If you have been looking for a vocalist and a visual to help “carry [you] away,” then look no further than the new music video for Ajeet‘s “Dance of The Moon”. As the title of the song suggests, there is an ambiance taking place here, masterfully crafted by the world music artist you see before you. As you zen out to the incredibly alluring track, you can’t help but be fixated on her movement, inspired to move in ways you haven’t in perhaps a while. Plus, it is full of a gorgeous landscape that is a feast to so many eyes who haven’t seen more than the inside of their home for months on end.
Take a few minutes to escape into the magic. We promise it’s worth it.
Dedicated to COVID-19 front line workers who are helping others during the global pandemic, Pressing Strings released a video for “Brave.” Within the first 30 seconds, we are presented with a quote from Mr. Rogers that says, “When I was a boy and I would see scary things in the news, my mother would say to me, ‘Look for the helpers. You will always find people who are helping.’” Whether it is a nurse, grocery store worker or delivery drivers, these clips take you through the tough days they are facing and how they’re helping. The clips incorporated were sent in by essential workers and fans.
Although the song was written for frontman Jordan Sokel’s daughter, who is featured in the video, this video was put together to show the Maryland-based trio’s appreciation for those who are putting their lives at risk to help others. Towards the end of the video, photo submissions were turned into a portrait of a nurse with boxing gloves and wings, a final tribute to show how brave these workers are in this dark time. The single comes off the band’s latest album Settle In, which you can stream here.
Alt-R&B artist ROSA displays courage in his painfully raw single “BLOW” and accompanying music video. The track unearths and sets free some deeply buried demons surrounding ROSA’s personal battle with depression and drug abuse. Living with depression from an early age, ROSA quickly learned to adapt, to suppress his emotions, and instead forced himself to think clinically. While clever, this approach only prevented him from actually confronting his issues. It was his crafty thinking that allowed his severe cocaine addiction to fly under the radar for years without his friends or family noticing. Written, composed, produced, and arranged by ROSA alongside Joveek Murphy and Axe Hessel, the title “BLOW” refers both to cocaine, but also to what happens when you fail to deal with your emotions. The track is not only about someone coming to terms with their drug problem, but also with the root of the problem: depression. It is the second of a trio of singles that will be released before ROSA’s anticipated debut EP FEMALE. This EP will deal with female empowerment but also tackles issues of male emotional vulnerability. ROSA aims to challenge the stereotypes that surround masculinity by exposing some dark parts of himself. In the interest of honesty, “BLOW” speaks frankly, eschewing metaphors and symbolism to avoid romanticizing the matters of drug use in the track. By doing so, ROSA hopes to offer an alternative to the glamourized portrayal of drug use in pop culture.
The music video was directed by ROSA himself and illustrates his experience, from the initial ecstasy of cocaine to the inevitable deterioration as the high wears off. To show this, we first see shots of pleasant images: green trees and manicured bushes, women in dresses, bright blue lipstick, and deep red and white cloths. But each of these images are a double-edged sword. The groomed shrubbery and vivid colours seem out of context against muted colours and barren landscapes in the background. The faces of the women are void of expression. As the video progresses, we start to notice certain unsettling subtleties in the initial shots– the expression of pain on someone’s face with their mouth duct-taped shut, the fact that the fabrics are stretched over the people’s face. Eventually, you see that these people are struggling, even screaming through their restraints. Towards the end, fuzzy, black and white shots are interspersed among the others, before the harrowing final ten seconds arrive.
While ROSA’s alternative R&B and pop sound fits in somewhere near Frank Ocean, Kid Cudi, and Dev Hynes, his sound also has distinct touches that make his music his own. In “BLOW”, the music follows the same path of decay as the video, beginning with a smooth bassline and vocals, but finishing with stuttering words and haphazardous pauses before stopping suddenly, holding its breath for the final shot in the video. When the grainy black and white shots appear, some grungy guitar fills out the music, and shortly after ghostly harmonies chill you to the bone. The most impact, however, comes from the inserted spoken lines. Used sparingly, these lines directly get the message across, and uphold ROSA’s goal to show authentic emotions in a straightforward way.
Watch the striking video here, and look out for the third FEMALE single and the EP itself in the future.
Experimental pop and R&B alchemists Black Grapefruit have reanimated their 2019 song “Waist” from their dance-inspired EP of the same name. The duo released a pertinent video and compelling remix that offer fresh takes on the track.
Produced by Not 97, the video features footage from fans, friends, and family dancing to “Waist” from the comfort of their homes. Ironically, the video was put together way before the coronavirus-induced mandate to stay home was in effect. The sense of community present in the video has only gotten more relevant. Black Grapefruit mentioned that this video is a “reminder that we can share energy regardless of distance, and that we are all more connected than we sometimes realize.” It’s something to keep in mind as we all brave the isolating effects of seclusion. There are several cameos in the video as well, such as Emmy-nominated actor Zazie Beetz and model and co-host of MTV’s Catfish Kamie Crawford.
The song itself is quite chill but is also infused with a danceable energy, adding another dimension to the song’s relevance. Black Grapefruit explains the place of “Waist” in light of recent events by saying that “humans have been dancing through pain and turmoil since long before recorded music. With full respect for the moment, this is our creative offering. It’s made from ceremonial, positive intention. We can only hope that its movement somehow supports our collective and continued fight towards justice and healing.” Overall the track has a good continuous flow, but anticipation is created by the few pauses that are thrown in to keep the listener on their toes. The remix takes these pauses further, breaking up the melody into fragments and weaving them together into a fractured tapestry. Despite this, there are still tons of beats to attach dance moves to, preserving the rhythmic essence of the original track.
Finnish art-rock artist GEA drops her lead single “Despite” off her upcoming album Call for a Snake. The track starts out smooth and continues to build, growing stronger. As she travels through the forest, with dense trees and flowing rivers, GEA seems to go through an awakening. We are taken on a journey, but in the end GEA walks away despite her troubles.
“We are experiencing an unusually tough period of uncertainty, fear, and loss. I hope with this song we can celebrate our beautiful journey on earth regardless of our troubles,” GEA explained.
The track comes from a part of the album that is dedicated to the spirit of the swan, a representation of grace and elegance, an iconic figure in Finnish folklore. As the first single of the new album GEA sets the tone, a call for transformation and guide to healing the soul.
Watch the video for “Despite” and keep up with GEAhere.
This fusion of artists comes together to give you a new song to dance to. R3Hab, TINI and Reik join forces with flashing lights and graphics that fit seamlessly with the song itself. Although there is a lot going on, it never gets dull to watch with all the different elements. The energy stays high between the three artists throughout their scenes, between the dancing and colorful graphics. You’ll find yourself rewatching to focus on different things, or to even learn the dances.
“I am so excited to work with Reik and Rehab. I find it very interesting to explore new musical styles, and Bésame definitely has a special sound, distinctive from other songs. I feel very honored to collaborate with these two great artists,” TINI explained. From TINI’s collaborations with Alesso or Jonas Blue to Reik winning a Latin Grammy for “Peligro” to R3HAB’s millions of streams, these three are a powerhouse together.
The track itself has a beat that keeps your head bopping and might even force you to get up and dance. R3HAB’s bass lines mixed with Reik and TINI’s Latin-infused melodies will give you another song to add to your summer playlist.
Rap aficionado BennyFreestyles has released his latest single and video “Follow Me Home.” The serenade eloquently illustrates the human need for companionship during dark times– whether romantic or platonic. While he was born in Providence, Rhode Island, Benny grew up a traveler, so it comes as no surprise that the video for “Follow Me Home” was filmed in Nosara, Costa Rica. The video sports radiant images of nature that are distinct from, but also closely intertwined with the music. In the opening shot, we drift through a dusky forest and hear a mix of bird calls and electronic tones from the music. The juxtaposition of the sounds is disjunct, but they also complement each other. At times the shots drift in and out of distortion, like a manifestation of the hard times that the lyrics are talking about. Some of the words draw obvious parallels to nature as well, such as “you say it’s windy,” and “just hope it all blows away.”
The electronic music may seem out of place with the nature-centered visuals, but what it does is create a sort of ambient space in which the lyrics can really thrive. Whether it’s the open ocean, eternal forest, or endless night sky, the powerful pairing of these images and the atmosphere generated by the music allows for lyrics like “please forgive me” to ricochet, amplifying their impact.
Freestyles worked with Thomas San Bento in an intense twelve hour session to produce “Follow Me Home,” which features Freestyle’s peaceful voice and the rap skills that earned Benny his name. Since his very first release (a four minute freestyle called “The Ready Freestyle“), the on-the-rise musician has aimed to inspire, putting out multiple projects and going on national tours. Along the way, he has acquired a substantial fan base that really identifies with his music. “Follow Me Home” is simply the next step in Freestyle’s movement to uplift and encourage. Don’t be afraid to let yourself get swept up in it.
Well, PRIDE month is here. So is civil unrest, but that’s been bubbling at the surface for some time. We are going to have some insane new releases this month. Keep your eyes glued to this feature, as we continue to add to our list of favorite new music videos throughout the month.
Let’s start it off with “Fight Like A Girl” by Raye Zaragoza, shall we?
Break up songs are ones that pull on our heart strings, but they usually aren’t about the person taking the responsibility for it all. However, Riches of the Poor take a turn and assume that responsibility in “Behave”. Frontman Miky explains:
This song is a criticism of my handling of a break up. I feel that break up songs are mostly „how could you do this do to me you scum“ but basically here the first person assumes responsibility for being the villain and is feeling sorry about it, but not doing anything about it apart from complaining and feeling sorry for everyone involved, which isn’t helping.
It makes for a dramatic story telling perspective, but it isn’t really improving anything.
We are taken through the streets as we watch him walk around town, reflecting upon the failed relationship. The gloomy, cold day matches the lyrics as the video unravels, giving viewers a look into the dramatic point of view.
“Behave” is the third single off the alt-rockers’ The Long Way Down and sets the tone of heartbreak mixed with joy in their songs.
