by Veronica DeFeo | Apr 5, 2018 | show review, snapshot, visual
Following a gloomy week in Kansas City, April 4 brought crisp and clear weather – and a sold-out show by L.A.’s Billie Eilish at recordBar in support of her Where’s My Mind tour. Some of her fans waited for hours in the cold for a chance to be close to their favorite artist. Imperfect Fifth writer Veronica DeFeo and photographer Michael Porter were there to capture the one-of-a-kind evening. Killer performances from openers Reo Cragun and DJ Kiero got the night off to a great start. Reo busted his lip open a few songs in, but he didn’t let that stop him from delivering a fantastic set, much to the delight of the energetic crowd.
Following Reo and Kiero’s set, anticipation was evident as the concert-goers started chanting Billie’s name. In a moment of electric delirium only found at the best of shows, the lights went down and drummer Andrew Marshall and Billie’s brother, Finneas O’Connell, came onstage to an electronic sample of “my boy”, dressed in white coveralls and Billie Eilish kerchiefs. The crowd went insane when Billie came on seconds later, starting off the night with her acclaimed single, “bellyache”. Every voice knew every word, evidencing Billie’s deep connection with her fans. Not skipping a beat, Billie led the crowd into her hauntingly beautiful “idontwannabeyouanymore”, showcasing her velvety vocals. Next up was “watch”, immediately followed by “&burn”, which features Vince Staples on her record, dont smile at me. Billie not only flawlessly sang “watch”, but also took on Vince Staples’ verse from “&burn”.
Billie gave the crowd a chance to fill in some vocals on the next song, “Bored” (which was anything but boring). Fans were eager to give Billie their gifts throughout the set, and Billie expressed her love and gratitude for everyone who came multiple times, letting them know that she would not be where she is without them. Taking a more serious and mature tone, Billie performed an older track, “Six Feet Under”, which displayed not only her vocal talent, but also her lyrical skills. Billie introduced her drummer and brother to the crowd before inviting Finneas to perform his slinky, moody track, “New Girl”. As her producer, co-writer, backing vocalist and guitarist, but most importantly, brother, Finneas is always supportive of Billie, as well as having his own career as lead singer of The Slightlys and starring as Alistair on Glee.
Billie took the stage once again, enthralling the crowd with a unique cover of Drake’s hit song, “Hotline Bling” – on ukulele. In her next song, “party favor”, Billie showcased more of her ukulele skills during the fun track, which also features hitting lyrics. Billie next treated the crowd to an unreleased song, asking them all to be in the moment with her. The track that got Billie discovered, “Ocean Eyes”, was up next, and the crowd got a unique, lighthearted rendition as Billie accidentally bumped a fan with her mic; following this, Billie closed out the song on a stunning note. An electric, flawless performance of fan favorite “my boy” finished her regular set, but Billie wasn’t done yet. After raucous shouts for an encore brought her back onstage, Billie delivered with “hostage” before taking a selfie with the crowd and hugging fans. Billie closed out her show with a rocking performance of “COPYCAT” that did not disappoint. After commanding her fans to get low during the bridge, the crowd went wild with the signal word “sike!”, and the last seconds of the song were unforgettable.
At just sixteen years old, Billie Eilish has accomplished more than many artists dream to at a young age. When she makes up her mind, she gets the job done; despite her youth, Billie knows her craft and how to work a crowd. Her March 4 performance is not one that will be forgotten. Kansas City can’t wait for Billie to come back.
Listen to Billie Eilish
YouTube – Spotify – iTunes
Stay connected with Billie Eilish
Facebook – Website – Instagram – Twitter
**photos by Michael Porter
by Abby Trapp | Mar 29, 2018 | show review
Hip-hop duo Atmosphere returned to Kansas City on Saturday, the 24th at the Voodoo Lounge. Atmosphere was previously in Kansas City three years ago and was thrilled about their return. The duo performed songs from albums such as Fishing Blues, God Loves Ugly, and Lucy Ford. Atmosphere did not have a problem with keeping the crowd hyped, commanding us to “Put your hands up Kansas City.”
The show was so wild, that at one point in the night, an edible was thrown onstage. It was acknowledged, but fittingly thrown back into the audience. Atmosphere even noted that they were working on a new album, and previewed a new song. It was a night filled with energy and excitement, and if you have the chance, catch Atmosphere on tour.
You can find tour dates and more info here.
by ImperfectFifth | Mar 26, 2018 | snapshot, visual
A mixture of old and young fans filled up the Madrid Theatre on Thursday night. Granted, they were probably parents of the younger demographic as they were sitting against the wall while their kids stood in the middle of the floor, waiting for the the show to begin. That’s the thing about Lights: she has no target demographic, and her fans are loyal as hell. The Madrid provides the right amount of intimacy that performer like Lights yearns for. As seen in her Instagram posts, she loves connecting herself with her fanbase. And if you’re not following her on there, do it.
Toronto based performer DCF, or David Charles Fischer, kicked off the night with his one man act, followed by Australians Chase Atlantic. The crowd came for the entire lineup. Singing back every song and even calling out the next titles, both DFC and Chase Atlantic have a fan base here in Kansas City that built the atmosphere for the rest of the night.
Lights started her set off with “New Fears” off her fourth album “Skin and Earth.” Since the start of the tour in late January, Lights admitted that the band hasn’t been feeling well and are fighting off a bug, but the excitement and love that Kansas City brought to the table helped them continue to play on. She even posted a picture on her Instagram story thanking KC for helping her power through the show while battling the stomach flu. That’s dedication right there.
Nearly 10 years since beginning her career, Lights remembers when she first came here in the late 2000s. With that kind of connection, it’s easy to see how much this city loves her. “I think the first time we played here was in 2008, it’s been a while, Kansas City!” she said.
As she begins to wind down her tour, it’s exciting to see what Lights’ next moves will be. It’s pretty hard to top a concept album and comic book, but there is no doubt that she continue to surprise, and build, her loyal fanbase.
Keep up with Lights here.
**by Ashleigh Lee
by ImperfectFifth | Mar 23, 2018 | snapshot, visual
On March 14th, Walk Off The Earth made an invigorating appearance at Kansas City’s VooDoo Lounge with support from Darenots. Photographer Katie Young was there to capture some fun moments for us.
**photos by Katie Young
by Chad Bennett | Mar 14, 2018 | snapshot, visual
Moon Taxi rocked The Truman in Kansas City on February 17. It was the band’s final performance before a well-needed break after touring for several months. The resume their tour later in March.
by Chad Bennett | Mar 12, 2018 | snapshot, visual
Instant Karma put on a great show on February 15th at The Rino in North Kansas City. The guys had a great time and made the show a lot of fun to watch.
by Abby Trapp | Mar 8, 2018 | snapshot, visual
On Sunday, March 4th, AWOLNATION made an incredibly beautiful appearance at The Midland in Kansas City. High energy was abound, each photo a blur, but the setup and the openers – IronTom and Nothing But Thieves – made for a gorgeous night in the city. Abby Trapp captured some of that feeling for us.
by Michael Arnold Porter Jr. | Feb 27, 2018 | snapshot, visual
On February 25th, the incredible Steve Aoki rolled through the Uptown Theater in Kansas City, MO with Desiigner in tow. Michael Porter nabbed some fun photos for us.
by Meredith Schneider | Feb 26, 2018 | snapshot, visual
On Saturday, February 24th, Judah & The Lion made a notable, sold out appearance at the Uptown Theater in Kansas City. The theater was packed from wall to wall, with people standing behind pillars just to be able to hear the entire set while catching a glimpse every once in a while. It was the most packed we have ever witnessed that venue.
Photographer Meredith Schneider got some photos. Here are her favorites.
