Despite the overwhelming response from fans and critics around the country, and the time consuming consequences of that measure of success, members of Still + Storm were able to answer some of the questions that we at Imperfect Fifth have been dying to ask. Not only have they had favorable outcomes from all of their releases, but this group has shined a new light on how people perceive melancholy melodies and boisterous beats. Check out the new music video for “All of These Things”, and then read our interview, where they talk about what has brought them to this point and where they are headed in the near future.
Throughout your career, have you ever felt like you reached your dream/goal or are you still reaching for something greater?
Dave and I consistently set goals for ourselves and for Still + Storm. We believe in this project and make sure to designate the time and effort to it. Our standing goal is to continue to create and share.
Have you considered going on tour anytime soon to share your music with a wider demographic of fans?
Our first set of shows we ever played was a tour, actually. It was a positive experience, and we made some new friends along the way. We’ll tour again when the time is right, but for right now we’re focused on Chicago and what we can do / be a part of here.
In your experience, is there a particular song of yours that really gets the audience moving?
I feel like we get a little more movement when we play In/Out – it cruises along and then swells up at the outro. It is a fun song to play, and I think the audience feels that.
When you’re off stage and out of the studio, what do you like to do with your free time?
Usually something music related, like attending shows or writing. I also enjoy Pilates and have instructed classes in the past.
If you could compare your sound to any famous artist in history who would it be and who? Did you intentionally model your music after this person or group?
We haven’t intentionally modeled our sound after any one artist, but I am personally influenced by Radiohead and the original Saddle Creek bands (Bright Eyes, Rilo Kiley, Azure Ray). We probably sound more like the latter. Our producer, J Hall is an enormous contributor to our overall sound. Historically, we’ve gone to his studio very open minded and together we’d dream on where to take the songs. It’s a unique relationship.
When did you realize that you wanted to pursue a career in music?
As soon as I wrote my first song on guitar, I fantasized about being a professional musician. I have a day job as an Occupational Therapist that affords me enough flexibility to fund and dedicate time to music. I think most artists would agree that it is difficult to pursue music full time, financially. I do believe that I will always dedicate the time and resources to it, though, in some capacity.
In five years, where do you see yourselves? What do you have planned for Still + Storm?
Because we’re partners, we’ve been able to create an environment in which we support each other. Musically, and otherwise. Still + Storm came to be in the most natural way possible, so I think that as long as we’re sharing our lives we’ll be making and sharing music. Meanwhile, we’re excited to premiere a new song and video called “All of These Things”.
Following the re-release of their Brain EP on Castle Face Records, Once & Future Band – the Oakland-based psych pop collective expertly comprised of Eli Eckert (bass, vocals), Joel Robinow (keyboards, vocals), Raj Ojha (drums), and Raze Regal (guitar) – sat down briefly with us for a quick interview. The EP is pieced together with four enigmatic, moody tracks that will make your tastebuds water with excitement as you stumble along the quirky and wonderful soundscape that the four piece provides. Check out everything they had to divulge to us about their musical lives below!
What was your first musical memory, and did it have an impact on the way you create now?
(Joel Robinow) My first musical memory was actually seeing les miserables on its first run when it came to San Francisco. It was with the ideal cast, Michael ball, the incomparable colm Wilkinson, lea salonga, and Tim Curry as Javier. I was electrified. I didn’t know that music was capable of making you feel emotions…I had butterflies in my stomach the entire time, the intricate arrangements, the opulence…it’s all still very clear in my mind. Dunno. That and the video for “steppin out” by joe Jackson.
Your Brain EP was just re-released, and we’re super super smitten. Any fun anecdotes from that original production process that you can share with us – or any new details in getting the re-release out?
(Raj Ojha) We do most of the production / recording ourselves, recording wherever our home studio is at the time. For some songs that need a larger space, we’ll record basics (drums, bass, some keyboards) at our buddy Phil Manley’s studio(s). For the Brain EP, we recorded two songs entirely (basics, overdubs) in Joel’s bedroom at the time. I remember shag carpet everywhere and low ceilings which really aided in the vibe and dry / tight sound we got for the bass and drums on those tracks. The drums, bass and keyboard for the other two EP songs were recorded in San Francisco, at Lucky Cat Studios (which is also where we mixed the EP). The room there was the literal antithesis of what we had at Joel’s.
While we did have a clear vision of what we wanted to achieve sonically, there was a lot of experimentation, a lot of trial and error. There were many long nights spent trying layered vocal harmonies, scrapping them, replacing them with synths, then guitars, and sometimes going back to mix all of them together just for a chorus or outro. It’s those parts of the recording process we enjoy the most, where we sculpt the song’s arrangement and sounds beyond what we initially had in mind. Deadlines really help us from going off the deep end when we go down those paths, usually because we never want to stop. Since then (about 5 years ago), we’ve gotten a lot better at knowing when a song is done, and when its final voice is apparent.
How does it feel knowing that your creation is finally out in the world – with wider distribution this go’round?
(RO) It feels great! We’ve been playing these songs for so long now, and they’ve changed over time in a live setting. It’s nice to show some our newer fans a little piece of our history. Hopefully it also helps tide over people while we work on a few other releases, including our next LP.
Do you have a favorite track from the EP, or one that you prefer to perform over others?
(RO) The song “Brain (Watching Your Eyes)” has been a mainstay in our live set since the beginning. It’s one of the first songs we started playing as a band and over the years has morphed into something that the EP couldn’t contain (we’ve been known to extend this song to over 15 minutes live). One reason for it’s longevity in our live show is because it really lets us stretch out, improvise and add new twists and turns that aren’t featured on other tracks of ours. Improvisation is an important aspect to our group, especially in a live setting and even though “Brain” has a tight arrangement, it allows us the freedom to do something new every night in the second half of the song. It’s nice to take chances in front of an audience, it keeps things fresh and allows us to communicate musically in new ways between each other.
How do you imagine people listening to your new EP?
(RO) I imagine it right now, probably because you suggested it…let’s see….there’s a guy, wait actually it might be a girl…hard to say, their back is turned. They’re holding something in their right hand, I can almost see it, it glints…a knife? No, that’s unlikely….oh…it’s a pen. Phew!!! They are bobbing their head in time with the music.
(EE) My dream scenario of someone hearing our EP is that it just feels to them like something they’ve been waiting to hear. It fits like a glove and they’re as stoked on what we created as we were to create it. They’re just all “Hell yes”.
If you could be any superhero – “real” or made up – who would you be and why?
(RO) I’m not a comic book head but great musicians usually fall under the category of superheroes for me personally. Wayne Shorter-For his stunning composition ability and otherworldly playing(Check out any of his work with Miles,Weather Report and any recordings where he’s the leader ie, JuJu, Adam’s Apple, Speak No Evil, Night Dreamer et al for the proof)
(JR) Yea Wayne is an inspiration…I dunno. Being a superhero seems like too much responsibility, I’d prefer to be one of those people pointing at the superhero when they are doing something cool
(EE) I know Wayne Shorter used to love to read comics (maybe he still does???) so this makes sense!
Now that the EP is out, what’s next? What are you most looking forward to? Tell us all the crazy details!
(RO) We’re about to embark on a North American tour in April, supporting Chris Robinson’s “As The Crow Flies” band, hopefully we’ll also get back to the UK and Europe (we just finished out first major tour of the UK) before the end of the year. We’ve also been working on a lot of new material which we’ve started recording ourselves. We have a lot of ideas for releases, videos, collaborations right now but it’s best that we keep a lid on those plans until the moment is right. We’ve also been playing out a lot recently which is our next favorite thing to being in the studio!
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Keep up with Once & Future Band here, and catch them out on tour at the performances below!
2018 “AS THE CROW FLIES TOUR” – With Chris Robinson Apr 17 Capitol Theatre, Port Chester, NY Apr 18 Electric Factory, Philadelphia, PA Apr 22 Iron City, Birmingham, AL Apr 24 Thalia Hall, Chicago, IL Apr 25 Manchester Music Hall, Lexington, KY Apr 26 The Signal, Chattanooga, TN Apr 28 Joy Theatre, New Orleans, LA Apr 29 Ryman Auditorium, Nashville, TN May 01 The Pageant, St. Louis, MO May 02 The Truman, Kansas City, MO May 06 Ogden Theatre, Denver, CO May 08 Brooklyn Bowl Las Vegas, Las Vegas, NV May 09 The Wiltern, Los Angeles, CA May 11 The Fox Theatre, Oakland, CA May 12 Montbleau Resort & Casino, Tahoe Village, NV May 13 Crystal Ballroom, Portland, OR
As he revs up to release his new track “Passenger’s Side” this Friday, Ontario-based folk rock talent John Muirhead seems to be absolutely glowing with excitement. His music – which has an almost Broadway musical feel to it with the way he emphasizes every syllable and makes sure his audience is crystal clear on his meaning – is absolutely captivating, the new track setting the tone for what’s to come later this year. Check out our quick hit interview below, and be sure to peep the new song on Friday!
Your new single “Passenger’s Side” is amazing. How has your music evolved since releasing your first EP Yesterday’s Smile?
Thanks so much!
I’m still very proud of Yesterday’s Smile, but with it being my first EP, the whole record was a learning process. I learned a lot about how to be comfortable in the studio and how to create interesting arrangements that serve the song. The songs themselves were written between the ages of 16 and 19, so looking back as a more mature songwriter there are definitely some things that I would change if I were to do it all over again.
With “Passenger’s Side” and the rest of Foundational (The new EP, released in June 2018) I’ve taken the experience from Yesterday’s Smile and applied it. I feel that my voice has matured, my confidence has grown, and the songs are more representative of myself.
What message would you like your fans to get from “Passenger’s Side”? (Out April 6th)
The song is about defying the feeling that maybe our best days are behind us, and the appeal and romanticism of leaving it all behind. With this song I hope that listeners know that they’re not alone in that feeling.
I also hope the song can be the soundtrack to late night drives and lazy Sunday mornings.
How have you grown as an artist since you first began making music?
I think I’m just more sure of myself as a musician. I’ve sharpened up my guitar playing, singing, and performance through the constant repetition of touring and playing live, and my songwriting is getting closer and closer to the level I want it to be. My artistic vision is much clearer now, and I know what I want to accomplish in music.
What is your favorite thing about making music?
My favourite moment in the process of making music is seeing and hearing people sing along to songs that I wrote. I make music in hopes that my songs can effect others the way my favourite songs have effected me, and seeing people sing along is a reminder that maybe I’m on the right track.
In a much broader sense, my favourite thing about music is the fact that it’s a universal language. Regardless of language or culture we can all connect to music, and it plays such an integral role in all of our lives. I’ve made so many meaningful connections to people through music that I may not have had if I didn’t play, and I think that’s amazing.
What inspired you to begin making music?
Like a lot of musicians my age, Guitar Hero actually played a big role in inspiring me to pick up a real guitar. It introduced me to so much great music and it felt really cool to hold a guitar in my hands. When I picked up a real guitar it felt amazing to actually play the songs from the game and from there it didn’t take long to start writing.
What musicians would you say inspire you as an artist?
There are too many! I would have to say Frank Turner would be one of my biggest influences, he bridged the gap between my indie/punk rock upbringing and my current appreciation for folk music. Seeing the intensity of his work ethic and reading about his crazy tour stories really made me want to push myself to the limit as a musician. Recently I’ve been really inspired by Brian Fallon, Jason Isbell, Phoebe Bridgers, and a whole bunch more.
Following the release of your new EP this spring will there be a tour in the future?
Yes! I will be heading out to Eastern Canada in June, touring as part of VIA Rail’s Artist on Board program. I’ll be announcing all of the dates shortly, make sure to follow me on social media to stay up to date!
Writing inspirational songs that encourage you while leaving you feeling empowered at the same time, singer-songwriter Somaya writes music that inspires others. Somaya, who released her debut album “Stand Up” last June is on the rise in music. Full of emotion and powerful lyrics, the young singer makes her mark in music by not only helping herself but others through her lyrics. We caught up with Somaya recently to talk about “Stand Up” and what is next for her in music.
Check out what she has to say below!
The meaning behind “Stand Up” is powerful, what exactly inspired you to create that song?
Sexual assault is an issue that has, unfortunately, affected a lot of people in my life, and I was frustrated with how little support survivors receive. Knowing how powerful music can be, I decided to write “Stand Up” to try and raise awareness on the issue, and to encourage others to use their voice as well.
Who are some of your musical inspirations?
I look up to Halsey and Tove Lo for their production style and for the rawness in their music. I also look up to the lyricism of more stripped back artists like Hozier and Mumford and Sons.
What advice would you give people that want to get into music?
Don’t let comparison get in the way of you achieving your goals.
Your album is named after your song “Stand Up”, what was the whole creative process like for the album?
It was really cool! “Stand Up” is my debut album, so a large part of the process was new territory for me. I’ve been writing songs since I was 11, so to be able to record my songs with a producer as amazing as Matt Bronleewe was truly incredible.
Your song “Stand Up” is garnering a lot of attention, what it is like seeing that people love your song?
It’s unreal. Like I said, I’ve been writing songs since I was 11, and for years most of those songs didn’t go beyond the ears of my family and close friends, so to receive such a positive response from so many people, especially on a song I wrote about sexual assault, feels so rewarding.
Is there anything music wise that we can expect from you in the near future?
I’m always writing new music, so look out on my social media (@somayamusic) for updates!
What is your favorite thing about making music?
Being able to express myself and be completely honest in my lyrics feels really freeing. And having people tell me that they relate to those lyrics makes it even better.
On March 16th, The Jacks came strolling into our lives like old, familiar friends on the street. We were set to meet them at 6th and San Jacinto in downtown Austin, right outside of San Jac Saloon. We knew we were looking for four musicians – Johnny Stanback, Thomas Hunter, Scott Stone, and Josh Roossin make up this collaborative indie quartet – but we didn’t realize just HOW rock n’ roll the experience would be.
For example, Scott made it to the corner several minutes before the rest of them came meandering up, but every single one of them was donning dark wash jeans and black shirts, often layered with a black jacket. But let me put this into context for you: It was 88 degrees outside.
But that’s just how these guys handle it. They deal with the heat. They’re comfortable in tight spaces together, and they’re excited about expanding their reach and their audience, bringing their music to the masses. So let me leave you with a sweet little ditty by them, and the transcription of our time together in interview form!
Introduce yourselves please. Tell me your name and what you do with the band.
Johnny: We’re The Jack’s. I’m Johnny, and I sing and play guitar, rhythm.
Tom: I’m Tom Hunter and I play lead guitar.
Josh: I’m Josh and I play drums.
Scott: I’m Scott Stone and I play lead bass guitar.
And mother. We hear you’re mother of the band.
Scott: Yes, Momager.
I guess that is because of the fact that he was on time and we were already late.
He’s like ‘hey it’s me – the band’. So guys, how’s South By been for you? Is it your first South By?
Yeah. We got in Monday night… So we’ve been here for three full days now, three and a half. We’re headed off to Dallas tonight… Very excited. That will be a great crowd. We played two [shows] at South By and we’re playing one in Dallas, then heading back.
Awesome. That’s good – pace it a little bit. What have you guys seen here that you liked?
Lots of awesome fans. Lots of great food too. We just had breakfast at Moonshine and it was unreal. You learn not to use Yelp, you ask people. All our local Austin friends gave us good food suggestions.
What was your favorite aspect of South by Southwest as a band?
Both shows we played were really awesome, we had a great time. Obviously, it’s just hanging out, we have a lot of friends here performing, bands that we’ve played with before. It’s so good to see them and see how well they do and spend time. It’s just an amazing environment – it’s all artists and a great time. It’s like adult summer camp!
I like that! That metaphor makes sense! What’s coming up next that you want to tell people about?
Our next show is March 27th at the Peppermint Club in L.A. We’re excited about that one. Then we booked a Pacific Northwest tour for the end of May we’re really excited about. What else… We play Brick and Mortar in San Francisco on the 23rd of May… All the way up to Portland and Seattle so far. That’s what we have in store for the next month or two. And obviously a bunch of great new music hopefully coming.
It’s not up to us anymore, but we get to release it, hopefully in October… We recorded a new single, got a new music video for that.. Hopefully tour on that in the fall.
Fingers crossed it all pans out! Alright, you guys have really committed to the dark jeans, the boots, how are you faring today, although the weather has changed slightly and it’s at least breezy?
We took them off…the day was a little long…yeah…
Here’s a question I have – aesthetically, you guys tend to go toward the black and the jeans, how’s that going to happen when you’re in Florida? (laughter)
We’ll cross that bridge when we come to it .. We haven’t had that issue…Maybe Mexico? The Jack’s booty shorts… Make that our summer line.
How do you guys calm down or pump up before a show? Do you get nervous or do you have to rev yourself up?
It depends on the show. Like the Troubadour, the one we did that sold out – that was obviously a big one for us. It’s just kind of like we’re just so comfortable with each other, we’ve grown up together and we’re all best friends. When you get on stage, you kind of just into that element, you don’t really think about those things I guess.
We usually have one or two beers before a show, but that’s about it. OK. Eighteen. Maybe eight hundred.
We have a fancy palate. Actually, there’s this new beer coming out called Tower Park that they just opened in Anaheim, California. Really, really good.
Expectations for the upcoming single, “Bridestep” from Brooklyn-based indie/R&B dynamic duo Moonheart are rising as each day prior to the release are mounting exponentially. Not only does the group have a sound unlike any other, they also have a message in their music of longing and endless romanticism that is haunting and beautiful. This track is the first to be release from their forthcoming debut full-length album Feel it Out. Although they are busy getting ready for the release, Moonheart was able to say a few words about who they are and what fans can expect within the next few months.
What would you consider to be your greatest success on and off of the stage?
Onstage, I’m really happy to feel very connected to my voice and what it sounds like. For a long time I was singing mostly jazz, and imitating all of my favorite singers when I learned the music. Doing that taught me so much about music in general, and about phrasing, rhythm and expression, but for awhile I was worried that I was without my own point of view. I definitely felt closer to my authentic voice and self when I started writing my own songs, and it feels good to be communicating that onstage.
Although you must be busy writing, producing and performing your music, when you do have free time, is there something that you like to do that may be out of the ordinary in order to destress and prepare for upcoming events and gigs?
I think this is probably pretty common, but I’ve found that for sure the most essential thing for me to get in the right headspace to play is lots of space and quiet. I live in Brooklyn and space and silence can feel sparse, but there are magic pockets of it everywhere. I’m lucky to live very near two of them, the botanical garden and the park. This is probably gonna sound so corny, but being in awe of nature’s design in the form of a flower or a tree or whatever it is is so humbling and I try to be surrounded by that stuff as much as I can. I recently learned about this Japanese healing practice called “forest bathing,” where you basically practice mindfulness and hyper-awareness of all of your sensory experiences while taking a walk in nature, and I guess this is kind of what I’m doing, or attempting to do. It feels really good when you can carry that open feeling with you on stage; your ego’s out of the way and the bad nerves that come from wondering what people are thinking or worrying that you look silly or whatever evaporate, leaving just the good butterflies to work through you.
As you continue to work towards your dream, do you have defined goals for Moonheart, or are you just enjoying the ride that your love of music has brought you on?
I wish I was cool enough to say that I’m not hella Capricorn and have notebooks and spreadsheets full of plans and goals but I do. The most immediate goal at the moment is to put out Feel It Out, our first full-length, in a way that we’re proud of. We’d also really like to start touring in a more serious and extensive way, so there’s lots of planning around that. Trying our best to enjoy the ride even in the planning stages, though 🙂
What news do you have for friends and family that are anxiously awaiting new music, tours and performances?
It’s coming! We’re releasing Feel It Out very soon, and we hope to be playing lots of shows to support that. Until then, anyone in or around NYC can come see our “Bridestep” single release show on Wednesday, April 4th at C’mon Everybody in Brooklyn.
As you have worked so hard to obtain something that, at one point, seemed so unobtainable, have you ever faced opposition that you thought that you wouldn’t succeed in overcoming?
My mental health is sometimes my biggest hater, so I’m unfortunately my biggest opposition, ha. Now I take good care of it and treat it like a baby, but I didn’t always have the ability to do that. When I didn’t, there were times I didn’t think I could turn my brain on or get out of a hole long enough to keep making music, but I’m grateful not to have been in that place for a long time.
What is the writing process like? Is it easy to sit down and write, or is it a spur of the moment occurrence?
The act of sitting down to write is actually the hardest part about writing in my experience- giving myself the space and time, sticking to the routine, and quieting the voices that would rather I procrastinate or do something else instead, those are the first hills to get over. Once there, though, the process depends on where I’m at that day. On the magic days it just flows, and those are songs I can’t really take credit for- some songs are already there and just need you to show up and be a vessel for them to come out. On days where nothing’s coming, I’ll try to do a writing exercise or read something beautiful and copy down phrases that are inspiring or words that feel good. The physical act of writing something pretty down on paper can sometimes wake up something dormant. Once I have a skeleton of a song, I’ll play it for Michael or send him a rough demo, and I don’t often give him much direction for the first attempt at building the world around the song. We have a lot of creative trust and a really open, intuitive channel between each other, and the majority of the time he just knows what I’m going for. He’ll usually work alone until things are in their place, and then we’ll iron everything out and edit together until we both feel the song is done.
After performing, is there a specific activity or tradition that you have to celebrate a “job well done?”
If we feel bad about it, we try not to let it feel too heavy and make sure to listen to the voice memo recording we always make of shows and take notes on how to make it better next time. If we feel good it about it, same thing 🙂
