As much as we love covering music on an international scale, we see the value in (and need for) local artist spotlights. Since Imperfect Fifth is based in Kansas City, we have teamed up with the Kansas City Women’s Music Network to bring you artist highlights about twice per month.
About Alisa Jefferson: Alisa has always been very passionate about music and the songs she delivers as a singer/songwriter. She grew up in the Kansas City area with influences from ’70s Motown to mostly ’80s and ’90s rock/pop. She played viola in orchestra before she received her first acoustic guitar at age 13 and she hasn’t looked back since.
Currently, Alisa is writing, recording, and planning to release a 10+ track LP this summer. She has released four singles from this new LP to most major music platforms.
Erik Sanden of Demitasse talks about Skype dates, happy accidents, and missing his writing partner during social distancing. (Hi, Joe Reyes! You’re amazing!)
We caught up with one half of talented duo Donna Blue as the band was getting through customs to head back home to The Netherlands. Heavily impacted by the cancellation of SXSW, they spent a few days in Austin after the announcement hit. They calmed our nerves, and we’re going to spend the rest of lockdown listening to their music.
Next Tuesday, October 8th, join us at the intimate Folly Theater in Kansas City as we welcome The Bacon Brothers on their latest tour, The Shaky Ground Tour. The Philadelphia-based genre-bending collective — comprised of Michael Bacon, Kevin Bacon, Paul Guzzone, Tim Quick, Frank Vilardi, and Joe Mennonna — has been lending their talent to the advancing Americana scene for decades. Though the two namesakes of the act have been making music together for most of their lives, they began to record music with this project in 1995.
So, if you haven’t heard of them yet, then your head is officially under a rock.
The perfect news in all of this? They have been touring pretty heavily as of late and — though originally they were only to come as close as Des Moines to the actual heart of America — added us to the tour a little later in the game, which made our hearts absolutely swoon.
Their latest single “Play!” that was released earlier this summer received critical acclaim and served as the backdrop to hot summer nights at the tail end of our warm months. Just enough of a boogie flare wraps itself in a warm embrace around such a beautiful chord progression, and we’re just so excited to see this one performed live.
Take an evening off and visit these Grammy-nominated musicians on Tuesday evening, October 8th. Tickets are available here.
See you on Tuesday! In the meantime, keep up with the brothers here!
I stumbled upon Larkin Poe in late 2016. I was on a YouTube music spree, as one will occasionally do, and they happened to pop up in my “Up Next” column. It was a Jam in the Van video of the song Jailbreak. The video had been posted in 2014 so it was roughly 2 and half years old by the time I found it. The song had a good pop to it and both Rebecca and Meghan had a good energy for the song. After the video ended, I began to dig into more of their stuff, Don’t, Sugar High, Stubborn Love and Trouble in Mind. Every song I listened to was solid, but the studio recordings lacked that something that separates music you throw on in the back ground from music you throw on to really listen to.
Flash forward to the Garage at Knuckleheads Saloon on a Monday night. I was unsure of the following that Larkin Poe would have, especially with it being a Monday night, in December, in Kansas City Missouri. We got to the venue 20 minutes before the opener was scheduled. I assumed this would be plenty of time to grab a seat, grab a drink and talk before the show started. What’s that they say about assumptions? The venue was packed. We were fortunate enough to find a couple lonesome bar stools in the corner. Other than those, it was standing room only.
It’s important to point out the composition of the crowd for this event. There were plenty of adults in attendance and the usual crowd that seems to attend Knuckleheads religiously, regardless of what type of artist or music it being played. The best part about the crowd for me were the parents that brought their kids with them. Live music is an important thing to support and it’s even better when the band is on fire like Larkin Poe was that night.
When Larkin Poe took the stage, I immediately understood why the place had sold out. The energy they brought with them left the crowd with one option, buckle up and enjoy the ride. Their opening song “Summertime Sunset” brought the house down and it only got better from there. Meghan’s slide guitar outro for Look Away was a good for lesson for any guitar player in patience, tone and control. Rebecca’s vocals have gotten stronger and more confident since I first heard her, and the entire concert was a showcase for that talent.
The show was refreshing and genuine and as a soon to be father of a daughter, it was awesome to see two sisters absolutely dominating the stage. I cannot wait for them to come back around or anywhere close, I will be dragging my friends and most likely a certain family member, you know who you are, to see them again.
We’ve had a blissful courtship with indie rock/folk duo Seasaw since before Imperfect Fifth ever existed. Having had the opportunity to review an album of theirs at a previous publication, my mailbox experienced an unexpected and happy surprise when they shipped me a vinyl copy of said album with a personalized thank you note. The music industry is incredibly rewarding in most ways, but to get a hand written note is rather rare anymore. That particular memory stayed with me, and then when I got a chance to peep the material for their new album Big Dogs, I was floored.
Lucky for me, I got the unique opportunity to meet up with Meg and Eve on a balmy September day in Kansas City while they were on tour. We sat down while they tried some tacos from Mission Taco, and chatted a bit about that new album and their progression as artists. Check out the words below!
What’s the first song or record you remember hearing, and does it have any bearing on who you are as a performer today?
Eve: The first thing I probably listened to would be the Beach Boys because my dad is a huge Beach Boys fan. He would make me mix tapes of the Beach Boys that I would play on my tiny kid cassette tape player. He made me lots and lots of music like that. And we would listen to it all the time in the car too when I would drive around with my dad. I don’t know that anyone could live up to the amazing harmonies and chord progression that the Beach Boys produced, but of course it’s always in the back of my mind to choose something even a fraction of the beauty that they were able to create sonically. They did such cool things in the studio too as their albums progressed.
My dad also made me a mix tape that had The Kinks and included “Lola”, which is one of my all-time favorite songs. As you know, it’s a song that has a very adult theme. But I brought it in for show and tell in 2nd grade and I think the teacher called my parents and was like, “Did you know that Eve** brought ‘Lola’ in?” Of course they loved it. It’s an amazing song.
Meg: I remember listening to Billy Joel’s The Stranger a lot with my dad and dancing around the living room to that. My mom would always play Carole King’s Tapestry. I was a dancer when I was little, so I would put those two songs on and kind of go for it. I don’t think they shaped anything besides the fact that I still listen to those records today.
My parents didn’t listen to a lot of music. Eve went to a lot of concerts growing up, but I didn’t really. I think the first concert I went to was when I was in high school with my brother. Music was there. I played instruments and stuff and I sang here and there. But I really remember Billy Joel and I still listen to it all the time. I have my dad’s copy of The Stranger vinyl. They would all write their social security numbers on their records so they were safe, but that was when social security numbers weren’t as protected so now it’s blacked out on the copy of the vinyl. In hindsight, a pretty poor choice but kind of cool.
The inspiration behind the title track from Big Dogs – and much of the album – was brought on when the duo played a festival slot recently. A band member from the act playing after them jumped on stage while they were wrapping up their equipment and harassed them about moving too slowly. “If you want to play with the big dogs, you need to get the fuck off the stage,” he yelled at them. This caused a verbal altercation, and the ladies didn’t have security or stagehands to help them out. The power imbalance was notable, and bred some of their most alluring new work.
So from the last album to this one, there is a little more edge, and that’s for a variety of reasons including subject matter. When the – actually heartbreaking – event happened that inspired “Big Dogs”, did you dive in and write a song, or did it take a second before you were able to process and create material around it?
Meg: It was mostly me that the interaction happened with, but Eve came to bat for me and we both had an interaction with the person. So we had talked about it together and had brainstormed a list of all of the things that were funny because we wanted to be able to process it somehow. So we wrote some of the funny things that were said — some of the words in the song are actual direct quotes. Then I would say it was maybe a month later that I sat down and hammered it out and wrote “Big Dogs”.
Some songs take me a long time to write, but that one kind of just poured out really fast. It was done within an hour or two and then Eve helped me make some revisions. It was pretty quick that it happened after the event.
Eve: So we were going to name the album Big Dogs before the song and then Meg wrote the song so we were like, “Oh, great. That’s even better.”
So when the theme of the music video for that song came up, how did you guys decide to go tongue-in-cheek?
Eve: I came up with the idea just after hearing what Meg had written. The image of a dog is kind of tricky in a song because of the language involved and we think the phrase is funny. So, we were trying to figure out a delicate way to be kind of cutting with the idea of what a big dog is. Because it is someone who is kind of a sad person who doesn’t have self confidence and is a bully and has to call themselves that to feel important. So we wanted to portray that in a more artistic and creative way so there wasn’t just dogs on everything.
It came about after trying to be very thoughtful about how to portray that idea. And then I came up with the invisible dog and it fits. We a kind of tongue-in-cheek and sarcastic with everything we do, and I like how it makes you have to think about it a little harder so it’s not as obvious. Even the front cover to the back cover forces the listener to wonder who the Big Dogs are. Is it the women on the cover or the image of the dog on the back? I like how it makes people try to figure it out and dig a little deeper to understand the meaning. That’s wha we did with the video too.
How did your recording process differ this time than with the last album?
Eve: There’s definitely a big difference. With the last album we did everything ourselves. I engineered everything so I couldn’t put my whole mind into the playing piece of it because there was still that hindrance of about 10% brain energy. This time we had a friend engineer the whole thing for us so we really got to go all-in. We also spent a lot of time demoing the songs. It was probably about a month before we started recording so we were able to go through many iterations of the pieces to get them to a more full state. We didn’t have as much time to do that with the last record. I think that really helped inspired a lot of the full and different sounds you hear. We were able to have fun with it.
As for your live performance, you guys do such a wonderful job. Was that something that just came naturally to you? How did your performance style come to be?
Eve: Well, we’ve been working on our presentation for as long as we’ve been recording. We’d start sitting on two chairs and Meg would play the bongos and I would quietly cower near the guitar. So we just had to grow into the confidence to do things that are more thoughtfully laid out for the audience’s sake and for the flow of the music that we’re performing. So there is a lot of thought that goes behind the flow of what we’re doing. We’re constantly tweaking things and trying to make it better because it’s just the two of us in the moment so anything can go right or wrong and throw something off. So there’s a lot of energy in our performances because we can only rely on each other to make the music. So I think that pressure gives us the reason to act the way we do.
There’s a lot of thought that goes into our social media and the esthetic on our stage and the esthetic in our album and the fact that it’s blue. Every little piece has been made cohesive to grow into this more thought out and developed product that you’re going to hear on this album, all the way from the recorded version to the final piece to the performance.
In these 8 years that we’ve been together, we’ve been stepping towards something we can stand behind. Each piece is more 100% than we could in the past because we just didn’t have the experience at that time.
When you were here in June, did you get a chance to experience KC at all? I know it was a pretty quick trip.
Eve: No, and there’s a lot to see. It looks beautiful and we need a tour guide to show us the inside scoop. (wink)
Is there anything specific that you have planned for the rest of this tour for your off time?
Meg: We only have like one off day but it will be in D.C. so we’re hoping to hit some art museums. We’re meeting some friends in Baltimore so that’s what we will be doing as well. I think we are going to the restaurant at the top of The Revival there too. This tour is going to be a lot of fun.
Brooklyn-based indie funk/rock act Cosmonaut Radio – consisting of Austin Deyo (drums, back up vocals), Russell Castiglione (lead guitar, back up vocals), and Freddy Millan Jr (lead vocals) –
Austin:
Peg-Steely Dan – Could’ve chosen any of their songs honestly. And although we don’t sound like them (I don’t think anyone ever will), the way they wrote music, and found success with strange vocal melodies and crazy jazz chords is inspiring.
The Chicken-Jaco Pastorius – Arguably the best ever, this song paved the way for fusion music and bands like Snarky Puppy. It’s so catchy and the band is so top notch.
Thing of Gold-Snarky Puppy – Some of the best music I’ve ever heard, and the Moog solo will change your life.
Sharon Jones and the Dap Kings-100 Days, 100 Nights – Brooklyn based, funk revival, powerful vocals, groovy horns. It’s the best of like 5 different kind of musical genres combined. They’re one of the biggest reasons that funk and funk based music is popular again.
And I’m Telling You I’m Not Going-Jennifer Holliday – Jennifer hudson’s version is also impressive. This song is so epic. Musically, it’s interesting, and complex, vocally, it’s out of this world.
Love On The Rocks-Sara Bareilles – I love everything Sara Bareilles does.
Miss You-The Rolling Stones – This is one of my favorite songs, and we used to cover it. I put it on this list because it also symbolizes the end of “The Cosmonauts” and the beginning of Cosmonaut Radio. Although rock, and more specifically, blues, will always influence our music, this new record is an evolution and graduation to the next level for us. And I know you can’t graduate from the stones, but this song specifically signifies the next chapter for me and and for the band.
Another Kind of Green-John Mayer Trio – Steve Jordan, Pino Palladino, and John Mayer. Come on. The pocket is as solid as solid gets. And everything else about this song is fantastic.
Freddy:
1. “Daylight” by Failure
“Daylight” is a weird but great song to jam out to while pondering life and the universe, and it serves as the final song (and bookend) to my favorite album of all time.
2. “Dance, Dance” by Fall Out Boy
The song that originally made me want to join a rock band, the appeal of “Dance, Dance” is right there in the title, with an energy and style that always makes me want to get up and move.
3. “Ogre Battle” by Queen
One of the best songs by one of the best bands of all time, “Ogre Battle” is a microcosm of everything that made Queen great: experimental yet catchy songwriting, intensity and energy bred from tight and layered musicianship, and the inimitable vocal stylings of Freddie Mercury.
4. “Emotions” by Mariah Carey
What else can be said about Mariah Carey? Her insane range and riffing abilities were big inspirations to me as a vocalist growing up, and this song is a showcase of those talents at their peak.
5. “Greedy” by Ariana Grande
Ariana Grande is one of very few A-list pop artists right now who I think is bringing anything interesting to the table, and this song combines her pop, R&B, and theater sensibilities, powerhouse voice, and knack for insanely catchy hooks and key changes into something that’s arguably better than any radio single she’s ever released.
6. “Run Away With Me” by Carly Rae Jepsen
Carly Rae Jepsen is what I wish more radio-friendly pop sounded like, and “Run Away With Me” perfectly tinges her overt sentimentality with slightly more melancholic tones to produce a song that’s somehow both romantically fleeting and timelessly grounded.
7. “Dorothy Dandridge Eyes” by Janelle Monae
As far as I’m concerned, Janelle Monae is almost single-handedly carrying on the musical legacies of Prince and David Bowie in the mainstream, and she’s doing justice to both of them. I debated between a lot of songs to put here, but few songs demonstrate Monae’s effortless cool and subtle sensuality as well as this one.
8. “Starship Trooper” by Yes
Yes is one of my favorite bands to put on and just chill out to, and “Starship Trooper” puts their unusually long song runtimes to good use by constantly changing while remaining consistently catchy and engaging from start to finish.
9. “Glory Box” by Portishead
I love Portishead because they are a seemingly very sad band with certain songs that speak to an inner torment that I never knew I had, but I decided to go with the vaguely more upbeat closer to their stellar first album.
10. “Fortress” by Queens of the Stone Age
I’ve always liked Queens of the Stone Age, but I was not expecting to love their newest album as much as I did, and this song about vulnerability and getting back up when life knocks you down is definitely one of its many highlights.
Russell:
1. People Get Up and Drive Your Funky Soul – James Brown
This song has definitely influenced me as a funk guitar player. It was one of the first James Brown songs that I fell in love with instantly.
2. What A Fool Believes – Doobie Brothers
I love this song because Michael McDonald has a hauntingly amazing voice, the harmonies are killer, the key change into the chorus is a lovely change, and the song itself is so happy! I could have the worst day, listen to this song, and instantly feel better.
3. Reckoner – Radiohead
This is my favorite song from Radiohead at the moment (it changes). Thom Yorke is a huge inspiration for me because of his high falsetto range and the melodies he chooses over the band’s interesting chord progressions.
4. Skate U – Snarky Puppy
This song has an incredible build up with great breakdowns and solos, one of the best by this band in my opinion.
5. No Quarter – Led Zeppelin
This is my favorite band of all time so I had to include this. This song in particular captures the expertise of each member so well and is just really a beautiful/powerful song.
