by Meredith Schneider | Apr 2, 2021 | albums, review, wolf tracks
Georgian-born American singer-songwriter NAINNOH hit the ground running with her self-titled full-length release this week. The 11-track collection boasts endearing, psychedelic sounds led by sublime vocals. Her accent alone seems to lend itself to the psychedelic feel, while introspective lyrics and beautiful instrumentals interweave for a truly transcendent experience.
While the pace of most tracks in this collection are slow, calculated yet somehow organic. At times, you will find yourself mesmerized by the cadence of the track. In other instances, you will be completely enamored by the way a sound or word is annunciated, as in tracks like “Water.” “Colors,” “Threads,” and “Break Apart” are the louder, faster track options to check out.
This is the perfect soundtrack to your next full moon circle or stargazing experience. Check it out in its entirety below!
by Meredith Schneider | Mar 25, 2021 | albums, review
For a rip-roarin’ good time, country singer/songwriter Charlie Treat’s new album is the perfect answer to your prayers. Beginning with the amped-up energy of “I Ain’t Gonna Be The One To Do It,” he finds a way to lure the audience in with wit and a bite of nostalgia in the instrumentals. Even the slow down of pace with the second track “Drink With Me” holds lengthy, rhythmic lines, with (what appears to me to be) clear nods to The Black Crowes. (“Hard To Handle,” specifically, for those of you asking. And yes, it did take me calling the insanely talented music journalist Elizabeth Schneider to pinpoint the exact sound. Kudos to her.) Just those two tracks will have your mind spinning, but there are ten more inspired songs left to enjoy past that with this new release.
“The Two Best People” really brings the energy down, while singing of “bringing each other down.” Bluesy, beautiful energy to launch you into a light, airy “Tune As Pretty As You.” “Steamshovel Blues” brings the pace up again, but “So Much Better” lulls us back into that slow, glittering, 70’s sound. “Rain Again” comes at you with an edge off the bat, with some quick bongos and even quicker lyrics.
“Drive My Blues Away” is the most melancholic track we have yet to experience on this collection. The vocals seem very inspired, at times Springsteen, and at others Steven Tyler. The piano and whirring guitar solo make the whole thing feel like it could have been recorded in the 90s.
Thank goodness “Dollar For Dollar” brings the pace back up, as the subject matter isn’t entirely something to celebrate. However, the idea of rallying for the working man is something we can all relate to, especially after the trials the last year has presented us with. “Dancing At The Bar (The Quarantine Song)” starts out with glittering synth, and honestly we could see this track being performed alongside anything by ABBA. (Can you hear it?) “Candi” plays with dissonance before the first vocals hit, making it feel almost calmer as the lyrics set in. The whole album is rounded out quite well with “Biggest Fool,” which somehow blendsseveral of the aforementioned genres into one song. (Is that sitar? Are we in a 70’s music video? Where did that trumpet come from?)
One thing is for certain. Charlie Treat has chops. His ability to write lyrics that somehow perfectly complement each instrumental, creating new sounds that simultaneously pay homage to genre-spanning predecessors, is actually quite unique and very appreciated. The Comet should be approached as an adventure and a very appreciated leap into nostalgia.
The Comet is out on March 26.
by Meredith Schneider | Mar 4, 2021 | albums, review
Right now, nostalgia comes in waves. Enjoying a song from our past, Re-discovering a snack we used to love. Engaging in re-releases with new traits, flipping through memory books, and digging through the past. Memories can be healing, especially in today’s health and political climate, and the memory of a live performance can be fleeting.
Singer-songwriter Jen Grinels plays on our nostalgic hearts with the release of her Live Volume 1 full-length, recorded over three nights in early 2019 at The Music Box in Cleveland, OH, Rams Head Onstage in Annapolis, MD, and Avalon Theater in Easton, MD. The live music experience, something we haven’t been able to indulge in for an entire year, encapsulated in one gorgeous collection.
The light echoes from the sound bouncing off the walls of each venue, the magical eccentricities that live music brings with it. From the first mellow track “I Know Your Heart” through the soulful “Don’t Wanna Be Happy” and “Misery,” to the slow ballad-like presentation of “The Feeling,” Grinels powerfully champions multi-genre entertainment. And she doesn’t stop there, as “Can’t Stay Here” has roots in country with a little grunge flare. The sheer feeling (ha!) that rushes over you while playing this album gives you chills, as you imagine being at a live event in the future, singing into the open night air on a gorgeous evening.
That’s what this collection feels like. Live Volume 1 provides a little bit of hope at the end of this crazy pandemic tunnel. And doesn’t that just feel good right now?
by Meredith Schneider | Feb 26, 2021 | albums, review
Our favorite botanist Mike McFadden (vocals) and his incredible bandmates are releasing their full-length in three parts. Of the project, he admitted: “We had this patchwork of songs that had never quite fit on other projects and when we looked at them all together, we realized that the songs told a story.” This is Part One of An Album Called Animal Years is the first installment, and was just released.
Comprised of five tracks, it truly ignites magic in the air as it picks up pace, McFadden’s vocal control and manipulation something otherworldly from the very first notes, 7 seconds into the first track “What I’m Fighting For.” And relatable from that very moment as well, with the first line “I’ve been so lost in the world that I used to know” something that pretty much anyone can understand, especially post-pandemic life. This song has the energy of an anthem, and that feels right for now.
“Let You In” is definitely a low-key country ballad that teeters on theatrical in a captivating way, while “Talkin’ To You” is a more hard-hitting love song. There is a bit of an attitude to the instrumentation in the track, the true twine holding each piece together residing in the soulful vocals provided by three-part harmony and admirable vocal range. So much talent in one collection of music, it’s almost not fair.
“Haines St. Station” slows everything down to the most bluesy, beautiful pace we have heard in quite a while. A song that discusses boundaries, insecurities, and doubts in an open environment, it feels a bit cathartic to enjoy this track in particular. And then the trio brings it home with a very inspiring track, upbeat and quite sticky sweet “Nobody Can Stop Me.” We’re fans, and we’re going to keep that one in our back pocket for the strange moments when we stumble. The energy is invigorating.
by Sabrina Thurber | Feb 12, 2021 | albums, review, wolf tracks
Acclaimed piano virtuoso, Rob Kovacs, illustrates his talents in his newest endeavor: Let Go. The 9 track album is emotional, momentous, and provides a raw demonstration of life’s ups and downs.
Having already been named “Best Pianist/Keyboardist” by the Cleveland Free Times, Kovacs is no stranger to the spotlight. Adding to his repertoire, the Cleveland native was the first pianist in history to perform both parts of Steve Reich’s Piano Phase live. I encourage you to look up the impressive feat if you wish to be amazed by the human capacity.
Let Go tells the story of one relationship from beginning to end, in chronological order. Having worked on the concept album for over a decade, Kovacs was sure to not leave anything out. “Phade” kicks off the album similarly to how many relationships often do; peacefully and hopeful. As time goes on however, and the tracks progress, heavier weight is involved. “Here in the Future” hints at traces of anxiety, and in “Should-Haves” regret becomes clear.
29 minutes and 55 seconds later, the listener has finished a musical three-course meal. From excitement, to the darker spaces of the world and back to a place of acceptance – one is left with a new perspective, as well as a scar. We only have Rob Kovacs to thank for all of that.
by Tiffany Czech | Dec 23, 2020 | albums, review
In his return to performing, Glenn Morrow put together a group of talented musicians to form a band, Glenn Morrow’s Cry for Help. Out of that band comes a new album, 2. For anybody yearning for more rock and roll in their lives, 2 is the perfect place to turn. Filled to the brim with some answers to tough life predicaments and a way to move forward, the album is the perfect opportunity to just sit and be cozy while enjoying important stories and comforting melodies.
A major theme throughout the album that creates this heartwarming feeling is simply the idea of moving forward. Tracks like “Soul Hold” and “The Sun the Moon the Scars” are warm reminders that bad times don’t always have to stay that way. The latter song provides a jazz-esque sound, making it one of the most memorable tracks. There are also songs that fall more on the side of yearning for more, namely “Come Back”, “Watch it Burn” and “Other Side of the Dream”. The group provides layers of emotion that truly represent what life can be like, sorrow mixed with some fun, making it a sobering and comforting experience.
by Tiffany Czech | Dec 11, 2020 | albums, review
When tragedy strikes, artists often turn to melodies in an attempt to heal the pain. It was no different for Nathaniel Bellows, who turned to writing to cope with the death of his father. The result is his forthcoming album Three. This triumphant masterpiece starts off with “In the Wool”, an address of self-image and finding oneself amidst the chaos of the world. The heart stopping “Haul Me In” speaks of the need to feel weightless in treacherous waters. The breathtaking percussion creates the illusion that we, the listeners, are in the danger that he speaks of. “Split Lip” invites you to step into the feeling of being hopeful despite being surrounded by reasons to be hopeless. It closes out with “Move Away”, which weighs the pros and cons of leaving a place that has provided you both happiness and sorrow throughout his life. Here, Bellows reveals his intentions to, one way or another, look to the future.
Three is a raw and emotional record that sees every track masterfully tackling the struggle of falling into a pit and trying to find a way into the light, sometimes by hoping for a shoulder to lean on. It reflects a vulnerability that resonates with the listener and provides moments of solace and peace.
by Sadie Battle | Dec 4, 2020 | albums, review
If holiday cheer is something that seems a little hard to find lately, then check out Toddie Time, a unique collection of holiday classics from Michelle Malone and The Hot Toddies. On all six holiday songs, The Hot Toddies dive into nostalgic hits while reinterpreting your favorite Christmastide classics that range from toe-tappers that swing to sweet ballads that pull on your heartstrings. Their fun new arrangements all their own that display Malone’s vocal prowess and Doug Kees guitar skills. Malone and Kees are joined by Tommy Dean on upright bass, and occasionally Chris Burroughs on drums.
A particular stand out is “Blue Christmas”, as their version features an electric guitar solo with extra rifs all around. Malone’s vocal style and mood on this track is such a fresh and new take on this bittersweet classic. Their arrangement on “Santa Claus is Coming to Town” really showcases a great pairing of upright bass and electric guitar – making you feel like you’re back at your favorite neighborhood dive bar this holiday season, tapping your feet at some live music, and ordering a Hot Toddie. So go on, stream this holiday gift of songs today and be swept up in the cheer you’ve been looking for!
by Elizabeth Schneider | Nov 24, 2020 | albums, review
The gift of music is always the best and I was recently gifted a vinyl remastered copy of Sign ‘O’ The Times by Prince. And it is the best.
Originally released on March 30, 1987, the re-release on September 25, 2020, was a much-anticipated balm for this year of canceled live tours and shows. The songs on Sign ‘O’ The Times sound as fresh as they felt to audiences 30 years ago. Prince created a tour de force with wide-ranging genres, rock-solid vocals, and lyrics that stand the test of time.
Although “Sign ‘O’ The Times” and “U Got The Look” were the two singles off the album that got the most attention, there are so many more choices that will become favorites on your playlists. “Play In The Sunshine” and “Housequake” are back-to-back songs designed to get you moving. “If I Were Your Girlfriend” also never disappoints.
I have discovered my own new favorites – “Starfish and Coffee” is one of those. Written by Prince with Susannah Melvoin, it sparkles with fun lyrics and bright beats. It’s catchy and surprising. Additionally, Prince performed it with The Muppets in 2016, which makes it that much better!
I have played Side B of Album number Two three times now while I write and I see a fourth play in my future. “The Cross”, “It’s Gonna Be A Beautiful Night” and “Adore” are the three songs on this side. They are completely different from each other, but each one is brilliant.
Sign ‘O’ The Times is becoming one of my favorite albums in my collection. Although I was aware of, and heard, all of these songs over the years, I had never purchased the album to listen to in its entirety . Now that I have it, I will make up for lost time.
