by Meredith Schneider | Dec 7, 2017 | wolf tracks
As if the double entendre of the title of singer/songwriter Cody Melville‘s impressive tenth album isn’t enough, he has birthed a genre-hopping, robust work of art to support it. Gliding from a sound that could easily have been inspired by Bruce Springsteen, to more twangy, country-inspired compositions, to soulful ballads and beyond, Melville has somehow managed to capture an entire lifetime’s worth of styles and energies in just one release. Bonds Eye might not be officially available until tomorrow, but for now we have the honor of hosting a streaming premiere of the 10 track release in its entirety. So make the right choice, and get lost in the breathtaking complexity of it Melville’s latest.
Bonds Eye is out December 8th, and the rest of his catalog is available on Bandcamp. Keep up with Cody Melville here.
by Meredith Schneider | Dec 7, 2017 | 5 to 7
Just last month, Massachusetts-based indie pop/punk rock four piece Kindling released a particularly impressive and instrumentally heavy 10-track album titled Hush. Though the intro to a lot of the tracks starts in a different soundscape, eventually the meat of most of the songs hits with multiple guitars that create an almost cacophonous ambiance around the chorus of vocals. It’s quite the experience, and while we certainly suggest showing off your dance moves while enjoying the album, we also kind of hope you have access to a starry night sky, dope lawn chairs, and string lights to enjoy “Rain”.
We got the chance to catch up with vocalists/guitarists Stephen Pierce and Gretchen Williams shortly after the release of Hush.
What was the first album or song you remember ever listening to, and who introduced it to you?
Stephen Pierce: I don’t know exactly the record, but my parents were always listening to a lot of British Invasion stuff —
Yardbirds,
The Animals,
The Kinks.. My dad liked the
Stones and my mom liked
The Beatles. There’s in particular this one tape my dad had of The Yardbirds’ BBC sessions that is seared into my consciousness, right down to the hammy BBC announcer’s voice.
Gretchen Williams: When I was about seven or so, I had a camp counselor that had my troop perform the
Shangri-Las‘ “Leader of the Pack” in a talent show. Naturally, I was assigned to be part of the motorcycle gang and made a construction paper leather jacket to wear. I really loved the sound and doomed-love-story subject matter as a kid, and played my cassette of the recording a lot at home.
What is the Kindling origin story?
Gretchen: In the winter of 2014, Stephen and I formed Kindling after he asked me to contribute to a few songs he’d written. Initially, we didn’t really have a sense of where we might be headed; we just wanted to write a bunch of catchy songs quickly. Our demo was just the two of us, and we subsequently self-recorded a 7″ before recruiting others to the band.
How would you say you’ve developed your sound and your relationship with each other since your first EP?
Stephen: I think Hush is definitely bigger and more ambitious than the previous stuff, which was probably bigger than the stuff that preceded that… Each recording we’re one step closer to being a fucking prog band or something. But seriously, the more ya work at anything, I guess the more comfortable it’ll feel, and I feel pretty comfortable these days with the band, from our process to our songs to how I communicate with my bandmates – communication hasn’t always been an easy thing for me. But, like: You figure out what works best for everyone, and try to do things that way.
Gretchen: Despite a lot of the lyrical content of Hush focusing on uncertainty, I think we’ve found a little more confidence on this record. We reached for a bigger, more complex sound and integrated some new instruments (mellotron and sitar appear on a few tracks throughout the album).
What is your writing process like? Do you start with a melody, start with concept, brain dump lyrics? Take us inside it all!
Stephen: I usually sit with a guitar on the couch and just, like, watch tv and if something good appears, I’ll hit mute on the tv and record it on my phone, then revisit it at the practice space, or sometimes maybe just, like, loop it and vibe it out. Lyrics come afterwards, usually I’ll demo the instrumental stuff with Andy, our drummer, and spend a lot of time listening to the instrumentals while, like, riding my bike or something. Then Gretchen and I will work on vocal phrasing and words. Or we’ll have ideas and throw them back and forth between each other, usually what we come up with is pretty similar.
How do you imagine people listening to this album?
Gretchen: Late at night when you can’t sleep; or on a long bus trip; or walking through the woods; or just trying to get through the day — basically any time you might feel a little bit wistful and restless.
Stephen: I like the thought of Hush playing annoyingly loud while quitting yer shitty job, or something. Tell off the boss in a giant spectacle with the assistance of Hush.
Who is your favorite superhero? Substantiate your claim.
Gretchen: The only comic I ever read growing up was Archie, so I guess my favorite superhero is Jughead? He always seemed pretty impervious to the stresses of modern life in Riverdale–a trait I admire.
Stephen: Spider-Man, because he was such a loser and I find that highly relatable.
What is your favorite word?
Gretchen: Probably a toss up between “somnambulance” and “goblin.”
Stephen: Mine is “Goblinambulance”
Perfection. Anything else you’d like to add?
Stephen: Thanks so much!
___
Hush is available now. Keep up with Kindling here.
by Meredith Schneider | Dec 6, 2017 | wolf tracks
Alternative rock/pop punk collective Valencia isn’t the only musical project Shane Henderson is lending his talents to these days. (That’s right. For those of you residing under a rock, Valencia is BACK!) In fact, his solo alternative/acoustic project Promise of Redemption found its start back in 2004 and happens to have just followed up 2016’s “Where You Ought To Be” with a new EP titled Before & After. The 6 track collection takes you on a mellow, beautiful journey that actually began a decade ago, as the songs were all written during and immediately following When The Flowers Bloom… was released in 2007. Explains Henderson of Before & After:
‘Before and After (Demos and B-Sides)’ came together as a celebration of the 10 year anniversary of WTFB. We took some B-sides from ‘When The Flowers Bloom…’ as well as some newer reworked demos from over the years. The six songs on ‘Before and After’ are ones that I think any fan of the album WTFB will love and even fans who have never heard of POR will love. They are six songs that were songs written for a purpose just like the album we are celebrating. I am excited to share these songs with the world in celebration of an album that really let me explore my love of playing music and creativity.
We’re absolutely captivated from beginning to end, especially since we realize we’re basking in the glow of Henderson, who many of us grew up with in our music sphere. And we’re thrilled that he continues to make such heartbreaking and intense music, songs we can relate to as we travel along with him on his musical journey. This one, though? This release is for the books, as it holds both a piece of nostalgia as well as this excited feeling of newness to it all. So sit back, relax, and enjoy the ambiance that will fall upon you while listening to Before & After.
Promise of Redemption will be playing two holiday shows, December 29th and 30th, in Philadelphia, PA in which they will play When The Flowers Bloom… in full to celebrate the 10th anniversary of the album. Upcoming shows and tickets are available here.
Before & After (Demos and B-Sides) is available via Know Hope Records.
by Meredith Schneider | Dec 6, 2017 | snapshot, visual
On Friday December 1st, one of our favorite midwest bands made an appearance at Riot Room in Kansas City. As always, we were impressed by Holy White Hounds‘ insane stage presence, wild attitudes, and affinity for pure rock. Check out some vibrant photos below!
by Meredith Schneider | Dec 5, 2017 | wolf tracks
At the end of November, Polish avant-pop duo Legumina released their debut album, a 11-track collection affectionately titled Something Pasty and Probably Yellow. But this album comes from a different place than many others come from, and it’s something we definitely took interest in right off the bat. Legumina is the marriage of two stunningly vibrant personalities who, as it just so happens, chose to end their romantic relationship quite some time ago. But in 2013, the pair of Mon Sadowska (vocals, lyrics) and Marcin Gręda (guitar, ukulele, electronics, laptop, earlier Letdown Dept.) chose to reconcile those differences enough to form a duo, and to create an album that seems to serve as both closure on their romantic past and as a new beginning for their artistic futures. It’s unique, well-written, and beautiful to a point that we have to make it known.
Beginning with light, staccato notes accompanied by strangely contrasting lines of voiceover, “(Not That) Yellow” makes you feel like you’re in a futuristic lullaby. Pair that with the slow, ethereal notes of “Berlin” and the twinkling sounds of “Probably June”, and Something Pasty and Probably Yellow starts out in this quirky, beautiful space that you would assume a She & Him album might steer toward. Once Sadowska’s vocals hit a track, even if it existed in another soundscape altogether, she immediately brings a fairy-like presence to it all. A fact that comes to us as incredibly quirky and endearing, especially with fourth track “Song of the Northern Pole” which – instrumentally, at least – does perfectly capture the way you assume being in the North Pole would feel. Fifth track “Swim Safety” plays a little more with dissonance in the intro, swirling into this impossibly gorgeous track.
As you reach “Parking Space Inequity”, you’re so used to the upbeat feel of its predecessors that you don’t quite expect the melancholic twinge to kick in at that point. With the pace of the lyrics versus the instrumentals, it almost feels like Legumina found their inspiration in aughts emo and punk music, but it’s been updated with an electro pop feel that slightly resembles trance music at a rave. While “Sink Sank Song” makes you feel like you’re actually inside a video game – which makes the song that much more fun -, “Short Guide to Palm Reading” is considerably less witchy than what we would assume from the title. We are 100% on board with the bizarre title of track 9, and totally agree with the sentiment that “Happiness Isn’t Happiness Without a Violin-playing Goat”. The name of the track itself made us feel like we were wandering back into that punk/emo inspiration, a la the long titles that Fall Out Boy and Panic! at The Disco have become known for. “Elementary” slows things down to a crawl – really returning to that lullaby feeling – and the band expertly rounds out the album with the track “Farewell Captain” (ft. Edyta Glinska) which audibly insists on the closure of the album. The audience feels a finite energy in this track, bittersweet in its delivery, much like the closure the duo found through the production of this album.
Check it out below, and let us know what you think in the comments!
Something Pasty and Probably Yellow is available now. Keep up with Legumina here.
by Meredith Schneider | Dec 5, 2017 | wolf tracks
Australian beach pop duo Geowulf – comprised of Star Kendrick and Toma Banjanin – released their infectious, sun-drenched track “Hideaway” today. Even though we feel like we’re floating through a summery soundscape with this track, we recognize the easily relatable lyrics as somewhat of a different season, as they sing about discomfort in a relationship, as the object of their affection – friend, foe, or love interest – does nothing but “hideaway.”
Let the lazy, beautiful structure of this song carry you away today as you gaze out a window wherever you are…
Keep up with Geowulf here.
by Meredith Schneider | Dec 5, 2017 | wolf tracks
Today, New York-based musician Ryan Egan unleashes his latest single – a slow burner titled “Swarm” – unto the world. Compelling in its simplicity, the track is driven into existence by simplistic instrumentals and soft, persistent percussion. As the instrumentals layer in and blossom, Egan asks the existential questions like “Am I close to the edge, or am I stepping out?” and “How does it feel to be free when I let it go?” He recognizes the “dangerous ground” that he’s walking, utilizing lines in his lyrics that add a dimension of mystery and flare to the easy-listening, fun pace of “Swarm”.
Admits Egan of the track:
In many ways, this song is a perfect representation of the sound I’ve been digging for over the years as a composer. At a certain point, I knew there was a very organic, common ground between my biggest influences from Bjork to Radiohead to D’Angelo. Of course I don’t think that any one song can capture this sentiment entirely, but hopefully when listening to the various things I write and release, people can start to connect these dots and will find something unique that resonates with them.
“Swarm” is out now. Keep up with Ryan Egan here.
by Meredith Schneider | Dec 4, 2017 | wolf tracks
Just ahead of the release of his new album Magic Boy, Bartees & The Strange Fruit (Bartees Cox) has released a music video for his drop dead gorgeous track “IDK”. Even though we’re not big on acronyms, we are incredibly happy we gave this one a shot. Bartees’ voice is voluptuous almost in its delivery, beautiful and far-reaching in its range. But even without the accompanying guitar, his voice holds its own and essentially drives the entire track, something that brings us back to the beauty and simplicity of utilizing the voice as an instrument. The slow motion, precise movements in the video just really allow you to focus on the bittersweet, heart-driven lyrics as you gaze at the Manhattan skyline behind Bartees.
We love everything about this.
Magic Boy is out December 8th and is available for preorder now. Keep up with Bartees & The Strange Fruit here.
by Meredith Schneider | Dec 4, 2017 | wolf tracks
Denver-born, NYC-based electro pop musician Becca Krueger recently released her entrancing new single “We All In It”. The first single off her debut EP – expected out in early 2018 -, the song is quite the departure from the covers on which she established her career. But her wherewithal in the industry didn’t just stem from her studies at NYU, it came from years of experience at some of the most incredible venues on the east coast, as well as from the success of her first feature “Ceasefire”.
Becca’s lyric video for “We All In It” just premiered with PopCrush. Set over a dark blue, textured backdrop – something that beautifully resembles the night sky – the lyrics appear in a handwritten font while the patterns on the backdrop change ever-so-slightly. The song itself is tranquil, so the feeling that we are watching cloud formations change feels like the perfect way to translate this song into a visual. Becca’s vocals are low, raspy, ethereal in their delivery, and we know a voice has been developed that will help lead “the wounded hearts” to a serene feeling of camaraderie.
Keep up with Becca here.
