by Madi Toman | Mar 16, 2020 | singles, wolf tracks
Former singer/songwriter of Austin’s Black Forest Fire, Jay Tonne, has a new indie project, aptly named Tonne. Tonne has just released his new single “Catalina” from his upcoming four song EP, Bridey Murphy.
Post Black Forest Fire, Jay moved to Denver and pursued an education, and despite having little free time and no band, continued to make music. When he attempted to write new material he kept coming back to the sounds and melodies that became the EP. He recorded the four-song work at Fort Collins’ own The Blasting Room studio and worked with producer Jason Livermore. He recruited new bandmates and their first show as Bridey Murphy will correspond to the release of the EP this spring.
The song’s sound is a blast from the past, giving off strong 90’s indie rock vibes. The melodic track is poppy in that somber way that was characteristic of the time. Tonne’s vocals are light and sweet but with an underlying layer of attitude and earnestness that provides a nice contrast to the guitar-driven instrumentals.
“Catalina” is out everywhere now and Bridey Murphy is set to release this spring.
by ImperfectFifth | Mar 16, 2020 | singles, soundtrack
The playlist is a list of songs that inspired all of the music that i will release this year. It also give people a look into where i am trying to go with my music. There are also some songs in this playlist that I cover live and will be releasing covers of this year. Take a step into my world of musical influences and inspiration.
by ImperfectFifth | Mar 12, 2020 | videos, wolf tracks
AJ Mitchell releases his newest track “Spring Break” featuring Rich the Kid. Off his upcoming debut album Skyview, the track showcases everything that works in a pop/R&B song, with a catchy chorus and verses listeners can’t help but move to.
A music video was released alongside the single, featuring both artists. Bright colors, incredible video quality, and warm weather scenes make us all crave a spring break adventure. Hopefully recent world events haven’t completely derailed your person spring break plans, but if they have, this video will breathe some fresh air into your staycation!
Mitchell is already among the top 500 Spotify artists with 8 million monthly listeners. His upcoming album release is sure to make him one of 2020’s breakout pop/R&B artists.
by: meredith schneider + kendal chandler
by Meredith Schneider | Mar 12, 2020 | soundtrack, videos
This month’s music videos are coming in in droves, an especially endearing thought during all of this quarantine talk. We won’t have to mention that again today, however, because if you spend some time escaping into some of these new visual gems, you’ll understand why we love our jobs so much. Here are a few of our favorite new music videos, with more to come all night long!
Click the icon at the top of the window with 3 lines for the list of music videos on the playlist to pop up!
Keep up with this playlist all month long to continue to see our favorite new videos as they’re released!
by Matt Hinsz | Mar 11, 2020 | snapshot, visual
Murder by Death returned to Lawrence, KS, on March 7 for a show at historic Liberty Hall. The group is mid-way through their current tour celebrating 20 years as a band. The crowd was so happy to welcome them back to Lawrence. The night included a great moment when lead singer, Adam Turla, acknowledged their love and long history with the town, from playing house parties in the early 00’s, to Liberty hall on Saturday. The group was energetic and cohesive – you could tell they’ve been performing together for 20 years.
by Madi Toman | Mar 11, 2020 | albums, review
Four-piece indie rock outfit The Districts have just released their new album, You Know I’m Not Going Anywhere, the album that almost never happened.
After nearly 200 shows and two years of touring in support of their 2017 effort, Popular Manipulations, the band found themselves both professionally and personally exhausted. And, with the shadow of needing to create a new album looming over them, the Districts started questioning everything.
In a press release, front man Rob Grote said “It felt like much of my world had reached such a pitch that all I could do was try to tune it out. I felt really uncertain about the future of the band and super detached from much of what I used to identify with, on a personal level and with our music. I was thinking, ‘Do I want to keep doing music?’ ‘Do I want to keep doing it in this context?”. So Grote did what any musician having an existential crisis would do; he holed himself up in his bedroom and began writing, not necessarily for The Districts, but to get excited about creating again. It was here that he found the space and freedom he needed to be creative again. He ended up with a batch of 32 songs, and while he never intended them for The Districts, when he finally showed them to the band, they loved them. Those 32 were cut to 11, and thus You Know I’m Not Going Anywhere was born.
Album opener “”My Only Ghost” is an ode to secrets and memories with ones we’ve lost. The synth almost overpowers the vocals, (which have a Bon Iver kind of feel) but it works, giving the track a lo-fi feel. Between this, echo-y clapping, and thickly layered shout-y vocals, the song feels almost like chilling cult-like chant.
“Hey Jo” is the lead single from the album and the definite standout. A circus of sound, this piece is thickly textured, but the song is incredibly well put together. Credit to producer Dave Fridmann is owed here, whose mix expertly layered the many elements into a cohesive whole. This track floats on plucked guitars and airy vocals before kicking into a fiery chorus with Grote repeating “Fuck my head.”
“Cheap Regrets”, is an electrifying disco number on the surface, but the lyrical content dives into nihilism and the shadows of consciousness that lurk in our minds. This one has all the bright and shiny qualities that we love in a dance number while letting everyone listening still feel angsty as hell. Of the song, Grote says; “This song is a criticism of the divisions that result from a self-oriented society and an attempt to transcend them, while simultaneously being an example of these very ideas. The song is the statue to the self; it is about itself.”
Upbeat and full of glittery guitar, “Velour and Velcro” is a love letter to the unknown future we’re all rocketing towards.“Changing” ebbs and flows, enjoying sweet, quiet moments of reflection and questioning before launching into electrifying choruses. “Descend” is a deceptively chipper folksy string plucked number that deals with death and separation.
Closer “4th of July” strips it back and feels sweetly reflective. Hand picked guitar and sliding whistling ride over Grote’s breathy and thoughtful vocals. It feels like a cross-country road trip, and not just because he sings about his own to Sante Fe. It’s a nice full circle moment of peace and closure.
You Know I’m Not Going Anywhere is out everywhere on March 13th via Fat Possum.
by Madi Toman | Mar 11, 2020 | albums, review
Nordic metal rockers The Goners are a group that rose from the ashes of former rock bands Salem Pot and Yavan, and they have now come together to form a new group and release a 10 track album entitled Good Mourning. Think fuzz-drenched 60’s garage meets 70’s doom, but add a hearty dose of punk rock, and you’ve got The Goners.
For their debut, The Goners cast off the influence and sounds of their previous bands and manage to create a new vein of their own in a post-rock world. They adopt a raw approach and aren’t afraid to break hard rock and metal molds, and it pays off.
Album opener “Are You Gone Yet?” is a rich track heavy with classic metal guitar riffing. This one holds a clear influence of 70’s rock style. The Goners then slow things down a bit for “High, Low and Never In Between”, a vibrant punk groove. “World of Decay” might deceive listeners in the first chunk as it initially feels indie rock, but it moves back into The Goners sweet spot of classic hard rock. This track also features cool jiving guitar on the refrains. “Evil (Is Not Enough)” exists in a similar vein of rhythm. Brash cut “The Sickening” is a chaos-rich 2 minute energy blast, heavy with distortion.
70’s hard rock prevails again with “Down Out”. This one rocks out with clanging grooves and ever-circling bridges and even throws off expectations by adding in horns in the second half before ending with an Iron Maiden-style rave out. “You Better Run” is a classic pounding head banger with a twist of the delightfully weird. This one features a nice dose of eccentric synth.
“Dead in the Saddle”, a Dead Moon cover, is essentially a sinister fun 5 minute riff-off. The track is intricate and catchy and (of course) laden with reverb-laced guitars. The shouty vocals and hand-clap inviting rhythm makes this closing cover a noteworthy addition to the album.
Good Mourning will be available everywhere on March 13th, 2020 via RidingEasy Records. Pre-order is available here.
by Meredith Schneider | Mar 10, 2020 | singles, soundtrack
The world is in a tailspin, and I don’t have to go into detail to tell you why. While America – and the world – locks themselves in their homes (and eats the key, right?), we want to provide some of the best new tunes to party hardy (alone or with other self-quarantined friends and family) throughout the pandemic. Check back all month long for the latest releases, and new ear worms to get moving to!
by Madi Toman | Mar 10, 2020 | singles, wolf tracks
Flemish musician
Glints has just released new single “Minimum Wage” as a precursor to his debut album which is set to release next month. The track is another knock-out rhyme-attack, a no-holds-barred hard grime infused slap-in-face track, showing again a different side of
Glint’s talent. Of the track,
Glints says:
Minimum wage is a track for all the people that struggle to pay their rent. For everyone who knows the feeling of not being able to pay their groceries at the register, to then lie about how they’re going to the bank to withdraw money, only to never return to that supermarket. An ode to the rat in our hallway that we used to call Ratatouille. For everyone working dead-end jobs, trying to make something of themselves. Because the end of the month is a son of a bitch.
“Minimum Wage” and Glints’ debut album, CHOIRBOY, are now out everywhere.
