by Meredith Schneider | Apr 16, 2018 | albums, review
Fresh off the presses, Jaunt‘s new 5-track EP Cue is ready for your waiting ears. Launched on Friday the 13th, there’s nothing spooky about this release, though it does play with dissonance and ambient sounds to bring you into a whole different soundscape than what you might be used to. While first track “Machined” feels like a slight machine interaction – small noises that lend themselves to its overall 70s-inspired feel -,second track “Best Case” continues at a slow tempo, the occasional guitar riff lending itself to a far more groovy sound.
“Intimate Sunset” exists in a soundscape similar to what the title infers. Beachy vibes almost drop from the speakers, and we’re already feeling like we’re on a much needed vacation. “Faster Interactions” is chill, groovy and psychedelic. With the use of a keyboard organ, soft high pitched vocals, and a variety of electronic sounds “Faster Interactions” stays true to its name. The video for “Faster Interactions” also really displays the band’s creativity with a psychedelic feel of fast paced iridescent lights and unexpected visuals.
Of “Faster Interactions” Jaunt says:
“Faster Interactions” is probably our zaniest track to date! It was one of the first written for Cue, but also took the longest to complete. We quickly knew that it would be a single, and playing it repeatedly live has helped us finesse it’s nuances. Caitlin and Eliza really helped bring a new energy and dynamic, ultimately making the song more joyous. We’re also trying very hard to bring back the sound of cheap keyboard orchestra hits in pop music.
They round out the magic with “Cued”, a slower track with more of a vibey, enchanting sound to it all. It’s the perfect bookend to what we have just experienced, and we’re enthralled enough to hear more.
Keep up with Jaunt here.
by Meredith Schneider | Apr 9, 2018 | 5 to 7
Following the re-release of their Brain EP on Castle Face Records, Once & Future Band – the Oakland-based psych pop collective expertly comprised of Eli Eckert (bass, vocals), Joel Robinow (keyboards, vocals), Raj Ojha (drums), and Raze Regal (guitar) – sat down briefly with us for a quick interview. The EP is pieced together with four enigmatic, moody tracks that will make your tastebuds water with excitement as you stumble along the quirky and wonderful soundscape that the four piece provides. Check out everything they had to divulge to us about their musical lives below!
What was your first musical memory, and did it have an impact on the way you create now?
(Joel Robinow) My first musical memory was actually seeing les miserables on its first run when it came to San Francisco. It was with the ideal cast, Michael ball, the incomparable colm Wilkinson, lea salonga, and Tim Curry as Javier. I was electrified. I didn’t know that music was capable of making you feel emotions…I had butterflies in my stomach the entire time, the intricate arrangements, the opulence…it’s all still very clear in my mind. Dunno. That and the video for “steppin out” by joe Jackson.
Your Brain EP was just re-released, and we’re super super smitten. Any fun anecdotes from that original production process that you can share with us – or any new details in getting the re-release out?
(Raj Ojha) We do most of the production / recording ourselves, recording wherever our home studio is at the time. For some songs that need a larger space, we’ll record basics (drums, bass, some keyboards) at our buddy Phil Manley’s studio(s). For the Brain EP, we recorded two songs entirely (basics, overdubs) in Joel’s bedroom at the time. I remember shag carpet everywhere and low ceilings which really aided in the vibe and dry / tight sound we got for the bass and drums on those tracks. The drums, bass and keyboard for the other two EP songs were recorded in San Francisco, at Lucky Cat Studios (which is also where we mixed the EP). The room there was the literal antithesis of what we had at Joel’s.
While we did have a clear vision of what we wanted to achieve sonically, there was a lot of experimentation, a lot of trial and error. There were many long nights spent trying layered vocal harmonies, scrapping them, replacing them with synths, then guitars, and sometimes going back to mix all of them together just for a chorus or outro. It’s those parts of the recording process we enjoy the most, where we sculpt the song’s arrangement and sounds beyond what we initially had in mind. Deadlines really help us from going off the deep end when we go down those paths, usually because we never want to stop. Since then (about 5 years ago), we’ve gotten a lot better at knowing when a song is done, and when its final voice is apparent.
How does it feel knowing that your creation is finally out in the world – with wider distribution this go’round?
(RO) It feels great! We’ve been playing these songs for so long now, and they’ve changed over time in a live setting. It’s nice to show some our newer fans a little piece of our history. Hopefully it also helps tide over people while we work on a few other releases, including our next LP.
Do you have a favorite track from the EP, or one that you prefer to perform over others?
(RO) The song “Brain (Watching Your Eyes)” has been a mainstay in our live set since the beginning. It’s one of the first songs we started playing as a band and over the years has morphed into something that the EP couldn’t contain (we’ve been known to extend this song to over 15 minutes live). One reason for it’s longevity in our live show is because it really lets us stretch out, improvise and add new twists and turns that aren’t featured on other tracks of ours. Improvisation is an important aspect to our group, especially in a live setting and even though “Brain” has a tight arrangement, it allows us the freedom to do something new every night in the second half of the song. It’s nice to take chances in front of an audience, it keeps things fresh and allows us to communicate musically in new ways between each other.
How do you imagine people listening to your new EP?
(RO) I imagine it right now, probably because you suggested it…let’s see….there’s a guy, wait actually it might be a girl…hard to say, their back is turned. They’re holding something in their right hand, I can almost see it, it glints…a knife? No, that’s unlikely….oh…it’s a pen. Phew!!! They are bobbing their head in time with the music.
(EE) My dream scenario of someone hearing our EP is that it just feels to them like something they’ve been waiting to hear. It fits like a glove and they’re as stoked on what we created as we were to create it. They’re just all “Hell yes”.
If you could be any superhero – “real” or made up – who would you be and why?
(RO) I’m not a comic book head but great musicians usually fall under the category of superheroes for me personally. Wayne Shorter-For his stunning composition ability and otherworldly playing(Check out any of his work with Miles,Weather Report and any recordings where he’s the leader ie, JuJu, Adam’s Apple, Speak No Evil, Night Dreamer et al for the proof)
(JR) Yea Wayne is an inspiration…I dunno. Being a superhero seems like too much responsibility, I’d prefer to be one of those people pointing at the superhero when they are doing something cool
(EE) I know Wayne Shorter used to love to read comics (maybe he still does???) so this makes sense!
Now that the EP is out, what’s next? What are you most looking forward to? Tell us all the crazy details!
(RO) We’re about to embark on a North American tour in April, supporting Chris Robinson’s “As The Crow Flies” band, hopefully we’ll also get back to the UK and Europe (we just finished out first major tour of the UK) before the end of the year. We’ve also been working on a lot of new material which we’ve started recording ourselves. We have a lot of ideas for releases, videos, collaborations right now but it’s best that we keep a lid on those plans until the moment is right. We’ve also been playing out a lot recently which is our next favorite thing to being in the studio!
___
Keep up with Once & Future Band here, and catch them out on tour at the performances below!
2018 “AS THE CROW FLIES TOUR” – With Chris Robinson
Apr 17 Capitol Theatre, Port Chester, NY
Apr 18 Electric Factory, Philadelphia, PA
Apr 22 Iron City, Birmingham, AL
Apr 24 Thalia Hall, Chicago, IL
Apr 25 Manchester Music Hall, Lexington, KY
Apr 26 The Signal, Chattanooga, TN
Apr 28 Joy Theatre, New Orleans, LA
Apr 29 Ryman Auditorium, Nashville, TN
May 01 The Pageant, St. Louis, MO
May 02 The Truman, Kansas City, MO
May 06 Ogden Theatre, Denver, CO
May 08 Brooklyn Bowl Las Vegas, Las Vegas, NV
May 09 The Wiltern, Los Angeles, CA
May 11 The Fox Theatre, Oakland, CA
May 12 Montbleau Resort & Casino, Tahoe Village, NV
May 13 Crystal Ballroom, Portland, OR
by Veronica DeFeo | Apr 3, 2018 | 5 to 7, wolf tracks
Pierre Marie-Maulini is a man for all seasons. His previous musical experience includes post-rock project A Red Season Change and touring with M83, but he formed STAL in 2011. STAL has put out We Are Two EP and Young Hearts LP. Their upcoming new EP, Fresh Blood, will be released this summer, and follows Maulini’s 2017 decision to move to Los Angeles from his native France. Maulini is not always a one man show; Renaud Rodier has been playing drums for STAL since its formation and Jeff Di Rienzo brings his guitar skills to form the trio. While previous records were full of spontaneity, Fresh Blood is the result of meticulous production (thanks to producer Eric Palmquist) and is Maulini’s creativity at its finest.
Today, STAL has just come off of an exciting time at SXSW, and are thrilled for their forthcoming EP. Their brand new single, “Magic”, is just a taste of what is to come. Lucky for us, STAL was able to answer a few of our questions about music, must-haves, and their upcoming EP.
Sum up your new single, “Magic ”?
Magic is about what we can do for each other as human beings. You can count on me, I can count on you. Be yourself, there’s no judge here.
What’s the best part of being a musical artist today?
Thanks to the internet, you can easily share your music with millions of people. The other great part is touring. Touring has become more and more important. STAL is definitely a “stage” band, so I love that!
Biggest influence for your upcoming EP?
My life these past 3 years.
What is a must-have when recording?
An amazing producer, some great guitars and a brain that works.
Dream collaboration?
The National
What do you want new listeners to know about your music?
I want them to feel that STAL is true and sincere and hopefully this EP makes htem wanna come to our shows.
Biggest takeaway from your time at SXSW?
The Paradigm showcase with Pale Waves was great. Otherwise, we totally fell in love with Austin and this Salt Lick BBQ!
___
Stay connected with STAL:
https://stalmusic.com/
https://www.facebook.com/STALofficial/
https://twitter.com/STALofficial
https://www.instagram.com/stalofficial/
https://soundcloud.com/stalofficial
by Veronica DeFeo | Apr 3, 2018 | singles, wolf tracks
Currently based in London, Venetian singer-songwriter Jacopo Rossetto (IAKO, in the music world) has just debuted his first single, “Queen of Balance”. He’ll be releasing an EP by the same name, and with this first taste of his music, we can’t wait to hear more. The 22-year old artist has captured a phenomenal amount of emotion into his song, highlighted by his carefully balanced vocals and instrumentation. His title track sounds not only pure and vulnerable, but also mature. Says IAKO of his brand new song, “I wrote ‘Queen of Balance’ around this time last year, at the end of a difficult period that eventually made me lose a very important person. I’d say it’s about the acceptance of masculine vulnerability at its purest state.” It’s evident that IAKO has been able to achieve what many seek (and fail) in a debut: making a statement.
Check out “Queen of Balance” today, and keep an eye out for IAKO’s EP by the same name.
Keep up with IAKO:
http://iakomusic.com
https://www.facebook.com/iakomusic
https://soundcloud.com/iakomusic
https://twitter.com/iakomusic
https://www.instagram.com/iakomusic
by Jai'Tyria Hatton | Mar 29, 2018 | albums, review, wolf tracks
Spelles is back with her second EP titled Skeleton Coast, which consists of five songs that define who Spelles is as an artist. The lead single from the album is titled “Dead in the Water”, which is a song with immense emotion and power. It has a pop vibe with a dark sound to it, showing that there is power that lives inside of us that we sometimes cannot recognize.
A favorite from the EP is “Light Me on Fire”, which captures Spelles’ powerful vocals as an artist and shows why she is destined to live out her musical dreams. The song is about staying to support someone instead of leaving them.
Listening to Spelles’ new EP is an absolute joy. After listening to her EP, the anticipation to see where she grows as an artist is exciting.
Keep up with Spelles here.
by Veronica DeFeo | Mar 14, 2018 | albums, wolf tracks
Portland-based Lisa/Liza is the indie psych-folk project of singer-songwriter and guitarist Liza Victoria, joined by Jonathan Downs and Devin Ivy. Having previously released several limited edition cassettes and CDs, as well as a debut 2016 LP Deserts of Youth, Lisa/Liza has now released a brand new EP in late February called Barn Coat.
The five-track EP highlights Lisa/Liza’s ability to capture deep emotion within ethereal, floating vocals and the carefully plucked acoustic guitar.
The track list for Barn Coat is:
- “Vanity Plate”: Liza starts off her EP with a gentle folk song, easing the listener into her style and soft, all-encompassing soundscape.
- “Encounters”: Next up on Barn Coat is a track that takes a more angsty spin on Liza’s sound, utilizing staccato and deeper guitar moments to carry the thematics of the song.
- “The Robins Song”: Capturing the throaty repetition of a bird’s call, Liza matches her guitar pace to the this idea. A track full of longing and wishes, “The Robins Song” is sure to capture your heart.
- “Windows Up”: If you’re needing a new song to roll your hand up and down out the window pretending you’re in a music video, look no further. With mellow guitar and emotional vocals, Liza makes the most of this track, highlighted with some unexpected twists.
- “BC”: Closing out Barn Coat is “BC”, a short (and by short we mean 1:36) track that carries the EP home and wraps it up nicely. Throughout this track, Liza utilizes her clear vocals to pair with her guitar in a combination that was just meant to be.
If you’re a fan of acoustic guitar and minimalist records, this is the EP for you. Be sure to check it out today.
Stay connected with Lisa/Liza
Facebook – Web – Twitter
by Jai'Tyria Hatton | Mar 9, 2018 | review, wolf tracks
Hailing from Kansas City, Missouri, Such Luck is a pop punk group formed by members Ethan Campbell and Colt Coan after they left their previous band. They were later joined by Trey Juarez and Lyle Simon both from For the Team and Cody Miller from Embrace This Day. The band went on to release their debut single “Don’t Come Back” and from there, they plan on going up.
Such Luck gets Probably Happy with their new EP available March 16th. Probably happy is their debut EP to the public. Such Luck debut consists of five songs that display the bands true sound. “Wrong” is a personal favorite from the EP. The song sets the tone for the band, is raw and shows what the band is really about. Each song on the album brings its own flavor and stands out for different aspects.
With five songs to really kick up the panache, Probably Happy will definitely leave you wanting more by the time it is finished. The EP gives a glimpse into Suck Luck, making you eager for more music in the future.
Probably Happy is available everywhere March 16th. Keep up with Such Luck here.
by Meredith Schneider | Feb 28, 2018 | premieres, wolf tracks
Nashville-based pop/rock quintet Pet Envy – comprised of Shelbi Albert, Jake Diggity, Matthew Singler, Jordan Kiatt, and Emma Lambiase – has really created some magic with their new dual track release Stripped Down Mixed Up Vol 1., due out Friday March 2nd. A luscious, sweet sound comes withe vocals and instrumentals, and mental struggle unwinding with the lyrics. We find ourselves completely captivated by Shelbi’s penchant for silky smooth harmonies.
Contrastingly, we are brought into a more EDM soundscape by the Foxy Lingo remix of their already stunning track “Lock and Key”. This time around, the vocals reach Ellie Goulding-esque ranges, and we’re moved to dance into the wee hours of the morning with this fluid, seductive vibe-inducing track as the backdrop.
Keep up with Pet Envy here!
by Veronica DeFeo | Feb 22, 2018 | Uncategorized
Last we touched base with Russian Baths, they were releasing “What’s Your Basement”; now, they are gearing up to drop their debut EP, Penance, on February 23rd. The four track record features “Slenderman”, “What’s Your Basement”, “Poolhouse” and “Black Cross” and is released via Good Eye Records. The Brooklyn-based noise rock band is made up of Luke Koz (guitar, vox) and Jess Rees (guitar, keys, vox) along with Evan Gill Smith (bass) and Jeff Widner (drums). Previous to the release of their upcoming EP, Russian Baths dropped a split single, “Ambulance/Ghost”.
“Slenderman” opens the EP and sets the tone immediately. Filled with intense percussion alongside floating vocals, the track sets the stage for the next song splendidly. “What’s Your Basement” follows “Slenderman”, and is the most noise-rock of the four tracks. With some killer guitar and drums, “What’s Your Basement” takes its place as a solid punk/noise rock track. Check out more about the track here.
“Poolhouse” is next up on the EP, and is closer to the the sound of “Slenderman” rather than “What’s Your Basement”, but still stands alone. Opened with a marvelous minute-and-a-half instrumental interlude, the track provides for a musical tour of an emotional ground zero.Guitarist/keyboardist/vocalist Jess Rees says of “Poolhouse”: “This song was inspired by a friend’s tumultuous breakup. The idea can apply to any situation where you wake up and say ‘how the f*** did I get here, I don’t want to be here and I don’t even know who I am’. It’s about an existential crisis.” “Black Cross” closes out the album with some well crafted bass and guitar. The last track finishes strong, leaves you with solid understanding of Russian Baths’ musical style after this tour of their soundscape. Penance is a record that will shake off that dreary winter feeling, and get you motivated to do great things.
Check out Penance by Russian Baths on February 23. Follow Russian Baths: Facebook // Instagram
