Song.  I was singing and dancing, I just couldn’t stop myself and neither could the people at the gig.  Then followed Alone In Berlin, I couldn’t believe just how much perfection had been given to us. I love the sound of Frozen Nation, it’s just pure and funky.  Dark but yet the lights shinning from that disco ball just shine brightly.

The night ended and I couldn’t thank Idris, Moss and Dorian enough.  We had a long day so that’s where the night ended for me, but that’s not where this story ends.

The day after we met Frozen Nation, they took us to this amazing Belgian restaurant and treated us to lunch and beer.  We just chatted more about the music of Frozen Nation. Dorian, Idris and Moss were just so passionate about their music and from what I heard & felt from the gig it shows.  The guys spoke and Dorian said “Would you like to see our studio, would you like to meet Elvis?”, how could I refuse? After a pleasant walk through the streets of Brussels with the guys showing us the wonderful sights and telling us the stories and folklore of where we were walking we arrived at the studio.  I was in awe, all the old analogue equipment that gave Frozen Nation their unique and wonderful sound. Dorian showed me where they record and how they do it, then in a smaller noise proofed room there he was there was Elvis. Dorian told me how they use him and how he is just like a person and the stories that made him feel that way.  

We sat and chatted more, Idris and Dorian stayed in the studio to do a little work and Moss took us for a beer before we had to leave.  Big hugs from Idris and Dorian, I felt sad in a way as I was leaving two of my close friends. We left for the pub with Moss. Nice beer too, traditional Belgian beer.  Well you can’t go to Brussels without tasting the amazing beer now can you? As the time came close that we had to leave to come home Moss even walked with us to the tram station.  We bought tickets and with one last hug from my friend Moss we were on our way.

The whole experience is one I will never forget, Frozen Nation themselves and the wonderful city of Brussels.  I cannot thank my friends Idris, Moss and Dorian for an amazing weekend and for the amazing music. Thank you for letting me introduce the world to that wonderful Dark Belgian Disco sound and also for your friendship.  

Frozen Nation we will be back, thank you.

___

by: Phill Bruce

the uk’s, american way of death

the uk’s, american way of death

At a very important time, Kansas City-based alt garage rock band The UK’s – comprised of Noah Bartelt (Lead Vocals/Guitar), Scott Combs (Guitar/Vocals), Katelyn Miles (Bass), and Tarquin Eugene Kellough (Drums) – has released a 5-track EP, affectionately and poignantly titled American Way of Death. From the very first, melancholic sounds of “Why Don’t You Go” – which hits a stride that makes you want to add it to your “walking the streets of the city like a badass” playlist – through the 60s punk-influenced soundscape of “Wake Up”, all the way through third track “AWOD” which follows suit, there is an electricity that makes you realize that incredibly underrated music comes from the midwest. (Hello, Holy White Hounds and Mess!)

Cut to “The Poison Squad” and you’ve got a track we could easily find ourselves barbecuing to on a chilly autumn day, dancing to at a sweaty basement party, or driving to down the Kansas City streets. It all comes to a head with fifth and final track “Other Team”, which brings in that fun, vintage, upbeat feel again. If you’re not careful, you just might find yourselves on the ceiling too…

Keep up with The UK’s here.

jealous of the birds, “marrow”

jealous of the birds, “marrow”

Jealous of The Birds doesn’t actually fit into one box, if you’re looking for an honest answer. A bag of tricks, you can hear hints of 60s punk and indie rock and roll in her work, vocals deep and emotionally evocative. The new music video for “Marrow” follows suit, a visual dream basked in a glow that warms you while the artist galavants around in a garden. Demonstrating theatrics and a sound that The Beatles would be proud of, you’re in for a visual treat with this one. Peep it below!

Keep up with Jealous of The Birds here.

jordan vincent, “sister jill”

jordan vincent, “sister jill”

Los Angeles-based musician Jordan Vincent released an alluring, intense beauty of a track in latest single “Sister Jill”, which seems to be his version of a soulful rock ballad. Vincent displays his gorgeous, multi-faceted vocals while crooning, a hint of 50’s sock hop sauntering in while the guitars whir with bravado. Soft, endearing, without ever losing its rock roots.

We’re impressed, and you will be too.

Keep up with Jordan Vincent here.

david thomas jones | mildly spooky

david thomas jones | mildly spooky

This is a ‘mildly spooky’ playlist, because it’s Halloween time as I’m writing this and I’m feeling festive. Nothing obvious or overtly goth or doomy, for the most part, just songs that have a tint of dark/weird vibes. Good to listen to while decorating your Halloween Tree.

1. The Words That Maketh Murder – PJ Harvey
(Because she’s awesome and it’s clever how she references ‘Summertime Blues’ while describing the horrors of war.)

2. So Alive – Love and Rockets
(One of my favorite songs. Awesome backing vocals.)

3. Penetration – The Stooges
(More rock songs need to utilize a celesta. Or not.)

4. Fool – Nadine Shah
(I listened to this song on repeat for a month. Such a cool vibe and perfectly made.)

5. In Madonna’s Gazebo – Circus Devils
(When I can’t take time out of my day to have an uncomfortable acid trip, I listen to Circus Devils.)

6. Vomiting Mirrors – Clockcleaner
(I can’t really make out what he’s singing. Probably on account of the mirrors he’s vomiting.)

7. Jimmy, Renda-Se – Tom Zé
(Making this song fit the theme might be a stretch. I just love it and want to include it.)

8. Carnival of Souls – Combustible Edison
(Exactly what you’d expect to hear at a carnival of souls.)

9. Mass Dream – TV Ghost
(I found this song on a music blog once and it stuck with me like a bad dream.)

10. Call Across Rooms – Grouper
(Liz Harris is an amazing musician and artist. I want to live in this house in which rooms are being called across.)

11. Cut-Out Witch – Guided by Voices
(Guides by Voices is one of my favorite bands, so they must be included.)

12. Drugs – Talking Heads
(There’s a strong possibility that this song is about drugs.)

13. Ugly – Love and Rockets
(Spooky, mildly.)

14. Shrivel-Up – Devo
(I’ve always wanted to cover this song but I think I need to get an Energy Dome first.)

15. Sunday – David Bowie
(What a dude. Heathen is probably my favorite album of his.)

16. Fall Breaks And Back To Winter – The Beach Boys
(What the hell?)

17. Hi I’m Martha, How are you? – Circus Devils
(My third Bob Pollard song on this list. I have problems, but so does Martha.)

18. The Twilight Zone – The Ventures
(Because we are living in the Twilight Zone.)

19. Black Sabbath – Black Sabbath
(I want to sing this song at karaoke but it’s hard to come by.)

20. Glazed Eye – Girls Against Boys
(Sweet dreams.)

___

David Thomas Jones’ new album Occult Years is out on November 13th. Keep up with him here, or via Instagram, Twitter, or Bandcamp!

 

gianni paci, “make american great again”

gianni paci, “make american great again”

Just in time for tomorrow (Can anyone say “Election Day”?), New York sweetheart Gianni Paci comes at us with the offering of a new single and its artfully crafted music video. The song itself rocks the boat, allowing Paci to voice his opinions on our current political issues. But the song is so much more than that, as is the video. Shot in black and white for the first half and bursting into technicolor later on, the video does an amazing job of layering in artistic footage and illustrations, a touch of honest beauty to each. It’s a music video packed with a bang, as you’ll soon find out!

Keep up with Gianni Paci here.

nick dittmeier | perspective

nick dittmeier | perspective

A lifelong resident of Jeffersonville, IN, Nick Dittmeier finds a needed reprieve from the looming presence of loss in his life with his new record All Damn Day (due October 26th). Fronting Nick Dittmeier & the Sawdusters, the singer-songwriter lingers on the omniscient Grim Reaper in a way that’s hopeful and uplifting as it is forlorn, harkening to the works of such literary giants as John Steinbeck, Ernest Hemingway, Roald Dahl and Mark Twain. Read Dittmeier‘s story on his first musical influence below:

The first musical experience I had that really made me want to be in a band was watching the scene in The Muppet Movie where Dr. Teeth and the Electric Mayhem are introduced at their rehearsal space. Although the band was comprised of Muppets, they looked like an actual rock n’ roll band and the song they played really grooved. But it was really the band’s attitude that made me wanna be in a pack like the Electric Mayhem.
If you don’t recall the scene, let me refresh you. Kermit and Fozzy, on their road trip to Hollywood, stop in an old church where they discover a psychedelic Muppet band playing music. Dr. Teeth, the band leader, has a strikingly resemblance to Dr. John and other members of the band had loose characteristics to other rock stars of the day. You could say Janis resembles Joni Mitchell and Animal resembles John Bonham. They lay out their long term plans for the church, which included a music venue and coffee shop with organic food.
What I loved about Dr. Teeth and the Electric Mayhem was that everyone in the band was visibly weird and quirky but were completed accepted within the context of the group. They had invented their world and all lived in it. Part of the larger premise of the Muppets was racial and gender diversity, and that’s why many of the characters’ identity was fairly ambiguous. Some characters you couldn’t really discern if they were animal or human. Why they had bright green skin, if they were human, but that wasn’t important— all you needed to know is they looked different but were accepted.
The lyrical content of the song they sang was basically how great it was being in a band and helping people and each other. Also, everyone in the band sang. That scene didn’t make me go out and get a guitar, but it did plant a seed in my head about what kind of community I could be a part of if I learned an instrument.
All of those lessons in the scene are applicable to the current situation I have with my band and the people surrounding it. We’ve gotta manage quirks and personalities and realize we’re for the most part strange people, but those are the personalities that drive this business. It takes a certain kind of weirdo to stop band practice to help a frog and a bear paint their Studebaker psychedelic colors.
the roof dogs on tour | a look inside

the roof dogs on tour | a look inside

Follow the Roof Dogs as their live music journey takes them through Cincinnati, Lexington, Nashville, St. Louis, Bloomington, Chicago, Toledo, and all the in-betweens on their most recent autumn tour!

Cincinnati, Sean and his bass on the drive. Touring in a Toyota Corolla can be difficult. While The Bascinets’ vehicle held most of the gear for tour, on the way to Cinci we had to travel with Walker’s drum hardware and Sean’s bass in the backseat.

 

Pre-show R&R at the Airbnb

Found a lighter with some flare.

Nick Wellman of The Bascinets fishing for Pigs at Northside Yacht Club.

Tristan (Bascinets) before he lost his glasses. Tristan would continue to lose several other items before the tour was done.

Andrew with Bourbon (neat). Andrew played NSYC’s “$4 Whiskey Wheel of Wonder,” he landed on Jim Beam.

Dinge. Was the first time we played with them for about three years. They rock.

The Bascinets

Ezra (Dinge)

Trevor (The Bascinets)

Tired after day one…

Our friend Nick (left) let us hangout on his rooftop in Northside after the show. He also let us play his harmonium and theremin. Great fun was had by all.

“Please, no pictures” – Zlata

Eden Park, Cincinnati

Lexington, KY. Game day. The show didn’t start until 11:30 because the Wildcats were “stomping ass.”

Andrew strings up

There was a lot of time to kill, but luckily the door guy charged the folks who came for the game. Many hung around when the show started, too.

Setlist debate

The Bascinets, feat. Mannequin

Abandoned motel shoot between Lexington and Nashville.

Twinning. It seems that almost all of the Midwest claims ownership of Lincoln. The same cannot be said for Andrew.

Nashville: Trevor insisted on $5 cups of coffee at his favorite spot. (They were actually amazing though so it’s okay). Jesse pictured here writing nursery rhymes.

Alberto & Friends in their delightful basement.

The Bascinets

Matt of Superstarfamus1day. He was closely supervised by the doll. They played an impressive impromptu set when their drummer George got very sick right before and couldn’t play.

Our performance did not meet Alberto’s expectations. He locked us up by the doghouses.

Shew (left) and Alberto (right). Post-show hangs in the backyard. His house was an old doctor’s office from way way back in the day (the 40’s?) so his backyard was actually a parking lot that was converted into a giant driveway. They have the perfect band house and we are jealous.

Triple Jesse

We loved the wallpaper.

Sleepy bois. The Bascinets brought along portable cots.

Wellman in the haunted basement.

“No pictures in here, honey. Some people aren’t here with the people they’re supposed to be with.” Hermitage Cafe in Nashville. Great country-fried steak.

St. Louis: At the Arch

Bright bois, where’s Walker?

Farmer Nick

Andrew with the cigarette machine at CBGB.

The Snapchettes, they typically perform as a seven piece.

Frankie Valet. Jack (at microphone) hosted us and took us to a good breakfast spot the next morning. Incidentally, he and Jesse share a birthday on September 14.

Outside CBGB

Felix at the board.

Sean relaxes at Jack’s. He managed to cranked out The Silmarillion on tour. Jack’s excellent cat can be seen in the background.

Jack, our host in St. Louis

Tristan after breakfast. There are more cash-only diners in this country than I ever knew.

Forest Park, St. Louis

En route to Chicago. It was somewhere around this point that Sean and Jesse began to argue over the fortitude of their respective bladders. Sean would soon prevail.

Walker driving

Chicago. We had two days off here with a show in the middle. There was a lot of relaxing but we didn’t get as many pictures here, but had a great time exploring the city. On our last night we rode the train to a 107 year old jazz club, the Green Mill in Uptown where they were broadcasting live on AM radio.

But first a visit to the lake.

Beers on the pier

Tristan and the great beyond

Curious old maintenance man tinkers at the venue.

Wallpaper

Fahrenheit 808, who was, sadly, not allowed by the venue to play due to dumb age restrictions. They were gracious about it.

Oxford, OH. Captain Redbeard and the S.S. Friendship. We played at our friends house, The Secret Garden. It’s a beautiful home.

Trevor, some light leak, and a stray vine. After the show we all went to Bagel & Deli and waded through an ocean of college students to the counter. Every five minutes or so, one worker at the shop would get iced (Smirnoff) by customers and proceeded to jump on the counter and chug to the applause of everyone. I’m pretty sure we waited in “line” for like half an hour. Someone stole my bagel once and I had to order again. Ultimately the wait was worth it. -Andrew

Hot sauce with salt at Hometown Eatery. College Corner, IN. Tristan apparently eats this to curb his appetite. He chose to spend his diner money on a candy apple red Jaguar.

Propane rodeo star, Andrew Marczak.

At Joe’s house in Oxford.

“Joe, where are the forks?”

Wellman with spork.

Toledo, OH. Ottawa Tavern, our last stop, with bangin’ sign.

Watching the game. “Pizza Cat,” the attached restaurant, was delicious and had good deals for performers. We were all satisfied.

Teamonade ripping it right up.

Trevor the angel

Wavves

“It Can Happen to YOU”

One shot of the Roof Dogs playing.

Family photo. We then parted ways and ventured back to Columbus for a day off before we all went back to our day jobs at NASA.

___

Keep up with the Roof Dogs here.