bo armstrong releases an incredible cover of billie eilish’s “when the party’s over” to benefit suicide prevention efforts

bo armstrong releases an incredible cover of billie eilish’s “when the party’s over” to benefit suicide prevention efforts

Bo Armstrong was just as captivated as the rest of us when he viewed the Billie Eilish documentary earlier this year. So much so, that he chose to cover “When the Party’s Over,” an already devastatingly beautiful and heartbreaking song. His version of the song takes a more delicate hold than even Eilish’s, building slowly with the introduction of each new instrument. The sadness is palpable in his vocals, as he reflects on the subject matter and its devastating impact.

I lost someone else to suicide a few years prior, and my response was somewhat similar —it’s just hard to feel anything but helpless. But after watching the movie —and hearing those first few notes of “when the party’s over” over and over again in my head —I had the idea to record a version of the song and use it as a tool to help me raise money for organizations that are working to promote mental health awareness and prevent suicide. It felt like it could be a way for me to not do nothing.

We are going to be sitting in the corner with our goosebumps, surrounded by his gorgeous voice.

Proceeds from this release are being donated to the American Foundation for Suicide Prevention and Mental Health America.

tony & the kiki stuns with music video for “extra express” alongside announcement for glittery ep light it up

tony & the kiki stuns with music video for “extra express” alongside announcement for glittery ep light it up

The world very largely feels like it’s falling apart at this time. During moments of darkness, we search for the light. We crave creativity. We rely on authenticity. And – while it can often feel overwhelming to seek the good – artists are ready to provide us hope, beauty, and escape. This feels especially true with the captivating glam rock project Tony & The Kiki, which just released the lead single and music video for their upcoming EP. Fronted by the talented and charismatic Anthony Alfaro, Tony & The Kiki truly captures your attention with a vibrant individuality and keeps you going with a message of inclusivity.

“Extra Express” is an anthem for the ages. With an energy that can get anyone up on their feet, the track boasts fantastic, wide-ranging vocals, and enough edge to really breathe new life into your day. The video is entrancing, depicting Alfaro with a backdrop of bright, flashy colors and images as a call to authenticity oozes from every facet of production. We’re big fans of the fashion, big fans of the energy, and insanely fond of this video.

We were lucky enough to ask Alfaro a few questions during release week.

Do you think where you’re from has any bearing on how you create?

Oh absolutely! Queens, New York is unlike anywhere else in the world. A stone’s throw from my childhood home is the most diverse section of THE PLANET. The most varied collection of cultures, races, languages, ethnicities, and nationalities in one single area. I pride myself on being an eclectic artist. While yes, rock and roll is my mother tongue I draw inspiration from all genres, mediums, and cultures, and I’d like to think that comes through in the work. My mom is a real-life disco queen and salsera and my dad is an incredible DJ who would mix Grandmaster Flash with Zeppelin back before mashups like that were en vogue. This kind of variety and culture clash is in my blood, my voice, and therefore my artistry.

I’m so glad you’re bringing flare back to rock. Big look, big voice, big vibes. What has been your favorite part of the journey creating this EP?

Ay Gracias, mami! Yeah I think the second we abandoned the crippling responsibility of being “cool” things really started to crystalize and get exciting for all of us. We’re an honest to goddess pack of weirdos and mystics…and instead of trying to be trendy and sexy for the masses we’re leaning into our queer, diverse, funky energy. Frankly, that’s been deeply liberating and joyous. LONG LIVE THE FREAKS! And F*** BEING COOL! Cool is boring and sterile… the absolute antithesis of what rock n’ roll is. Ain’t nobody got time for that no more! 

What was it like recording at the storied Dreamland? Did you draw inspiration from Woodstock at all, or were you pretty sure of the direction it was all going in beforehand?

Well …we were on a tight and ambitious schedule so we had to arrive ready to slay the house down boots, mamá. On the other hand, Woodstock and that good chill hippie energy has always been a source of inspiration for us… the peace & love & vibes of it all. So I’d say we had a clear plan of attack but left some room for the delicious brand of magic that is so abundant up at Dreamland. Using their varied, vintage instruments (toy piano, guiro, Moog Synth etc.) and their mystical acoustics as yummy layers to add into our cauldron. Once we got the crux of what we needed we definitely got to play around and experiment. It was unlike anything I’ve ever experienced as an artist. A true playground. Or in our case …a witch’s potion lab (cackles in Spanglish) 

The message in the song “Extra Express” is so important, and it is such an anthemic blessing right now. Was there a moment that triggered you into writing it specifically? 

Thank you for saying that, mi amor, we think so too!
A specific moment? No, mama. Our whole gay lives led up to the creation of this song. People like myself and my bandmates Max Vernon and Rodney Bush have been out here and queer for years and feel a great sense of responsibility for the legendary children that have and will come after us. They need something to listen to and be like “oh, yeah…that’s mine, that’s for me” This song is for them first and foremost. 

The music video for “Extra Express” is like a kaleidoscope. Where did the vision come from?

The Extra Express has always been like a psychedelic, queer, rock n’ roll cousin of The Magic School Bus and in this case I’m Miss Frizzle (LOL) and the listeners are my class of students. We wanted to evoke the vibes of Dorothy landing in OZ or Alice plopping down into Wonderland. We set out to create a portal into the land of THE KIKI, with all of its vibrant queer magic and electric, colorful vibes.  An invitation and a welcoming. 

What a FANTASTIC reference, especially for millennials. (I am SO pleased!) What do you hope fans glean from your music, in general?

I want our fans to be invigorated and vibrationally lifted by our music. We want to provide an antidote to all the heaviness that can come with living life in the 2020s… a warm sparkling hug; a fabulous coven, welcome to anyone who needs a good Kiki. Er’body is welcome here, mi vida… we are raising the vibes and getting asses shaking! Come thru!

Do you have anything else to share with your new bevy of fans?

Yes! I’d like to say “Hola Mi Kiki, Welcome… we see you, we’re here for you, we honor you, and we love you… f*** the haters and do you bb! Life is meant to be LIVED! Fasten your seatbelt cause it’s time for lift off… the new age is now! Vamos!”

Also follow us on IG and TikTok @tonyandthekiki and subscribe to our YouTube Channel for more funky glam rock brujería heading your way. xo

Video Credits: Wardrobe by Max Vernon, David Quinn, Anthony Alfaro Makeup by Max Vernon Hair by Anthony Alfaro Choreography by Anthony Alfaro
Song Credits: Track Produced by Max Vernon Track Mixed by Lloyd Kikoler Track Mastered by Ryan Smith of Sterling Sound

darkminds demonstrate loyalty and mad percussion with latest single “til’ the world is gone”

darkminds demonstrate loyalty and mad percussion with latest single “til’ the world is gone”

Pop hip hop project DARKMINDS formed in recent years when two established and talented artists Daniel Ellsworth (Daniel Ellsworth + The Great Lakes, Chaos Emeralds) and Christopher “C4 “ Umana (Big Sean, Trey Songz, Kelly Rowland) came together for a songwriting session. Because. of their obvious chemistry, they continued to make music together, and 2021 sees no gap in creativity. Two full-length albums are due this year from the duo.

Their new track, “Til’ The World is Gone”, is quite enchanting, actually. The duo went a little more dark pop with this particular release, a song that brings about the idea of Tim Burton-meets-One Republic. The lyrics are hopeful and vibrant, surrounded by entrancing percussion. The duo builds instrumentals around the lovely thought of loving something (or someone) so completely and deeply until everything is over.

dreamy lyrics carry new track release by vulnerable singer-songwriter duo lowertown – “seaface” – to another level

dreamy lyrics carry new track release by vulnerable singer-songwriter duo lowertown – “seaface” – to another level

Lowertown, the duo comprised of Olivia Osby and Avsha Weinberg, are excited to release their new single “Seaface”. This is the first song from their upcoming EP The Gaping Mouth. Osby and Weinberg spent time in London recording the EP “that they call their most honest, interesting, and mature work to date”. “Seaface” is a tune that combines dreamy lyrics with music that builds from a single guitar to a full mix.

Pick what you want to be,
It can be anything.
If you close your eyes,
It’s fun to imagine 
Another body, another life.

Despite the constraints of the pandemic, 2020 proved to be a productive time for the pair of 19-year-olds – they graduated high school (where they met in math class), signed to label Dirty Hit and released their EP Honeycomb, Bedbug. 2021 looks like it could be as big a year for Lowertown.

tod lippy looks to “catch your eye” with some artful messaging in new music video

tod lippy looks to “catch your eye” with some artful messaging in new music video

“Catch Your Eye” – the B-side ballad to hopeful and uplifting single “Appian Way,” – now has an accompanying music video. Singer/songwriter, writer, editor, and filmmaker Tod Lippy has created true art with this track. His boldened vocals lead the way, and you’re completely blindsided when you find out that Lippy is actually newer to the world of recording music.

His background in physical art lends well to the music video’s poignant visuals. Using scans of some pretty unmistakable eyes, he sings – as though directly to these humans – with prestigious-sounding horns to really dig the message in early.

“Catch Your Eye” is less a protest song than a song about protest. About how being the “squeaky wheel” or the “fly in the ointment” is not only important but necessary when men (and yes, it’s usually men) in power have no reason or motivation to understand or acknowledge the myriad challenges facing the underserved, the disadvantaged, and the unfairly treated among us. 
How else can we change their hearts?

While protest footage is used sparsely, Lippy’s self-awareness remains at the forefront with the visuals. A beautifully compiled video, “Catch Your Eye” has the true potential to touch someone who definitely needs it.

Ambitions was released June 25. Keep up with Tod Lippy here.

“all these memories run my mind in slow motion” | best new tracks of august 2021

“all these memories run my mind in slow motion” | best new tracks of august 2021

If you thought that new music hit a plateau this summer while you were taking some time off and really trying to find a self-healing routine… I’m sorry, but you’re wrong. Gritty, raw, beautiful music has continued to be created and released at a clip we almost can’t keep up with. So check back all August long to hear our favorite new releases of August, and be sure to “like,” “follow,” and “add” your favorites!