by Meredith Schneider | Oct 29, 2018 | snapshot, visual
imagine coming out of the haze induced by an hour long drive in the middle of nowhere Kansas after a long day at work and being met by Anthony Gomes‘ insane guitar skills. That type of energy can be a blow to your brain and your ego, honestly. But it’s true. And from the very first chords of his set on Friday, October 26th, members of the crowd were up and dancing. Gomes, his bassist, and his drummer went from one song to the next, just rolling through his catalog, almost to the point that the untrained ear might not notice the difference between one song and the next. In that regard, this was a beautiful journey, and a night that easily inspired our weekend.
Catch him on tour now!
by Meredith Schneider | Oct 26, 2018 | albums, review
To say Bets‘ new album Future Color plays with dark and light like crazy would be an understatement. With each track comes a new feeling, some eery and inescapable, others lift your soul to a place you hadn’t been in a while. The entirety of the album – all 10 tracks – entices its listener to feel something, and that’s what we’re so fond of.
“Another Night” starts us immediately with frantic instrumentals, the first line “dance with me” coaxing us into a frenzy while “Out of View” slows everything down a bit and darkens the instrumentals to an eery octave fit for October. Third track “Left My City” is the perfect anthem for anyone who has ever experienced a slight thrill at seeing someone leave their immediate vicinity, be it a former lover, an old friend, or someone who was bringing you down a bit. While “Da Da Da” has an experimental, robot vibe to it while Bets speaks simple truths, “Maybe” picks everything back up again and reintroduces the playful, light side to her vocals.
“The Daylight Beside Me” is slow, comprised of acoustic guitar and Bets’ mesmerizing vocals. It’s easily one of our favorites, though we’d take an argument for “All I Want” as it picks up the tempo – and transforms our mood – within seconds. “Fear Of” lurches us back into the darker side of Bets’ work, her vocals more mechanical, though no less appropriate at a club in Manhattan after 2am. The instrumentals of “Tunnel Vision” belong first in an action movie, then perhaps in a video game. The lyrics will play on in your ears for a while, though “Gold” will be the one that sticks with you, the instrumental layering something out of a gorgeous dream and Bets’ vocals more of an audible kaleidoscope than anything else.
Future Color is out now. Keep up with Bets here.
by Meredith Schneider | Oct 26, 2018 | albums, review
Swedish pop icon Robyn releases her highly anticipated new album Honey today, and we’ve been counting down the seconds until its release. The 9 track stunner stays true to Robyn’s glittering personality, wrapping her ethereal voice up in electronic instrumentals that feel, quite honestly, out of this world. While initial track “Missing You” feels like the sequel to 2010’s “Dancing On My Own”, “Human Being” features Zhala and feels earthy, more primal in its disposition. “Because It’s In The Music” has a throwback feel to it, “Baby Forgive Me” plays with some disco-era sounds while maintaining a fresh, pop/r&b feel, while “Send To Robin Immediately” is a whole other beast entirely, toying with dissonance and establishing itself as an inspirational dance track.
We reach “Honey” in the 6th slot on this collection. the track itself feeling as smooth as its namesake. This song is summer reincarnate, and we’re thinking we might be clinging onto it as the weather gets colder and daylight gets shorter. “Between The Lines” feels like the soft EDM track that a swanky hotel would play in their lobby, and that’s not a bad thing. Its beat captivates you, and sends you into a tailspin while “Beach 2k20” fuses island vibes with dissonance, spoken word, and simplified beach lingo. Honey is rounded out with ninth track “Ever Again”, which brings us back into an upbeat, disco-infused electronic dance space with lyrics that evoke confidence and tell a tale of learning from one’s past. It’s a message that will last, especially with such a catchy melody.
Keep up with Robyn here.
by Meredith Schneider | Oct 26, 2018 | albums, review
Nashville-based rock collective Taco Mouth – comprised of Erica Sellers (Vocals/Guitar), Shawn Hammer (Guitar), Flip Cooper (Bass), and Angela Lese (Drums/BGVs) – releases their new, hard-hitting, 10-track full-length A Deafening Silence today. We’ve been particularly excited about this release, as it ushers in an energy we’ve been ready for.
Keep up with Taco Mouth here.
by Meredith Schneider | Oct 26, 2018 | snapshot, visual
On October 20th, Kansas City’s 96.5 The Buzz hosted Brew at The Zoo & Wine Too at The Kansas City Zoo. This year, thousands from across the metropolitan area gathered to taste test wine new brews, enjoy full pours from more than 45 breweries, try out a mixed drink or two, enjoy live music and a night of frivolity, all in the name of the giraffes. Kitten headlined, with Fitness supporting while onlookers enjoyed a spirited, enigmatic performance from each.
by Meredith Schneider | Oct 25, 2018 | albums, review
Having become a household name due to their unique sound and incredible live performance tactics, it is no surprise that the release of Young The Giant‘s new album Mirror Master was met with great excitement in the music community. The Los Angeles quintet – comprised of Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar/vocals), Payam Doostzadeh (bass), and Francois Comtois (drums/vocals) – has created 12 gorgeous tracks that will keep your ears perked and begging for more from the very first light, voluptuous lines of “Superposition”. Through the heavy guitar of “Simplify”, to the smooth sounds of “Call Me Back”, to the end of “Heat of the Summer” – which, to its credit, gives off that nostalgic, balmy summer vibe – Young The Giant has taken this opportunity to take you on a true audio adventure through genres, pulling inspiration from many soundscapes.
While “Oblivion” boasts a slight theatrical tinge to its rock roots, “Darkest Shade of Blue” slows everything down to a haunting, poetic crawl before picking up exponentially throughout “Brother’s Keeper”. “Glory” gives off a soulful vibe, a warmth not particularly noticed in its predecessors, as both “Tightrope” and “Panoramic Girl” re-introduce the head bobbing tempo we’re so fond of from this particular act. “You + I” has a glittery feel to it – perhaps most notable in the simplistic, puppy love-like lyrics – and the title track rounds out the collection with the most layered, danceable feel to the entire album.
Keep up with Young The Giant here.
by Meredith Schneider | Oct 25, 2018 | videos, wolf tracks
Space folk duo Astralingua – comprised of Joseph Andrew Thompson and Anne Rose Thompson – recently released a captivating, artful black and white visual to accompany their single “Plunge”. The video depicts people of all cultures dancing, while the song plays in the background. “Plunge” has been explained as a track about having courage no matter what, which aligns perfectly with the title and the fun dance moves utilized. The instrumentals have a bit of yesteryear flavor, with a dash of “Eleanor Rigby”-era Beatles to accompany them. We’re big fans of the sound, as it’s a fresh take on confidence than what we have heard as of late.
Keep up with Astralingua here.
by Meredith Schneider | Oct 25, 2018 | snapshot, visual
On October 17th, the stylish powerhouse CYN opened for Years & Years at The Truman in Kansas City, MO. We nabbed a few key shots to make you feel like you were there, front row, enjoying her thrilling live set.
Keep up with CYN here.
by Meredith Schneider | Oct 24, 2018 | snapshot, visual
On October 17th, The Truman in Kansas City, MO welcomed the incredible Years & Years to the stage, following an absolutely gorgeous set from opener CYN. We nabbed photos of both to make you feel like you were there, and our Years & Years snaps can be found below!
Keep up with Years & Years here!
