wasi, “stranger california”

wasi, “stranger california”

I kicked back and plugged the phones into my ears and suddenly felt the urge to go to roller skating at Skateland. Welcome to WASI‘s “Stranger California.” This self-proclaimed “riot pop” duo from California offers what I would classify as synth pop with ska guitar riffs and a solid beat. The lyric writing is well thought out and can seem like the perspective of an unseen observer on the outside looking in. With descriptors capturing the stereotype, “dirty beaches and hair that’s bleached out,” there is still a humble sense of being a part of the community in the line, “I can still appreciate the neighborhood thrift store.” You don’t have to live in California to rock this song. Just close your eyes and next thing you know imagination will take control allowing you to cruise the shoreline with the convertible top down as WASI provides the soundtrack.

Don’t let the title fool you “Stranger California” is a very fun, uplifting and carefree song. It would fit in well with a game of beer pong just the same as it would playing in the background with a group full of friends laughing as they cram themselves elbow to elbow on an old ratty couch.

This is the kind of originality that should be dominating the radio. While yes, “Stranger California” does remind me of MIA’s “Paper planes” there is a reason that song took off. And given the right audience, WASI could too. Be sure to keep an eye out as they will be on the SXSW bill and touring this spring as a supporting act to Caroline Rose.

Keep up with WASI here.

kevin george, “high like this”

kevin george, “high like this”

While Connecticut-based 20-year-old artist and producer Kevin George prepares to drop his debut release LOVELAND on the world, he’s got some tricks up his sleeve leading up to it. Namely, the release of his new single “High Like This” and its accompanying video. Full of insanely trippy visuals – Seriously, how amazing is the movement in this video?! – the video takes you on a journey with George himself, while he croons some seductive and fun lyrics in different settings, the colors play well to captivate your attention. It’s really a remarkable work of art, an experience of sorts.

WARNING: It will be difficult to accept the fact that Kevin George is this talented out the gate. But he is, and we can’t wait for more.

Keep up with Kevin George here.

vanwyck, an average woman

vanwyck, an average woman

Today, Amsterdam-based indie folk singer/songwriter VanWyck released her latest, an eleven track gem of an album titled An Average Woman. But, from the very first notes of the title track, the listener is aware that VanWyck does not fit the “average” mold. In fact, it begs the listener to question what “average” is, and allows us the reminder to be cognizant of calling anyone or anything “normal”. After the beautiful trickle-slow intro that is “An Average Woman”, “Red River Girl” provides a little more mellifluous composition instrumentally, really utilizing the strings to pull at your heartstrings.

By “Listen to You Breathe”, it is quite obvious that this album is going to largely exist in a slow soundspace, which we are completely on board with. We have noticed a lot lately that bands have been bringing more upbeat tempos in to more introspective tracks to give them a dimension of feeling fun. What’s beautiful and alluring about VanWyck is that she sings the songs as she means them. There is depth and immense emotion in her vocals, something you certainly can’t teach.

This entire album is a keeper, moreso for a day when you feel like sipping a hot cup of tea and journaling, or you’re looking for a playlist for your family dinner. It brings up key concepts about confidence, freedom, and being a damn badass as a woman, in a smoky and intense way that only VanWyck could accomplish. With the spotlight on so many issues regarding women recently, it feels nice to cocoon inside art that understands the complex nature of the human female.

“Europa Escapes” might be one of our favorites because it is more theatrical and feels like the Wild Wild West, yet with a woman at the forefront on vocals, which you almost never find. In fact, we would compare this track to one of our favorite male vocalists Radiator King, edgy and drawing a different attitude than its predecessors. We are also completely enamored by last track “Whole Again”, which seems to be more about VanWyck’s personal journey, tying the piece together in only a way that she can. It’s uplifting, conscientiously empowered despite the careful, quiet nature of the instrumentals that lead us out and onto another musical journey in our day.

An Average Woman is available here.

rust dust, “wayfaring stranger” {premiere}

rust dust, “wayfaring stranger” {premiere}

Since the September release of his album Diviners and Shivs, Brooklyn-based outlaw folk musician Ardell Jason Shealy Stutts – more commonly referred to by his stage name Rust Dust – has been creating and releasing visuals to go along with the 13-track collection. His latest? A live recording of the man himself playing his track “Wayfaring Stranger” at Silver Springs Farm. Rustic and simple surroundings bring a humble and relatable feel to the experience, Rust Dust’s vocals reassuring in their delivery.

His beard will only sweeten the deal for ya.

Keep up with Rust Dust here.

the go! team, semicircle

the go! team, semicircle

UK-based musician Ian Parton has developed a new and invigorating sound in this second iteration of The Go! Team, live players Simone Odaranile (drums) and Angela ‘Maki’ Won-Yin Mak (vocals), as well as two original members, guitarist Sam Dook and rapper Ninja. With the help of a few more friends, the project releases its brand new album Semicircle on Friday. Just ahead of its release, we got a little listen to what’s to come and, boy, were we blown away!

From the very first notes of “Mayday” to the very end of twelfth song “Get Back Up”, you’ll be mesmerized by their energy and affinity for creating a fun and uplifting soundscape for us. Though the vocals in “Chain Link Fence” feel slightly like turn of the century bubble gum pop-meets-Jackson 5, we’re certainly not knocking it. In fact, it’s what drives the song and keeps our ears glued to what’s next. It isn’t until third track “Semicircle” that we notice how intense the musicianship is in the album. (Trust us, you’ll understand when you listen.)

Fourth track “Hey!” exists, for us, behind the montage scene of a chick flick, most likely when a shopping spree is taking place. But, boy, does it bring a vitality to the album that makes us want to play it everywhere! “The Answer’s No – Now What’s The Question?” – though one of the more hilarious titles we’ve seen in a while – demonstrates the band’s ability to create depth with an often addicting, sweet-as-candy sound to it. “Chico’s Radical Decade” takes us right back in time, no vocals to be heard to distinguish it as more modern. Close your eyes and picture the brown carpet, the fun hats, people probably saying “Groovy” whether it’s culturally relevant or not…

“All The Way Live” is as sticky sweet as its predecessors, which makes us realize we’re not getting out of this one without dancing. (And we thought we could fool our coworkers into thinking we were being productive!) But doesn’t the island vibe in “If There’s One Thing You Should Know ‘If There’s One Thing You Should Know'” make you wish that it was time for some warm weather around North America at the moment? (That’s OK… this album will still be ripe for the pickin’ once spring rolls around, we guarantee it.)

Though they certainly named a few of our faves in “Tangerine / Satsuma / Clementine”, it has a little more of a mellow tempo to it, bringing our heartbeat down just slightly and adding a head bob into our awkward back and forth dance movement. And with the sentiment of the title alone of “She’s Got Guns”, we’re groovin’ around the room. While we’re on board with both the title and the percussion in “Plans Are Like A Dream U Organise”, “Getting Back Up” is so inspirational in title, instrumentals, and chorus music, that we’d be surprised if a one of you didn’t end the album with a smile on your damn face.

Says Parton of the project:

It’s about reminding yourself of the good things in lifeWe don’t want to be dumbly optimistic and say, ‘Hey, isn’t everything great!’ but there’s something to be said for just getting on with it, for getting organized and not letting the fuckers get you down. Party for your right to fight!

Be sure to catch The Go! Team on tour soon if you’re in the UK!

Instore dates:
01/18 – Kingston, UK @ Banquet Records
01/19 – London, UK @ Rough Trade East
01/22 – Bristol, UK @ Rough Trade Bristol
01/23 – Nottingham, UK @Rough Trade Nottingham

Headlining/Festival dates:
* with GURR
# with Neon Saints Brass
+ with The Daniel Wakeford Experience

02/09 – Glasgow, UK @ QMU *
02/10 – Leeds, UK @ The Wardrobe *
02/11 – Brighton, UK @ The Haunt *#
02/15 – London, UK @ Electric Ballroom *+
02/16 – Newcastle, UK @ Riverside *
02/17 – Manchester, UK @ Gorilla * SOLD OUT
02/22 – Amsterdam, NL @ Paradiso
02/23 – Dunkirque @ Les 4 Ecluses
02/24 – St Malo @ Route Du Rock Festival
03/02 – Cologne, DE @ Gebäude 9
03/03 – Hamburg, DE @ Nochtspeicher
03/04 – Berlin, DE @ Bi Nuu
03/24 – Los Angeles, CA @ Teragram Ballroom
03/25 – San Diego, CA @ Casbah
03/27 – San Francisco, CA @ Independent
03/29 – Portland, OR @ Doug Fir
03/30 – Seattle, WA @ Neumos
03/31 – Vancouver, BC @ Fox
04/03 – St. Paul, MN @ Turf Club
04/04 – Chicago, IL @ Lincoln Hall
04/05 – Detroit, MI @ El Club
04/06 – Toronto, ON @ Great Hall
04/08 – Boston, MA @ The Sinclair
04/09 – New York, NY@ Le Poisson Rouge

Keep up with The Go! Team here.

bridges, “bff”

bridges, “bff”

UK-based rock outfit Bridges – expertly comprised of Ethan, Josh, Henry, and Farkas – is revving up for some amazing things to happen in 2018. As it stands, they took some time to release a particularly amazing single at the end of 2017, an energetic – almost primal feeling – track titled “BFF”. Hand with your friends and play this loudly, jumping around and acknowledging the good you can find in the most simple of relationships.

You can find the single below, but there is also a bonus live video of Ethan and Joe beautifully performing a toned down version of “BFF” in a local church. There is a wholesomeness found in this version, a feeling of warmth that isn’t otherwise noticed. You may or may not have the video on repeat today, if we’re being honest.

Catch Bridges on one of their February stops in England below!

10 The Eagle Inn, Manchester
11 Parish, Huddersfield
12 Sunflower Lounge, Birmingham
13 Old Blue Last, London
15 Gwdihw Cafe Bar, Cardiff
17 Crofters Rights, Bristol

Tickets are available here. Keep up with Bridges here.

grad party, “pretty boy” {premiere}

grad party, “pretty boy” {premiere}

Los Angeles-based indie pop duo Grad Party – expertly comprised of Carlo Ladd (keys, vocals) and Ian Bowers (guitars, vocals) – are hitting 2018 hard after the success of their 2017 EP Speak. Though university brought them together – they met when they attended Brown in Rhode Island – it is clearly the music that has kept them thriving together creatively. “Pretty Boy” is calculated in its sound, timid but beautiful from the beginning. The track is vulnerable, yet quirky with its staccato instrumentals, though the message holds true, the lyrics giving light to the meaning of it all. Love who you love. “Pretty boy, don’t you care what they think.”

Be sure to give this track some love in the comments!

Keep up with Grad Party via Facebook or at gradpartyduo.com.

felsen, “vultures on your bones”

felsen, “vultures on your bones”

Oakland-based indie pop collective Felsen – expertly comprised of guitarist Dylan Brock, singer/guitarist Andrew Griffin, bassist Christian Hernandez, and drummer Art McConnell – is preparing for their fifth release, a full-length titled Blood Orange Moon set to drop on January 26th. The album – comprised of eleven insanely intricate and mesmerizing tracks – was written entirely in the fall of 2014 leading into the winter of 2015, inspired by Andrew Griffin’s experiences as an 11-year-old cancer survivor. The album has a lot of heart, but the soul of the group had already spoken for itself before this one came along, to be sure.

Our first impression? Easy-going. The tempo is slow, but purposeful. The lyrics are introspective, built into the song coated in reverb. The combination of vocals and instrumentals actually makes the listener feel as though they are floating in a nostalgic kaleidoscope, with peeks into prior decades, tickled slightly by modern references. It’s beautiful, and something you can’t exactly describe. (And that heart-melting guitar toward the end. WOW!)

“Vultures On Your Bones” is available now. Keep up with Felsen here.

forest bees, forest bees

forest bees, forest bees

Sheetal Singh – former bassist for San Francisco noise pop wonder The Stratford 4 – is going in a different direction with her music, revving up to release a self-titled mini-album under her moniker Forest Bees. Originally driven by her desire to incorporate her familial history into her work, Forest Bees morphed into this beautiful – punk pitchy in its presentation, but almost earthy in tone – piece that gives the listener the impression that the musician is simultaneously experiencing an awakening of sorts.

And perhaps she did. She transformed while creating this art, and you can hear it in the soundscape. “Independence Day” is a bit of a dance track, while “Hollow Bones” fills a deeper, more primal, place in your body with differing instrumentals. While “Golden Dream” is void of the vocal warmth we would otherwise deduce from the title, we’re mesmerized by how she can still evoke a beautiful instrumental section amidst the rough, almost static, sounds that overlay the entire track. “Off Color” comes in from left field, with a hard-hitting percussion section that comes off as wonderfully experimental in tone, though the song feels more mainstream-headed than its predecessors, and we do not mean that as a negative connotation. Singh expertly rounds out the album with “Dust”, perhaps the most alluring of the five tracks. Composed of several differing tempos, this song could be equally enjoyed on a long drive, sitting with friends during wine night, and dancing in a basement club in The Village at 2am.

Forest Bees’ record release show will take place The Hemlock, San Francisco on January 25th with N. Lannon and Alexsarah. Tickets are available here. Forest Bees is available for preorder now.