anna hamilton, “self help”

anna hamilton, “self help”

by: leigha stuiso

It’s hard to believe that pop artist Anna Hamilton has not released her own music until now. With her viral cover of “Bad Liar” by Imagine Dragons, which now has amassed over 50 million views on Youtube and over 16 million streams on Spotify, and being featured on NBC’s Songland as a writer for Ben Platt, she is taking the world by storm. Now Anna Hamilton is releasing her own music, starting with her debut single “Self Help”. The track is a real success, with an acoustic pop-like melody and her natural storytelling abilities. 

Focusing on others and their well being, Hamilton finds herself worn down and needing some care on “Self Help”. Instead of writing a silly pop song about love or heartbreak, she went with a raw and honest topic for her debut, proving she is here for all the right reasons. The stand out lyrics are:

I’ve been passing out all my energy
treating me like I’m a dispensary
going through the withdraws, I know it’s my fault
it should be easy (easy, easy) in theory
god I need to get some self help cause I know how to wear myself down
trying to pick up everybody’s pieces, disregarding all my inner demons
I can’t even help myself, help me

The echoey track is easy on the ears with thoughtful lyrics that bring it to another level, it is hard to believe this is only her debut. From her beginning, of writing songs at an early age with a guitar and a banjo, to releasing her debut single, we can only imagine what her next moves are.

rydell, “three wise monkeys”

rydell, “three wise monkeys”

Rydell’s “Three Wise Monkeys” is a modern interpretation of the ancient Japanese proverb. The track calls on the listener to open their eyes, ears and mouths to what is happening in society and throughout the world. This is the lead single off of her debut EP, Stained Notes, which is out now. It was also the first track written for the EP with producer Magnus Thomson. This marks  Rydell’s launch into a new chapter of the music industry. 

The cycle of corruption continues through the length of the song, the lyrics hitting close to home for many these days. The Vienna-based artist speaks her mind to remind people to avoid becoming desensitized to these shortcomings we see from those in power. Her raw vocals fight against the instrumental, making for a strong track. The gospel vocals add to Rydell’s to soar above the majestic brass with a snare that beats down on the song. There are just some songs that can truly convey emotions, and this is one of them, it feels like a marching anthem.

This is only an introduction of what is on Stained Notes, so if you like what you’re hearing check it out now!

eighty ninety, “know me”

eighty ninety, “know me”

NYC-based brotherly duo Eighty Ninety’s latest single “Know Me” is an understated love song that is tinged with woe but overcome with sweetness. It talks about how love inspires hope, meaning, and possibly even absolution when faced with tragedy. Formed recently in 2016, Eighty Ninety has been making waves in the music world. Their music, videos, and performances have been featured in prominent blogs and publications such as Ones To Watch, Alternative Press, Billboard, and NME. Their debut single “Three Thirty” reached #2 on Spotify’s Global Viral Chart, and since then they have curried favour with the world, including superstar Taylor Swift, who chose Eighty Ninety’s single “Your Favourite Song” as #13 on her official Spotify playlist “Songs Taylor Loves.” 

While “Know Me” stays true to the band’s 80-90’s indie-pop aesthetic, its twangy guitar rift introduces a fresh touch of Americana, a style that the band has not yet explored. The uncomplicated guitar and soft atmospheric background music feels completely genuine. This song isn’t trying to be something it’s not, something that’s quite refreshing in today’s world. The simplicity of the music is also reminiscent of the minimalistic pop productions that the duo is known for creating. Abner James’ refined falsetto is embraced by backing vocals in the chorus, giving the effect of a breeze: easy and carefree. The hills and valleys of his vocal lines are a serene treat for the ears to traverse. Even with the twinge of sadness in the lyrics, the story of this song is beautiful and uplifting, and its universal topic infuses the song with a sense of timelessness. 



Eighty Ninety is currently working hard to finish their next full-length album, coming out this Summer. You can pre-save their upcoming single “Happier” here, coming out on August 21st. The down-to-earth clarity of “Know Me” is just the beginning. Be sure to check it out.

the blam blams, “opening night”

the blam blams, “opening night”

The Blam Blams put a spotlight on behind the scenes magic in their latest single and title track of their upcoming album, “Opening Night”. For their debut album, they have created a concept album exploring the life of Sydney Fabel, a bisexual actor/artist in 1970’s London, stepping onto the stage for the first time both literally and figuratively. The curtain is drawing and there is an inside look into the mind of Fabel with this track. The narrator is nervous, but excited for the show to begin as the opportunity to be heard and seen is finally here. 

“Opening Night” can resonate with anyone who struggles to express themselves and longs to be seen, despite the fears that may come from it. Starting with the muffled voices of the audience and introducing the inner thoughts of Fabel gives a theatrical sound. The song continues to build and grow stronger, not only with the music but with the character and his journey. The Blam Blams, made up of Bradley Owens (lead vocals, piano), Christian Northover (drums), David Estes (guitar, producer) and Rob Stewart (bass), are exploring themes of sexuality, gender, love, and living without a mask with their album Opening Night. This track is only the beginning of an enticing story, an undercurrent of the entirety of the album.

Pre-save the album HERE.

running lights, “one in a million”

running lights, “one in a million”

In their new affection-infused single “One in a Million”, NYC pop trio Running Lights remind listeners to savour the moments in life that we hold dear. The trio wants to stress the importance of cherishing your loved ones, especially in light of the social isolation that has come with the pandemic. If you don’t actively nurture your relationships with love and devotion, it’s easy to lose sight of them. “‘One in a Million’ is a leap of faith. It’s about letting moments that feel like they’re meant to happen, happen,” explains vocalist/guitarist Mike Squillante. The infectious track uses a dance beat and a zealous electro-pop sound to perfectly encapsulate the energy of a romantic late night on the town. It fuses together the tenderness and the intoxicating thrill of love, using romantic piano and adoring lyrics but also zestful beats and electric synths. The words paint an endearing picture of a couple exploring the city in their own bubble of bliss, lost in love-driven oblivion.

Running Lights is made up of siblings Mike and Nick Squillante and their childhood friend Stephen Ranellone. Hard work is their mantra, a deep-rooted concept coming from their Italian working-class upbringing and the perfect pairing to their passion for music. The trio has a plethora of experience in the music industry; Mike has toured as a guitarist and keyboardist for major label acts such as Melanie Martinez and Gnash, Nick utilizes his skills as an engineer at NYC’s Electric Lady Studios, working with legendary artists such as Frank Ocean, Bon Jovi, and Mumford & Sons, and Stephen is the touring drummer with the indie artist Pronoun. Running Lights is the dynamic culmination of each of the members’ unique skills and experience, and “One in a Million” is a testament to their talent and determination.

xelli island, “02 20 20”

xelli island, “02 20 20”

Xelli Island, the dream pop project of vocalist, songwriter, and shapeshifter Lianna Vanicelli, has released the first single off the upcoming debut EP of Vanicelli’s solo career, which she describes as her life’s work. After fronting various bands starting at age 14, Xelli began to grow tired of the conflicts that arise within a group dynamic, but today she has found strength and a clear creative direction as a solo artist. Growing up in Detroit as the daughter of a gravedigger, Xelli gained a profound appreciation for strong work ethic, survival, and gratitude. As she began to develop her own musical sound at a young age, she took her down to earth perspective from establishing a creative life in Detroit and her whimsical experiences visiting loved ones in the Philippine islands and used them to find her niche in writing music from a place of charming yet humble wisdom. 

“02 20 20” was written during a unique peak of momentum in the eccentric artist’s life. She was adjusting to a new routine and constantly thinking of all the little steps that needed to be taken to get things done. When working with close friends and collaborators on this project, she applied this mindset, and together they have created an uplifting and productive support system that produces music that takes an honest look at both the inner and outer world that Xelli moves through. The track has a great beat that navigates through densely layered and lush synths that sound out of this world. These extraterrestrial synths are the perfect complement to Xelli’s sweet and otherworldly voice which animates the dream-pop sound. Her lyrics read straight from the heart, perfectly detailing the beauty and the struggle that is life in today’s society– something to look forward to on her EP as well. 

Xelli Island is one to keep your eye on, it will be interesting to see how Vanicelli channels her breadth of experience and renewed creative energy into her solo career, and how she will reach new heights with her future endeavours. Stream “02 20 20” today, and stay tuned for her not-to-be-missed debut EP, coming soon. 

elizabeth young, “i won’t fall”

elizabeth young, “i won’t fall”

Singer-songwriter Elizabeth Young may only be 16 years old, but her wisdom and natural accessibility goes far beyond her years and translate beautifully into her music. Young has a remarkable ability to transform the life of a teenage girl into a universal experience. This sophisticated vocalist has spent years developing her musicality and playing local live shows outside of Washington D.C. where she grew up, but at last she’s ready to show the world her talent with her debut EP in September of 2020. 

We had the honor of speaking to Elizabeth briefly leading up to this release.

Your new single, “I Won’t Fall,” is about anxiety. Could you give us some more insight into what inspired the song, and what you hope that people listening to it take away from it?

I Won’t Fall talks about how I can stand up to the difficulties of anxiety. Sometimes my anxiety can try to get the best of me and it can be hard to fight it, but I have learned that I can overcome, persevere, and not fall into the trap of my anxiety. My producer Chris Keup and I thought of factors in my life that help support me such as my family. My friends and family can help serve as a shield during inner battles with worries or anxiety. I Won’t Fall portrays an important message that means so much to me and I hope has an impact on others to help them feel stronger when fighting against inner worries or anxiety. With this song, I want to encourage others to stand tall and not to fear of being knocked down by their anxiety or have it stop them. 

What is the Washington, DC music scene like? Do you have a favorite venue in that area that you loved to play or see shows at and why?

In Washington DC, I’ve been to the Kennedy Center several times where I have seen Lea Michele sing and other productions. I have played at multiple venues around my town one of which is the open mic night at The Old Brogue. I love playing at the Old Brogue because my family and I have been going there since I was little so it is a very comforting place. Since COVID-19, I haven’t been able to play at local restaurants which is sad!

You have a lovely voice, with a strong command over both soft and belted vocals. Did you have vocal lessons growing up? How did you cultivate your voice into what it is today? 

I first found a love for singing when I auditioned for the musicals at my elementary and middle schools. I discovered how much I loved singing and I began taking voice lessons to grow and learn more about singing. I brought my guitar that my parents gave me to my voice teacher on a spree, and from there I learned how to sing songs with my guitar. I would practice all the time on my own, helping me to improve my guitar skills. I started performing at small live events and quickly discovered how much I loved performing and I wanted to get better at my music. I began to turn my interest away from musicals and found what I loved the most- singing songs with my guitar and creating music. From there I began jotting down some lyrics to some chords on my guitar. I began taking vocal lessons with Katie Talbot from Nashville over Skype where she helped me safely improve my voice. I also love to sing all around the house which can sometimes bug my family! I linked up with the amazing Chris Keup where we wrote songs together and created the EP.

Your upcoming EP deals with topics ranging from narcissism to toxic relationships. How does it feel to be sharing such intimate parts of yourself with the world? Do you feel nervous about revealing yourself or is it freeing? 

It is difficult to open up and share yourself to the world. It’s important to me for my songs to be authentic and real therefore making me a little nervous to feel vulnerable. However, it is freeing to express myself and exciting for others to hear my thoughts through music and I hope people like them and can relate to them. 

Was this your first time recording in a studio? How was that experience for you? Was it time-consuming and a lot of hard work? Did everything go smoothly? Give those of us on the outside a look into the studio life. 

It was the first time I ever professionally recorded in a studio so everything was very new and exciting for me. I was so eager to learn how a song was created from an artist’s point of view. I discovered so many new things and working in the studio opened up a new world for me and I want to keep learning and improving. Chris is a talented producer and was very easy to work with especially for a developing artist like me. Working in the studio was hard work but very fun! I went down to Chris’s studio in Louisa VA on school days, after soccer tournaments, and on weekends to create the EP. The vibes in Chris’s studio made me feel creative and like a real professional! We spent hours each day recording, correcting, and adding to perfect the EP. Before my experience in the studio, I thought it would be quick and easy to record the vocals, but it took lots of time and hardwork to put them together. Creating the songs did go smoothly and I can’t wait to keep working in the studio in the future.

“I Won’t Fall” is a deeply moving song with personal lyrics that make the listener feel like they know you. What is your go-to method of writing songs? Do you have any advice for any budding songwriters out there?

Songwriting is all about authenticity and how the lyrics flow to the beat of the music. I love bringing out thoughts or worries on my mind into the songs to make them more relatable and personal. I really want to discover how to become my own artist and find my unique style to put into my music. I want to keep learning and growing! My go-to method is to take a regular idea on my mind or a topic that may be bothering me and string lyrics together. I use my guitar to find chords that fit my lyrics and the feel of the song.

What is your favorite song or album to listen to when you’ve had a hard week and you want to unwind and why? 

The way I escape through music is to visit playlists I make on my phone. My playlist is made up of country and pop music. I really enjoy almost any music and I have a lot of variety in my playlists. Olivia O’Brien is an artist I love to listen to because I love the way she writes the lyrics in her songs. Taylor Swift is a classic artist but I love listening to her songs because I know most of the lyrics so it helps me to unwind by singing along.

___

Pulling from the blues, R&B, and powerhouse female artists she grew up surrounded by outside Washington, D.C., as well as female artists and songwriters like Bonnie Raitt, Alicia Keys, and Taylor Swift, this EP deals with wide-reaching topics in a cathartic and carefree way. Young’s forthcoming single off the EP, “I Won’t Fall”, is a tender anthem about anxiety. It’s filled with rich guitar chords that embrace silence with warmth. Young’s skilled vocals earnestly sing on top of a strong, slow beat that feeds into the anthemic sound. Her sailing melody line on the words “I won’t fall” sweep you off your feet and lift you up, instilling a sense of hope within you. Young’s resolve and softness recall the feminine power that her female influences channel, and hint at what you can look for in the rest of her soon-to-come EP.

In the meantime, check out her latest single, “Ricochet” here

marlene oak, “sailing home”

marlene oak, “sailing home”

Today, captivating folk artist Marlene Oak releases her new track “Sailing Home.” With enticing, sprawling vocals, she seems to captivate us with a simple soundscape almost immediately. The way her “ooohs” almost seem to get momentarily caught in her throat, with the hitch of a rasp that is contagious as all get-out… mesmerizing. For someone with as magnetic a vocal range and beautiful a soul, we are surprised this is just our introduction to her catalog of work.

Spend a couple of minutes with this release. It’s going to bring your heart rate down and your soul connection way, way up.

ananya, “let there be love”

ananya, “let there be love”

“Let There Be Love” is the latest release for international, multi-platinum pop artist Ananya Birla. With over 300 million global streams since joining the scene in 2016, Ananya is a major force in the industry. She has opened for big names such as Coldplay and Wiz Khalifa and continues to scale the charts with her releases. Ananya is listed as a Forbes Woman to Watch, as she continues to build a great foundation for her career. 

The track “Let There Be Love” was recorded in Los Angeles during lockdown with Grammy-winning producer Aaron Pearce. It is an upbeat electro-pop anthem promoting the fact that beautiful things can come from dark times. The lyrics “Strong for your father / cry for your mother / love one another / pray for your brother / feel for your sister / why can’t we come together / let there be love” is her promoting this consistent message of unity. Ananya promotes joy and love through connections through her lyrics which coincides with her personal philanthropic work. She is an advocate for female empowerment and mental health and has worked with many organizations in the related fields. “Let There Be Love” is featured on Sirius XM Hits 1, making her the first Indian artist to feature on one of the largest pop radio shows in the United States.