by Meredith Schneider | Nov 10, 2017 | wolf tracks
Alluring Cardiff-based pop musician Martin Carr released his latest record, an elaborate 8 track journey for the tympanic membrane titled New Shapes of Life, at the end of October. Thrown into the album with its title track, we begin at a casual mid-tempo clip, vocals delivered with ethereal grace, not unlike we would experience from Sting or Thom Yorke. While not exactly preparing for the second track like it should, it sets a good sound quality standard for the album at large. “Damocles” has more of a vocal-induced gloss of mystery over it, while “The Main Man” slows everything down exponentially into more of a trance atmosphere. By “Future Reflections”, our heart rates have slowed down to better appreciate the crawling clip that this song proceeds at. With small hints of The Beatles and futuristic influences, this song flows “like water” through the speakers.
Fifth track “A Mess of Everything” has more of a melancholic feel to the vocals, but does progressively bring the tempo – and, simultaneously, mood – up a big to properly prep us for “Three Studies of the Male Back”. This track was made for a stadium tour or the headlining slot at a music festival. (Wink wink, nudge nudge.) It’s an atmospheric marvel, one which we don’t necessarily exit completely when the song ends. Seventh song “The Van” has an otherworldly, floating feeling to it, as it exists at a much slower tempo, in almost “crooning lounge singer” territory. And the big band feel to it just magnifies the ambiance. “The Last Song” is – hilariously – the last one on New Shapes of Life, and perhaps the most rewarding. The natural sound effects, lush instrumentals, and introspective lyrics almost leave a cliff hanger at the end of it all, positioned just like your favorite soap opera to cause anxiety until we hear the next batch of music from Carr.
But we will, instead, press “play” again and keep tabs on Carr here.
by Meredith Schneider | Nov 10, 2017 | wolf tracks
Indie alternative pop collective Fond of Rudy recently released their latest single “To Be Mine”, a head-boppin’ pop love song that will get you feeling upbeat and positive in no time. With instrumentals that maintain their modern flare while nodding electronic influence to the 80s, the chorus has that sound that just makes you feel free. Almost as though the instrumentals are pounding out of your chest. And the sweet as sugar lyrics don’t hurt the effect, if we’re being completely honest.
Keep up with Fond Of Rudy here.
by Meredith Schneider | Nov 9, 2017 | wolf tracks
Everyone’s future favorite goth pop queen So Below is back with another stunner that we think the rest of the world deserves to peek. From the very first glittering stanza we’re hooked, but immensely drawn in by first line “speak in greys.” It sets the tone for a track that feels light and airy, but is actually a bittersweet track about (warranted) impatience and loss in love. That first line, however, already provides a moment for the listener to get introspective about how nothing in this life is ever black and white. Grey is a constant color in which we live, and reveling in its uncertainty is a beautiful thing. So Below has done what she can to capture that enigmatic and wondrous feeling for us.
Keep up with So Below here.
by Meredith Schneider | Nov 9, 2017 | wolf tracks
New York by way of Dallas soul/folk songstress Sterling Rhyne recently dropped her new track “Remedy”, which serves as a source of uplifting wisdom for women (and people, really), but also for the ears. The alluring blend of rasp and sweet effortlessness in her vocals really does encourage her listener to find the “joy” around them.
In true cheesy fashion, we are going to go ahead and tell you this song is a “Remedy” for a bad day. And the right way to get through the rest of your week.
Keep up with Sterling Rhyne here.
by Meredith Schneider | Nov 8, 2017 | wolf tracks
In the lead up to the release of their album bad Radio, San Francisco based rock outfit Down and Outlaws – comprised of Peter Danzig, Kyle Luck, Chris Danzig, and Jon Carr – have unleashed a new psychedelic single titled “Imposter” on us. As the first cords hit, the listener becomes enveloped in a thin, silky layer of softly swirling nostalgia. The guitars wane like sepia toned photos are the closest we’ve got to color, back during yet another time when facial hair, middle parted hair, and bell bottoms were popular. (They’re still a thing now, right? No?) Its mellow tone and vocal reverb will make you want to play it on repeat for hours.
So go ahead.
Keep up with the band here.
by Meredith Schneider | Nov 8, 2017 | wolf tracks
Los Angeles based pop musician Luna Shadows just released new reverb-filled, trance-like track “Youth”, and we’re planning to add it to every holiday playlist and beyond. Singing with her signature featherweight – almost celestial – vocals, the track has been produced in a very layered way, that almost feels inspired by an Owl City track. One thing is certain: This lady has taken the reigns with her art and really begun to carve a name for herself in pop music. We can’t wait to see what she comes up with next!
Keep up with Luna Shadows here.
by Meredith Schneider | Nov 8, 2017 | wolf tracks
Self-proclaimed “dancy dream pop” New York-based quartet Fovea – comprised of Steve Shaw (bass, guitar, vocals), Max Weigel (guitar, vocals, keys, electronics), Jake Denicola (drums, vids, foley), and Halley Furlong-Mitchell (vocals, keys, violin) – just dropped one of the most tantalizing tracks we have ever set ears on. It begins in an ethereal sound space, and you feel like you’re in line for Space Mountain at Disneyland as the glittering robotic sounds slow down and make way for even more robotic vocals. What is perhaps so interesting about this track is that the vocals are lush, vibrant, and warm in their delivery, directly contrasting with the idea of detachment that often comes with the sound effects that have been poured into the track. As they repeat “How we gonna function?” we ask ourselves the same thing, allowing our minds to let loose under the cacophony of sound that splinters the track apart at the end.
Keep up with Fovea here.
by Meredith Schneider | Nov 7, 2017 | wolf tracks
London-raised multi-instrumentalist and electro alt-pop extraordinaire Harlequiin (Rory Simmons) has set his sights on the industry with flare, releasing his Something To Believe In EP recently, a follow-up to earlier 2017’s Clock That’s Stopped. Although he’s no stranger to music – he has been both a touring and studio musician with acts like the 1975, Paolo Nutini, Labyrinth, and more – it wasn’t until Clock That’s Stopped that he was releasing music his own music on his own terms, and we’ve been impressed with his chops ever since. Beginning with the smooth sounds of the title track – which later reveals early 2000’s quirks interwoven into its sound -, Harlequiin establishes his sound as one of all-encapsulating calm teetering on the edge of a sea of frenetic energy. This energy can be found audibly in every song, most notably toward the end of second track “Dream Deep Bloodlines” and throughout the seductive lyrics and vocals in “Kloro”. Last track “Heal Me” has a mainstream pop draw to the initial beat, layering in these beautiful, off-kilter sound effects that continue in the frenetic vein as its predecessors.
Not a single track on this EP is even remotely like the one before it, and somehow Harlequiin has found a way to truly create a signature, driving sound that aims to get your hips moving.
Every. Single. Time.
Something To Believe In is out now. Keep up with Harlequiin here.
by Meredith Schneider | Nov 7, 2017 | wolf tracks
If you’ve got a pension for bands who come up with long, educated album and song titles and intricate lyrics that are both highly relatable and super specific to their own lives at the same time, then you’ll want to look no further than Boston-based psych/indie rock project Bad History Month‘s new album Dead and Loving It: An Introductory Exploration of Pessimysticism. The album itself was created out of a moment of inspiration when brainchild Sean Bean – who “Wrote the songs, played whatever’s not noted otherwise, pissed and moaned mercilessly, ended up doing some editing and arranging and having a lot of fun eventually.” – witnessed Dust From 1000 Years perform “Black Rot” in 2013 during a time when he was reading War and Peace. Because of this, a sense of triviality is sprinkled over the entire album, as we get a peek into Bean’s existential ponderings.
We begin our journey with a track called “The Church of Nothing Matters”, which is an instrumental cacophony of sorts that really starts out quite beautifully and then launches into an eery few stanzas of crashing cymbals and off-key, waling guitars. It isn’t until 2:04 that we get vocals, monotone and honest as lines like “nothing matters” and “I don’t go to church” jump out from the folds. While “Gazing At My Navel” certainly doesn’t evoke that exact feeling for its listeners, it is a calming track with quirky chords that don’t seem to want to fit into the track gently layered in every once in a while. The song picks up, and around 4:12 is when the vocals hit the track. “A Small Life” seems to play with dissonance, almost making you beg for the song to come forth. Which it does, but it’s closer to the 2 minute mark before jarring, sung/spoken vocals are inserted into the track.
“The Nonexistent Distance” is when we see vocals pick up at a more acceptable rate (Sorry, guys, we’re lyrics people!) about twenty seconds in, Bean asking simplistic, almost rhetorical, questions that trigger a jumping off point for a thought process in the listener. By the time you get to “The Imaginary Tone”, the entire album has mellowed out substantially and it seems as though each syllable comes out for this track as practices and defined as possible. It is here at we realize the precision with which this release was made, though not the first time the idea has occurred to us. “Being Nothing” certainly calls into question our existence, as it layers together and he quietly repeats “you are nothing.” The song speeds up as he echoes the same sentiment we’ve all been feeling as of late in the lyrics “I’m tired of wasting all my time talking the same shit to myself over and over.”
“A Warm Recollection” is adorable in its own way, discussing the ways that love is so intimate when you’re familiar and beautiful to one another without putting on a face necessarily. The instrumentals suggest a slight eeriness, but it’s beautiful the way he pairs simplistic ideas of love with layers of sound, almost “fumbling” in places as he expresses in the track. What we glean from it is that this is raw, this is real. And is that not what Bean meant for us, as we head into final track “A Platitude And A Final Understanding”? Slow, practiced, over ten minutes of instrumentals paired with bursts of narrative in which we witness Bean expressing the sentiment “I’m lucky” repeatedly. But he’s not wrong, and we’re all lucky in a way. Because our lives have led us to a space where we can share this music, – relatable or not in our current situation – and bond over the eery beauty that has been created in a world that is slowly reaching a spiritual awakening.
Dead and Loving It: An Introductory Exploration of Pessimysticism might be the next step in that collective journey.
DEAD AND LOVING IT TOUR
Nov 7 Burlington VT, SEABA, 404 Pine St
Nov 8 Cambridge, Elks Lodge w/ Pile, Ovlov
Nov 9 Portland ME Apahodion Theater
Nov 10 Hamden CT, Counterweight Brewery, 23 Raccio Park Rd. w/Stevia, Dave Go
Nov 11 Brooklyn, Alphaville (18+), 140 Wilson Ave
Nov 12 Jersey, New Brunswick, The Grand Exchange
Nov 13 Philly, Kung Fu Necktie w/Soft Fangs, Left and Right
MIDWEST, locations tentative
Nov 25 Pittsburgh tba
Nov 26 Lexington/Indy/Bloomington ? somewhere betwn pitts n nash, get in touch…
Nov 27 Nashville tba
Nov 28 St. Louis, Foam Coffee and Beer, 3359 S Jefferson Ave
Nov 29 Milwaukee, Cactus Club
Nov 30 Madison, Williamson Magnetic, 1019 Williamson St
Dec 1 Chicago, Landland w/Spencer Radcliffe, Date Stuff
Dec 2 Kalamazoo, Rupert’s Brewhouse, 773 W Michigan Ave
Dec 3 Ann Arbor MI, The Blue House, 712 E Kingsley St,
Dec 4 Detroit/Windsor?
Dec 5 Toronto, The Burdock
Dec 6 Montreal, Quai des Brumes, 4481 Saint-Denis
Dec 7 Burlington, The Monkey House
Dec 8 Woodstock, 51 Rock City Rd
Dec 9 NYC Market Hotel w/Pile
and many more …
Dead and Loving it: AN Introductory Exploration of Pessimysticism is out now.
