On Wednesday, November 1st, the insanely entertaining rock collective Diarrhea Planet rolled through Kansas City, making an exhilarating appearance at Riot Room. In support was local act Witch Jail, which the guys of Diarrhea Planet mentioned had a band name they were jealous of. (But how could you be?) Here are some photos from the evening.
Keep up with Diarrhea Planet here.
In September, Boston’s folk/indie rock talent Griffin Robillard released his 9 track, full-length album titled Cracks in the Ceiling. Flooded in a sharply nostalgic feeling, the album itself was written while Robillard was living in Copenhagen. You can almost feel the growth he was experiencing while writing the piece, as his vocals are flooded with emotion as he brings you into his world with the mid-tempo, almost anthemic, title track, bouncing into the more upbeat and soulful vibes of “Ghost” before getting slightly more twangy, then bluesy/jazzy, in his instrumentals with third track “Because I’ve Told You”.
“Reel to Reel” slows things down – has the structure of a Ben Folds-type track – weaving a narrative speaking to his significant other that is slightly specific, but still very vague, perhaps for the sake of universality. While “Artifacts” picks things back up exponentially, it is with sixth track “Faithless” that we are brought back out of our seats, encouraged by the sound to move. “In Your Own Way” houses similar surf pop vibes to the instrumentals in Gin Blossoms’ “Found Out About You“, causing us a few moments of reminiscing on our 90s selves.
It is with “Nothing to Show” that things get very serious, both lyrically and instrumentally. It’s like Robillard has decided to rip his heart wide open in this one, simplifying the instrumentals slightly to really showcase the words as he croons the track into a 70s style rock stunner. “Tired of Being Cruel” is your last taste of Cracks in the Ceiling, a lot more upbeat in its composition, though melancholic lyrically as he begins the song with the line “tired of being cruel to you.” Self reflective, honest, raw. That’s what we’ve come to love about Robillard, and – while we’re plenty happy with this release – we’re already excited to hear what comes next from this talented musician.
Cracks in the Ceiling is out now. Keep up with Griffin Robillard here.
New York-based alternative pop musician/producer TRISTN recently released an acoustic recording of her well-received single “Nothing To Say (Nothin’)”, which came out as part of her ten track album January earlier this year. The album properly showcases TRISTN’s scrappy, intense persona while providing upbeat pop gold for you to latch onto and get carried away with. The new video – which was recorded simply with some percussion and an acoustic guitar – allows TRISTN to fully show off her vocal range when given a quieter situation to perform in, and, boy, does she deliver.
Keep up with TRISTN here.
Michigan-based indie folk rock trio The Accidentals – made up of Katie Larson, Savanna Buist, and Michael Dause – are heading out on the road to celebrate their summer release, an incredible thirteen track album by the name of Odyssey. By now, most of us have had the chance to listen to the album in its entirety. (If you haven’t, here it is.) But their most recent offering is a music video for the title track, and we want to make sure you get your eyes on it.
“Odyssey” as a track begins slower, with a simple acoustic guitar and soulful lyrics keeping pace and leading you through an ethereal sound space even before the additional instrumentals hit the track. The video begins with the trio in what looks like a hang space in a basement, bathed in warm colors to match the warmth of the song. They’re gathered in a circle, enjoying what seems to be a small jam session. We also get to witness them play in shallow waters under a beautiful blue sky, as well as a little glimpse into their live performance life on stage. The video is beautifully captured, with softened colors and slow motion applied in just the right places. We’re deeply moved by the track, and incredibly happy with the video.
Odyssey is available now. Keep up with The Accidentals here.
Today, Utica, New York’s alternative musician Anthony and the Mountain premieres its Storm Fruit EP, the first collection of music we have gotten from the project since 2016’s I Felt Tall and Full of Blood. Three songs deep, “Fatboy” serves as the first track, a dramatic narrative from Anthony’s childhood. Anthony croons “Watching the ocean pull away from me” in an all-encompassing way, truly capturing a feeling in tandem with the lyrics. And while “Little Ceramic Dolphins” maintains a similar tempo, the song itself feels darker, more existential in its presence than its predecessor. Anthony’s third song is the title track “Storm Fruit”, which draws from intense vocal registers and a more seductive emotional state to evoke a romanticism that perfectly rounds out the release.
Says Anthony about the EP:
The three songs that make up the EP were slowly written over the past few years and paint portraits of myself at three very different points in my life, both chronologically and emotionally. It’s about relationships. From growing up as a queer teen and the relationship i’ve had with my body, my relationship to religion, and ultimately my relationship with myself. I wrote them at the piano, trying to connect with the part of me that started writing songs in the first place. The desire was to do something that was meditative, and orchestral, cinematic even, with my voice being the emotional center. I wrote them mostly in seclusion, with the recording happening very quickly once I set down to do it.
Storm Fruit is available now.
Experimental indie pop collective Babylawns – comprised of Ryan Egan, Davey Alaimo, Mike Phillips, Chris Tremblay, and Conor Powers – is headed out on an east coast tour this month in support of their brand new album Sorry it’s like this, with the first stop happening tonight in Providence, Rhode Island. The nine track full-length starts with heavy hitting “too big”, crashing guitars leading you into the thrashing feel of “heartbeat” before winding you down into “anxiety”, which happens at a crawling clip. The album meanders between genres, as its listener gets bits of americana, psych rock, alternative, goth pop, and more through the expert instrumentalism of a group that knows how to cohesively switch tempo at the drop of a hat, highlighting the composition of the music at the same importance as the vocals themselves. Sorry it’s like this adequately sums up a highly relatable but often inexplicable melancholic feeling in song. And it’s something you need to experience.
Tour Dates
11/3 – Providence, RI
11/4 – Philadelphia, PA
11/5 – Columbus, OH
11/6 – Ann Arbor, MI
11/7 – Harrisburg, PA
11/8 – Baltimore, MD
11/9 – New Brunswick, NJ
11/10 – Wilton, NH
11/11 – Goffstown, NH
11/30 – Brooklyn, NY
12/1 – Portland, ME
Sorry it’s like this is out now. Keep up with Babylawns here.
In October, Brooklyn’s americana rock trio Animal Years – comprised of Mike McFadden (vocals, guitar), Anthony Saladino (bass), and Anthony Spinnato (drums) – released the music video for their widely praised single “Caroline” in the lead up to the release of their new EP, Far From Home. The EP – which is made up of five soulful, intricate tracks – was produced by Ryan Hadlock (The Lumineers, Brandi Carlile, Vance Joy) came out on October 27th via eOne Records.
“Caroline” begins the EP with an upbeat ring to it – despite the bittersweet, self-aware lyrics – allowing the listener to just about float over the country-tinged vocals and light, acoustic instrumentals. “Friends” slows everything down initially, but when it hits the beat it really gets your hips swinging as it addresses the importance of a warm and rich support system. And while “Give It Up” really gets you grooving, it paves the way for a slow down with “Corinth”, which is widely defined by its deeper guitar work, percussion, and flat out deeper vocals. Singing from a darker place (“I’m drowning in the deep end”), looking toward a silver lining (“I think I can win her”) will do that to you. “Home” is the perfect silver lining to it all, however, as the lyrics reflect on the darker times – perhaps in tandem with the flow of the album – while simultaneously appreciating any hint of good fortune. It’s the perfect place to land, truly tying it all together and making the sound space feel just like that. Like home.
As we wait with baited breath for the release of Texas-bred, Nashville-based indie rock musician Sierra Blanca‘s brand new EP on November 10th, we’ve got the music video for his track “Book” for you to enjoy. But Sierra has taken the term “back to your roots” to a new level, performing the track live in the woods at night amongst the stars, the chirping bugs, a small crowd, and – of course – the trees and their many roots. And while we could let the white noise from grasshoppers and creatures of the night get to us, it adds an ambiance to the track that makes us feel as though we’re outside enjoying a crisp night with friends under the stars. And – after all – that seems to be what he was after to begin with. So gather your own sense of community by watching the video, and let us know what you think below!
Honorable Mention is out November 10th. Keep up with Sierra Blanca here.
Nashville-based musician Ernest K. might be known for his silky vocals, but it’s his ability to turn an intelligent rhyme that really bowls us over. And – after killing it with Spotify plays on his new track “Bad Boy” – we’ve got his new music video to share today.
As the video begins, you’re drawn in by overlay font that’s reminiscent of the “Full House” title screen, so automatically you’re tossed into this throwback mentality. And it’s a casual video, with Ernest wearing a Looney Tunes shirt, hanging out with his friends and singing on porches and around town. There is a sense of community in the video, almost as though Ernest has drawn different aspects of his inspiration into the video itself. Plus the smooth, supportive lyrics of “Bad Boy” set a perfectly chill backdrop to it all.
Keep up with Ernest K. here.
