by Sabrina Thurber | Jan 28, 2021 | singles, wolf tracks
Throbbing synths, outer-space vibes and the overwhelming sense of satisfaction that comes with bedroom pop — what more could you ask for? Shouting out her name from the entranced hills and transcendent sunshine of Los Angeles, the multi-talented Olivia Morreale presents her new track, “NO ANSWER”. Arriving as the first piece off her upcoming EP, SPACE DREAMS, the track drips traces of the emerging artist’s persona with each pulse.
Having roots in New York City and a background in jazz, Morreale’s unification with the glittery-ness of Southern California has resulted in evident depth as a writer and producer. Sensual vocals with ethereal lyrics results in a listener’s experience of both confusion and contentment. With Morrelae, strangeness is welcomed– even encouraged. As the song progresses, constellation vibrations take the listener far away; all while remaining grounded by the singer’s dream-like voice.
Along with co-writer and co-producer Eli Koskoff, the two have created a track that fits the mentality of a city like Los Angeles. No one really knows exactly where they’re headed, and life often seems too good to be true. Nonetheless, the only option is to keep floating ahead– enjoying what surprises you might discover along the way.
by ImperfectFifth | Jan 27, 2021 | singles, soundtrack
Dreams are very meaningful machines and most of the time they are so much more than we think they are. Dreams tell you what you really know about something, what you really feel and point you toward what you need for growth. So if you want to know your soul and navigate your life, you can’t do much better than turning to your dreams.
by Sabrina Thurber | Jan 27, 2021 | singles, videos, wolf tracks
Since its inception in 1993, independent record label — Saddle Creek Records — has consistently earned itself a place on the shelf as being home to America’s favorite indie artists. From Bright Eyes, to Spoon and Big Thief; the Nebraska based college-project-turned-business’s roster draws fans from across the globe. Continuing Saddle Creek’s trajectory of success is rock band Ohtis, who just made their appearance on the label’s most recent project: the Document Series.
With roots dating back to 2004, the Ohtis trio is made up of Sam Swimson, Adam Pressley and Nate Hahn. Now presenting their single, “Schatze”, the three are joined by a feature from Saddle Creek’s very own, Stef Chura. The new track and accompanying music video foster a tech-savvy backstory that is irresistible for our current media-plagued generation. The song’s spacey beginning, strong rock anthem and head-bobbing bass line will undoubtedly land the group on top tier, alternative-loving playlists far and wide. Beyond that, Stef Chura provides authenticity– supplying us with realistic responses to someone who, quite simply, is bothering the shit out of you.
The Document Series serves as an effort, on Saddle Creek’s behalf, to allow bands not already a part of their label family to express their own musical communities, creations and desires. According to Ohtis themselves, “Schatze” lays out a character study of the “Selfish Antisocial Male”, primarily told through the lens of Sam’s longtime girlfriend.
by ImperfectFifth | Jan 20, 2021 | singles, wolf tracks
Bluesy, beautiful rock music. The debut release from Erica Reese – an enchanting, danceable track titled “I Know Now” – is truly a statement for the artist, who comes off as an old soul and someone who has lightyears more experience than she does. Blending a 90s grunge rock nostalgia with robust vocal abilities and a more upbeat tempo has made this track an immediate add to your playlist. Let the soulful lyrics keep you grounded as you enjoy the rhythm of this particularly endearing debut.
by Meredith Schneider | Jan 18, 2021 | singles, wolf tracks
We decided to start 2021 off strong with a lyric that holds true now, more than ever before. (Plus it’s a good ol’ reliable, Elton John song. And since we entered quarantine while he was making a second round on his farewell tour, we will play him on repeat until everything gets rescheduled.)
We also decided to start January off with connection, so you’re getting our favorite new tracks of the month a little late, but with extra intention. So dive in today, tomorrow, or any other day of any other month because our favorites from January 2021 will continue to live here. (Until we can’t afford to host the site anymore, ya dig?)
by Meredith Schneider | Dec 9, 2020 | singles, wolf tracks
Today, we have the exclusive honor of premiering Nathaniel Bellow’s latest track “I Once Did” – along with its accompanying lyric video – ahead of the release of his third full-length Three. Bellow’s signature gravelly vocals lead the track, with a light composition to really add a calm feeling to the audio. When Bellows insists “I don’t feel the weight that I once did,” you can feel it in the instrumentals.
Each of the songs from his upcoming release was inspired by his father’s death in the three years since his passing, so hints of grief and remorse can be found throughout. What we have here is art in its purest form.
Three is out Friday, December 11. Keep up with Bellows here.
by Sabrina Thurber | Dec 9, 2020 | singles, wolf tracks
It’s not too hard to find a good song that focuses on pain, loneliness or loss. Similarly, there’s never been a shortage of music that pays attention to life’s beauty. It is a unique uncovering, however, to come across a piece that acknowledges both sides of the coin. The result is a sense of connection between the artist and the listener, with both parties realizing that life’s emotional oscillations are a part of the human experience.
Mikey Ferrari’s new single, “standoff”, creates a space in which listeners can appreciate this connection. In the track, Ferrari opens himself to sheer vulnerability, reflecting on the loss of a close friend. Beginning with an electronic celestial sound, Ferrari adds color to his description of the longed for “space boy”. To enchant us even more, the Los Angeles-based singer puts to use his impressive falsetto, making it all too easy for us to indulge in his delicacy. By showing us his soft side, Ferrari only heightens the significance behind his words.
Despite the pain, profound beauty can be found when we are faced with a loss– along with an appreciation for what the loss teaches us. Ferrari reminds us of this lesson in “standoff”, coming off his upcoming album, SPACEBOY, set to release in early 2021.
by Tiffany Czech | Nov 27, 2020 | singles, wolf tracks
With her new single “Moonlight”, Gillian Heidi proves to her audience that she has both the talent to impress vocally and the ability to draw you in with catchy chorus melodies and stunning metaphors. What starts off as a gentle guitar strum and notes of insecurity turns into mid-tempo ballad about the feeling of security when looking into the eyes of somebody who shines light into your life. This security is not uninterrupted for Heidi. The track does not shy away from the fear that can still linger even in the most secure moments of our lives. It actually does a magnificent job of highlighting that the fear of the unknown with this person can be a fulfilling, promising experience.
In a stunning display of freedom, Gillian Heidi lets the world know loud and clear that she has the creativity to narrate a story that progresses from those starter nerves to a full-on prance around nature’s most beautiful displays. All in all, she really is the one taking darkness and turning it into moonlight.
by Tiffany Czech | Nov 24, 2020 | videos, wolf tracks
From young indie artist Patricia Lalor comes the hypnotic track “This Man Thought He Saved Me”, a reflection of possible insecurity. It may be hard to describe exactly what genre this falls under, but that is only because Lalor perfectly incorporates many elements of different genres, crafting a transcendent track. Starting off with a more electronic vibe, the song quickly and almost seamlessly shifts to a vibrant and prominent electric guitar, one that takes hold throughout the entire track. Viewers of the song’s music video can even spot Lalor strumming away on the guitar, a testament to the fact that the guitar really owns the whole song. While some of the rock genre is evident, it may be appropriate to take it a step further and call it a punk spectacle.
“This Man Thought He Saved Me” is a thrilling, not-so-straightforward take on feeling slightly inferior. Make no mistake, though, the track still radiates confidence in a more subtle way than normally depicted. One thing is for sure: Patricia Lalor leaves plenty of room for nuance.
