Never before have I heard – and perhaps never again will I witness – such an inspired and heart-wrenching album vocally than Salt Lake City act Ritt Momney‘s debut 13-track collection, Her and All of My Friends. Brainchild Jack Rutter speaks from a space of loss at many levels – Rutter spends his time writing alone mostly, since his friends and girlfriend have gone off to college and pursued missions in other regions – and delivers a highly relatable album, christened with his beautiful vocals
The album opens raw with “I”, which leads into “Lew’s Lullaby”, a very literal telling of his loss of people in his life to circumstance. While “Command V” – computer nerds, we got you and that shortcut for “paste” – might give us some dramatic lyrics that truly resonate, the faster paced “On Love (An Alternative Response to Almitra’s Request)” holds a fondness in our hearts, as we got to witness it live and it features the vocals of Rutter’s adorable girlfriend. As the rest of the album unfolds, you realize how much heart went into its creation. Thirteen tracks that draw an emotional response, amidst thousands of releases that dedicate that type of attention to one or two songs, is incredibly thrilling to see.
What Ritt Momney has accomplished – at a level higher than most of what we have witnessed thus far – is the creation of a new genre, as he integrates an r&b flare into his indie alternative music, at times rock, sometimes more electronic, and, interestingly, percussion heavy. But, save for the lines of spoken word or rap, more or less, there isn’t a moment void of Rutter’s airy, breath of fresh air vocals. This album is definitely one to hold onto, especially when you’re missing someone.
Rhode Island plays host to some pretty stellar acts, but who knew it would be the home of one of our latest favorite alternative rock acts? Wild Sun – a trio comprised of Glenn Kendzia, Paul Fazio, and Padraic Fazio – has a brand new, 9-track release titled Closed Door Talks and it’s one of those albums that is best enjoyed from beginning to end. We’re not saying don’t check out a song here and there right now, at your desk at work. (We won’t tell anyone!) What we ARE saying is, it’s truly an impact album full of a slew of psychedelic instrumentals that give the already edgy vocals a heightened sound. We’d consider cozying up with a nice glass of {{insert favorite summer beverage here}}, a starry sky, and your loved ones to enjoy this one. You’re in for quite the ride!
Rolling, bright and temperate: “Looking for Anyone” is the newest single from self-described “easy listening” group Common Hours, and it’s perfect for a back porch at twilight.
This track invites us in with warm shoegazey strums met by a texturizing, Southern-esque guitar leads from guitarist Dillon VanBuren. A steady kick drum and ride cymbal, via August George, effectively secure infectious head-nodding throughout. Backed by sugary harmonies from Ariel Roxanne Cook, lead vocalist Adam Black’s croons hazily illustrate the smooth, mono-mood of “Looking For Anyone”. Cook’s bass parts are pleasantly present in the mix, supplying a satisfying foundation for the floatiness that is a marker for this track; as lead guitar mimics the chorus melody, providing a predictability that is comforting but not cliché. The lyrics are distant enough to allow for objective interpretation, but personal enough to relay Black’s qualms about rushing into love to quickly, weighed down by lingering anxieties from previous relationships. “Looking For Anyone” is about anything but, as Black wonders aloud: “I’m not just looking for anyone. Can I get you to know that I need your love?”
This single is Common Hour’s newest release since a 2018 EP titled A Life Worth Living.
Recently, we had the wonderful pleasure of sitting down with Lulise to chat for season 2 of our podcast. We have to wait until August to experience that gem, but for now we thought we’d bide some time and premiere her new single, if you’re into it. (Frankly, we don’t care what you think. But we’re pretty sure you’ll be keen on it too.) Get a dose of gorgeous vocals, a little bit of attitude, and a whole lot of relatability as Lulise croons about a love interest that she cannot pursue!
This is a playlist blending my R&B influences. It may not show very much in my own music but I’m a huge R&B fan. Most of the vocal melodies I hear in my head stem from R&B artists, (it doesn’t mean I can actually sing them though!). This is a mixture of old and modern R&B songs and shows how my nostalgia can go down a rabbit hole of music. Music has the ability to make you feel very many different ways, but I think creating and retaining memories is one of the most vital reason we listen to music.
Alternative indie band Slenderbodies made up of Max and Benji have done it again with their new hit single, “Away From You”. This smooth and dreamy tune will have you texting the person you love in a matter of minutes due to silky vocals and crisp background beats. If you could imagine a Glass Animals and LANY song child, you’d be left with this Slenderbodies masterpiece. Having caught the attention of millions on youtube, as well as major corporate support from Billboard, Notion, and Complex, it’s only a matter of time before they’re one of the major names in the indie-pop world. Who knows, maybe “Away From You” will be the track to launch them into the hearts of everyone.
Be sure to listen for yourself and keep up with the band and what they’re doing here!
With two stunning EPs and two singles under their belts – including one acoustic rendition – five-piece indie rock dream Flipturn has been taking east coast stages by storm while on tour with crunchy indie group *repeat repeat. I was lucky enough to catch them in Philly on the second night of their tour, following a DC performance the night before.
Flipturn has become one of my absolute staple favorites since discovering them in March – a discovery made from a particularly spot-on Spotify algorithm, might I add. Even as I’m sitting and writing this, I’m having a hard time accurately conveying my excitement for just how stoked I was to see Flipturn, and for just how tight of a show this group can put on. Let’s get into it.
Just as I was entering the upstairs of The Milkboy, Flipturn was launching right into “Cold”, the second-to-last song off their first EP titled Heavy Colors (2017). This song acted effectively as a primer; the base layer that Flipturn would swathe their canvas with, a rich and varying sample of their sound. Vocalist (and rhythm guitarist) Dillon Basse’s crystal clear, operatic bellows soar with a fervor unmatched alongside piercing leads from guitarist Tristan Duncan, the kind that drift away and carry you with them. Madeline Jarman’s bass grounds us, reminding us that we are still desperately running to keep up with our own heartbeats; all in harmonious contrast with Taylor Allen’s synth, which subtly lifts us to the dreamy stratosphere, filling the space as it floats by. Drums from Adrian Walker are compelling when they need to take the wheel, and subdued at all the right times, building captivating suspense as each song plays out.
Following “Cold” was “Churches”, which the band released as a single before its official release on second EP Citrona, out in 2018. This punchy, electrifying track is arguably the band’s angstiest, and it was an absolute headbanger – halfway through, I turned around to check out the crowd, and it had easily doubled. On the recording for this song, there is slightly more distortion placed on the vocals, almost like screaming into a 1930’s telephone (I say this genuinely and endearingly) – and Basse’s vigor and rasp as a live performer matched this intensity perfectly.
Next was a new song that hasn’t been released yet, but judging by its subject, I might guess that it will be titled “Eleanor”. The bass-heavy, disco feel of this song definitely piqued the crowd’s interest as much as the ones they knew and sang along to. Following that, a cover, and a modern classic at that: “Hold On” by Alabama Shakes. Flipturn’s insertion of their gritty yet uplifting indie glitter gave the song a fresh and welcomed twist. Basse made sure to shout out dynamic frontwoman Brittany Howard, as well as encourage the crowd to check out her new solo work, released earlier this year.
On Citrona, instrumental opening track “Fletcher” bleeds into “Six Below”– which is exactly how Flipturn played it live. “Fletcher” starts off minimally, adding layer and layer of perfectly syncopated lilting rhythms from Basse on guitar and Allen’s synth alike, topped with Duncan’s undulating lead guitar that yearns for another summer. The transition into “Six Below” feels like that brief, liminal space between dreaming and awareness, and it isn’t until the first chorus that you have to truly face the world, as Basse declares, “I know what everybody knows: Die young or you can grow old, until you’re buried six below”. The incredibly fast drum fills and solos from Walker were outstanding during this number.
“Hippies” haunts in all the right ways, and left me feeling nostalgic for memories that weren’t even my own. Basse’s ringing falsetto paints like an old film, reminiscent of all those who have loved and lost before himself. The buildup towards the end up the song held just the right touch of suspense, lifting up the audience just high enough to drop back off with a satisfied head nod at its break. The final line of each chorus, as well as the song, mourns: “I lost you”.
Between each song, Basse must have called out at least thirty different variations of “Thank you!” and “You guys rock!” following the eruptions of applause and “Woo!”s from the crowd (here’s hoping I was the loudest there). Then, he and Jarman playfully requested a name for their next song – another new and untitled one. Several jokes were called out, but we’ll have to wait and see what they end up deciding for it. On this track, the most dominant melody came from Duncan on lead guitar, heartily met by a much more frequent use of falsetto from Basse. Basse is also an unstoppable dancer; I swear, he never stopped jumping back and forth during the entire set. His buzz was infectious.
Basse announced they had two more songs. The group was met again by cheers not lacking in volume, but, knowing that it would inevitably end, the celebratory air that begins every night of excitement had shifted slightly, preparing itself to begin missing the experience. The first twinkling strums of one of Flipturn’s biggest hits began, “August”. To say that this song is sweet or nostalgic might be cliché, but not out of line. The first line is an invitation to open the storybook: “August, honey, tasted sweeter with you.” Every summer love, every youthful flashback, every ray of sun entering your teenage bedroom is captured in this song. The perfect song to fall in love to, to have your heart broken to, to fall apart to – and it happened live, all at once, for about fifty of us in that room. “I loved you from the start,” Basse wails, each note rising to surpass the last – eventually leading up to a perfectly stacked buildup that meanders at first, then meets you face to face, as if to settle matters for the last time. The crowd went wild.
The final song of the night was “Nickel”, paralleling its closing on Citrona. On this upbeat, choppy anthem, Basse demands the truth. “Was I just told a lie my entire life, thinking I’d be great?” The song carries out with a chant that Basse invited the entire crowd to chant, clap, eventually scream along with many times over, as the intensity increases: “I give it all up for a bottle of wine, about two feet tall, three inches wide; I’d rather be drunk, or out of my mind, than trade my soul for nickels and dimes.”
After graciously accepting the mountainous applause and cheers following this track, Basse’s and Jarman’s eyebrows raised as the crowd began chanting unanimously, “One more song!” Jarman made a slashing motion to her throat as Basse stepped to the mic, jokingly exasperated with palms extended at his sides and an ear-to-ear grin, to remind the crowd, “We’re the opener! We can’t play another, we’re the opener,” The cheering finally subdued, some music began on the speakers overhead to fill the space, and fans flocked together to discuss what they had just heard.
Flipturn put on one of the more solid shows I’ve seen of any indie touring group, touring or not, and I will definitely be seeing them next – and hopefully every- time they come to Philly in the future.
Setlist
1. Cold
2. Churches
3. New – Unreleased
4. Hold On by Alabama Shakes
5. Fletcher
6. Six Below
7. Hippies
8. New – Untitled
9. August
10. Nickel
For those looking to escape the monotony of the corporate world and lose themselves in a universe of bouncing bubbly beats PETRA’s new single, “Into the Sun” is the perfect track. With honest vocals exclaiming the need to break free of corporate chains and pursue a life of creativity and freedom this song will have you nodding along to the beat in no time. A catchy tune with easily learned lyrics you’ll want to have this song on your playlist for the rest of summer. Plus, as the debut single from the upcoming album, Dancing Without You, listeners are able to get their first taste for what magic PETRA will bring in the future. Available for streaming on July 15, “Into the Sun” reminds us to take the leap of faith into our creative dreams and not let fear hold us back from doing what it is we love the most in the world.
On Tuesday, July 2nd, Older Brother held its debut public performance at The Rino in Kansas City, with support from Ritt Momney and Sex Ed. The trio – comprised of siblings Jake, Jordan, and Brooke – absolutely stunned with their vocal talents. The music was simple, beautifully composed, and the room was so silent it almost felt too intimate for onlookers. Highlights below.
