Athens, GA based collective Lo Talker has our wheels spinning as we head into the weekend with their debut album A Comedy of Errors. An album that takes a look at modern times through a humorous, and often biting, sarcastic lens. Through twelve genre-bending tracks, this quintet boasts influence and talent that makes this feel like their fifth album together, not their first. And perhaps that’s where the magic lies here.
As much personality as they’ve injected into the lyrics themselves, there is so much more to this layered work of art. For example, the meandering tone to tracks like “Heaven In Drag”, “Unkown Transmission Arrives”, and “Sift” brags on the delicacy these incredible musicians are capable of, while instrumentals in songs like “Don’t Hide That Light Pt. II” and “Two Ghosts” play with dissonance and give us more of that noisy, grunge influence despite the soft, mellifluous vocals. They even bring some 80s influence to it with “Silvery – Shadow Or Shadow”, which is dusted with glittering synth for effect.
Rhythmically, our favorite is “Nero In The News,” but “Automatic Love” could just be our new favorite (at home) karaoke banger, if not solely for the fact that you can’t help but smile while listening to it. (Nostalgia pop at its finest, my friends.)
Comedy of Errors is out now. Keep up with Lo Talker here.
From the first, bluesy lines, you can tell this song is about to hit you in your feels. 18-year-old Zola captures the modern teenage social landscape perfectly, as it is rife with backstabbing “frenemies” and the like. (But we aren’t speaking from experience or anything like that.) Explains Zola:
“[‘Not Like Other Girls’ is about] finding the courage to stand up for one’s self in the face of a bullying or gaslighting ‘friend.’ The phrase is inherently misogynistic, labeling other girls as inferior. The irony is that this girl who thinks herself superior is actually the opposite.”
What a deeply layered and gorgeous song. But it is the rhythm and standout vocals that really tell the story here, and we are stoked to see what direction Zola takes us in 2021. Allow yourself to melt into the music below.
Have you ever let out a deep sigh, close to tears that you have to hold back? Do you maybe feel that way right now? Pop songstress Amsi gets it, and her new track gives you permission to let go and let it all out.
There were many instances where I was told I was too sensitive or too emotional, but now especially in this past year, I realized that crying doesn’t mean I am weak, it means that I am processing & growing. I hope people find comfort in knowing that it’s okay to cry too.
Amsi’s vocal depth is put on full display, as she impresses with high, boisterous notes as this song slowly spins into ballad territory. Check it out below.
Our favorite botanist Mike McFadden (vocals) and his incredible bandmates are releasing their full-length in three parts. Of the project, he admitted: “We had this patchwork of songs that had never quite fit on other projects and when we looked at them all together, we realized that the songs told a story.” This is Part One of An Album Called Animal Years is the first installment, and was just released.
Comprised of five tracks, it truly ignites magic in the air as it picks up pace, McFadden’s vocal control and manipulation something otherworldly from the very first notes, 7 seconds into the first track “What I’m Fighting For.” And relatable from that very moment as well, with the first line “I’ve been so lost in the world that I used to know” something that pretty much anyone can understand, especially post-pandemic life. This song has the energy of an anthem, and that feels right for now.
“Let You In” is definitely a low-key country ballad that teeters on theatrical in a captivating way, while “Talkin’ To You” is a more hard-hitting love song. There is a bit of an attitude to the instrumentation in the track, the true twine holding each piece together residing in the soulful vocals provided by three-part harmony and admirable vocal range. So much talent in one collection of music, it’s almost not fair.
“Haines St. Station” slows everything down to the most bluesy, beautiful pace we have heard in quite a while. A song that discusses boundaries, insecurities, and doubts in an open environment, it feels a bit cathartic to enjoy this track in particular. And then the trio brings it home with a very inspiring track, upbeat and quite sticky sweet “Nobody Can Stop Me.” We’re fans, and we’re going to keep that one in our back pocket for the strange moments when we stumble. The energy is invigorating.
Sir Sly has started 2021 off with a bang, coming at us left and right with new material and the promise of a brand new album release this spring. And while we wait (not-so-patiently) for The Rise & Fall of Loverboy, we are falling in love quickly and poetically with each new single.
Sidenote: Is it possible to so completely love an entire collection of music without ever hearing it in its entirety yet?
While Landon asks introspective questions we can all relate to, there’s a vulnerability to it all that is so obviously palpable in the tender, soft vocals. At 1 minute, 54 seconds, this song packs a punch and is such a simple way to say “I love you” in a time when it can otherwise feel so difficult.
Welp, indie (dream) pop duo Eighty Ninety just released such a gorgeous track heading into Valentine’s Day weekend. We apologize for not sharing before the holiday, but there’s only so much time in a day. BUT WOW.
You know those moments when you consider different outcomes to your life? Contemplating your puppy love, celebrating your forever love, reminiscing on old love. Well, “Forever” is one of those moments. “Forever is about reconciling the desire to be with the person you love with the understanding that they don’t feel the same way anymore,” admits the duo. “It’s like a daydream in a song — what if we were in love again?”
Vocals smooth like butter (as always), gorgeous lyrics, and a rhythm that is easy to move to make this song just like a sugary dream. What a beautiful dichotomy and a wonderful song to deep breathe to.
This weekend is the first one where we’ve felt awake and like we’re gaining momentum for the first time this year. Perhaps that’s because we’re lucky enough to host the exclusive premiere of Danger // Chain‘s 5-track Roses In A Glass EP, and it’s been playing on repeat since it landed in our inbox.
Eighties-inspired synth and inspired bass lines almost dance around the dark, eery vocals as we spin into what can only be explained as a Tim Burton-esque existence. Hauntingly beautiful, it’s actually served as the soundtrack we needed to get our asses in gear.
Says Heather:
I don’t think anyone has all the answers for how to make a better world, but certainly we should be able to imagine one through art. As an artist, it’s my job to reflect what’s going on around me. I believe it is the responsibility of artists to speak on matters of a political nature. Roses In A Glass is my interpretation of the world as it is today, told through a retro futuristic lens. We may not be able to escape the current times, but we can still listen to music. I believe very much that music heals.
Sharkk Heartt, a moniker born from a period of starting completely anew in life, has released just 3 singles as such. But Lara Ruggles – the mastermind and solo artist behind the project – has seen transformation like no other throughout her music career. We are lucky enough to have the exclusive premiere of the new music video for her single “Work Fires” in advance of its release. And what a ride this particular video is!
Vivid, heart-stopping performance set to the backdrop of bold, gorgeous outdoor mural art made to look like natural landscapes. And all of this, from just the first two frames. Other ecosystems and landscapes are introduced to the fold, as a very literal interpretation of the lyrics can be seen played out by Ruggles and a male cohort in front of a mural, while she performs the song with grandeur to his unaware character.
Featuring talented dancers Kevin Hainline, Na-il Ali Emmert, Andrea Connolly, Emily Truman, Taylor Eason, Terry McCants, Betsy Ganz, Nanette Knight, and Micheila Karringten in differing habitats with the collective choreography stylings of Chezale Rodriguez, this music video enhances the very necessary need for community, especially in this time. Each movement perfectly timed to the danceable rhythm that has been created with Ruggles’ minimalist instrumentation approach and full, energetic vocals.
“Work Fires” was created in a moment where Ruggles realized she might sometimes like to be a work fire for someone. Her personal anecdote? A music manager promised to come to her show and she was excited at the idea of being managed by him professionally. Yet, he ended up changing plans last minute. Explains the artist, “He’d gotten ‘caught up in a work fire. I had this fleeting, petulant thought of ‘I want to be one of your work fires.’ And then that became this catchy phrase that I kept tossing around in my head and started to add onto while I was still on the road.”
Los Angele’s latest blessing to the music world is a noteworthy new artist named Alonzo. Last week, he released his new single “Respect” and we couldn’t help but put this one in the mix for new shares. The song’s pace is like a slow walk through a scenic park – a romantic movie montage, perhaps, in its speed – making the words that much more healing in their overlay.
Once Alonzo’s breathy, sensual vocals hit the track, the Prince comparisons are boundless. And his admirable way with words makes this release that more striking. It’s no coincidence that a song that demands African American worth is being released during Black History Month, but the way it hits will undoubtedly keep it in heavy rotation for months to come. Says Alonzo of the track: “I wanted to release this song to kick off Black History Month as an affirmation. A new anthem that Black people can sing from the rooftops with pride & confidence.”
