by Meredith Schneider | Oct 14, 2019 | singles, soundtrack, wolf tracks
We took the name of one of the October releases we heard recently as our title. You’ll understand if you take a gander at this playlist. Per usual, we have compiled a number of incredible new releases from this month so that you have a bevy of new work to select from and curate your own autumn playlists. Kim Petras, Ralph, King Nun, isle&fever, and more. Plus, check back all month for additional tracks being added as we sort through submissions and listen to new music throughout October!
by Meredith Schneider | Oct 11, 2019 | albums, review
Indie pop songstress OSTON recently released a new 6 track titled Sitting at the Kids Table, a highly relatable and intrinsically beautiful collection of songs that will leave you craving more. From the first lines of first track “bad” to the very last moments of “last time”, there is an energy to this work that is all her own. With raspy, well-balanced vocals, OSTON has created an entirely distinct sound to the entire album with just the presence of her vocals.
Songs like “give up” and “bad” employ earthy percussion and While “leading me on” is a smooth pop track with a subject matter that is absolutely exhausting, “way we say goodbye” brings us back to a good mood, in both lyrical content and a bass line that never quits. OSTON wraps the release up with “last time”, which is a future hit pop track if ever we’ve heard one. As we praised before, her vocals are more than enough to carry this song, with Mariah Carey-esque range, and the tempo makes this the perfect song to dance with your sweetie to. The bittersweet topic is something to sit with if you’re in a weird, introspective mood, but it’s presented in such a sultry way that you can enjoy this in an array of atmospheres.
Push this song to radio, guys. And as a whole, this release shows OSTON’s promise. We can’t wait to see what’s to come.
Keep up with OSTON here.
by Meredith Schneider | Oct 11, 2019 | snapshot, visual
On Tuesday, October 8th, The Bacon Brothers took the stage at The Folly in downtown Kansas City, MO to a well-mannered and vibrant audience. (Even the couple dressed like bacon added a certain je ne sais quoi. For those of you wondering, yes, this would be Kevin Bacon and his brother Michael, who have been making gorgeous Americana music since 1995. So, yes, your head has been under a rock and it’s time to jam out. These men have got some chops, and they’re wonderfully entertaining.
Keep up with The Bacon Brothers here.
by Meredith Schneider | Oct 10, 2019 | snapshot, visual
I sometimes think back to how often I made my family listen to the Do You Feel and Hello, Good Friend albums on repeat during my teen years. I was angsty, and it made for good road trip music. And over the years, I’ve been nostalgic for those albums as The Rocket Summer has continue to release ace albums that inspire human connection on several unique levels. I was so happy to head out and support Bryce Avary during The Rocket Summer’s stop in Kansas City to play The Riot Room on October 8th.
I ended the most beautiful autumn evening belting out songs I sang twelve, thirteen years ago. Songs that made me feel like I was invincible, like I had to leave Kansas City to find myself. Like Kansas City had ever been a small town in any way. And here, I found myself singing this song in the same city, the city I have chosen to reside in during my adult years, the city that has brought me so much abundance and revelations about myself. Sure, I spent my time on both coasts, but I value this city. So I might not agree with the exact sentiment of the song, but the sense of adventure it invokes is a tale as old as time.
Between crowd pleasers like “Break It Out”, “Hold On”, “Do You Feel”, “So Much Love”, “Tell Me Something Good”, and more, Avary sprinkled his newer tracks, all of which boast the same, smart writing, intense percussion, and incredible amounts of emotion. “Morning Light”, “Shatter Us”, and “Wannalife” brought out some of Avary’s most recent art, an album we have been swimming in since August. Bryce Avary’s voice is all the instrument you need. Witness that in any number of his songs, his robust vocal ability truly captivating any audience, large or small. But his is some of the most elevated lyrical writing I have ever heard, and he consistently impresses with unique and vibrant instrumentals.
Throughout the extended set — Avary stayed for a proper encore, stretching his performance past the official curfew and reveling in the way the crowd had made him feel that evening — the energy and events that inspired each specific song were so ridiculously palpable. A night like this, surrounded by an intimate crowd in a small venue in the heart of America, that’s the kind of night that lives on. His music impacted my life majorly, and I’d be a fool to think I was the only one.
via GIPHY
Keep up with The Rocket Summer here.
by Meredith Schneider | Oct 8, 2019 | singles, wolf tracks
This time of year doesn’t often come with epic, robustly-arranged tracks that could serve as intense ballads in our lives. And that’s absolutely fine in most cases, but when we first put our ears on rock musician Jeremy Elliot‘s debut release “The Deep End”, we realized that this was a hole in our 2019 repertoire that previously needed to be filled.
This is the type of song that makes you wonder what Elliot’s voice has been hiding away doing all this time, and also marvel at his attention to detail and affinity for providing goosebump-inducing melodies to his audience. Big, bold, and beautiful.
Let us know what you think on Facebook!
Keep up with Jeremy Elliot here.
by Kira Cappello | Oct 7, 2019 | singles, wolf tracks
Berlin indie rock group The Usual Boys have released what will be a bar venue classic: The meandering bassline of “I’m Not the Asshole” stumbles through the back of dive bars, down drunken alleyways, and around the street corners of a chaotic night out. Though The Usual Boys supply influences of established Britpop, the sarcastic tone of this track is peppered with garage grit and topped off with a smoky-cool smoothness that goes down like one last shot – maintaining its freshness even after many listens.
“I’m Note the Asshole” paints a muddled scene of friendly banter between friends gone sour, giving way to drunken conflict and frustrated dialogue. Vocals from Aleksi Oksanen wind, warble and drag in all the right ways; slurring slightly at the end of each note for a healthy dose of theatricality. With dusty snares and sweeping cymbals, drummer Patrick Pevsner pulls The Usual Boys behind a curtain of cool, filling the room with smoke that contrasts the gritty forwardness of lead and rhythm guitar trills from Ethan Dalziel and Oksanen, respectively. The resounding bass, via Rasmus Schmidt, drives this track the whole way, temporally unwinding any starting point of logic and illustrating the narrator’s descent into resentment.
The Usual Boys formed in Berlin in 2017 and have been haunting the scene since, wielding a fervent mania into the fabric of their punk-spirited shows. They’ve just finished a tour through their native Germany preceding the release of anticipated single “I’m Not the Asshole”, released October 4, 2019.
Follow The Usual Boys here.
by Kira Cappello | Oct 4, 2019 | singles, wolf tracks
The newest single from one of the freshest names rising in pop is titled “Long Game” – an apt expression of 22-year-old singer/songwriter Gavin Haley’s dedication to making it work. “Long Game” simmers and twinkles, finger snaps and pop-anthem beats clicking along reliably. Haley’s smooth, breathy vocals sweep through his profession to a significant other that despite difficulties, they can count on his loyalty.
That loyalty is reflected in the mono-tempo, mono-mood of this track, which feels chill and reassuring, yet perhaps overly cautious. Parsing through Haley’s other reveals that he has the vocal prowess to produce interesting melodies in both pop songs and acoustic ballads alike, so while “Long Game” definitely fits on a late-night drive playlist, we’re looking forward to seeing both his influences and willingness to push boundaries expand going forward.
Keep up with Gavin Haley here.
by Carly Butler | Oct 4, 2019 | snapshot, visual
K.Flay made her mark last night in Nashville, singing and rapping triumphantly atop a mountain of cascading platforms that towered over the crowd at Marathon Music Works during the last stop of her Solutions tour. She knows her audience well, and the set list shows that: she opened with 3 tracks from her new album, Solutions (“Not In California,” “Bad Vibes,” and “This Baby Don’t Cry”). She then proceeded to play the album in its entirety throughout the show, and ended with a fan favorite–and her most popular song to date–Grammy-nominated “Blood In The Cut.” K.Flay belongs on the stage, and you can tell from her live performances that she isn’t going anywhere anytime soon.
Keep up with K. Flay here.
by Meredith Schneider | Oct 2, 2019 | premieres, singles, wolf tracks
Brisbane-based indie artist MARLOE. is coming in hot with new music, and we emerge from the experience as though spring is on its way. But truly, allow yourself to melt into this premiere. You just might find yourself reminiscing on that gorgeous warm weather love, or perhaps you’re ready to explore your feelings in the autumn months as things quiet down. Whatever the case may be, you’ll find that fresh new feeling of love in “Ruminate”, a silky smooth pop masterpiece, which perfectly captivates its audience, primed for new beginnings.
Keep up with MARLOE. here.
