If you have yet to happen upon the immense talents of Connor McLaren, now is your chance. The Indianapolis-based musician just released his first full-length with the indelible Ben Kweller’s label The Noise Company. Today, we get to peep the music video for the single “Candy Rain.”
A casual, meandering pace opens the track as we delve into the love story that is “Candy Rain.” While his romantic interest is metaphorically compared to this tasty concept, momentum builds and instrumentals are layered. The song becomes more of a quintessential rock ballad than originally expected, with a hint of grunge/surf rock influence in the whirring guitars. McLaren’s voice has the same appeal as your favorite 90’s crooners, giving all of his music what seems to be an unintentional – but completely genuine – layer of added nostalgia.
By the song alone, it is quite obvious that McLaren’s musicianship and professionalism far surpass the expectations normally associated with his ripe age of 21. But diving into the music video is a whole other treat. (See what we did there?)
The artist takes an artful approach to this visual release, with isolated color palettes dancing around his shadow profile in some frames, playing with natural elements like the textures in mother nature and the sun in others. Shots of the curly-haired crooner performing in earnest, surrounded by bubbles. Then covered in paint. Then avoiding a literal candy downpour under an umbrella.
The video is a kaleidoscope dream you won’t soon forget.
UPCOMING TOUR DATES: August 17 – New York, NY – The Footlight August 26 – Normal, IL – House Show August 31 – Bloomington, IN – The Atrium September 2 – Cleveland, OH – Mahall’s Apartment September 9 – West Lafayette, IN – House Show September 12 – Nashville, TN – The Basement East September 14 – Boone, NC – TApp Room September 21 – Chicago, IL – Bookclub October 14 – Charleston, SC – House Show November 10 – Appleton, WI – Appleton Beer Factory December 22 – Indianapolis, IN – HiFi **Homecoming show – TICKETS
SONG CREDITS Lead Vocals – Connor McLaren Acoustic and Electric Guitar – Alec McLaren Bass and Drums – Ben Kweller Backing Vocals – Connor McLaren and Ben Kweller **Written by Connor McLaren, Alec McLaren, and Benjamin Kweller and published by Weed Funded Songs (ASCAP), Charity Chase Songs (ASCAP) and Twelve Sided Die (ASCAP)
Rachel Burns knows passion. She knows intensity, appreciation, humor, and life. Her music has reached a unicorn “pop-soul-cabaret” genre-bending classification, relatably inspired by her everyday life. As a mother of two and cancer survivor, she could just as easily sing the blues — and most likely very beautifully. Instead, she takes a tongue-in-cheek approach to her art, the culmination of which comes to a head with her new EP release, What a Nasty Woman.
From the very first staccato notes of “Mansplainin'” – which any female-identifying human can probably identify with – through the weight of “Triple D’s” (pun intended), and through to the fade-out of wild-west inspired “Sundown Of The Macho Man,” you are in for a damn treat. Burns has brought just as much sass to her sound as she has talent, and these songs will have you revving up for the weekend the right way. (HELLO to her amped-up version of “All Shook Up”!)
“I like to empower people to empower other people. I’d like to uplift us all with this project,” Burns shares. “When I would dress up as Wonder Woman, I held up a giant sign that said, ‘Time to bust out the golden lasso of truth’ in glitter. Wonder Woman’s superpower was telling the truth. The truth is really powerful; it can break down all kinds of barriers, and I think that’s the kernel of a lot of my music: Truth telling. We’re going to laugh, dance, and be real – and not pussyfoot around anything!”
And pussyfoot she does not. Double entendres like the reference to fingers as “flacid, flimsy” and “soft, limp” in “Tiny Hands” and the entirety of “Triple D’s” are scattered across the 6-track EP, adding just as much joy and giggle to the aftermath of your listen as inspiration and empowerment. Her impressive vocal range is displayed to perfection on What a Nasty Woman, from the soft disposition of “Pollyanna’s Lament” to the deep, guttural performance of “Tiny Hands” and beyond. With nostalgic instrumentation that sets the stage for her theatrical, all-encompassing songs, you may just find yourself with an earworm or two.
It had, admittedly, been years since we had had the privilege of witnessing Young the Giant live and in person. Even as such, it was normally in a festival setting, so the set was a bit different than the headlining tours offered.
I have the honor of speaking to a couple who spoke about how they have followed Young the Giant on tour, witnessing their growth as they travel and experience different landscapes alongside their favorite band. As worrisome as a follower might otherwise seem, this couple seemed genuinely inspired by the music, and were truly living their best lives in love.
And if I didn’t understand the allure of Young the Giant before, I certainly do now. The colorful set was full of some of the most incredible textures, patterns, and colors you have ever seen on stage. Fringe surrounded a disco ball, warm and cool colors collided in carefully curated layers to bring the music to life in a way I have never seen – nor felt – before. Instant goosebumps were felt, and maintained throughout the set while memories associated with deep cuts flooded my mind.
Smoke danced around us – hence the “smoke show” – and magic filled the air. The crowd absolutely erupted when “Something to Believe in” began, and continued at that heightened energy throughout “Cough Syrup”. And that was just four tracks into their 17-track lap around the city. (From the confines of the Starlight Theater stage, of course.) The gorgeous instrumentals and beautifully woven lyrics that we have come to expect from this band continued into the night, on one of the most unseasonably cool evenings Kansas City has had yet to see this year.
SETLIST American Bollywood Wake Up Something to Believe In Cough Syrup The Walk Home I Got Nothing’s Over Dollar $tore Cult of Personality Heat of the Summer Dancing In The Rain Mind Over Matter Firelight Superposition Tightrope Silvertongue My Body
There were warnings of storms looming all day on Saturday, July 1st in Kansas City, Missouri. At any moment, a pop-up shower could leave any part of the metropolitan area drenched. And it did. Multiple times.
But not that night.
Not that evening when German rock band – and Midwest fav – Milky Chance opened for Young The Giant at the gorgeous Starlight Theatre. They dazzled the crowd with eye-catching style, serotonin-boosting tunes, and envious hair (according to pretty much everyone there). Here are some beautiful moments from the opening of the show.
At 9:30pm on Friday, June 16th, Jason Isbell took the stage to headline Day 1 of Boulevardia in Kansas City, Missouri. The festival focuses on the vibrant beer-centric culture in the Kansas City metropolitan area. It brings hops from all over, as well as music, vendors of all kinds, and interactive experiences you can’t find anywhere else. Find Boulevardia in Kansas City every Father’s Day weekend. (aka quite often the hottest weekend of the summertime.)
The Grammy award-winning act took the main stage overlooking Crown Center. Here, the bustling center in the heart of the Crossroads District now plays home to the annual fest. Surrounded by smoke – and an incredibly talented band – Jason Isbell entertained the masses who had gathered in the street to get a glimpse of the Americana crooner.
With the lights of the city behind him, Isbell set the tone for the rest of the (sweaty) beautiful event.
Day 2 of Boulevardia was a hot one. Per usual, the annual festival occurs on just about the hottest weekend of the year, Father’s Day in downtown Kansas City. Day 1 featured many favorite local acts, an array of vendors (some of which provided a reprieve from the heat), and a metric ton of photo opportunities. Day 2 brought much of the same, with an earlier start time that easily drained the battery on many of us throughout the day.
But at 5:05 pm, the legendary Big Freedia took the main stage. If ever there were someone to reignite the flame on a fiery – yet sweaty – festival, she is that person. Her catalog of high-energy music brought the whole crowd to their feet, encouraging people of all ages to dance. (In fact, I witnessed many employing her twerking tactics throughout the evening as we got deeper and deeper into our alcohol consumption.) The show was an absolute work of art
Big Freedia brought beauty to the beginning of the evening on stage. She continued to bring good energy in her kindness to those who approached her after her performance as she roamed the festival grounds with her friends.
**Big Freedia was introduced by Kansas City’s current mayor in what many are considering to be a performative move. While he is championing legislation to make our city a safe haven for trans people, he is fighting against affordable housing for tenants and has voted down vital mental health, housing, and arts funding for the city. He has also pumped more money back into policing in Kansas City while defunding public health resources, a controversial and uneven approach.
It’s been a while since we released a soundtrack feature, especially one of our own curation. But life got in the way. Incredible opportunities career-wise for our contributors, big moves, personal setbacks, and more fed into the distance we felt growing between us and the music. But music is our source of wellness and joy. It inspires us. It gets us moving to a rhythm that sustains our productivity. And we thrive in its presence.
So we are BACK with a vengeance… and a bangin’ new June soundtrack feature, featuring all of the new tracks that bring us joy. New sounds are brought to you by artists like Amaara, The Japanese House, Zolita, and more. Check back all June long for new additions, and keep your eyes peeled for more movement and newness at ImperfectFifth.com!
If you have yet to hear of Jensen McRae, then you are in for a treat. You have been missing out on one of the most brilliant new talents to grace the clubs and venues of her home of Southern California. The 25-year-old pop singer-songwriter had the opportunity of a lifetime to open for an international touring sensation. McRae was hand-picked by Dermot Kennedy and his team to be added to Kennedy’s regular lineup for their stop in Los Angeles. (A show that normally consists of the Irish crooner and musician Kevin Garrett.) The Youtube Theater was in for quite the treat.
As the first line of lyrics came through McRae’s lips, an actual gasp went out across the Theater. The audience was spellbound by her warm vocals and the depth of emotion in her voice. We were particularly big fans of the goth feel of her collared, striped, and moody ensemble. Check out our (unedited) selects below.
The ever-charming and talented alt-rock outfit Carver Commodore – comprised of guitarist and vocalist Payton Pruitt, guitarist Phillip Blevins, drummer Noah Freeman, and multi-instrumentalist Clayton Christopher – took time out of their schedule to take over our Instagram account during SXSW 2023. We caught up with them post-takeover – and post-fest – to see how it all went down for them. Lead singer and guitarist Payton Pruitt’s words below.
an interview with Payton of carver commodore
iF: What was the first song or album that you remember hearing, and does that work of art have any influence on how you approach your music today?
Carver Commodore (CC): One of the first songs I remember hearing is “That Smell” by Lynyrd Skynyrd. I have a core memory of slamming my finger in the door of my dad’s El Camino and rushing to the doctor as my finger gushed blood and “That Smell” played over the speakers. I was probably 4 years old. I still love that song, and I’m 100% sure it has crept into my songwriting at some point. The Lynyrd Skynyrd “triple guitar assault” is definitely something we draw from as a band!
iF: Tell us a little bit about what got you started in music, and how this project came to be.
CC: I started playing music around 11 or 12 years old because a friend of mine played guitar and we both got into AC/DC at the same time, so I wanted to play those songs with him. I started singing and writing songs around 15 years old, and a few bands later, Phil (our guitarist) and I started Carver Commodore together after being in a folk rock band together.
iF: What did the road to SXSW look like for you, literally or figuratively?
CC: We’ve been trying to make it out to SXSW for years. We were booked for a few unofficial shows in 2020, but we all know what happened there. Couldn’t get on in ’21 or ’22, and finally made it in ’23. Played a few great shows with our boys in a band called Brother Moses on our way out this year and loved it.
iF: What has the experience been like? I’d love to see it through your eyes, as first-timers!
CC: Honestly, super chaotic when it comes time to play shows! Parking & Load-in kinda sucks, but that’s just part of it I guess. We had a few great shows and a few not-so-great, but I’m glad we finally got to experience it. It was a learning experience if nothing else! Would also be nice if SXSW would give artists water!
iF: Best showcase, besides your own?
CC: Hermanos Guiterrez at Stubb’s.
iF: What was the most magical thing you found in Austin?
CC: Free parking
iF: What’s your absolute favorite word right now, and why?
CC: “Mode.” No idea why – everything is just on “__ mode” (ex: “SXSW is on $30 parking mode”)
iF: If you had the ability to tell the future, would you like it?
CC: Probably not. Would just give us more to worry about or anticipate!
iF: What’s coming up for you next?
CC: We’re releasing a new EP called “If Nothing Happens” on August 15th! The first single is out April 11th and it’s called “Drown Me in Emotions”. Very excited for people to hear these songs.
iF: That’s amazing! We can’t wait.
CC: CAR-VER COM-MO-DORE! Thanks for letting us be a part of this!
