To round out the month of September – and to unofficially prepare the city for BEY DAY (October 1) – Bishop Briggs and MisterWives brought The Don’t Look Down Tour to Grinder’s in The Crossroads. On a beautiful evening, against the backdrop of a watercolor sunset, Bishop Briggs brought her quintessential high-octane energy to the stage.
With added block visuals and sharp, dominating lighting, her moody vocals swayed the audience into a fiery mood. She rounded out the 16-song set with the notorious hit “River” before whispering a humbled (and cute) “Thank you” to the audience. As she breathed heavily through her bows, her beaming smile could not be contained.
Photo highlights below.
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Setlist Art of Survival Wild Horses Cherry on Top MY SHINE Baby JEKYLL & HIDE Baggage High Water TATTOOED ON MY HEART / superhuman Reborn Hallowed Ground White Flag / Hi Lo (Hollow) Take Me to Church (Hozier cover) Bad Revolution River
Anna Hamilton was the newcomer most hadn’t been acquainted with, winning a contest to open for Dermot Kennedy as a local act. A Kansas native and one of 12 children in her family, Anna’s music dripped with bits of nostalgia and hopeful thoughts for the future. It was also an insanely beautiful experience, her sweet-as-honey vocals accompanied only by a guitar. It was mesmerizing.
By her third song, we caught a glimpse at specificity in a track about a boy that left her for a city – “Me For Barcelona.” The song had never been played in front of a live audience before and is not currently available, but is open for preorder via her link in bio at clever Instagram handle @a.ham.sandwich. Her fourth trach was about leaving Kansas to pursue her singing career in Tennessee, something so many artists struggle with. She has clearly found a safe haven and inspirational options in her relocation, as her last track – “Self Help” – was realized so early on. Of the track, she admitted that it was about taking care of yourself before allowing others to benefit from you. “You need to be 100% before your cup overflows and they can receive it.”
Bishop Briggs emerged, energetic as ever and donning a leather jacket on a pretty balmy night in the midwest. It was shed quickly, to reveal skeleton-printed fingerless gloves and delicate tattoos dancing across both forearms. The first time this town got acquainted with Bishop, she had barely edged into the world of tattoos. Now, you find yourself mesmerized by them as she jumps across the stage with every robust, belted line.
An artist that truly allows you to feel the songs with her, Bishop has cultivated a fandom that spans generations, cultures, and ideals. Perhaps the show’s littlest attendant – a young man no older than 10 or 11 – could be found belting out lyrics and clapping in time with his family during the intense track “Hi-Lo (Hollow)”. Her set included “Someone Else,” “Darkside,” and her most recognizable hit, “River”, among others.
We’ve had our fair share of Bishop Briggs sightings, but to see her in full form, in front of such a giant crowd at Bonnaroo, was absolutely wonderful. Her vocals electrified the audience, who had taken shelter from the heat of the mid-day sun under the tent. Prep for your holiday tomorrow with these fun photos and some of your favorite Bishop tracks!
Last fall, Bishop Briggs made her first ever stop in Kansas City as part of 96.5 The Buzz’s Halloweenie Roast. We had been flabbergasted by her talent with her first major single “River,” and covered her for miles on Impose after meeting her and realizing she’s one of the good ones. Here are some dark throwback photos we captured before the Halloween-themed event. (Though I’d say our photo game has improved immensely the last couple of times we have seen her.)
On the Eve of BeyDay in Kansas City, MisterWives and Bishop Briggs brought the girl power to one of the most iconic stages in the city with The Don’t Look Down Tour. Tucked away into The Crossroads District sits Grinders KC, a mulch-floored, sunset ceiling-ed venue that is perfect this time of year. Misterwives headlined, regaling the crowd with some of our nostalgic favorites peppered in among their latest, admittedly more introspective, releases. Their stage performance of “SUPERBLOOM” was the most magical moment of the show for me, as we all gazed up in appreciation at an almost-full moon over the stage.
MisterWives’ music reminds us to get in touch with who we really are. Vocalist Mandy Lee endlessly captivates with her ethereal vocals and enigmatic energy. The chemistry between Etienne Bowler (drums), William Hehir (bass), Mike Murphy (sax/keys), and Marc Campbell (guitar) is really fun to watch, as they dance around each other and stay in communication throughout the show.
The band has been through some growing pains in recent years, effectively losing their keyboardist Jesse Blum, experiencing relationship woes between band members, and label drama. But that hasn’t stopped them yet, and those facts show no signs of slowing them down. MisterWives – now more than ever – present as a force to be reckoned with. I can’t wait to watch their magic continue to expand minds for many years to come.
Setlist Out of Your Mind Dagger Where Do We Go From Here? / rock bottom All the Same Why Why Why Sideways Trip Around The Sun Silver Lining Trigger Pull Too Late Ultraviolet SUPERBLOOM Our Own House Reflections Other Side End of My Rope Nosebleeds
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If you happened to leave the show without a smile on your face, I can only assume you are battling some horrendously painful ailment at the moment, and for that, I give you space.
August 7, 2021 was my first show back. Back, from where? Who even knows? While the pandemic rages on, I wonder, more often than not, if leaving my house is even worth it. But I’ve been enjoying – and producing – livestreams and digital concert experiences since COVID-19 took SXSW 2020 from us all, and I knew the joy that came from that massively sustained me over the last 17 months.
The first time I saw Dermot Kennedy was in a church off 6th Street in Austin, Texas during SXSW 2018. I chose to spend the evening with a handful of friends from my hometown, wandering into shows and experiencing new acts to write about and photograph for the (still new) site. But something about Kennedy’s vocal delivery – the vulnerability and intensity with which he delivered some of the most emotionally charged lyrics I’d ever heard – made me forget I was trying to compile content for the site at all. A handful of distanced, “between tall guys’ bobbing heads” photos happened, but the music was so compelling that I spent an embarrassing amount of the set with my eyes closed, or staring up at the vaulted ceilings, marveling at the magic that music creates, and the magic from which it is derived.
When SXSW 2020 was canceled, I decided to make the quick, 4-hour jaunt to St. Louis to see Kennedy. Within a couple of days, the tour was indefinitely postponed. COVID-19 set in, and March saw stages around the world shutter. Deafening silence. And while artists tried to keep the spark alive with their multi-dimensional at-home creations, new directions, and interactive experiences, there was just something missing. That spark that live music incites, the way it can make an entire room feel like it’s on fire, hearts dancing in unison. As someone who once took for granted a 2-5 concert per week schedule, I began to feel lost in a sea of digital analysis and curation. I am humbled by the art that has come from our time locked away, but it never had the energy of a live show.
By the time I realized live music was coming back, Kennedy had sold out his St. Louis reschedule. And his Red Rocks performance. I spoke with a friend who was going to work with me on getting tickets in Wisconsin, which would be my saving grace for his tour since Kennedy was no longer appearing on the postponed Bonnaroo lineup (because of touring conflicts). But my sister happening upon a radio tour announcement a couple of weeks before her big move to Los Angeles and a random discussion that occurred a half-hour before tickets went on sale for the Kansas City stop made it all possible. Me – the woman who often feels jaded by the industry, especially for how little people truly rallied for the arts through this dark time -, I allowed myself to finally get excited about an event. I had something to look forward to that I knew could help me heal.
And still, I wondered, could I possibly stand in a crowded venue again? Could I find joy in the music – the one thing that makes me feel like I have my head screwed on straight on a daily basis – amidst a crowd of maybe-vaxxers from the midwest? (That wild, wild midwest that we have come to know as a largely “denying science” crowd.) I spent days before this show panicking about everything. Would there be space to spread out? The show wasn’t entirely sold out, the venue was more intimate, it couldn’t be too insane. Right? Would I melt in my mask? Would my friends be comfortable?
I almost had no words to explain how it all felt. Sure, I annoyed my +1 (Hi, mom!) and a couple of friends (I see you Anjelica and Kevin!) with some fears about everything. But, I was mostly entirely back in my element. As an observer, an enjoyer. I ensured we got pretty good spots to watch the show, over by the rail on the right side next to the stage. Dermot Kennedy’s Kansas City (Missouri) leg of his Better Days tour was officially sold out at the Uptown Theater, however, there was substantial space on the sides of the stage to ensure that we felt comfortable. I did some people watching like I used to. (I’d like to think that people couldn’t handle their liquor because they hadn’t imbibed at that level in a while, but who knows?) And, truly, I spent the majority of the evening belting out lyrics behind my mask, staring up at the shadows dancing on the ceiling, really indulging in the collective atmosphere of it all.
Set List: Lost Power Over Me All My Friends An Evening I Will Not Forget Outgrown The Corner Rome For Island Fires and Family Outnumbered Better Days Moments Passed Glory Giants Encore: After Rain Without Fear
Thank you to Anna Hamilton, Bishop Briggs, and Dermot Kennedy for “an evening I will not forget.” (I know I’m the first one to use that reference, of course.) I can only say that it helped to inflate my sad, darkened, emo heart. So perhaps I’ll Grinch less for a while. 😉
Anna Hamilton and Bishop Briggs thoughts + photos to come.
Bonnaroo 2019 — if you couldn’t tell already, from every post we’ve had or every gushy memory we’ve shared — was one for the books. Between sets from some incredible artists — Childish Gambino, The Lonely Island, PRINCESS, Bishop Briggs, Juice Wrld, Gucci Mane, Post Malone, Phish, and more — were sun kissed memories made of magic. High fives, glitter all around, and self love the topic of the event, there wasn’t an aspect of Bonnaroo that went unappreciated. See the people of Bonnaroo below!
These days, it can be difficult to determine one songstress from another, let alone save a track and keep the name of its creator in your music library. This time of year, everyone is posting their “Best of” lists for 2018. We aren’t doing a super deep dive. We’ve just chosen 7 of our favorite female vocalists that have really ignited our hearts in the last year or so – one we found as recently as a couple of weeks ago! – and we’re all about sharing! Check out some of our favorite non-male performers below, and then maybe go make an entire WHO RUN THE WORLD? playlist featuring each and every one of these powerhouses!
by meredith schneider
Billie Eilish wasn’t someone we saw coming. Having jammed out to a couple of her songs, Bonnaroo 2018 brought her to the stage in front of us for the first time. A look of vulnerability in her eyes, she gave that crowd more than what she had that day, throwing her body into her stage presence and really working the stage so that everyone felt like they were a part of it. Each new release brings with it an extended feeling of empowerment, and we’re keen on what’s to come for this incredibly talented young musician. (See video at the end of this piece: she is one of Tan France’s favorites!)
by christie mcmenamin
Lucy Dacus‘ voice is tranquil, delicate, and perfectly matched to her bittersweet, relatable lyrics. We’ve fallen in love with her as gently as her music progression over the years. We’re super pleased with her new supergroup boygenius (see: Julien Baker below), if not only because it gives us an additional reason to see her live more often. All the heart eyes going into 2019 on this lady!
by jeo taymany
Ness Heads is a Chicago-based artist who sings a soulful mixture of R&B and hip hop, with a bit of a pop flare. Her single “Flip Em” threw us for a loop during the summer of 2018, and we’re keeping that energy going through the next month as we hustle through our last minute year-end “to do” lists.
by christie mcmenamin
The world’s lead producer of sad music, Julien Baker stole our hearts a few years ago, but her stage presence and the incredible way she interacts with her fans is something of note. We were lucky enough to have seen her both locally and at 2018’s last ever Sasquatch Music Festival, and were floored on a number of occasions by her prowess. Check her out with new supergroup boygenius!
by erin p.s. zimmerman
It was 2016 when we first had the unique pleasure of photographing Bishop Briggs, as she prepped for an evening performing at the Midland in Kansas City. Flash forward 2 years and we’ve seen her a number of additional times, photographed her once more (see above photo, SXSW 2017), and have continued to follow each and every impassioned song that she releases as she’s toured the country multiple times, played every festival known to mankind, and as her music has been placed in both television and film. Her energy is unlike any other when she steps on stage, and her compassion is limitless. (See: her recent haircut) Plus, she was just featured on JVN’s podcast, so she’s definitely “having a moment!”
by meredith schneider
Mess lead singer Allison Gliesman is a kind, hilarious, and obscenely generous human soul. We’re fortunate to know them as a friend, but their music stunned us even before we met them face to face. Flash forward to witnessing those powerhouse vocals one night at The Rino in KC and our world was changed forever. If you haven’t yet blasted a Mess song at full volume in your car, now is the time. Keep your eyes peeled for this one.
by dara munnis
I was at Sasquatch Music Festival photographing a female-led band at one stage, when the music from another stage flooded my ears. Like a siren call, I followed it, toting my boyfriend like a rag doll. This. Woman. Has. Chops. Tash Sultana. After three songs, I turned and said, “She can do it all. Seriously. What can’t she do?” As if she could hear me, she got out a pan flute within 30 seconds… and started to beat box with it.
If you aren’t in love just with that statement, then I don’t know who you are. Insane. That’s the only word to describe it.
BONUS – While our other listing pieces will include just 7 representatives, we may have gone overboard BECAUSE WE ARE SO FLOORED BY SO MANY RAD NON-MALE VOCALISTS. So check out our list add-on below, and revel in the glory of 8 incredible humans!
This year, the Denver metropolitan area introduced Grandoozy Music Festival to its citizens. The show was produced by the co-creators of Bonnaroo and Outside Lands, and its lineup mirrored that tenacity, bringing some insanely talented acts to Overland Park. We had a photographer on the ground for the weekend, and she captured some fun shots of Friday and Sunday at the fest! Here are our Day 1 gems, featuring Miguel, Bishop Briggs, Phoenix, and more!
