by Tiffany Czech | Nov 11, 2020 | singles, wolf tracks
Head to the most peaceful place you can think of and press play on Austin Plaine’s new release, “Fangs”. The track is Plaine trying to bring light to somebody who has been through many gray days. While the first verse focuses on describing the pain and the steps it takes to get to such a dark place, the second verse offers a more optimistic outlook. The chorus depicts the need to just sometimes scream at the universe and beg for answers. By the end, you are hopefully left with some hope about how to carry on in spite of the dark clouds that tend to loom.
“Fangs” creates a special musical moment that feels personal. The lyrics alone are enough to create a personal connection between artist and listener. With a simple guitar, a bit of piano, and just the right amount of percussion, Plaine gives the green light to be fully immersed. Just don’t forget to let out a yell to the universe, asking what it all means. Of the writing process, Plaine admits:
I had ‘You’ve been showing off your fangs, God save the Queen’ as the opening line and it immediately created this visual of a troubled girl questioning suicide and the mental state she can’t escape from. I’ve had some dark moments and it is painful to watch someone else go through depression when you yourself know how heavy it can weigh.
by ImperfectFifth | Oct 21, 2020 | singles, soundtrack
This playlist is filled with songs that have set my inner world ablaze in one way or another. Some of them are recent and others are more ancient, but they’ve all had an affect on the way that I write and record songs.
by ImperfectFifth | Sep 29, 2020 | soundtrack
These are songs that continually inspire me, whether their old or new. I keep going back to them and finding myself in love.
by ImperfectFifth | Sep 17, 2020 | singles, wolf tracks
by katy mombourquette
Have you ever heard of Transylvanian salsa? Me neither, until Sacramento-based artist Dutch Falconi’s new single “Ride With Me” crossed my path. As you might have guessed, the music of this wildly unorthodox composer exists entirely outside the norm, taking the form of cohesive and border-transcending instrumental pieces. But while Falconi is off breaking boundaries and crossing into new territories, he also delicately pays attention to what his notes are saying: “When you think about writing instrumentals, you realize that if you take away the dimension of having a vocal as a bridge to people who aren’t musicians, you restrict the palette, then you have to figure out a way to really make the instruments say something.” But rather than words, “Ride With Me” speaks in images. Coming from a place of disillusionment and drudgery, Falconi pictures a spirited escape on horseback from the ordinary details of life, but for myself the Transylvanian connection and the dark, yet slightly groovy undertones of the track firmly implant in my mind the brooding scene of a sophisticated vampire function. In any case, “Ride With Me” is offered as an anthem to those seeking a better life. It’s easy to escape from reality in the layers and layers of unusual instruments that I’m not even going to try to name. Just know that there are many, they all have their own unique sound, and they are intricately layered and mixed together to achieve a form of sonic enlightenment. On the surface notes may crash into one another and get into a jumble, but underneath there’s this distinct and smooth harmonic framework and danceable percussion that holds everything together. The syncopated beats are somewhat disjunct, yet easy to follow.
Because of its noticeable focus on layers, “Ride With Me” is a testament to Falconi’s compositional technique: writing songs piece by piece, folding instrumental tracks on top of each other to create a thickly woven tapestry of sound that is as jolting as it is remarkable. Though it was written as an antidote to Falconi’s own disenchantment, he offers it to the entire world, and he hopes that it translates well into something his audience can appreciate. He explains “That’s the hardest thing about making instrumental music when you’re multi-tracking all the instruments yourself. I don’t know whether I’m speaking to the audience with my instrumental music because I’m so intimately involved in it. It speaks to me because I’m speaking to myself. Hopefully, I’m not the only one listening.” Well, let me tell you Falconi: we hear you. So keep up your peculiarly bewitching endeavours, your listeners will be captivated from the moment that first layer of sound unravels in their ears.
by ImperfectFifth | Sep 17, 2020 | premieres, singles, wolf tracks
by: meredith schneider
On July 10th, the world was graced with an invigorating and indulgent album Souvenirs, Vol. 1 from alt-pop geniuses Paper Jackets. High energy, songs that take you away to that vacation you didn’t get in the middle of the pandemic, that sort of incredibly magic work that makes us all smile just thinking about it. But the music is introspective, vulnerable, and intrinsically relatable. We are smitten. Thinking about it, we are all the more pleased to premiere the virtual performance video of the band singing “What They Call a Life” from their respective homes. Says the band of the song:
A virtual version of us for this unforeseen age! We are telling a story about the human condition, how no one is ever really OK and how we’re all learning to cope in life. It’s about hope, clarity, the need to have a voice and, I think most of all, the promise of having a legacy. I think the biggest fear in our hearts is being forgotten, and even though nothing truly lasts forever, it is impossible sometimes to comprehend. “What They Call A Life” is about having strength while you’re here in this life, keeping friends and family close and being present. The song is a reflection of the darkest fears and brightest hopes.
With that in mind, the video couldn’t have been done any differently. So turn it on, turn it up, and have a moment of community with everyone, because this song and its message apply to everyone.
Keep up with the band at paperjackets.com.
by ImperfectFifth | Sep 11, 2020 | singles, soundtrack
This is a playlist for those spending a lot of time alone but dreaming about being together with others or even lost in a crowd.
Psychobuildings will be hosting an Instagram Takeover on Sunday, September 13 (Our actual 3rd Birthday!) at noon CST! Come hang out, it should be rad!
by ImperfectFifth | Sep 9, 2020 | singles, Uncategorized, wolf tracks
by: katy mombourquette
Ever since he was a kid, Salim Nourallah has had a deep appreciation for English rock ‘n roll music. As he grew up and cultivated a career as a musician into the 90’s, he found his life intertwined with two other multi-talented individuals: Chris Holt and Paul Averitt. The trio started bands together, played on each other’s albums, and got involved in many of the same collaborative projects. The two decades of shared respect and friendship along with Nourallah’s love of English rock have culminated in a new project that celebrates a reenvisioning of old music, called A Break in the Battle. The name comes from the Pretender’s “Back on the Chain Gang”, the words fitting to Nourallah, Holt, and Averitt’s belief in music as a respite from the toil of life. Like a giant love letter to their heroes, each song is stripped back to the essentials, which are then illuminated by the guys with a loving hand. The first round of tracks came out in 2017, with classics like The Replacements’ “Kiss Me on the Bus” and The Cure’s “Boys Don’t Cry.” After a two year hiatus following the death of Nourallah’s mother, the trio is set to release the second collection of songs later this year.
Kicking things off for round two, the boys have released Nick Heyward’s “Kite.” The original features a full sound, punchy beat, and a complex web of sounds including metallic guitars, warm horns and strings, and twinkling bells. The tone Heyward’s voice vaguely reminds one of Billy Corgan’s, but instead of the patented and glorious harshness that the Smashing Pumpkins’ lead singer is known for, Heyward’s voice is pleasant and earnest. A Break in the Battle’s version maintains that humble, earnest tone in the vocals, and has the same overall spirit as the original, but it achieves this using a different instrumental blueprint. The iconic waterfall-like guitar picking remains in the intro, but in the 2020 version it’s backed by prominent acoustic guitar strumming. The track is less punchy and more dreamy, complete with gentle harmonies and dazzling combinations of metallic guitar and reverberating piano.
One of the biggest pitfalls to avoid when making a cover is trying to sound like a carbon copy of the original. Nourallah, Holt, and Averitt’s version of “Kite” successfully sidesteps this stumbling block. It carefully preserves the essence and integrity of Heyward’s song, but approaches it from a different direction. With “Kite”, we see that the boys’ imagination is just as finely tuned as it was three years ago.
While the rest of the collection will be out later this year, in the meantime there are 16 opportunities on the first collection of A Break in the Battle for you to experience your favourite English rock tunes like it’s the first time.
Nourallah’s announcement of “Kite” | Nourallah jamming on twitter
by ImperfectFifth | Sep 8, 2020 | singles, wolf tracks
by leigha stuiso
Zanya is releasing a new track called, “Wake Up”, that calls people to action and to take a look into current and past problems. There is no better time than now to release a song that deals with equality and speaking up for what needs to be done. Zanya and her bandmates created another pop-rock track with a unique twist, with serious lyrics that will inspire listeners to think about the subject matter. The lyrics, “it’s not been equal / since day one / we have to speak up, to get it done,” are a reminder of the inequality people face daily and encourage you to take action.
Zanya began collaborating with bassist Patrick Reaves and guitarist Drew Carsillo shortly after moving to Los Angeles. Since then, they have continued to push each other to create music that draws on their fascinations and passions in life. Listen to “Wake Up” now and get inspired to make some changes for the better. Keep up with Zanya here.
by ImperfectFifth | Aug 25, 2020 | singles, wolf tracks
by: katy mombourquette
Texan singer-songwriter Zachary Knowles found himself drawn to music from a young age when his parents gave him a light-up keyboard in the first grade. He spent his childhood learning songs and then began to write his own, but always kept his creations to himself. When he got older, he ventured to share his songs online, and was pleasantly surprised by the positive reaction he received through tens of thousands of streams on SoundCloud. His new single, “Slow Summer” is a product of this longtime effort, and it shows off Knowles’ skills in the form of a sleepy, feel-good banger.
The bouncy track features light and spirited guitar plucking but also adopts a ballad feel from the tender piano. There’s a subtle dance beat in the chorus, peaceful but stirring, perfect for at night when things are sleepy but you’re not ready to stop moving. Knowles’ vocals are smooth on top of his stripped-back instrumentation, with his touching lyrics depicting how completely at ease he is with the person he’s singing about. As you listen to his voice and the relaxing music, you can’t help but be coaxed into comfort yourself.
Knowles has spent his entire life leading up to this moment, honing his craft and developing his skills. Don’t miss out on giving him the appreciation he deserves, and enjoy the drowsy bop that is “Slow Summer” for yourself.
