by Meredith Schneider | Dec 24, 2019 | videos, wolf tracks
Canadian-based alternative duo Rachel Bobbit and Justice Der may have released their new album When This Plane Goes Down at the end of October, but the talent keeps getting thrown at us, this time in the form of a music video for their track “Beneath Our Feet (Exit Music)”. Placed appropriately at the end of the 9-track stunner of an album, it maintains the largely playful energy of the album, moving at a clip that is both fun to dance to and easy to relax to. But that’s what their music is. With light as a feather and yet somehow still sultry vocals, there isn’t a track on this album that we don’t adore.
That, coupled with layers of bizarre and fun visuals on what seems to be a night out, and you’ve got a very gorgeous video to enjoy. Check it out below, and let us know what you think on our Facebook page!
When This Plane Goes Down is out now. Keep up with Rachel Bobbitt and Justice Der here.
by Meredith Schneider | Dec 23, 2019 | snapshot, visual
On Thursday night, Arvest Bank Theater at The Midland hosted the storied Angels and Airwaves for their first run through Kansas City in ten years. The crowd was absolutely enamored, and we caught some brilliant shots. Check them out below!
Keep up with Angels and Airwaves here.
by Meredith Schneider | Dec 20, 2019 | albums, premieres
Tennis Club’s Wilson Hernandez embarks on his solo project with the release of new EP Last Sunday today. Released on birthdiy (spirit goth), Last Sunday boasts 5 quick, new tracks that almost glow their way out of the speakers. With a nostalgic sound, the Joplin-based musician has encapsulated his work in reverb for days, making the entire collection a relaxing, beautiful soundscape to play at your holiday parties. Try it on for size below, and then let us know what you think over on our Facebook page!
by Christie McMenamin | Dec 19, 2019 | snapshot, visual
On December 5th, the legendary Lucy Dacus played Webster Hall in New York City. She dazzled the crowd with her talents, and dazzled our camera lens with her grace. Check out some highlights below!
Keep up with Lucy Dacus here.
by Meredith Schneider | Dec 18, 2019 | videos, wolf tracks
This week, Draag released the new music video for their first single, ambient track “Ghost Leak”. The song itself, as explained by the band, is about “the feeling of being completely invisible and inconsequential.” They take the meaning a step further with the video, keeping it as literal as possible.
Comprised of many still video clips of a single woman in different areas, amongst a variety of landscapes. Highway overpasses, in the middle of trees, in a souvenir shop, in front of a church. The list goes on and on. Each new shot is unexpected and beautiful, many establishing symmetry and the rule of thirds. And in each of them, the woman looks unseen.
Point taken.
Directed and shot by Adrian Acosta and Jessica Huang | Type by Angelo Rosales | Edited by Elijah R. (lunoluna) | Camera assist by Elijah R. (lunoluna)
The band has a February residency set up at The Echo, so check them out soon. Keep up with DRAAG here.
by Elizabeth Schneider | Dec 18, 2019 | Featured, perspective
I’m a nostalgic person by nature. This time of year brings out all the memory triggers – smells, sights, yearly movies, conversations with family. Thinking back on the gifts I’ve gotten through the years, the most memorable often include music.
As a kid, my cousins and I drew names for gifts. Our family didn’t get together very often since we lived in different parts of the state, so Christmas at my grandmother’s house was a big deal. Christmas when I was eight was huge – the gift from my cousin was The Partridge Family Christmas album! Three of my cousins were slightly older than me, so they talked about songs and bands that were not on my elementary school radar. The Partridge Family, however, was on my TV every Friday night and now I had their album! The songs were Christmas standards, sung by David Cassidy, Shirley Jones and studio musicians. Very pedestrian by grown up standards, but that album meant the world to me. It even had a card attached to the front of the cover that was “signed” by the entire Partridge Family. What did I know about mass produced autographs? I nearly wore that record out playing it well beyond the holidays.
As a teenager, I would often get albums as gifts – Fleetwood Mac’s Rumours, Don Henley’s Building The Perfect Beast, all the albums by Hall & Oates. Music is so easy to gift and so appreciated. I still have an extensive album collection, even though I have most of the music downloaded, because they bring all the great memories to the fore. Reading liner notes was the best because you would know an entire song and be able to sing along immediately. As I got older, albums gave way to cassettes, then CDs.
Then came concert tickets!
I cannot hear Bruce Springsteen’s “Santa Claus is Coming to Town” without thinking of the first time I heard him sing it – November, 1984. It was also the first time I had seen Bruce live in concert and that song closed the show. Even though everyone in the crowd should have been spent after the four hour show, “Santa Claus is Coming to Town” just re-energized the full house. There was very defined time line – those events before that show, and those events that occurred after that show. Although I had been to live shows before that, all that came after would be compared to Bruce Springsteen live. It’s a high bar, but one that most artists meet in their own way.
Another special show was taking our family friend to see Barry Manilow. Her name was Mary Louise Weaver and she could not have been a bigger Barry fan. She was speechless, teary-eyed, smiling and singing – mostly simultaneously. She knew all of his music and had the best time. I was so happy to witness her happiness.
I am now a grown up with grown children, but I still experience the same excitement when I hear a song from any time in my life. Fortunately, all three of my kids have grown up loving music, so my husband and I did something right. We have a great time listening to different genres and attending different shows. I love to sing at the top of my lungs driving in the car, around the house, or at any concert I am attending. Music is a great unifier and sharing music is a gift that we can all give each other.
Now, it’s time to fire up the turntable for that Partridge Family album.
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What’s your favorite musical memory? Share with us so we can feel that nostalgia too, over on our Facebook page!
by ImperfectFifth | Dec 17, 2019 | Uncategorized
Still haven’t decided on that perfect music selection for the quiet moments amidst the madness of the holidays? That’s OK.London-based singer/songwriter Ollie Trevers has swooped in with a win for you, boasting five incredibly beautiful tracks on his new EP Cordelia. Each song is dripping with emotion, Trevers’ vocals acting as the main instrument. Sincerely, if you haven’t experienced this man’s vocal talent, it’s absolutely time.
Take first track “Dispassionate Love”, for example. There are points in that song that sound like he is weeping. And then he’s singing at the top of his lungs like a ballad. Not to mention the mellifluous sounds he makes between lyrical stanzas, and the gorgeous note changes while drawing out words. “Can’t Make It Up” follows suit, beginning slower and progressing to a cacophony of sound at points during the track. What I love about this one is that it builds to a head, and then slows down again several times. It leaves you slightly unsatisfied throughout in that regard, though disappointing it is not. It edges more on the side of intriguing.
“Stage of Fools” might be one of the most gorgeous songs we have ever encountered, and the album gets no more upbeat in topic from there. The entire EP details loss in love, emotional wreckage, and the relatable thoughts brought on by heartbreak. “I Need Someone” magnifies this, definitely written in a poetic — albeit low — moment. “Lost Alone” rounds everything out with an audio atmosphere that feels very Queen-inspired, a love rock anthem to its core.
What do you think? Let us know on Facebook!
Track Listings – Cordelia EP
1 – Dispassionate Love
2 – Can’t Make It Up
3 – Stage Of Fools
4 – I Need Someone
5 – Lost Alone
See Ollie Trevers live
23rd January – Nambucca, London
31st January – The Finsbury, London
Keep up with Ollie Trevers here.
by Elizabeth Schneider | Dec 17, 2019 | Featured, perspective
2019 has seen a plethora of music come through Kansas City, both large tours and one-off intimate shows. We are fortunate to live in an area that attracts artists of all musical genres.
Two of the shows I enjoyed most this year were Panic! At The Disco (February 2, Pray For The Wicked Tour) and Backstreet Boys (September 7, DNA World Tour). Before you think this is the opinion of someone who grew up on boy bands, understand that I am the mom of young women who listened to boy bands as a part of their musical repertoire. Road trip music did include the Backstreet Boys and Panic!, but playlists also consisted of Garth Brooks, P!nk, show tunes, The Temptations, and the Proclaimers among others. Music, and live music, are givens in our family.
When these two tours were announced, I knew that my two daughters and I had to go to both of them. I had never seen Panic!, but both of them had, so I was excited to see this show. It did not disappoint. The show was sold out and everyone was on their feet the entire time. Brendon Urie entered the stage by leaping out of a hole in the floor and the energy did not wane from there. With a full band that included strings and horns to back up Urie, the entire show was a musical gem. In addition to the songs, which everyone knew every word to, lights, pyrotechnics, and graphics were used to create an event, not just a concert. Brendon Urie also spent some time playing piano, both at the front stage, and an auxiliary stage which was then elevated over the crowd.
I can honestly say that I came away from that show hoarse from singing at the top of my lungs. It was so much fun to watch other people enjoy themselves. All 14,000+ of us were at a party together and no one left dissatisfied. Don’t threaten me with a good time!
Setlist
(Fuck A) Silver Lining
Don’t Threaten Me With a Good Time
Ready to Go (Get Me Out of My Mind)
Hey Look Ma, I Made It
LA Devotee
Hallelujah
Crazy=Genius
The Ballad of Mona Lisa
Nine in the Afternoon
One of the Drunks
Casual Affair
Vegas Lights
Dancing’s Not a Crime
This Is Gospel
Death of a Bachelor
I Can’t Make You Love Me (Mike Reid cover)
Dying in LA
The Greatest Show (Benj Pasek & Justin Paul cover)
Girls/Girls/Boys
King of the Clouds
High Hopes
Miss Jackson
Roaring 20s
Bohemian Rhapsody (Queen cover)
Emperor’s New Clothes
Encore:
Say Amen (Saturday Night)
I Write Sins Not Tragedies
Victorious
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Backstreet Boys were another first time show for me. Once again, my daughters had seen Backstreet Boys, so I was looking forward to going with them. What I didn’t expect was for this show to sell out as well! Although the crowd was slightly older than the crowd at Panic! At The Disco, there were plenty of younger people in the audience as well. And once again, these were people who did not sit down during the show!
Backstreet Boys employed a more traditional stage, but were in constant motion to cover the entire area. This also allowed them to take turns singing lead. There was not band on stage, but no one seemed to mind – these fans were here for the Backstreet Boys. The Boys, which I hate to say since they are all married men with children, interspersed medleys with their full length songs to cover most of their broad catalog. Everyone knew all of the songs, regardless of whether they were 20 years old or on the newest album. And they sang every word.
And I sang every word and danced with my daughters, just like other moms in the audience danced with their daughters. Live music can help you create memories like none other.
Setlist
Everyone (First verse only)
I Wanna Be With You
The Call
Don’t Want You Back
Nobody Else (Brain Solo, First verse and chours)
New Love
Get Down (You’re The One For Me)
Chateau (Howie Solo, First verse and chours)
Show Me The Meaning Of Being Lonely
Incomplete
Undone
More Than That
The Way It Was (Nick Solo, First verse and chorus)
Chances
Shape of My Heart (No second verse)
Drowning (No second verse)
Passionate
Quit Playing Games (With My Heart)
As Long As You Love Me
No Place
Breathe
Don’t Wanna Lose You Now
I’ll Never Break Your Heart
All I Have to Give (Conversation Mix)
All I Have To Give
Backstreet Boys DNA Tour Remix
Everybody (Backstreet’s Back)
We’ve Got It Goin’ On
It’s Gotta Be You
That’s the Way I Like It
Get Another Boyfriend
The One
I Want It That Way
Encore:
Don’t Go Breaking My Heart
Larger Than Life
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What was your favorite show of 2019? Let us know on Facebook!
by Meredith Schneider | Dec 16, 2019 | albums, review
On December 13th, Irish-Canadian collective The Orange Kyte unveiled their latest offering, Carousel. Resplendent in nature, the album is a well-rounded ball of energy, bringing the band’s specific brand of psych to the masses without missing a (literal) beat. Impressive reverb, charming percussion, and a rock mentality drive this album from the start with upbeat tracks “Masquerade!”, “The Modern Dar Saints”, easing into the more moderately paced “Distractions”. The song itself feels like a mild distraction, melancholic in sound, but is just as gorgeous as its predecessors.
“C.O.P.” picks it back up, injecting a certain amount of surf rock influence into the guitar. “Little Death Balloon” also operates quickly, though you almost expect it to come in with more of a My Chemical Romance-leaning rock ballad sound. Nope, it’s very 60’s and very alluring. “Demonstration Garden” is the leisurely track to follow, a song best suited for the background of your next dinner party. “Sea of Love/Ocean of Hate” comes in frantically, a true toe-tapper if ever there was one.
If the saxophone intro in “Infinity Rope” were any indication that the gorgeous climax of an 80s rom com were about to take place, we wouldn’t be surprised. The song itself is one of our favorites on the album, so definitely take a moment to appreciate its layers. Though “Downfall” has a very heavy title, the soundscape is light, experimental almost in nature. The opening sounds very other-worldly, and constant whirring in the background makes it all feel very technical and almost futuristic as well.
“Captain Ron” keeps the party going, slowing the pace a bit in the middle of the track, so that your heart rate can revert to its normal pace in time. So much excitement in one album is a lot to handle, but is an absolute pleasure to experience.
Keep up with The Orange Kyte here.
