hurrah a bolt of light gets morbid in new music video for an/animal 3

hurrah a bolt of light gets morbid in new music video for an/animal 3

Minneapolis-based rock band Hurrah a Bolt of Light returns with their new video for AN/ANIMAL 3, the single from their upcoming visual album AN/ANIMAL. With a style described as “pop music for sad people”, Hurrah blends rock, prog, ambient, and other genres to create a dense concept album in line as a return to form after the sugary polish of their last album. In a 16-minute music video spanning four tracks within segments, the album brings a cinematic experience combining atmospheric visuals with cryptic lyrics and a murky vibe. AN/ANIMAL 3 represents the darkest portion of the album’s narrative.

The track combines a visceral clash of garage-rock-inspired guitars with instrumental breaks reminiscent of progressive rock, spawning a beautiful yet eerie sound enhanced by its content centered on despair and death. The music video reflects its macabre vibe, featuring a man kidnapped and attempting to escape his captor, ultimately facing brutal consequences. The cinematography is a perfect complement to the song’s horror-esque tone with a sense of surrealism as the video’s events occur in a loop. Admits the artist of the track:

“An/Animal 3” is the third piece of the four part puzzle that is AN/ANIMAL. For this point in the story, I wanted to create a song that was frantic, frenetic, confrontational and wild. Key changes and mood shifts run amok, land, and then veer off elsewhere. The video mirrors those vibes as well and shows both the protagonist and antagonist in various states of distress and agitation that conclude with their violent meeting. The visuals only scratch the surface of what the story as a whole might mean. It’s a bit unclear on purpose.

I wrote the music and recorded nearly all the instruments for this song and AN/ANIMAL in general. Except for the drums and some keyboards because I am not that good at drums and some keyboards. This part of the movie was particularly difficult to film and execute because I had to a) be in my underwear for the majority of the film and b) be chased outside in late fall wearing said underwear. It was very cold.

Check out the premiere of the new video below and stay tuned for AN/ANIMAL, which is slated to drop in January 2022.

soren bryce gets restless in new video for single “soak”

soren bryce gets restless in new video for single “soak”

Under the moniker Tummyache, producer/artist Soren Bryce blends the spirit of 1980s indie rock with 1990s alternative to forge a DIY rock sound. Fresh off a relocation from the USA to London, Bryce follows up a series of indie projects with her upcoming album Soak. In succession to the project’s first single “D.I.Y”, she dropped the video for the album’s self-titled track on October 22nd.

As a companion to the track’s turbulent nature with its juxtaposition between drowsy vocals and adrenaline-fueled guitars, the music video shows a sense of the artist’s aimlessness morphing into restlessness. The visuals of Bryce wandering against the backdrop of a dreary neighborhood alternates with frantic dancing and strobe lights within the confines of her home, which would reflect the disruption of moving to a new place during the uncertainty of the pandemic. Bryce explains:

 “Soak was inspired by newfound neurotic and tedious habits that formed during the isolation of the pandemic, while adjusting to being in a new country. A new kind of forced domesticity caused me to avoid reality and I wasn’t able to fall back on my usual escapism methods. I learned a lot about myself”.

“Soak” is out now on all platforms and check out the music video below! Be on the lookout for Bryce’s eponymous album as Tummyache, releasing imminently.

the usual boys, “i’m not the asshole.”

the usual boys, “i’m not the asshole.”

Berlin indie rock group The Usual Boys have released what will be a bar venue classic: The meandering bassline of “I’m Not the Asshole” stumbles through the back of dive bars, down drunken alleyways, and around the street corners of a chaotic night out. Though The Usual Boys supply influences of established Britpop, the sarcastic tone of this track is peppered with garage grit and topped off with a smoky-cool smoothness that goes down like one last shot – maintaining its freshness even after many listens.

 “I’m Note the Asshole” paints a muddled scene of friendly banter between friends gone sour, giving way to drunken conflict and frustrated dialogue. Vocals from Aleksi Oksanen wind, warble and drag in all the right ways; slurring slightly at the end of each note for a healthy dose of theatricality. With dusty snares and sweeping cymbals, drummer Patrick Pevsner pulls The Usual Boys behind a curtain of cool, filling the room with smoke that contrasts the gritty forwardness of lead and rhythm guitar trills from Ethan Dalziel and Oksanen, respectively. The resounding bass, via Rasmus Schmidt, drives this track the whole way, temporally unwinding any starting point of logic and illustrating the narrator’s descent into resentment.

The Usual Boys formed in Berlin in 2017 and have been haunting the scene since, wielding a fervent mania into the fabric of their punk-spirited shows. They’ve just finished a tour through their native Germany preceding the release of anticipated single “I’m Not the Asshole”, released October 4, 2019.

Follow The Usual Boys here.

a conversation with the lilacs

a conversation with the lilacs

Today, we sit down with Ken Kurson from The Lilacs, a Chicago rock band formed in 1990. With their first album release in more than 25 years together, it’s safe to say we had a few questions. Our time together delves into musical influences, live performance, and – of course – unexplainable phenomena.

0:00    Intro
0:11     EZVisibility.com
0:22    Dbl-take.com
0:33    imperfectfifth.com/merch
1:10    Ken Kurson + The Lilacs intro
2:29    Ken’s brother’s musical influence (The Who, Elton John)
4:43    Modern influence (Young The Giant)
5:40    “Monica”
11:50  “My Sister Jane”
17:55   Endure
19:03  “The Very Last Time”
21:50   Supernatural presence

panic! @ the disco @ sprint center

panic! @ the disco @ sprint center

Through almost 15 years of intricate, involved lyricism – the crazy involved titles of the early days, the lineup rotations, the bevy of music videos and the expansion of Brendon’s vocal range – we’ve held on to our deep appreciation for Panic! @ The Disco. So to be asked to photograph Brendon Urie and his team of bandits at Sprint Center on Saturday night, there was zero hesitation. The performance itself was the most involved we’ve ever witnessed from the musical project, Urie’s energy palpable from the first jump out from the hole in the middle of the stage, to his last round of bows and high fives with the audience. The man absolutely thrives off of this life, and you can tell.

What, perhaps, is most notable about his show when comparing it to his performances of yesteryear – think ten years back – is that they have, somehow, become even more theatrical. That was what was so outstanding about Panic! @ The Disco when they emerged on the scene about 14 years ago, they existed as a beacon for the outcasts. The theatre kids, the gamers, the anti-socialites. And now here he is, all this time later, continuing to provide that entertaining escape for other generations, and leveling up with each step. (Just ask whoever he hired as his vocal coach in the past ten years, if you don’t believe us.)

In fact, he even took a moment during his set to bless an unborn child “in the state of Panic” which, to his credit, is a clever saying to have up his sleeve. (Or up his bare arm, depending on if he decides to keep his shirt on or not.)

Either way, here are some fun photos from the inclusive and beautiful evening.

lost cousins, in scenery

lost cousins, in scenery

Indie Psych trio Lost Cousins – comprised of Cam Duffin, Thomas Dashney, and Lloyd McArton – has released their full-length, an album titled In Scenery. There is not a moment of disappointment with this album, as they make sure to ignite it in its entirety with an undeniable energy, starting with the establishment freeing, intense reverb in “Stay”. Crashing cymbals and whirring guitars lead us through “Mindmaker” and “City Escape”, while “Seajets” is presented as far calmer, perhaps a hint of Coldplay playing at its core.

“Trails” is an absolute ballad, slow and steady compared to – but just as powerful as – its predecessors. “Montreal” really gets your hips moving again, with instrumentals that make you feel like actual glitter. “Forest Floor” is the most ambience-inducing track, the pace picking back up with the incredibly danceable “Shores”, Beginning with simplistic piano chords, “Nothing” rounds the album out with the most melancholic song – sonically and lyrically – of the collection.

Lost Cousins has proven their chops, and we’re all in.

Keep up with Lost Cousins here.

waterfall strainer, “please don’t please me”

waterfall strainer, “please don’t please me”

Brooklyn-based “timid rock” trio Waterfall Strainer really defines that genre, their new single “Please Don’t Please Me” further representation of that truth. Even better news? We’ve got the exclusive premiere right here. With glittering reverb, the song has touches of 80s flare, slow and vulnerable. I can’t imagine not slow dancing to it somehow, and you might agree.

Pre-save the album on Spotify here. Be sure to check out Waterfall Strainer on Instagram, Facebook, and Bandcamp!

holy white hounds, say it with your mouth

holy white hounds, say it with your mouth

As if the cover art weren’t enough to draw you in – HELLOOOOO Earle Rock Studios -, Holy White Hounds‘ sophomore full-length release is absolutely extraordinary. Blending in the signature “eff you” style that they established with 2016’s Sparkle, Sparkle, Say It With Your Mouth is an established alt-rock adventure, with high stakes energy from beginning to end. While first track “Thirsty” insists that “I’m not excited,” the intense lead-in would say otherwise, as “Lucid Kid” establishes an energy that we’re ready to bump from now into the summer months. “Perpetrator” feels like the perfect addition to “Guitar Hero,” catchy as all get out with a visual that will keep your mind reeling.

The quirky name of the project can be found in the lines of “No Teeth”, while “Big Heavy” boasts the perfect sound to be played during an NFL game. (Shameless plug.) While Dean struggles with his perspective in “Trifection”, the attitude continues – complete with a whole different level of percussion – in seventh track “Violence”. This one is a real banger, so make sure to allow plenty of space to move around when you press “play” on it.

Dave Keuning joins in on the fun with “What I Am”, and “Burnt Tongue” speeds things up even more than originally anticipated, guitar licks and a beat that doesn’t just pull you in, but drags you in by your shoelaces – or bootstraps, or whatever gets you going – and does not let go. The drums set the scene for “The Void”, coming in with bass that sets one of those “walking like a badass” vibes for the remainder of the track. (AKA add this to your life soundtrack and when you’ve got to raise that confidence, play it and strut your stuff!)

If you are really paying attention to the lyrics instead of just the mood the soundscape sets for you, you’ll notice a variety of emotions, stemming from personal anecdotes that have been woven throughout the work as a whole. Dean’s vocals drag more of that emotion out of us, highlighting moments of darkness and a questioning mentality while we all learn how to feel through it. “Tracy Free” is one of those introspective tracks that really entices you to think, though the title of its follow-up, “Aids Chimp”, kind of detracts from the weight of the words.

But that’s what we’ve come to respect and love about this band. They can sing about some dark, dark shit and keep this weightless feel to it all, and you can tell that they are a ton of fun live simply from listening to a few lines from Say It With Your Mouth, if you haven’t yet been graced by their live performance tactics. “New Blood” will further enforce the theatrical nature of the band, though they may be the last to admit it. With bits of comedy mixed in with self realization and that clear, gorgeous edge, we’re big fans of this album as a journey, and are stoked you get to hear it from beginning clear through “Thirsty Outro”.

Say It With Your Mouth is available now. Keep up with Holy White Hounds here.

white reaper @ sasquatch! music festival 2018

white reaper @ sasquatch! music festival 2018

Even though we tend to see White Reaper every time they’re in town, we also have a love affair of seeing them while we’re out of town as well. Take SXSW 2017, for example, when some of our staff hosted a showcase that featured these charming young men. Now, we’ve seen them in the bright sunshine at Sasquatch! Music Festival 2018, perhaps the best performance we’ve ever witnessed from the quintet.

Keep up with White Reaper here.