by Meredith Schneider | Feb 5, 2019 | albums, review
We’ve been lucky enough to have explored the talents of Jealous of the Birds in the past, but today we’re thrilled to share one of our favorite new EPs. Jealous of the Birds has released a vintage-tinged bevy of gorgeous work for our ears to soak up in the quiet moments, and to truly enjoy. Starting with “Marrow”, Naomi Hamilton weaves a wonderful sonic adventure for us, storytelling with the best of them. “New York Has A Lump In Her Throat” has a bit of a melancholic feel to it, as the title would suggest. “Blue Eyes” is the standout rock track, energetically pulling you from your seat. Even with brown eyes, we can’t stop dancing.
“Kosiskelu” imposes upon its surroundings a cocoon of comfort, a feeling of calm that is unique to Hamilton’s voice. “Clementina” is how Hamilton has chosen to complete the release, a meandering and delicately layered song that is somehow intensely heart-wrenching. Perhaps it’s the tranquil soundscape, the hint of hope in the vocals, or the palpable feelings of puppy love. Either way, Wisdom Teeth is required listening.
Keep up with Jealous of the Birds here.
by Meredith Schneider | Feb 5, 2019 | snapshot, visual
Through almost 15 years of intricate, involved lyricism – the crazy involved titles of the early days, the lineup rotations, the bevy of music videos and the expansion of Brendon’s vocal range – we’ve held on to our deep appreciation for Panic! @ The Disco. So to be asked to photograph Brendon Urie and his team of bandits at Sprint Center on Saturday night, there was zero hesitation. The performance itself was the most involved we’ve ever witnessed from the musical project, Urie’s energy palpable from the first jump out from the hole in the middle of the stage, to his last round of bows and high fives with the audience. The man absolutely thrives off of this life, and you can tell.
What, perhaps, is most notable about his show when comparing it to his performances of yesteryear – think ten years back – is that they have, somehow, become even more theatrical. That was what was so outstanding about Panic! @ The Disco when they emerged on the scene about 14 years ago, they existed as a beacon for the outcasts. The theatre kids, the gamers, the anti-socialites. And now here he is, all this time later, continuing to provide that entertaining escape for other generations, and leveling up with each step. (Just ask whoever he hired as his vocal coach in the past ten years, if you don’t believe us.)
In fact, he even took a moment during his set to bless an unborn child “in the state of Panic” which, to his credit, is a clever saying to have up his sleeve. (Or up his bare arm, depending on if he decides to keep his shirt on or not.)
Either way, here are some fun photos from the inclusive and beautiful evening.
by Meredith Schneider | Feb 5, 2019 | premieres, singles, wolf tracks
Brooklyn-based “timid rock” trio Waterfall Strainer really defines that genre, their new single “Please Don’t Please Me” further representation of that truth. Even better news? We’ve got the exclusive premiere right here. With glittering reverb, the song has touches of 80s flare, slow and vulnerable. I can’t imagine not slow dancing to it somehow, and you might agree.
Pre-save the album on Spotify here. Be sure to check out Waterfall Strainer on Instagram, Facebook, and Bandcamp!
by Meredith Schneider | Feb 4, 2019 | Uncategorized
Starting with the title track, Idaho-based teen musician Gabriella Rose spins her new Lost In Translation EP with an ethereal intensity that we haven’t experienced in a hot second. Vocals dripping with reverb, a slight twang, and a moderate tone to first draw your attention. “Dreams” takes on a darker tone, though still somehow just as transfixing vocally. It is at this point that we realize the true leader of Gabriella Rose’s body of work is her unique and radiant voice.
“Welcome To The Dollhouse” takes a deep look at mental health in a very real and emotional way, while “Requiem” drives the metaphorical melancholic truck forward, as she croons, “I stopped dreaming” along with a host of other things she is finished with, invoking a palpable sense of loss. “The Chair” and “Angel” round the 6-track work out, each addressing the topic of mental health – and allowing Gabriella Rose to explore hers in a very vulnerable way – in a very different and beautiful way.
Keep up with Gabriella Rose here.
by Meredith Schneider | Feb 1, 2019 | albums, review
February 2019 is off to a wild start, especially with today’s release of You Found Me, the full-length from Cody Votolato’s latest project JR Slayer. “JR Slayer in its current form is a sacred home for me,” admits Votolato. “It is a safe space to start new conversations with art and music and understand how I relate not only to it, but myself. Not one where I am trying to receive as much as I give to it, but one that allows me to fully realize myself while being able to step out of my comfort zone.”
Starting with the meandering pace – but huge impact – of “I’ll Never Leave You” featuring Jenny Lee, the album rolls into the slower, more delicate harmonies of “There is Nothing Else Around Me” before picking up for the slightly quirkier and more danceable “Half Lyfe”.
“Nothing & Nowhere to Hide” brings a more polished, pop sound with a vulnerable bed of lyrics, while “This Is Alone” really simplifies – and induces melancholy into – the soundscape. “I Think I Might Die” has, perhaps, the most directly morbid of titles in the collection, though at its core it is a simply beautiful love song. “In A Sea Of Anonymity” slowly layers itself, as the lyrics address fate and hope in a very wonderful way.
By this time, it’s clear that JR Slayer has a way of taking things that seem joyful, and sprinkling them with melancholy. On the flip side, he is fully capable of taking something seemingly negative and brutal (like the titles), and adding a flare for the positive. Either way, he’s managed a very tactical balancing act across the whole of the work, and we’re very impressed that it carries into “How Could Love B So Cruel?” with its lush and trudging instrumentals, and straight into the last track, “40 Extra Minutes in Heaven”.
If you don’t believe us, try it on for size. Either way, let us know what you think in the Facebook comments!
Keep up with JR Slayer here.
by Meredith Schneider | Jan 31, 2019 | snapshot, visual
On Saturday, January 26th, Madisen Ward & The Mama Bear took their hometown by storm with an incredible performance at The Truman in Kansas City, Missouri. Their opening act – Me Like Bees – was sure to entertain to the max, and to thank MW&MB for their kindness over the years. The night was incredible, and everyone seemed to be absolutely glowing. Get your peek into the event below!
Keep up with Madisen Ward & The Mama Bear here.
by Meredith Schneider | Jan 31, 2019 | soundtrack
January 2019 has been an absolute gem of a month. We’ve had some insanely inspirational moments with new videos being released left and right, and have decided to share some of our absolute favs right here! Our soundtrack isn’t comprised of every video released this month, this collection just barely grazes the top of the pile. But we’re pretty jazzed about these ones, and wanted to provide a fun distraction from real life before February kicks in. Featuring David Duchovny, Hippo Campus, PRETTYMUCH, Dream Ritual, Kelsy Karter, Taliwhoah, Lily & Madeleine, Baby Goth, and more.
by Meredith Schneider | Jan 30, 2019 | singles, wolf tracks
If you’re looking for a topical track, Davis, California-based pop musician Lillian Frances has a new track titled “Super Bowl Party”, and it’s jam packed with relevant social commentary that should fuel your fire. If you’re into tongue in cheek humor and honesty – and especially if you’re sick of Tom Brady to some extent – then this song is right up your alley. Fair warning, though, there is some language. So perhaps check it out before you agree to play it at your party for the big game. (What? Sports ball?)
Keep up with Lillian Frances here.
by Meredith Schneider | Jan 30, 2019 | premieres, videos, wolf tracks
Portland-based groove folk project Lili St Anne – comprised of Elizabeth Fagan, Jason Miller, and Sam Arnold – has created a sound that is soulful, soothing, and intensely ethereal all at the same time. Throughout the duration of their track “Wolves”, we fall more and more in love with Fagan’s vocal range, as she tugs – no rips – at all of our emotions with her words. The video that accompanies the track mirrors its disposition, dark with hints of glitter that bring with them that wonderful voice.
Give yourself the full experience with the visual, below!
Keep up with Lili St Anne here.
