by Ian Schneider | Apr 5, 2019 | albums, review
Jai Wolf‘s new album The Cure To Loneliness is the perfect encapsulation of everything this budding star has to offer. Discovered by EDM mainstay Skrillex, the Bangladeshi born Jai Wolf (Sajeeb Saha) created a lot of buzz with his song “Indian Summer”. Raised in Long Island, Jai Wolf has been influenced by the likes of Phoenix and The Strokes, but you can feel the electronic influences most in The Cure To Loneliness.
With features from Day Wave, Robokid, and Mr. Gabriel to name a few, Jai Wolf is setting himself apart and establishing his legitimacy within the industry. You can hear those aforementioned Phoenix influences in the track “Lose My Mind”, but Jai Wolf also has the unique ability to slow it down, which is rare to find in an electronic artist. Almost with a trance like feel, most of the tracks on this album will have you swaying with electronic bliss. “On the new album, sonically all of Sajeeb’s eclectic influences can be heard. Lyrically though, the album is quite personal with themes of searching for connection whether to culture or people, from someone who was not only born in a very foreign land, but once he got to the United States moved around constantly. As a person Sajeeb is extremely bright, very outspoken on the current political situation, especially, as you can imagine, on the subject of immigration.” Jai Wolf has been able to channel his experiences into an art that is not seen from many, let alone electronic artists. Most musicians with Jai Wolfs thoughts and feelings might turn to other genres, but his ability to create an insightful landscape with drum machines is something to behold. The Cure To Loneliness will do exactly what the title entails.
You can check out The Cure To Loneliness now, and keep up with Jai Wolf on his socials listed below.
Socials:
Twitter: @JaiWolfx
Facebook: @JaiWolfMusic
Instagram: @jaiwolfx
by Karina Marquez | Apr 5, 2019 | albums, review
New York City artist Megg Farrell bares her folksy soul with the help of some friends with her appropriately-titled album Megg Farrell & Friends. The music’s vibe is Stevie Nicks if she was a blues singer with an affinity for the banjo, and it is truly a piece of art to behold. Each song is clearly and artfully crafted in terms of music production, lyrics, and instruments.
“Feelin Single” is the perfect opening track for a bluesy folk album, with it’s a capella harmonies and references to a wild night out:
“I was feelin’ single, seeing double, wound up in a whole lot of trouble … but I really had a ball last night.”
As the album goes on, two things becomes apparent: Farrell’s voice is beautifully nostalgic, and she creates a record that tells a seamless story. With song titles like “New Orleans Waltz,” “Tulsa Queen,” “New York Love Song,” and “Ooh Las Vegas,” Farrell showcases her ability to tell stories about all these different places and the influences they had on her.
Amongst the toe-tapping country vibes, there were a couple of stripped down tracks, and those were my favorite from the record. “If I Were a Woman” is a gentle and sad story of someone who wishes she could be the woman she always wanted to be. The lyrics are undeniably poetic, a punch to the gut:
If I were a woman, I’d teach you to be brave.
I’d fight for my sex and their race,
and I’d find me a new name.
If I could speak, I’d speak for something bold,
but my hearts grown weak or so I’ve been told.
Megg Farrell & Friends is a well-rounded album with the ability to make you dance, cry, sing along, and repeat. It perfectly encapsulates what the feeling of sitting in a jazz piano bar, sipping a beer and being completely captivated by a band’s ability to create something raw, honest, and real.
Be sure to check out the album, and keep up with Megg Farrell here.
by Meredith Schneider | Apr 3, 2019 | snapshot, visual
On Wednesday, March 27th, Arvest Bank Theatre at The Midland opened its doors and welcomed a hefty crowd for the St. Paul & The Broken Bones show. Opener Michael Nau played some acoustic beauts, and we melted into the evening with the incredible Alabama-based collective that truly ignites our souls.
Keep up with St. Paul & The Broken Bones here.
by Meredith Schneider | Mar 27, 2019 | albums, review
Today, indelible songstress Haley Reinhart releases her latest collection of songs, a full-length titled Lo-Fi Soul. Full of layered, beautiful instrumentals, the entirety of the album is packed to the brim with Reinhart’s soulful, glittering vocals that take you back in time with each new breath, starting with “Deep Water” and leading you all the way through to the last chords of thirteenth track “Baby Doll”. Second track “Oh Damn” slows things down a bit after its predecessor ends, addressing the protagonist’s want to find their one and only. The title track speeds it up a bit more, adding a bit more edge to the collection. “Don’t Know How to Love You” is true blues, both the guitar and the vocals equally as heart-wrenching.
Both “Strange World” and “Shook” are love songs in their own right, both addressing the world in curious and insightful ways, slightly less attractive and way more quirky than other love songs. And while “Crack the Code” is a little more introspective and pondering, while “Lay It Down” sings of a past love, and leaves us questioning what went wrong. “Honey, There’s the Door” brings that sass back, a truly refreshing song of note, and that sass carries right on into “Broken Record”, making these two our favorite tracks on the release.
But she doesn’t stop impressing there. If you listen through to “Some Way Some How”, you will experience a truly breathtaking ballad, not unlike other prior releases of hers. I pity the fool she sings about in “How Dare You”, as karma has clearly been assessed in that situation. And she rounds everything out so gracefully with last track ‘Baby Doll”, the beginning giving us hints of Mariah Carey goodness with Reinhart’s impressive vocal range. But don’t just take our word for it. Enjoy!
Catch her on tour!
04.02.19 – New York, NY – City Winery
04.03.19 – Boston, MA – City Winery
04.04.19 – Sellersville, PA – Sellersville Theatre
04.06.19 – Bay Shore, NY – Boulton Center
04.07.19 – Annapolis, MD – Ramshead On Stage
04.08.19 – Washington D.C. – Jammin’ Java
04.09.19 – Charlotte, NC – Booth Playhouse
04.11.19 – Nashville, TN – Mercy Lounge
04.14.19 – Chicago, IL – Park West
04.15.19 – Minneapolis, MN – Varsity Theater
04.16.19 – Lawrence, KS – Granada Theater
04.17.19 – Dallas, TX – Dada
04.19.19 – Denver, CO – Globe Theater
04.20.19 – Salt Lake City, UT – Urban Lounge
04.22.19 – Seattle, WA – Crocodile
04.23.19 – Portland, OR – Hawthorne Theatre
04.25.19 – San Francisco, CA – Slims
04.26.19 – Los Angeles, CA – The Roxy
04.27.19 – Santa Ana, CA – Constellation Room
Keep up with Haley Reinhart here.
by Meredith Schneider | Mar 25, 2019 | snapshot, visual
On March 16th, we welcomed St. Patrick’s Day with an energetic performance by The Mowgli’s at The Truman in Kansas City, MO. Every bit of what we’ve come to love about this band was displayed on stage, from the intensity of their live performance, to the vulnerability in the words that they sing, and even to a few choice moments of love specifically for the Kansas City audience. We caught a few choice photos between jumps and spins, and you can check them out below!
Keep up with The Mowgli’s here.
by Meredith Schneider | Mar 22, 2019 | snapshot, visual
On Saturday, March 16th, Jukebox the Ghost played at The Truman in Kansas City, MO. The lineup included Arrested Youth and The Mowgli’s.
Keep up with Jukebox the Ghost here.
