Al Olender is a songstress from upstate New York, with a knack for unraveling our biggest fears and emotions in her own words. As recent years have forced her to get to know herself on a deeper level, her music stages itself as borderline therapy for those of us who are muscling through tough times as well. Her first full length–aptly titled Easy Crier–is out now, and we implore you to experience it with your own ears.
“All I Do is Watch TV” has a title we can all get behind after being locked away during a pandemic, but the song itself is so unimaginably magnetic, and such a beautiful way to open this initial full-length of hers. The song itself is about dealing with the loss of a loved one, found in lines like “I read a book on grief, it told me to lay in bed.” Second track “Keith”–named after her older brother, who was lost too soon–is a testament to a life gone awry. Incredibly specific, yet viscerally relatable. She continues in this pattern with the delicate “Liar Liar,” which transports you to these moments and this intense feeling of melancholy.
“Djouliet” picks the pace up a bit, with notably light piano that makes the track, quite honestly, perfect for the summer months. The title track is infinitely relatable, as Olender discusses her experiences as though they are fleeting moments, passing her by on a screen. Her detachment–even during the pleasant memories–is incredibly notable, especially for those who have experienced any level of depression in their lives. And yet, she sings it all with an ethereal disposition, as though it hasn’t affected her at all.
But that is, perhaps, Oldender’s greatest superpower, as revealed throughout all ten tracks of this release. Her beautiful vocals feel untouched by any negativity, a slight release from the chokehold of seriousness that has seemed to enshrine us these past few months especially. And yet the subject matter is so much more complex. “Forget Your Number” is bittersweet and a bit vengeful, and we’re absolutely in love with it. “Neptune Pool” and “Minnesota Waltz” follow suit, employing silence between the notes to encourage a more emotional pull. “The Age” picks the pace up and layers in more instruments alongside boosted optimism. It serves as a quick one-two punch to get your heart rate up, almost blindsiding you with the return to delicacy in the final track “Mean.”
Keep up with Al Olender and her endearing music here.
Country artist Ashley Ray brings many core thoughts and memories from her youth in Kansas to her unique and beautiful music. “Just a House” was inspired by her father’s memory. Her family lost him 15 years ago, but grief is not linear. Allowing it to move through her music, Ray has developed a heartwrenching take on the world, a melancholic feel to her art that helps the listener empathize deeply.
The music video – which depicts a young boy trying to raise money to support his dying grandmother – is an absolute treasure of a short film. Stephen and Alexa Kinigopoulos heard the song, and chose to pull from their own feelings and memories of loss for the video’s concept. Explains Stephen:
When I first heard this song, it triggered me in the best way. I re-lived my family’s loss. It triggered me to think of the loss and the whole process in a montage sort of way… I could see and feel what Ashley’s mom was feeling. That dug up some skeletons for me.
The video may stir up some emotions, so be aware of the company you keep while you enjoy it. 😉
Indie folk artist Amy Jay continues to impress, carving out delicate landscapes and memories as her story unfolds in front of us all. 2 EPs and an array of singles in, we have grown quite attached to her sound. Jay’s new track “Lucid Dreaming” gives us a taste of what’s to come with her first full-length release, due out next month.
We’ve not been as impressed with a lyricist in a moment and are absolutely thrilled by the specificity that the end of each breathless line brings with it. Jay’s whisper of a voice seems to trace shadows across our skin, while we fall into the comfort of her sweet melody. Lines like “sunscreen and cigarettes/smells like childhood birthdays” give you just a hint of nostalgia attached to the simplicities of early years and seemingly unimportant memories. Explains Jay of the track:
I somehow ended up in the front subway car on the A express train zooming down Manhattan on my way to work, and was mesmerized by the prisms that were forming out of the double-paned window of the train door. As I was in some sort of hypnotic, half asleep, morning commute state, I also picked up the smells of sunscreen and cigarettes, which was probably someone on their way to the beach. But it brought me straight back to a specific, vivid just-like-yesterday memory of a childhood pool party in Miami Lakes where I grew up. Contrasting that past memory with the current state of my mind asking, ‘Am I really an adult?’ and, ‘What is truth, does it even exist?’ is what brought me to write this song. It was a strange train ride.
Sure, the idea of lucid dreaming is a magical concept; having the ability to be aware and make decisions within your dreams can make it feel like two realities exist. Daydreaming, night dreaming, lucid dreaming… what a comforting and strange thing to consider. (And no, we have never identified with a line more than with “nothing’s making sense, nothing’s making sense.”)
Awake Sleeper is out February 11. Keep up with Amy Jay here.
This past year has disrupted how I understand the concept of time within our society.
Staying inside for weeks felt like months, and primarily interacting with my peers via Zoom merely emphasized the ever-increasing feelings of physical alienation I was experiencing. However, in retrospect, I wish I had done more during this dark period the world was and continues to endure. Everything has made me realize how no matter what’s going on outside, life doesn’t last forever, and we have to enjoy the time we have while we still have it.
English indie heroes The Wombats illustrate this realization with the fourth single off their upcoming five studio album Fix Yourself, Not The World titled “Everything I Love Is Going To Die.” The harmonious guitars and punchy drums are captivating from the start, backing the lyrics sung by frontman Matthew “Murph” Murphy that focus on how everyone needs to acknowledge and appreciate how beautiful their lives are in the moment before they are simply memories lost to time.
When explaining the song, Murphy described the song as being “about the impermanence of life and the beauty of each passing second.”
“The key line for me is ‘Icarus Was My Best Friend, So I’m Gonna Make Him Proud In The End,’ which I guess is a playful take on living life to its fullest even though the consequences of that might be dire,” he said. “Certainly not a call to Nihilism, however, but perhaps a call to being present and the joy that can be found in appreciating each moment we find ourselves in.”
All in all, the song is another jangly, electro-pop anthem from the band that won’t stop giving. Their new album Fix Yourself, Not The World comes out January 7, 2022, and you can pre-order it here. Less than two weeks later, they plan on starting their worldwide tour in support of the album in North America before heading overseas to Europe and the UK later in April and May. All dates are below.
North American Dates: January 20 – 9:30 Club, Washington, DC January 22 – The Fillmore, Philadelphia, PA January 25 – Terminal 5, New York, NY January 26 – House of Blues, Boston, MA January 28 – Corona, Montreal, QB January 31 – St. Andrew’s, Detroit, MI February 1 – Newport, Columbus, OH February 3 – Park West, Chicago, IL February 4 – The Fillmore, Minneapolis, MN February 5 – The Truman, Kansas City, MO February 7 – Cannery, Nashville, TN February 8 – Buckhead, Atlanta, GA February 10 – House of Blues, Houston, TX February 11 – Emo’s, Austin, TX February 12 – House of Blues, Dallas, TX February 14 – Ogden, Denver, CO February 15 – Union, Salt Lake City, UT February 17 – Showbox Market, Seattle, WA SOLD OUT February 18 – Venue Nightclub, Vancouver, BC SOLD OUT February 19 – Revolution Hall, Portland, OR February 21 – The Regency, San Francisco, CA February 22 – The Observatory, Santa Ana, CA February 25 – The Wiltern, Los Angeles, CA
European/UK Tour Dates:
April 14 – First Direct Arena, Leeds April 15 – The O2, London April 16 – Motorpoint Arena, Cardiff April 18 – Barrowland Ballroom, Glasgow April 22 – Mountford Hall, Liverpool April 23 – Mountford Hall, Liverpool April 29 – La Machine Du Moulin Rouge, Paris (France) May 1 – Carlswerk Victoria, Cologne (Germany) May 2 – Übel & Gefährlich, Hamburg (Germany) May 4 – Slaktkyrkan, Stockholm (Sweden) May 5 – Rockefeller Music Hall, Oslo (Norway) May 6 – DR Koncerthuset, Copenhagen (Denmark) May 7 – Huxley’s Neue Welt, Berlin (Germany) May 9 – Gasometer, Vienna (Austria) May 10 – Backstage Werk, Munich (Germany) May 12 – Estragon, Bologna (Italy) May 13 – Fabrique, Milan (Italy) May 14 – Komplex 457, Zurich (Switzerland) May 16 – De Roma, Antwerp (Belgium) May 17 – Paradiso, Amsterdam (Netherlands) May 18 – De Oosterpoort, Groningen (Netherlands) May 19 – TivoliVredenburg, Utrecht (Netherlands) May 26 – Open Air Theatre, Scarborough
Talented pop-tinted duo Flora Cash recently announced the upcoming release of their album, our generation, in late October of this year. Along with that announcement comes the premiere of their latest single, a haunting track titled “We Use to Laugh/9 to 9”.
The pair is privy to the overarchingly sad effect the song has on people. After all, this single has a bit of a melancholic subject matter to it, outlining the heartbreak that Shpresa has experienced. “That moment you realize everything you thought you knew about somebody was a lie. Sadly, it’s a feeling a lot of us have experienced. In many ways this song describes a sober, honest reflection on a relationship defined by narcissism and manipulation.”
Reflecting back on memories within an unhealthy relationship can be a difficult thing to do, however much easier when you find people who can relate and survive their own memories alongside you. Check out the new single below.
Right now, nostalgia comes in waves. Enjoying a song from our past, Re-discovering a snack we used to love. Engaging in re-releases with new traits, flipping through memory books, and digging through the past. Memories can be healing, especially in today’s health and political climate, and the memory of a live performance can be fleeting.
Singer-songwriter Jen Grinels plays on our nostalgic hearts with the release of her Live Volume 1 full-length, recorded over three nights in early 2019 at The Music Box in Cleveland, OH, Rams Head Onstage in Annapolis, MD, and Avalon Theater in Easton, MD. The live music experience, something we haven’t been able to indulge in for an entire year, encapsulated in one gorgeous collection.
The light echoes from the sound bouncing off the walls of each venue, the magical eccentricities that live music brings with it. From the first mellow track “I Know Your Heart” through the soulful “Don’t Wanna Be Happy” and “Misery,” to the slow ballad-like presentation of “The Feeling,” Grinels powerfully champions multi-genre entertainment. And she doesn’t stop there, as “Can’t Stay Here” has roots in country with a little grunge flare. The sheer feeling (ha!) that rushes over you while playing this album gives you chills, as you imagine being at a live event in the future, singing into the open night air on a gorgeous evening.
That’s what this collection feels like. Live Volume 1 provides a little bit of hope at the end of this crazy pandemic tunnel. And doesn’t that just feel good right now?
Are you a 90’s baby nostalgic for some butterfly hair clips and group choreography music video scenes in a warehouse setting? Then go relish in the stunning 90s inspired official music video for “All In” from rising singer/songwriter Jenny March, the second single off Jenny’s forthcoming 2021 EP, about meeting someone and the type of chemistry that flows strong from the start.
Directed by Colton Tran, and inspired by Jenny’s own 90’s baby memories, the theme and visual aesthetic is a giant salute to the music, fashion, imagery and style of that dreamy decade. Written about that ride or die love of your life, “All In” encompasses that power couple type of romance that makes you feel like you can conquer the world together. No obstacle stands in the way of the love shared, as both parties are “all in” no matter what.
This Ohio-born, Los Angeles-based songstress is a self-proclaimed “open book” and writes lyrics like she’s texting. Her sound and vibe is pure pop, but her aim lyrically is to be honest and unafraid to allow fans, particularly her female fans, to not be afraid of living unapologetically and having just as much fun as anyone else.
Keep up to date with Jenny and her future pop bobs by following her Spotify and Instagram
Columbus-bred R&B talent I M a N I is coming at us with a sultry, gorgeous new video for her track “Pretty Boi.” Not only does this song perfectly display the artist’s insane proclivity for vocal range, it’s kind of the perfect track for a meet-cute at a (socially distanced) house party. (Or going through your scrapbook of memories and exes alone in your apartment with your cats. Whatever.) Explains I M a N I of the track:
This song has two phases, the love-struck phase and the heartbroken phase. In the beginning I basically explain how I’m “lost in a daze” with this guy, totally not understanding that he is only with me for his pleasure. The second verse goes into me “confronting” him, telling him my intentions while his intentions are easily seen. The guy is “pretty” but he is also a boy which displays immaturity. I knew this situation was pretty relatable and knew that there would be people who can relate this song to their life. I want the people who listen to “Pretty Boi” to understand their worth. You are definitely worth more than a “booty call”. Don’t settle down for Pretty Boys, settle down with someone who has the time and love for you.
The video was shot outside, gorgeous sunsets and greenery surrounding I M a N I as she captivates us all with the most vibe-worthy song of autumn 2020. (Seriously, read the Youtube comments if you’re not convinced. We are NOT the only ones fawning over her.)
Michelle Ray channels her rich musical background to produce an electrifying summer bop with her new single “Chasing Shadows.” Growing up in an extremely musical home, Ray had an opera singer manager for a grandmother and a rock band manager for a father. Infusing both classical music and rock ‘n roll into her heart, Ray began classical voice training at age 10 and later performed backing vocals on her Dad’s band’s national tours and opened for their sold-out shows in Japan. As she grew and began to think about her own sound, Ray gravitated towards soul/R&B pop music, finding inspiration in talents like Christina Aguilera, Justin Timberlake, and Bruno Mars. In the past years, she has been honing her skills singing in commercials for Maybelline, Mastercard, JCPenny, Nickelodeon and numerous others, and even found her way onto the fourth season of The Voice.
“Chasing Shadows” isn’t just any old summer anthem, it’s a paradoxical juxtaposition of the beauty of summer against the regretful longing for something that’s no longer there. Ray tells us “’Chasing Shadows’ is about thinking you can see or feel this presence everywhere you go but you can never actually hold it, it’s not tangible, so is it real or just your imagination? Instagram-filtered memories and drive-in movie fantasies melt together as we imagine a love that could save us.” From a sonic perspective, the single has a great groove, Ray’s velvety vocals, and crisp backing harmonies; all the fixins for a feel-good dance track. But her words are filled with hard realizations that add a layer of complexity, something that we often experience ourselves over the summer. It’s like a choose-your-own-adventure: you can blast it through your speakers on a hot summer night, lost in the dream-pop/nu-disco sound, letting the musical vibes ease your mind. Or, you can take a moment of reflection and confront the beautiful and wistful nature of summer. Either way, “Chasing Shadows” shows Ray’s ability to use her long-developed breadth of musical knowledge to her advantage.
