by Abby Trapp | Apr 20, 2018 | albums, review, wolf tracks
Brazilian/American rock band Added Color are excited to release their latest EP Mr. Industry. The Brooklyn-based band has played has played 200 shows since 2014, touring in over 20 states and even internationally in Canada, Morocco, and Brazil. They have even played in festivals such as Porao do Roc in Brazil. With budding success, we’re thrilled to share the follow-up to their Psycho EP with you.
Mr. Industry covers an intense and diverse side of the band’s sound— the angst is in the lyrics and it is evident that this is rock that you can scream or even relax to. The song “My Industry” discusses the darker side music/entertainment industry in a very honest light. “Mr. Industry” discusses how many followers you have, what you can do to sell a band or a product and how is it that I can only live on ten dollars a day? “Mr. Industry” rightfully states “I call bullshit.” “Same Place” is a little different in the fact that it dials back the vibe to a more pyschedlic state. “I had a dream, in a familiar place but all the people that I thought I knew had unfamiliar faces,” sings the band. Added Color is able to keep a balance between chill/funky and “frustrated” rock with tracks that vary such as “Mr. Industry” and “Same Place.”
March 1 – Washington, DC – Songbyrd
March 2 – Philadelphia, PA – Tusk
March 15 – Norwich, CT – Strange Brew
March 16 – Portland, ME – Portland Empire
March 17 – Florence, MA – 13th Floor
April 28 – Layounne, Morocco
May 1 – Safi, Morocco
May 2 – Youssoufia, Morocco
May 3 – Benguerir, Morocco
May 4 – Casablanca, Morocco
May 5 – Khouribga, Morocco
May 6 – El Jadida, Morocco
May 19 – Brooklyn, NY – Knitting Factory
June 15 – Portland, ME – Portland House of Music
June 16 – New London, CT – 33 Golden St
Keep up with Added Color here.
by Meredith Schneider | Apr 16, 2018 | albums, review
Fresh off the presses, Jaunt‘s new 5-track EP Cue is ready for your waiting ears. Launched on Friday the 13th, there’s nothing spooky about this release, though it does play with dissonance and ambient sounds to bring you into a whole different soundscape than what you might be used to. While first track “Machined” feels like a slight machine interaction – small noises that lend themselves to its overall 70s-inspired feel -,second track “Best Case” continues at a slow tempo, the occasional guitar riff lending itself to a far more groovy sound.
“Intimate Sunset” exists in a soundscape similar to what the title infers. Beachy vibes almost drop from the speakers, and we’re already feeling like we’re on a much needed vacation. “Faster Interactions” is chill, groovy and psychedelic. With the use of a keyboard organ, soft high pitched vocals, and a variety of electronic sounds “Faster Interactions” stays true to its name. The video for “Faster Interactions” also really displays the band’s creativity with a psychedelic feel of fast paced iridescent lights and unexpected visuals.
Of “Faster Interactions” Jaunt says:
“Faster Interactions” is probably our zaniest track to date! It was one of the first written for Cue, but also took the longest to complete. We quickly knew that it would be a single, and playing it repeatedly live has helped us finesse it’s nuances. Caitlin and Eliza really helped bring a new energy and dynamic, ultimately making the song more joyous. We’re also trying very hard to bring back the sound of cheap keyboard orchestra hits in pop music.
They round out the magic with “Cued”, a slower track with more of a vibey, enchanting sound to it all. It’s the perfect bookend to what we have just experienced, and we’re enthralled enough to hear more.
Keep up with Jaunt here.
by Jai'Tyria Hatton | Apr 16, 2018 | albums, review, wolf tracks
Gin Wigmore’s highly anticipated fourth studio album Ivory is finally here. A collection of twelve songs from the catalog of her best music, Wigmore uses her strong command of emotive melodies and pop anthems to create the perfect sound for Ivory. One of the songs from the album is titled “Girl Gang”. and is all about girl power. The song empowers women to have a stronger voice when it comes to love, opinions, and being stronger. With the track follows a video titled “#GIRLGANG”, with a music video that is a tribute to women of all ages, highlighting their unique feminine power.
The album sets a standard for itself with the opening of its title track “Hollow Fate” which is an incredibly beautiful and complex treat for the ears. Wigmore’s vocals are unique and powerful on each track she is on. The entire album is a piece of artwork that is progressively different from what Gin Wigmore has done before.
Ivory is available now. Keep up with Gin Wigmore here.
by Abby Trapp | Apr 12, 2018 | albums, review, wolf tracks
The cool thing about writing for a music magazine is that you get a first look at new music. I recently had the opportunity of listening to Anton Barbeau‘s latest album Natural Causes, which will be released April 13th on Beehive. My favorite track is iconically titled “Summer of Gold.” About a minute in, all I could think about was open road and as I write this I just hit the lyric “Steal a car, hit the road.” “Summer of Gold” takes you back to old America— a simpler time of road trips, convertibles, and cheap motels. The album has a range of fifteen tracks, starting with “(preamble)” and ending with “(ultimate outro).”
One thing to be noted of this album is Anton’s voice as he has a great vocal range. While “Summer of Gold” is my personal favorite, it’s tracks like “It’s The Coffee that Makes The Man Go Mad” and “Magic Sandwiches” that remain equally quirky and unique. The creativity on this album is also seen in the not two, but four intros/outros. “(Preambiguation)” and “(penultimate outro)” are interesting breaks that seamlessly make the album come together.
The Berlin based artist himself has a few words on Natural Causes:
My previous record, Magic Act, was my first on LP. It’s also an album I see in either an alpha or omega role, an introduction for new fans and a sparkly reminder to those that have tried to follow me for a while. Surviving the 2016 election AND turning 50, I’m treating Natural Causes like it’s my second album. The songs I remade are there for personal reasons, enough said. Magazine Street happened to be the first track on my first ever CD, so everything’s come a bit full-circle, as it were.
Stay tuned for the album release on April 13th and keep up with Anton Barbeau here.
by Abby Trapp | Apr 6, 2018 | albums, review, wolf tracks
Honey and Salt just released their self titled LP. The grunge/rock/punk band has a variety of ten tracks on the LP starting with “A Nihilist Takes Up Knitting” and ending with “Cascade.”
The band is described as sociopolitical or as I like to call it “music with a purpose.” Honey and Salt has good reason though. Wade Allen, on main vocals, is a philosophy teacher which definitely influences the bands lyrics. On “A Nihilist Takes Up Knitting” Wade pleads “Right or wrong is not subjective.” “Blame game” is an anthem of “who and what is blame?”
My favorite, though, is “Bowling Green Memorial.” “Bowling Green Memorial” rounds out at a whooping eight minutes and nine seconds. What most impressive though, is that the majority of that is a drum/guitar solo that will take you be surprise. Just when you think the solo is over, Honey and Salt will bring you back into the music. Honey and Salt is definitely worth the listen. The LP is more than just an album—it is truly one big box of sociopolitical prompts, wrapped carefully and neatly to give to any listener so that they can ask themselves “How and why are we here now?”
Keep up with Honey and Salt here.
by Jai'Tyria Hatton | Apr 6, 2018 | albums, review, wolf tracks
Sarah Shook & the Disarmers are back again after their debut album Sidelong. This year Sarah Shook and the Disarmers are back again with their follow Years. This album shows the groups growth from their previous album and shows the fearless and powerful stance that the group has taken on. Years has an even greater impact than the previous album.
In Years, Sarah Shook shows off her strong vocal delivery. Shook’s powerful vocals match the lyrics that are from her songwriting.
In “Heartache in Hell” Shook’s vocals display the sense of hurt that reflect the emotion of the lyrics in the song. The song has a country tone to it along with “The Bottle Never Lets Me Down”. “The Bottle Never Lets Me Down” shows submerging your emotions in alcohol.
Years takes you through several different emotions. The album tells a story of challenges. Years shows the struggle of having to pick yourself back up after going through challenges. The album is well worth the listen and shows a new transformation of Sarah Shook and the Disarmers.
Keep up with Sarah Shook & The Disarmers here.
