by ImperfectFifth | Nov 5, 2018 | soundtrack
I listen to all kinds of music, mostly anything that makes me feel something. When I started to write songs, I listened to a lot of blues and folk music. I got inspired by how people could express emotions through songs and I fell in love with it. I think that was the reason why I started to write my own songs.
What all these songwriters, musicians and artist have in common is that their music is pure, timeless and real. They didn’t let anyone get in their way, no matter what, they held on to what they believed in.
1. I know It’s Over – Jeff Buckley
2. Simple Twist Of Fate – Bob Dylan
3. Waitin’ Around To Die – Townes Van Zandt
4. Stars – Janis Ian
5. Words – Neil Young
6. Stuck In The Middle With You – Stealers Wheel
7. Meet Me In The Morning – Bob Dylan
8. Glory Box – John Martyn
9. Day Is Done – Nick Drake
10. River – Joni Mitchell
11. Nobody Knows You – Bessie Smith
12. Dink’s Song – Dave Van Ronk
13. Lover, You Should’ve Come Over – Jeff Buckley
14. Love & Hate – Michael Kiwanuka
15. I Found You – Alabama Shakes
16. Wayfaring Stranger – Emmylou Harris
17. Piece of My Heart – Janis Joplin (Big Brother & The Holding Company)
18. Wild Is The Wind – Nina Simone
19. Racing With The Sun – Ella Jenkins
20. Give me a smile – Sibylle Baier
21. Heart Beat Slow – Angus & Julia Stone
22. Folsom Prions Blues – Johnny Cash
23. I Love You More Than Words Can Say – Karen Dalton
24. How Can I Put Out The Flame – Candi Staton
___
Keep up with Marlene Oaks here.
by Meredith Schneider | Nov 5, 2018 | albums, review
Galway-based folk artist Ultan Conlon released his latest album Last Days of The Night Owl to incredible amounts of praise, landing itself at #1 on RTE. A 12-track masterpiece, Last Days of The Night Owl takes the listener on a lighthearted journey full of easy-listening that reeks of perfection no matter the season. We’re still impressed, so it’s on tap now just as often as it was at its release.
Beginning with “As the Light Gets Low”, Conlon establishes a sense of positivity as he croons, “somethings not right / but i can’t be all of the time.” The album slows only slightly with “The Town Square”, the percussion and tempo picking up again with “Hall of Mirrors”. By this time, we’re hearing direct influence from Roy Orbison, James Taylor, and the likes. “Fond Memories” exists at a gait reminiscent of a 1950s sock hop, though the discontent is obvious in the lyrics.
While “Sorrow Ease” comes in with more clear country influence, “Ojai” feels grand and gorgeous, perhaps just as much so as his expectations of the town before his arrival changes his mind. Memories aren’t always reality, and this song reminds us of that. “Hurt Inside” simplifies the trajectory, while “Time to Mourn” is the most outright melancholic track in every aspect. “The Measure” lightens things up a bit sonically, a toe-tapper if there ever was one, and that vibe continues through “Twice a Child”.
Everything comes to a slow crawl with “A Weak Heart Like Mine”, as Conlon evaluates the difference – or perhaps striking familiarity – between positive and negative feelings in romance. He rounds it all out with “The Fine Art of Happiness”, once again establishing a sense of positivity and looking forward in life. And that’s the note the album was destined to end on, giving us hope for light at the end of our sorrows.
Keep up with Ultan Conlon here.
by ImperfectFifth | Nov 2, 2018 | perspective
A lifelong resident of Jeffersonville, IN, Nick Dittmeier finds a needed reprieve from the looming presence of loss in his life with his new record All Damn Day (due October 26th). Fronting Nick Dittmeier & the Sawdusters, the singer-songwriter lingers on the omniscient Grim Reaper in a way that’s hopeful and uplifting as it is forlorn, harkening to the works of such literary giants as John Steinbeck, Ernest Hemingway, Roald Dahl and Mark Twain. Read Dittmeier‘s story on his first musical influence below:
The first musical experience I had that really made me want to be in a band was watching the scene in The Muppet Movie where Dr. Teeth and the Electric Mayhem are introduced at their rehearsal space. Although the band was comprised of Muppets, they looked like an actual rock n’ roll band and the song they played really grooved. But it was really the band’s attitude that made me wanna be in a pack like the Electric Mayhem.
If you don’t recall the scene, let me refresh you. Kermit and Fozzy, on their road trip to Hollywood, stop in an old church where they discover a psychedelic Muppet band playing music. Dr. Teeth, the band leader, has a strikingly resemblance to Dr. John and other members of the band had loose characteristics to other rock stars of the day. You could say Janis resembles Joni Mitchell and Animal resembles John Bonham. They lay out their long term plans for the church, which included a music venue and coffee shop with organic food.
What I loved about Dr. Teeth and the Electric Mayhem was that everyone in the band was visibly weird and quirky but were completed accepted within the context of the group. They had invented their world and all lived in it. Part of the larger premise of the Muppets was racial and gender diversity, and that’s why many of the characters’ identity was fairly ambiguous. Some characters you couldn’t really discern if they were animal or human. Why they had bright green skin, if they were human, but that wasn’t important— all you needed to know is they looked different but were accepted.
The lyrical content of the song they sang was basically how great it was being in a band and helping people and each other. Also, everyone in the band sang. That scene didn’t make me go out and get a guitar, but it did plant a seed in my head about what kind of community I could be a part of if I learned an instrument.
All of those lessons in the scene are applicable to the current situation I have with my band and the people surrounding it. We’ve gotta manage quirks and personalities and realize we’re for the most part strange people, but those are the personalities that drive this business. It takes a certain kind of weirdo to stop band practice to help a frog and a bear paint their Studebaker psychedelic colors.
by Meredith Schneider | Nov 2, 2018 | videos, wolf tracks
Today, Berlin-based alternative indie pop quartet The Flavians – comprised of Liam Blomqvist, Anna Vaverková, Tom Wills, and Joakim Jägerhult – releases their latest single “Non Stop Fun (All I Wanted)” along with an entertaining throwback of a music video. The song itself has vocal parts reminiscent of 60’s folk/pop stars, the tongue-in-cheek video comprised of scenes of a man’s life that one might find particularly dull – traveling on public transit, getting yelled at at the office, getting a drink in a dark bar – that, when etched together, tell a story most anyone can relate to.
See what happens below!
Keep up with The Flavians here.
by Meredith Schneider | Nov 2, 2018 | singles, wolf tracks
Looking for a new, irresistible pop track to swoon over for a bit? STF takes smooth dance track to another level with his new track “Lookalike”. The best part? Its disposition completely hides the fact that it is a song that details heartbreak, but the fact that it is so relatable perhaps adds some more zest to the flavor. It’s a pretty fun track, try it on for size!
Keep up with STF here.
by Meredith Schneider | Nov 1, 2018 | premieres, singles, wolf tracks
Indie rock trio Vern Matz – comprised of Danny Belgrad, Michael Lituchy, Noah Silvestry – may hail from New Haven, Connecticut, but their songwriting hits you at your core no matter where you spent your formative years. Explains the band of the track:
“Systematically Gone” was recorded in a small town in Connecticut, where we lived off of vegetarian chili for a few days. It was produced and mixed by Peter Katis, a longtime collaborator with The National and dedicated soup consumer. In “Systematically Gone”, our character has reached a breaking point, and it’s unclear what the next step forward is. It’s like being in an ice cream shop where all the flavors are sherbet and you hate sherbet and your relationship is falling apart.
If you’ve ever questioned a decision or two in life – and I know we all have – this song will be something you hold close. It’s meandering, mellifluous soundscape will keep you feeling safe and warm in the autumn months, as you seek to clear up whatever road blocks you may be experiencing. Check it here, first, below!
Keep up with Vern Matz here.
by ImperfectFifth | Nov 1, 2018 | Featured, perspective, snapshot
Follow the Roof Dogs as their live music journey takes them through Cincinnati, Lexington, Nashville, St. Louis, Bloomington, Chicago, Toledo, and all the in-betweens on their most recent autumn tour!
Cincinnati, Sean and his bass on the drive. Touring in a Toyota Corolla can be difficult. While The Bascinets’ vehicle held most of the gear for tour, on the way to Cinci we had to travel with Walker’s drum hardware and Sean’s bass in the backseat.
Pre-show R&R at the Airbnb
Found a lighter with some flare.
Nick Wellman of The Bascinets fishing for Pigs at Northside Yacht Club.
Tristan (Bascinets) before he lost his glasses. Tristan would continue to lose several other items before the tour was done.
Andrew with Bourbon (neat). Andrew played NSYC’s “$4 Whiskey Wheel of Wonder,” he landed on Jim Beam.
Dinge. Was the first time we played with them for about three years. They rock.
The Bascinets
Ezra (Dinge)
Trevor (The Bascinets)
Tired after day one…
Our friend Nick (left) let us hangout on his rooftop in Northside after the show. He also let us play his harmonium and theremin. Great fun was had by all.
“Please, no pictures” – Zlata
Eden Park, Cincinnati
Lexington, KY. Game day. The show didn’t start until 11:30 because the Wildcats were “stomping ass.”
Andrew strings up
There was a lot of time to kill, but luckily the door guy charged the folks who came for the game. Many hung around when the show started, too.
Setlist debate
The Bascinets, feat. Mannequin
Abandoned motel shoot between Lexington and Nashville.
Twinning. It seems that almost all of the Midwest claims ownership of Lincoln. The same cannot be said for Andrew.
Nashville: Trevor insisted on $5 cups of coffee at his favorite spot. (They were actually amazing though so it’s okay). Jesse pictured here writing nursery rhymes.
Alberto & Friends in their delightful basement.
The Bascinets
Matt of Superstarfamus1day. He was closely supervised by the doll. They played an impressive impromptu set when their drummer George got very sick right before and couldn’t play.
Our performance did not meet Alberto’s expectations. He locked us up by the doghouses.
Shew (left) and Alberto (right). Post-show hangs in the backyard. His house was an old doctor’s office from way way back in the day (the 40’s?) so his backyard was actually a parking lot that was converted into a giant driveway. They have the perfect band house and we are jealous.
Triple Jesse
We loved the wallpaper.
Sleepy bois. The Bascinets brought along portable cots.
Wellman in the haunted basement.
“No pictures in here, honey. Some people aren’t here with the people they’re supposed to be with.” Hermitage Cafe in Nashville. Great country-fried steak.
St. Louis: At the Arch
Bright bois, where’s Walker?
Farmer Nick
Andrew with the cigarette machine at CBGB.
The Snapchettes, they typically perform as a seven piece.
Frankie Valet. Jack (at microphone) hosted us and took us to a good breakfast spot the next morning. Incidentally, he and Jesse share a birthday on September 14.
Outside CBGB
Felix at the board.
Sean relaxes at Jack’s. He managed to cranked out The Silmarillion on tour. Jack’s excellent cat can be seen in the background.
Jack, our host in St. Louis
Tristan after breakfast. There are more cash-only diners in this country than I ever knew.
Forest Park, St. Louis
En route to Chicago. It was somewhere around this point that Sean and Jesse began to argue over the fortitude of their respective bladders. Sean would soon prevail.
Walker driving
Chicago. We had two days off here with a show in the middle. There was a lot of relaxing but we didn’t get as many pictures here, but had a great time exploring the city. On our last night we rode the train to a 107 year old jazz club, the Green Mill in Uptown where they were broadcasting live on AM radio.
But first a visit to the lake.
Beers on the pier
Tristan and the great beyond
Curious old maintenance man tinkers at the venue.
Wallpaper
Fahrenheit 808, who was, sadly, not allowed by the venue to play due to dumb age restrictions. They were gracious about it.
Oxford, OH. Captain Redbeard and the S.S. Friendship. We played at our friends house, The Secret Garden. It’s a beautiful home.
Trevor, some light leak, and a stray vine. After the show we all went to Bagel & Deli and waded through an ocean of college students to the counter. Every five minutes or so, one worker at the shop would get iced (Smirnoff) by customers and proceeded to jump on the counter and chug to the applause of everyone. I’m pretty sure we waited in “line” for like half an hour. Someone stole my bagel once and I had to order again. Ultimately the wait was worth it. -Andrew
Hot sauce with salt at Hometown Eatery. College Corner, IN. Tristan apparently eats this to curb his appetite. He chose to spend his diner money on a candy apple red Jaguar.
Propane rodeo star, Andrew Marczak.
At Joe’s house in Oxford.
“Joe, where are the forks?”
Wellman with spork.
Toledo, OH. Ottawa Tavern, our last stop, with bangin’ sign.
Watching the game. “Pizza Cat,” the attached restaurant, was delicious and had good deals for performers. We were all satisfied.
Teamonade ripping it right up.
Trevor the angel
Wavves
“It Can Happen to YOU”
One shot of the Roof Dogs playing.
Family photo. We then parted ways and ventured back to Columbus for a day off before we all went back to our day jobs at NASA.
___
Keep up with the Roof Dogs here.
by Meredith Schneider | Oct 31, 2018 | albums, review
The eleven-track compilation stunner just released by Dazzleships Records honestly serves as our life soundtrack at this very moment in time. Ever since we got our first listen, we’ve been running the tracks back through our minds, creating more with these songstresses as our inspiration. Dazzleships Records Presents: Raise By Women is both tantalizing and evocative of a generation – or more – in its entirety. Skull Diver‘s “Bad Star” sets the tone, giving us a grunge indie/pop soundscape to play with, absorbing itself into the quirky and lighthearted tone of Mini Blinds‘ “Happy” before Cat Hoch‘s “Say You Love Me” throws us into an 80’s-inspired bliss.
Natasha Kmeto‘s “Your Girl” blends synths in a similar way to its predecessor, but in a much more contemporary and soulful way. While Rilla‘s “Side Sleeper” is one to get your head bobbin’ to, your feet groovin’ a bit, Johanna Warren‘s “The Blessing The Curse” dunks you in an ethereal, mellifluous soundscape before DANDAN gets all experimental on us with “Broken Mirror”. Black Water Holy Light‘s “Sunrise” belongs on an episode of The O.C. (Seasons 1 or 2 exclusively, please?), and Laura Palmer’s Death Parade brings us to a slow, folk-tinged, melancholia with “Scrollin'”. Haste basically says it all within the instrumentals of “Let’s Touch Ourselves”, with gorgeous vocals and alluring lyrics to make it a powerhouse of a track. And the entire collection is rounded out quite nicley with Sheers‘ “An Osscasion”, which plays with dissonance and a more earthy, string-led sound that really feels delicate.
Keep up with the latest from Dazzleships Records and all their new projects here.
by Meredith Schneider | Oct 30, 2018 | soundtrack
Shout out to Widelife for the title of our playlist. Having binge-watched every episode of Queer Eye a couple of times over, we’ve been in the perfect mood to receive some amazing music video submissions all month. This soundtrack feature is a mess of some of our favs that were released in the latter half of October 2018, and we’ve honestly been chomping at the bit to get them out to you!
