by Meredith Schneider | Jan 20, 2020 | albums, review
Anybody else ready to see an improvement in climate change law and the way we take advantage of our precious baby Earth? Alt-pop collective Little Dume has taken their environmentally conscious thoughts and placed them in their first 5 track EP, Waking Up. Theatrical and intense, the entirety of the release could be found in the soundtrack to a romance novel-turned modern major motion picture. Perhaps it’s their location in Malibu that brings the message of the environment to us disguised within sticky sweet pop sounds, either way we’re falling in love with their musicianship while “Waking Up” to the beauty to be lost.
A true love song, “As Always” showcases a raspier, slightly grittier soundscape. It utilizes the metaphor of natural disaster alongside descriptions of other gorgeous scenery to play with the meaning of love and the collective, it seems. Don’t be disappointed that Beyonce doesn’t make an appearance on “Halo”, the song itself is more Coldplay than anything else sonically (fight me). It’s gorgeous, and plays with the meaning of “bad” and “good”.
For some reason, we get quick flashbacks to music from The Cab with the opening of “That Could Be Me”, another clear love ballad that is hopeful and emotional, vocals that rip to your very core. “Kings and Saints” wraps up the EP smartly. It can be classified as a leisurely then powerful self-reflective and, once again, hopeful song, reminiscent of the energy of recent Top 40 releases. (Cough cough nudge nudge.)
What do you think? Share with us on our Facebook page!
Keep up with Little Dume here.
by Meredith Schneider | Jan 20, 2020 | singles, wolf tracks
Martin Luther King Jr.’s impact on civilization as a whole is no small feat, and celebrating just one day every year is simply not enough. But we will do what we can with what we are given, and today I am proud to share the impactful new track from jazz musician Ben Williams titled “We Shall Overcome.” The pace is slow, the soundscape feels sultry, but there is a sense of pain in the delivery that makes it obvious from the first “We Shall Overcome” that this song is an anthem. The pace stays at a crawl, almost mimicking the dramatic effect of each and every step taken during Memphis’ historic 1968 African American sanitation workers’ strike, for which the title of the song was chosen.
Celebrate your strength and abilities. Take a moment with this song and really feel it, and take on the support and love those who inspired this track showed the world. It’s our turn to raise each other’s voices and to treat each other with the dignity, respect, and love we all deserve. This song will ensure that.
I AM A MAN is out February 7th. Keep up with Ben Williams here.
by ImperfectFifth | Jan 17, 2020 | albums, review
After making music for over 30 years, Lancaster, Pennsylvania’s
The Innocence Mission has yet another hauntingly beautiful album to offer up to the public. The band, led by married couple Kerin and Don Perris, is set to release their twelfth studio album on January 17th via Thérèse Records. The alternative folk band’s newest project is eleven tracks long and includes a rich collection of instrumentation, with guitars, piano, pump organ, accordion, electric bass, melodica, drums, timpani, upright bass, mellotron, and an old prototype strings sampler keyboard all gracing the songs in clever and achingly beautiful arrangements in addition to Kerin’s unique and aching vocals and Don’s well-placed harmonies.
The album’s introductory track, “The Brothers William Said”, is one of the standouts on the album. Soft and sweet piano combined with Kerin’s airy vocals alone carry us through the first half of the song, and her beautiful lyricism could easily be mistaken for poetry. “The kindness of your face / Does not go unrecognized / Has not refused to shine / In this most difficult time” she sings, bringing hope and understanding to a song meant to shed light on those who are often misunderstood due to their quiet nature. “I’m drawn to titles that are phrases, especially ones that seem to be a fragment from a conversation. “See you tomorrow” is the phrase that turns the song around to possibility and hopefulness.” says Karen about the song that yielded the albums title. While the track starts off sparse instrumentally, it builds to include a myriad of beautifully arranged instrumentation before dropping back off to finish the way it started with solo piano.
“St. Francis and the Future”, like many songs on the album, deals with themes of change and the passage of time. In this track Karen sings of how a painting she viewed on a family trip with her children came to represent looming changes that she wasn’t ready to face. In “John as Well”, echoey vocal layering and heavenly background vocals flirt with the lead vocal as the song builds. This track, as well as “At Lake Maureen”, gently but firmly reminds us of the importance of getting to know the true selves of those around us and the necessity of being understood ourselves. The album’s conclusion, “Would be There”,is a twinkly blend of Karen’s light-as-a-feather vocals and skillfully arranged, thickly-textured sections skillfully building to the outro, where the album goes back to basics and ends the same way it started; with a charming piano outro that subtly lets the listener know that it’s time to slip back into reality.
Keep up with The Innocence Mission here.
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written by: madi toman
by ImperfectFifth | Jan 16, 2020 | review, snapshot
Not even freezing temperatures and icy roads could stop Kansas City from showing up for their favorite hometown act last Saturday as indie-pop band
The Greeting Committee returned home and took the stage for a sold-out crowd at Uptown Theater. The energy in the theater was absolutely electric as fans packed into the venue, eager for an escape from the cold and snowy night. It was delivered.
Addie Sartino, the band’s frontwoman and charismatic shining star, was, as expected by the eager crowd, a force to be reckoned with. It was a constant stream of highs as Sartino led the audience through a whirlwind of emotions throughout the night. The group played fan favorites like “Don’t Go”, “Pull It Together”, and “You’ve Got Me” as an ecstatic crowd danced and sang along with Sartino. She flawlessly demonstrated her talents on every one, not missing a beat and thriving throughout the spirited set.
A notable moment came fairly early on as a nostalgia-inducing “salute to our youth” saw the band bring on stage a large group of local Kansas City musicians for a cover of Arcade Fire’s “Wake Up” that bordered on spiritual. But the homegrown band was just getting started.
About halfway through the show, Sartino asked the audience to respect her request “human being to human being” as she asked that everyone be completely silent while she performed “Call in the Morning”, a somber track that deals with tragedy off of the band’s new EP. Complete and total silence blanketed Uptown as Sartino traded her typical high-energy performance style for vulnerability and a powerful stillness as she stood center-stage while singing the track. Even in her stillness, her ability to connect to her material shone through. A completely mesmerized crowd couldn’t peel their eyes away from the frontwoman, who encapsulated what it means to put yourself into a performance. Sartino’s demanor shifted as she made it to the song’s spoken word portion, and she frantically ran around the stage as the lights went blue and she yelled out the monologue to a sea of teary faces. “Call the police, drain the bathtub, hide the bleach, call ‘em quick love. I think we’ve lost it” she screamed. “I cannot find another you”.
Sartino threw herself to the floor and pounded her fists along with the heartbeat-like drums as she screamed “Call the police!” over and over again. The song appeared to be pure catharsis for the young performer. The theater went dark as “1-800-273-8255” and “If you’re looking for a sign to stay alive, this is it” appeared on the screen and remained there as the band played the ending to the song softly in the background. 2,000 fans stood unmoving and silent, and many faces were streaked with tears as the audience stared at the dark stage, completely overcome by the power of the moment that they had just witnessed. Uptown was momentarily still as the crowd stood frozen, unsure of how or if the silence should be broken.
But just like that, Sartino was back on stage and better than ever, and the crowd rallied along with their fearless leader. The band took what could easily have been a hard moment to recover from and kept the wonderful moments coming, and it was impossible not to latch on to their infectious energy. The crowd’s spirits climbed through the roof as the show continued to escalate. The back half of the night included a mosh pit during fan-favorite “Hands Down”, and crowd-surfing by literally everyone in the band. The final song of the night, “Gold Star”, got intimate as the band got off stage and played amongst the very crowd that helped them make their largest show to date possible before exiting (while still playing of course) out the front door. It was a full-circle kind of night for the band and fans alike, and, in the words of the guy in front of me who couldn’t stop crying, “That was just special”.
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article by: madi toman
by ImperfectFifth | Jan 15, 2020 | singles, wolf tracks
If there is a time of year that leaves us longing for an escape, it’s now, trapped in the midst of another endless winter. Matt Messore has delivered the very portal to another world that we’ve been craving with his new bedroom-pop project Cathedral Bells and their debut LP, Velvet Spirit.
Messore recently traded in touring to set up shop in his hometown in Central Florida to record this ethereal DIY project in his bedroom. They just dropped their new single, “Disconnected”, a hypnotic track heavy with layer after layer of ethereal vocals and bright and shimmery guitar.
This dreamy track slowly and smoothly entangles the listener into an echoey lo-fi fantasy that will be sure to make you forget all of your pesky real world troubles. I personally get the urge to lie on the floor of a cool-toned, neon-filled room and stare at a disco ball for several hours. While that may seem like an oddly specific fantasy with major Euphoria vibes, so is this track. As the title suggests, it will leave you feeling almost disconnected from the real world as you become in danger of falling into a shoegazey alternate dimension that you may or may not ever pull yourself out of. Did Messore slip something in my coffee this morning? Guess we’ll never know.
Velvet Dreams is out everywhere on March 6th. Hide your disco balls, folks, and until then, check out “Disconnected”!
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written by: madi toman
by ImperfectFifth | Jan 14, 2020 | Uncategorized
British Indie-Rock quartet Circa Waves have started out 2020 by hopping on the exciting bandwagon of experimental album release with their new 2-part album Sad Happy. The group is dropping their new record A/B style, with Happy premiering in January of 2020 and the Sad dropping in March.
In anticipation of the first part of the release, Circa Waves premiered the second single from the Happy side of their album on Friday with dreamy pop single “Move to San Francisco”.The single was released with a charming self-shot video of the four piece group quite literally frolicking around the Bay Area, the west coast haven that the song’s subject toys with escaping to with his partner. Romantic California imagery of everything from palm trees to dive bars pairs smoothly with the hopeful track.
The song employs warm and optimistic images of escapism and sunshine as vocalist/guitarist Kieran Shudall sings about freedom and the uncertainty that comes with it. “Oh I wanna live like this / For another dozen years / We could live so free” Shudall repeats throughout the bridge and outro, reminding us what it’s like to feel the temptation of getting lost in an idealistic world where running away to greener pastures can save a fading relationship.
With bright and shiny lead guitar and dreamy mellotron that would make Paul McCartney proud, this gold-toned single is a strong precursor to the upcoming album and a welcome break from this dreary January.
TOUR DATES:
(Two Door Cinema Club support)
Jan 17 – Columbiahalle, Berlin, Germany
Jan 18 – Docks, Hamburg, Germany
Jan 20 – Carlswerk, Cologne, Germany
Jan 21 – Paradiso, Amsterdam, Netherlands
Jan 23 – Olympia, Paris, France
Jan 24 – Den Atelier, Luxembourg City, Luxembourg
Jan 26 – TivoliVredenburg, Utrecht, Netherlands
Jan 27 – Ancienne Belgique, Brussels, Belgium
(UK 2020 tour)
March 27 – O2 Academy, Glasgow
March 28 – Keele University SU, Keele
March 30 – The Tramshed, Cardiff
March 31 – O2 Academy, Leicester
April 2 – The Waterfront, Norwich
April 3 – O2 Academy Brixton, London
April 4 – Liverpool Uni, Mountford Hall, Liverpool
Keep up with Circa Waves here.
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written by: madi toman
by Meredith Schneider | Jan 14, 2020 | singles, wolf tracks
If your eardrums have ever been blessed by the magnetic vocals of Frances Quinlan, you’d best prepare yourself. With her new track “Your Reply”, the listener experiences a palpable energy, each note specifically belonging to its originator, the cadence with which she expresses herself intense and, in this case, fun. While a bed of instruments accompanies her voice, they come as almost an afterthought, not to discredit the talent.
To both understand where we’re coming from and head into your day with a pep in your step sonically, check out “Your Reply” below!
Likewise is out January 31st. Keep up with Frances Quinlan here.
by Meredith Schneider | Jan 13, 2020 | videos, wolf tracks
We might have to wait until March 13th to enjoy Magdalena Bay‘s upcoming EP in its entirety, but today we get a sneak peek of what to expect with the music video for their new track “How To Get Physical”. The song is a synth-fueled throwback dream, with a music video absolutely littered with special effects. That’s right, you get a chance to see the electro-pop duo in front of cherries, dancing on handheld video game consoles, dancing with anime around them, flowers falling, and more. You don’t have to pick a specific dream to hold on to with this video, choose them all!
Let us know what you think over on Facebook!
Keep up with Magdalena Bay here.
by Meredith Schneider | Jan 13, 2020 | videos, wolf tracks
Singer/songwriter Noah Kittinger has been releasing music under the moniker Bedroom since he was just 16. And though he started with talent on his side, he now has the luxury of time, allowing him to create next level art. The new music video for his song “Gulf” is like watching old video footage, clips of what looks to be a comic book convention shot and compiled by Parker Stallworth in New York City. Set to the backdrop of the slowly meandering and ethereal track, it romanticizes the idea of cosplay for us, severely making our team want to dress up a bit in the near future. Who’s with us?
Let us know who you’d cosplay as on Facebook!
Keep up with Noah Kittinger here.
