I’ll always jump at the chance to review music in my local area, so getting to write about DC-based indie band Pretty Bitter was super exciting. The band, (composed of vocalist Mel Bleker, bassist Miri Tyler, keyboardist Zack Be, guitarist Chris Smith, and drum-ist Jason Hayes) formed during the late 2010s and have released two albums, 2019’s Patchwork and 2022’s Hinges, with a third currently being scheduled for some time later this year. Their sound is self-described as “queer alternative emo dream pop-ish”, which is probably a fair way of putting it. Listening to some of their previous songs gave the impression that the band has eclectic tastes and doesn’t want their sound to be pigeonholed, especially considering the immense talents each member has. It seems inspired by a plethora of alt-rock sounds, namely dense pedal/feedback-heavy psychedelia (or shoegaze, if you’re annoying) with occasionally some distorted garage-rock guitars or danceable drumming and bass playing. For a band that’s still young, I appreciate their desire to keep listeners on their toes by having a decent range of playing styles.
Their newest single from February, the grimly titled “Roadkill”, is a great showcase of each member’s abilities and chemistry with each other as they make the track into a total gem. The vocals are bursting with confidence and enthusiasm, even when they’re occasionally buried by layers of guitar and synthesizer effects. Speaking of, the band continues to mix and match styles by incorporating some bubbly new wave-y synths that really pop, and keep the song fresh. The aggressive, relentless energy provided by the guitar, bass (wonderfully gritty during the bridge) and especially the drumming, which never seems to slow down for even a second. It complements the angst and frustration present in the songwriting, with lyrics that are personal and confessional like a lot of Pretty Bitter’s other work. Yet it’s still fresh and inventive through the band’s abilities and their commitment to not fully repeating themselves.
I’m glad I could write about Pretty Bitter, as the band is absolutely a shining star in DC’s growing local music scene. They have potential and musical expertise in spades, and seeing their further growth and evolution will be a joy to witness.
Get ready to be blown away by The Lookout’s latest single, “I Know the Future,” an exhilarating ride through the heart of Montreal’s punk scene. Masterfully channeling decades of punk influence, “I Know the Future” is a track set to ignite your senses and keep you hooked from the very first chord riff.
Led by powerhouse frontwoman Martha ‘Rockhard’ Rodriguez, whose vocals embrace the raw, gritty spirit of Joan Jett, The Lookout brings a fresh, yet familiar energy to the punk genre. “I Know the Future” features fast-paced, energetic guitar riffs and driving rhythms that embody the essence of classic punk while infusing a modern, urban edge unique to Montreal’s vibrant music scene.
The song cleverly disguises its heavier themes with a fast-paced, energetic sound, making the emotional gut punch of its message all the more surprising. At first listen, the song is a thrilling and fun anthem that makes you want to move and shout along. But as the infectious energy pulls you in, the deeper meaning of the lyrics begins to resonate.
“I Know the Future” captures the frustration of knowing the outcome of one’s actions yet feeling compelled to repeat them, a theme that most of us can relate to. The line “It’s all so simple” highlights the paradox of life’s complexities; just “Try, try, and try again.” But the relentless pursuit produces only the same, known, less than desirable outcome, making this track not just a musical experience, but an emotional journey.
The Lookout’s connection to Montreal’s diverse punk community shines through in their authentic sound and poignant storytelling. Whether you’re a longtime punk aficionado or new to the scene, “I Know the Future” offers something for everyone: high-energy music, compelling vocals, and lyrics that linger long after the last note fades.
Today, San Diego rock act Embers releases To: The Moon, a 5-track EP that will get you on your feet, jamming out to anthemic melodies about mistakes, intrusive thoughts, and other relatable material. Sleeping with Sirens’ Kellin Quinn guests his notable vocals on the EP’s second track, “eating me alive,” giving this otherwise dark track another intense and beautiful layer.
Explains Embers of the EP: “’To: The Moon’ is a melting pot of my influences using inspiration from pop punk and emo to reflect on mental health struggles, toxic relationships, and emotional turbulence. A step forward from my last EP ‘EMO SZN’, ‘To: The Moon’ finds itself a more energetic place in my catalog.”
And he’s not wrong. The energy is on another level. Get your first listen to the Embers EP in its entirety below.
Recording the EP has been an amazing journey. On my first EP, I was going through such a hard time, and it reflects in the music. I’m so proud of the lyrical content and how therapeutic performing those songs is for me and my fans, from what I’ve been told. This second EP takes the basis of the sound of the first EP, but bumps up the energy x 100. The guitars are bigger and the lyrics are less desperate and stronger to match. I can’t wait for people to hear the new music live.
Tennessee-bred indie rock outfit Colony House – expertly comprised of artists Will and Caleb Chapman, Scott Mills, and Parke Cottrell – celebrates the release of their new full-length The Cannonballers today. Equal parts thrilling and entrancing, the album is a wild ride from the intro of the initial track “Landlocked Surf Rock” to the very last notes of “I’m Not Dyin’.” Chapman’s vocals are smooth, the lyrics are relatable, and the indie rock edge is cut slightly with high production quality.
Admits the band: “We tried to stay away from getting stuck on a theme, but I think being back home for such an extended period of time after traveling so hard for the last ten years informed a lot about this album.”
In fact, their home base served as the main inspiration for the album. Says frontman Caleb Chapman: “We got to see the seasons change and experience our home again for the first time in a long time. I think I was falling back in love with Tennessee, and I started revisiting some old memories and old relationships in my head that pertained to certain geographical locations as well as just emotional places I had spent my most formative years.”
We suggest melting into tracks like “One of Those Days” and “Don’t Give Up on Me” when in a contemplative mood, and turning up the volume on tracks like “Landlocked Surf Rock” and the beach-worthy title track.
There’s something magical that happens when you get a trio of powerhouse female musicians together. When they all take their enthusiasm for their art and tour together, it can be an invigorating experience. Photographer Christie McMenamin captured shimmering moments from the final night of the Wild Hearts Tour in Central Park, featuring Julien Baker, Angel Olsen, and Sharon Van Etten.
Julien Baker Week descended on New York City with a flourish, the rush of which resembled the city itself. With three sold-out nights at Webster Hall, tickets were highly coveted. This was even reflected in the line prior to doors, as fans began to line up around 2-3pm, gunning for the first row.
On the second night, however, Baker suffered from a stomach bug and had to end the show after 40 minutes. Thankfully, she added a date to make up for the shorter set, this time at Brooklyn Steel, where she has played three times in the past. Unfortunately, due to the fact that the show was added last minute, Baker didn’t have a second opener. She then enlisted her Boygenius bandmate, Lucy Dacus, to do a short interlude after singer/songwriter Katie Malco’s set.
As Lucy Dacus took the stage, armed only with her acoustic guitar, the ear-piercing screams that greeted her would have had one convinced that she herself was the headliner as opposed to Baker. The crowd sang along, providing enthusiastic accompaniment. Dacus was smiley and chatty, joking around between songs and telling stories, even debuting a brand-new song. Ending with “Night Shift,” Baker and her band joined in to do it electric, mimicking the exact feeling of the night.
When Baker took the stage, the energy shifted to one of quiet reverence. After her band played the intro to her second LP, Turn Out the Lights, “Over,” Baker began to sing “Appointments,” the opening track. Performing songs from each of her records, 2015’s Sprained Ankle, 2017’s aforementioned Turn Out the Lights, and 2019’s Little Oblivions, the setlist covered the span of her career, including some of her EPs, such as tracks like “Tokyo” and “Red Door.” She also played two new songs, “Middle Children” and “High in the Basement.’ Further, Baker excitingly rearranged some of her songs, giving them a new emotional pull. She also had her band backing her up (which has only occurred on the Wild Hearts tour) as opposed to her earlier shows with only an acoustic guitar.
Baker next heads to San Francisco and LA, where she is playing a 3-show residency in each city. After, she will fly to London for a 4-show residency.
Supergroup L.S. Dunes brought their high-octane energy to the stage on day 2 at Riot Fest 2024. Having wandered the grounds earlier in the day with their new music, lead singer Anthony Green (Circa Survive/Saosin/The Sound of Animals Fighting) drummed up some excitement around their set.
This was the only set we caught in its entirety of the festival. Crowd participation was noticeable, and a larger audience was drawn throughout their performance as people began to notice the artistry on stage. We overheard new fans gushing about the performance on public transit after Saturday wound down.
Setlist 2022 Bombsquad Like Forever Grey Veins Benadryl Subreddit How Dare You It Takes Time Permanent Rebellion Past Lives Fatal Deluxe
Indie rock outfit Spoon may have been dazzling stages with their talent since 1993, but Riot Fest 2024 is where they really brought their shine. In the heat of a bright Saturday afternoon, they stared directly into the sun — and a crowd of thousands — as they regaled us with bangers from every one of their eras. From “The Way We Get By” to “My Babe” and “Inside Out,” through covers from The Natural History and The Cramps, they kept the energy high as the crowds continued to hydrate.
We captured some quick photos of the beginning of their set for you.
Setlist Got Nuffin My Mathematical Mind You Got Yr. Cherry Bomb The Hardest Cut The Way We Get By The Underdog My Babe Wild Inside Out Don’t You Ever (The Natural History cover) Do You I Turn My Camera On TV Set (The Cramps cover) I Summon You Rent I Pay
Los Angeles-based punk rock outfit NOFX has embarked on a far-reaching farewell tour that helps the band honor their decades-long contribution to music. They brought their quintessential energy — and, at times, fully childish behavior — to all three days of Riot Fest 2024. Through sunshine and heat and endless rain in Douglass Park, Chicago, the guys sang from a catalog that would impress most, with love from fans emanating throughout the aptly named “NOFX World.”
We were lucky enough to capture some magic from night 2.
