Holiday-themed romantic comedies are a dime a dozen these days. So when Amazon Prime posted “The People We Hate At The Wedding” to their app during this timeframe, the cynic inside of me jumped for absolute joy. As a single person, I was over the sticky-sweet, predictable cuteness of the regular winter release. As someone who works pretty heavily in the wedding industry? I was ready to see the jaded side of celebration season.
Based on the book by Grant Ginder and directed by Claire Scanlon, the movie follows a brother and sister as their half-sister gets married in an extravagant ceremony overseas. The three siblings, played by Kristen Bell (Alice), Ben Platt (Paul), and Cynthia Addai-Robinson (Eloise) have a strained relationship, with Eloise being particularly estranged from the other two. The trio has a special type of chemistry in the way they choose to fight and play nice throughout the film.
The incomparable Allison Janney plays their mother Donna effortlessly, echoing the “can’t you all just get along?” sentiments that generations of parents have screamed into the abyss.
1. It Humanizes Parents
So many romantic comedies keep the plotline basic and don’t spend time on characters that have, in theory, shaped the protagonists. I can’t speak to the book, but the movie spends considerable time elaborating on Donna’s story. Yes, she is portrayed as a bit of a tightwad and incredibly frustrating for the kids in the beginning. But for once, you get a glimpse into the matriarch’s past, present, and future. You can see her heartache, notice how she supports and protects her children, and view her as an entirely independent character from the three true protagonists.
2. It Is Inclusive
“The People We Hate At The Wedding” focuses on blended families and the pain of comparison in a way that we are not familiar with in modern cinema. It isn’t afraid to vocalize both the beauties and the difficulties of a layered family.
The movie is inclusive of same-sex relationships – like that between Paul and his boyfriend – and engages in the discussion of what emotions come up when trying something like an open relationship.
3. It Examines Self-Worth Through Many Lenses
“The People We Hate At The Wedding” emphasizes a discussion around self-worth as it stands for each character. While Donna explores what makes her truly happy – and begins to find it in an old flame – Paul also has self-reflection time to explore what he wants in a romantic partner. His confidence in both himself and his familial relationships becomes clearer by the end of the movie.
Noticing true character progression in such palpable ways leaves the viewer inspired and excited for self-discovery in their own lives.
4. British Accents Abound
Love a good British accent? This film is largely based in the UK, so you’ll get your fix every so often. Does anyone really need another reason to melt into a new flick?
5. The Misadventures Will Make You Feel Good About Yourself
While the 3-star rating on IMDB might not exactly indicate it, there are moments of pure hilarity in this film that make it truly enjoyable. Like when Eloise absolutely burns Paul’s ex-boyfriend out of absolutely nowhere. Or when drunk Paul can’t stop talking about his breakup at the rehearsal dinner.
Plus, 3 family members end up in jail the week of the wedding. Can you guess who they might be? You’ve got to watch to find out!
At just 18 years old, Michigan-based Eli 07‘s (Eli Wilson) true musical talent originally gained him traction on TikTok. But his collaboration efforts and insane vocal talents are what will sustain him in the music industry for years to come. His music is soulful, equal parts softness and conviction. “15 Miles” is a rhythmic piece that utilizes acoustic guitar to create a sound that feels like the perfect blend of aughts’ emo and modern indie.
The music video – directed and edited by Rascreative – serves to perfectly amplify the initial pull and sadness of the track. With cool undertones, it follows the artist while he sings his woes on an abandoned beach. A sense of emotional struggle is introduced to the visual as he wears a suit and tie, but then abandons the buttoned-up look to connect with the waves. It is a scene worthy of a major motion picture.
Check out the video below, and let us know what you think!
Production Assistant: Felipe Navia Song Produced by @King Theta Mix/Mastered by @felipejnavia Written and Performed by @eliwilson07
This weekend was one for the books. A massive crowd gathered at The Truman in Kansas City, Missouri to enjoy a sold-out show featuring CVBZ and Teddy Swims. We happened upon the artist and his band during their Bonnaroo set this summer, and have been singing their praises ever since. His powerhouse vocals and humble nature, and everyone’s massive musical talent, are endearing as hell.
The band walked in at the start, followed by the charming lead singer. He was propped on two crutches, with two bare feet wrapped in athletic tape. You could tell the crowd was confused, but everyone’s attention was immediately drawn to the energy of the band.
After singing a bit, he addressed his bare feet, the clear elephant in the room. He told us that he sustained an injury while on a tour stop in Las Vegas. Instead of getting his ankle checked out, he chose to favor his leg and limp in the coming days. Today, however, a trip to urgent care revealed that, because he did not seek medical care for this first injury, he now had two sprained ankles. While he spent a few songs on his feet, there was a loveseat conveniently located by the microphone and a pile of water bottles for him to enjoy as he entertained the crowd.
His set included a few lively covers, “Broke,” the sultry “Two Moods” and crowd favorites “Simple Things” and “Bed on Fire.”
Los Angeles-based Sara Niemiętz‘s sound has evolved over time, each new release intrinsically captivating. Today, the talented singer/songwriter releases her fourth full-length, an audible treat titled Superman. Explains Sara of the project: “This album is about vulnerability and empowerment. It’s about speaking your piece, shaking off the past, and finding the superhero inside.”
And she’s not messing around. We start off with the sultry, confident track “Locks,” which serves as a ballbuster of an introduction to this particular collection of music. “I Want You” continues on theme, leading with a bass riff that perfectly frames and encourages the rock anthem that follows. Lines like “baby, I’m your type” reinforce the confidence that Niemiętz has built her career around. It’s a brand of badass that we can really rally behind.
Fourth track “Lovely Lies” begins with pure romance, a Spanish-style guitar taking just slightly off-center stage — to the side of the commanding vocals. Bongos seep into the mix, solidifying a new energy to this piece of the album. In a very cohesive manner, “Fill Me Up” begins slowly, reminiscent of a slightly more soulful Norah Jones, in all honesty.
“Four Walls” is a beautiful track that speaks to the weight of the pandemic and our collective stresses over the past several years. The soundscape feels organic, with gorgeous sound effects that make this song perfect for the end of an invigorating yoga practice. While “Come to Me” continues at a similar clip, “Names” drops with so much attitude you almost can’t handle it. “Keep an Eye” goes back to a more meandering pace, with a speed up – and captivating instrumental solos – later in the track.
“GOODx3” explores the silver linings to breakups, the things you learn, and the brightness that can shine through the “cracks.” It’s one of our favorites on the album, both regarding the instrumental composition and the lively vocals. The title track explores the many facets a person can have, even if they seem one-dimensional in your life’s story. Sara sings of the support that she can provide in love. “Every Light” continues in a similar vein, as she expresses her adoration for a romantic interest.
“Words” comes in heavier than its predecessors, a different level of rock with an added layer of psychedelic ambiance. The album ends with “The Dimming,” a self-reflective assessment that will ring very highly relatable for many. A lesson in perspective, it is a graceful ending to an album we truly enjoyed from beginning to end.
Today, Chicago-based psych-pop outfit Bret Koontz & Truancy Club release the easygoing single “Lonesome Rambler” and its accompanying music video. A genre-bending project spearheaded by Koontz and rounded out by talented artists he’s met along the way – Crawford Philleo (drums), Jake Acosta (bass), Maria Jacobson (flute, vocals), Reggie Duncan (pedal steel), and Ben McFadden (keys) – Truancy Club has created a beautiful, down-home earworm of a track with this one.
“‘Lonesome Rambler’ is a song full of archetypes: ramblers, gamblers, rangers, strangers, and fools,” explains Bret. “It looks at the idea of becoming what you romanticize and how idealized lifestyles are unwittingly reshaped through that becoming. What’s left is an arrival point beyond recognition. The song’s propulsive shuffle outlines flashes of a transient life with spotty cell phone service and unreliable recollections. What’s been saved is bitcrushed on a hardware sampler and what’s been left behind is…unclear. A new major arcana for the modern loser.”
The music video depicts a traipse through nature, with elements that draw you into an interesting – at times hilarious – plotline. (We’re big fans of the Jar Jar Binks cameo, but that’s neither here nor there.) Enjoy the new track’s premiere, perfect for all of your late-night bonfires of the season, below.
Bret Koontz & Truancy Club are set to release A Sparkle Road Cult on November 18th via Earth Libraries.
Have you ever heard of recipe-free cooking? I mean, as someone who has always experimented in the kitchen, this concept hardly seemed foreign at first glance. However, before indulging in the new series La Pitchoune: Cooking in France(presented by the Magnolia Network and HBO Max), I didn’t have a leg up in my cooking. I didn’t take the time to understand the ingredients, the textures, and the flavors.
The show took an educational dive into a real-life experience led by a no-recipe pact. Here’s what I loved about it.
1. The Story is Inspiring
In 2015, Makenna Held, the Lead Creative & Executive Director of La Pitchoune and the Courageous Cooking School, took a leap of faith and purchased La Pitchoune — or “Little One”, affectionately referred to as “La Peetch” — the Provencal vacation home of Paul and Julia Child. (Yes, THAT Julia Child.) She had a strong, inexplicable pull to the listing. Trusting her intuition paid off.
After landing in France, she started to create the framework that would soon become the Courageous Cooking School, her recipe-free cooking experience. In 2019, she married the love of her life – and Historian for La Peetch and Curriculum Director of the Courageous Cooking School – Chris Nylund at Bamafam and La Peetch.
2. The Kitchen at La Pitchoune is Magical
“Cooking in La Peetch kitchen is so magical because of the history and because of the past that it has,” Held gushes. “The fact that there are so many original things in the kitchen and there’s so much energy in that space. It’s just such a little snapshot in time and it’s connected to so many people who have been so important to shaping food and food culture. Also, it’s a kitchen with so much history and beauty and such a functional workshop. I think ultimately, that’s what makes cooking in kitchens like that so beautiful.”
3. The La Pitchoune Property History Adds Character
And she isn’t wrong. The kitchen has been maintained almost exactly as it was when Julia resided there. Many of the kitchen utensils belonged to Julia herself. When you take each item off the pegboard, you can see its outline so you know exactly where it goes. It’s a system and a work of art all in one. Even just watching on a television screen, you feel chills watching the camera pan that space. Every. Single. Time.
The overgrowth of the ivy along the side of the building is picturesque, coupled with some of the most gorgeous hillside panorama shots you have ever seen. The property is luscious, the guests seem captivated. Through the historical explanations littered throughout the episodes encouraged by Nylund, the property almost comes alive, both in how it is presented now alongside snapshots and stories of its past.
4. Courageous Cooking School Graduates Stick Around
Those who enjoyed their time at the Courageous Cooking School at La Pitchoune usually stick around. Many people go back for repeat vacations and cooking school experiences and the property gets a lot of referrals from previous guests. During the pandemic, they truly leaned into the idea of digital recipe-free classes. While there was a more in-depth paid experience, they hosted live streams and posted continuing education with recipe-free cooking lessons, posting the recipe in advance so people could procure their ingredients.
One La Peetch remote employee participated in both the digital and in-person experience. “It took participating in the cooking school in person to relly grasp the framework and gain the courage to experiment alongside other guests!” Erin P.S. Zimmerman, Associate Producer on the project admitted.
“I knew that the cooking school needed to be introduced to the world in a broader way,” Zimmerman explained. “With her personality, the framework, the location, and the team she’s gathered – it was the perfect storm for an entertaining, transformation-driven storyline!”
5. The Cooking Lessons Are Simplified and Accessible
In the first episode of the series, Makenna and her cohort Kendall tackle a basic. They approach the perfect omelet with their students. Many viewers learned a specific flipping trick to create the perfect texture and fold that day. This is a fact confirmed by a slew of comments and photos via social media. What a simple, beautiful recipe to ease the viewers into!
Each episode is sure to highlight the greenery that sets the backdrop for well-rounded meals and experiences. There is an educational angle to each episode that is charming. I feel like I am getting the cliffs notes version, but watching this show just makes me want to book the next available experience.
6. Adventure is Encouraged at La Pitchoune
The storyline goes on beautiful tangents to other villages and towns. It follows the owners on side projects, adventures to markets, and gorgeous experiences along the countryside. We get to see inside cheese shop storefronts and flower markets. Not to mention produce stands and fish shops, among so many other places. These sidebars make their true immersion into the culture feel authentic and sincere.
It serves to inspire others that adventure is wildly encouraged to succeed in life.
On Friday, September 23rd, the rock aficionados of Kansas City fled to the Midland Theatre in search of a beauty they hadn’t witnessed in years. The Gaslight Anthem recently announced their full-time status together again after a 4-year tour hiatus. Just two weeks into this leg of the tour, they almost immediately had to cancel a show. It had been scheduled earlier in the week in Denver, and openers Tigers Jaw were able to finagle a last-minute headlining set for all ticketholders to the original show to attend in addition to the reschedule.
While they didn’t want to postpone the show altogether, lead singer Brian Fallon had to keep himself and the fans safe and encourage his healing while he dealt with some form of sickness. (Not Covid, but he was a big congested.) Fallon had quite a bit to say about the fan reaction to that decision, which was entirely supported by his empathetic – and emphatic – fans in the heart of America. He even took time during the set to explain that – while he wasn’t at 100% quite yet – he was doing his absolute best on stage because he missed this crowd in this particular city.
Whether it was pandering or not, his stories were sincere, the joy on everyone’s faces was moving, and the night was a blissful continuance of a band we have all come to know and love.
Canadian psych outfit Mother Sun is back to entertain, with their layered, intricate compositions and upbeat soundscapes. In the lead-up to their third riveting full-length release, today marks the release of their new track “Tangerine Beach” and its entertaining accompanying music video. We’ve got your exclusive first listen — and look!
The enticingly bright video – shot, produced, and edited by Josef Perzon – evokes feelings of giddiness and joy from the start. After all, who isn’t going to immediately be in a good mood after sitting in the sun, brilliant turquoise waters behind them?
‘Tangerine Beach’ and its video tell the story of a optimistic vacationer, played by Nathan, whose trip is thwarted by expectations of paradise. Arriving at at the beach, many margaritas in hand, Nathan loses a lens to the sunglasses shading him from the reality of his surroundings.
As heartbreaking as the dissolution of an artistic endeavor is, Turkuaz couldn’t have done it more gracefully and completely than they did. Today, they released two albums – a total of 26 songs – within two overarching genres, conveying two concepts that fall hand-in-hand. Paradiso and Apollyon.
“The very big picture concept is that Heaven and Hell are two human constructs. The only place that they really exist is right here on earth, and which one you inhabit depends largely on how you conduct yourself and what you choose to believe,” explains Brandwein. “Life isn’t as simple as black or white, this or that. It’s not binary. We’re all a little bit of both… Beautiful and tragic chaos.”
Paradiso opens with a very alien appeal. Not only is the song titled “Strange People (Strange Times)”, but the vocals layered in with the synth action and sound effects make it feel especially otherworldly. A literal manifestation of the words in the track, it is a powerful opener to one of the two releases.
Turkuaz continues with this disposition – an effortless blend of upbeat synth-driven pop and standout vocals – throughout, guiding the audience through an oft-autotuned adventure of sorts. Favorites from this release include “Shakin’ in My Sheets”, steadily-paced “Rewind”, and literal disco dream “Disconnect in the Discotéque“.
Apollyon follows suit in its substance, however, its sound exists in a completely different realm. Funk-inspired and flavorfully layered, they approached this release as a full band in a room together. You can feel the party atmosphere palpably in the twelve-track album’s span. Favorites include “The Ever Watchful Eye” and leisurely “Pleasure and the Pain.”
Turkuaz’s Dave Brandwein is now focusing on work with New Originals and solo music under the moniker Band For Sale. Taylor Shell is now a member of Ghost Light, and the two plan to collaborate more in the future.
