by Meredith Schneider | Jan 7, 2019 | albums, review
As you lean slowly into the gentle and mellifluous soundscape of Jane Willow‘s Onward Still, your mind starts to wander, and wonder what the inspiration for this work of art exactly was. From the first caress of vocals in “Onward Still”, to the last defining, harmonic moments of “Comfort”, this 6-track EP is nothing if not the perfectly watercolored canvas to hang over your blooming ideas and goals and adventures for 2019. “On My Mind” hits you with introspective and intense lyrics, sad strings to really rip into your heart’s deepest cavities. “Nobody Knows” has a strangely poignantly placed feeling of freedom to the delivery of the vocals, subtle yet defining nuances throughout.
“Hannah” brings the pace up, the Dublin-based artist’s most notably uplifting track to the work. “If I Did Love You” is quite the ballad, theatric and haunting in its presence. “Comfort” truly rounds the release out nicely, with a sound that makes you feel as though you’re basking in the glow of the sun on a patio somewhere amongst vineyards. This song itself evokes the title in an effortless and wonderful way, which seems to be the artist’s intention. We’ll be using this as our adult lullaby for a while, and we’re not even remotely ashamed.
Keep up with Jane Willow here.
by Meredith Schneider | Dec 18, 2018 | albums, review
Chicago-based art rock trio Arthhur – comprised of Mike Fox, Matt Cian, and Luke Dahlgren – released their fourth record on December 14th, and we’re really digging it. The 6 track tape is titled Lost In The Walled City, and is packed to the brim with attitude and a certain, unexplainable je ne sais quoi, if you will.
The title track hits hard, revving us up for the disco-laden rhythm of “Kinky Post-It”. (Yes, that’s the name of a song.) “Astral Fortnight” speaks to our higher beings, upbeat and ready to party, while “Choc Electronique” is something we would totally enter a dance contest with, as it would seem a little out of left field though the instrumentals are insanely catchy and could inspire a new line dance, if we’re being honest.
“Large Party” kicks it off with a series of sound effects and continues in the same artsy, experimental way, something we would definitely mosh to at a live show. Arthhur rounds it all out with “Get Fermented!” which is a track we’re into just from the mention of the title. Its smooth, enticing soundscape lures you in to a night of – if you’re lucky – consequence-free bad decision-making.
Keep up with Arthhur here.
by Meredith Schneider | Nov 19, 2018 | albums, review
At a very important time, Kansas City-based alt garage rock band The UK’s – comprised of Noah Bartelt (Lead Vocals/Guitar), Scott Combs (Guitar/Vocals), Katelyn Miles (Bass), and Tarquin Eugene Kellough (Drums) – has released a 5-track EP, affectionately and poignantly titled American Way of Death. From the very first, melancholic sounds of “Why Don’t You Go” – which hits a stride that makes you want to add it to your “walking the streets of the city like a badass” playlist – through the 60s punk-influenced soundscape of “Wake Up”, all the way through third track “AWOD” which follows suit, there is an electricity that makes you realize that incredibly underrated music comes from the midwest. (Hello, Holy White Hounds and Mess!)
Cut to “The Poison Squad” and you’ve got a track we could easily find ourselves barbecuing to on a chilly autumn day, dancing to at a sweaty basement party, or driving to down the Kansas City streets. It all comes to a head with fifth and final track “Other Team”, which brings in that fun, vintage, upbeat feel again. If you’re not careful, you just might find yourselves on the ceiling too…
Keep up with The UK’s here.
by Meredith Schneider | Nov 16, 2018 | albums, review
Chicago-based shoegaze/pop collective Lightfoils releases new five track EP Chambers today, and we’ve got your first listen below! (Or fourth, or fifth, or twelfth… who’s counting?) The five-piece – comprised of Zeeshan Abbasi (guitar), Jane Zabeth (vocals), Cory Osborne (bass), John Rungger (drums), and Neil Yodnane (guitar) – wastes no time getting into the psych feels with the kaleidoscope intro to first track “The Bitter Over”, which layers into a cacophony of sound that seems to envelope your senses. “Duende” brings the same level of otherworldly vocals to it, a little more depth to the guitar parts than its predecessor. While “This Time Is Up” brings with it a punk garage band instrumental soundscape, we’re still left wondering how Zabeth can reach such insane places with her vocals. But I digress.
“Summer Nights” might, at first, make you feel a little bitter about the warm evenings being long behind us, but it also provides that whirring nostalgic feeling that makes it feel like summer might not ever end. (And it doesn’t have to if you don’t want it to!) Last track “Honeydew” brings with its title the same lust for warmer months, though we know we can relive those nights with this as the backdrop any time we damn well please.
Pick up this EP. It’s well worth it.
Keep up with Lightfoils here.
by Meredith Schneider | Nov 13, 2018 | albums, premieres
California-based duo Quietwater might not be releasing their debut self-titled EP until the 16th, but – not to brag or anything – we’ve got the exclusive streaming premiere. This 4-track stunner is filled to the brim with percussive intensity, gorgeous, full strings, and boasts a mood mysterious, frantic, and calming, somehow, all at once. Admits the duo:”This EP is very dear to my heart and I’m delighted to finally get it out to the world. Stay tuned for more to come.”
So, if you’re jonesing for some new music for your earholes, check out the magic of Quietwater.
Keep up with Quietwater here.
.
by Meredith Schneider | Oct 30, 2018 | albums, review
Seattle-based pop trio Tangerine just released their 4-track EP White Dove, which glistens in the glow of nostalgia from the very beginning of firs track “Local Mall” to the last chords of “Lake City”. Though “Local Mall” exists at mid-tempo, it feels more energetic, with Marika’s light-as-a-feather vocals driving the track itself. “Cherry Red” continues with a similar soundscape to its predecessor, bringing out more percussive moments for emphasis. “Monster of the Week” boasts a more sinister tone, perfect for this time of year, and last track “Lake City” is comprised of gorgeous melodies and a feeling of ease that only a beautiful body of water should be able to provide.
Keep up with Tangerine here.
by Meredith Schneider | Oct 19, 2018 | albums, review
Alternative musician Novo Amor may have written and recorded the entirety of his new album in his home studio in Whales, but the sound is so polished and ethereal in its disposition that you would think it came to be in a garden somewhere. Beginning with tranquil, tone-setting track “Emigrate”, the album slowly layers in like a delectable dream sequence. “Birthplace” brings in more staccato notes – invoking a sense of excitement during parts of the song – and percussion that will change the rate of your heartbeat. “Utican” can be described as nothing if not as a freeing, energetic anthem, while “Seneca” dances delicately along the edges of your shoulders, as if to wrap you in an other-worldly hug.
“Anniversary” is largely instrumental, ushering in an energy and sound that feels like everyone you know is singing along. “13494” follows a similar feel to its predecessor, though darker in tone in a way that makes the track feel more robust. “State Lines” falls into the more conventional “folk singer-songwriter” category, and we’re eating it up like there’s no tomorrow. Seriously, turn this one on, turn your most twinkling lights on, and gaze out the window for a while. Pure bliss.
“Sleepless” is a more conventional anthem in its composition, but equally ethereal as the vocals maintain their light as a feather tone. Even “Repeat Until Death” doesn’t have the negative or dark tones to it as implied in the title, but to categorize it as anything other than melancholic would be a miss in our minds. And that’s fine, as the range of emotion and writing styles allows us a more intense peek into the creative mind of Novo Amor. He ends it all with “Oh, Round Lake”, a simplistic by impactful track that leaves you wanting to dance in that fairy-lit garden, breathing in the autumn night air.
Novo Amor kicks off his UK tour tonight. Head out to one of the dates below to check it out!
NOVO AMOR INTERNATIONAL TOUR DATES:
Fri 19 Oct – Brudenell Social Club, Leeds UK
Sat 20 Oct – The Haunt, Brighton, UK
Mon 22 Oct – Union Chapel, London, UK
Tue 23 Oct – Union Chapel, London, UK
Wed 24 Oct – La Maroquinerie, Paris, FR
Thu 25 Oct – Kulturhaus Karlstorbahnhof, Heidelberg, DE
Sat 27 Oct – Vega, Copenhagen, DK
Sun 28 Oct – Kagelbanan, Stockholm, SE
Tue 30 Oct – Botanique Orangerie, Brussels, Belgium BE
Wed 31 Oct – Paradiso Noord, Amsterdam, NL
Thu 1 Nov – Gruenspan, Hamburg DE
Fri 2 Nov – Funkhaus Berlin Nalepastrasse, Berlin DE
Mon 12 Nov – Atlanta GA, US
Wed 14 Nov – Union Stage, Washington DC, US
Thu 15 Nov – Bowery Ballroom, New York NY, US
Sat 17 Nov – The Sinclair, Cambridge MA, US
Tue 20 Nov – Theatre Farimount, Montreal, CA
Wed 21 Nov – Velvet Underground, Toronto, CA
Fri 23 Nov – Lincoln Hall, Chicago IL, US
Sat 24 Nov – Cedar Cultural Center, Minneapolis MN, US
Tue 27 Nov – Bluebird Theater, Denver CO, US
Wed Nov 28 – The Commonwealth Room, Salt Lake City UT, US
Fri 30 Nov – St. James Hall, Vancouver, CA
Sat 1 Dec – Columbia City Theater, Seattle WA US
Sun 2 Dec – Doug Fir Lounge, Portland OR, US
Tue 4 Dec – Swedish American Hall, San Francisco CA, US
Thu 6 Dec – Lodge Room, Los Angeles CA, US
Birthplace is available now. Keep up with Novo Amor here.
by Meredith Schneider | Sep 5, 2018 | albums, review
On August 31st, Dangerbird Records brought us a stunner of an EP to enjoy over the holiday weekend. Joel Jeronimo – aka Joel Jerome from the Los Angeles band DIOS and very well-known recording collaborator in the Southern California scene – and Jimi Cabeza de Vaca – aka Jimi Camaro, ex-member of DIOS – teamed up to create a three track mini album called Atlantis Airport 1982. A culmination of realism and fantasy – with a bed of synthesizers to frame it all – the album is pure otherworldly magic.
From the very first airplane-takeoff-sounding notes of “Atlantis” – which makes us feel like we are on an intergalactic spacecraft, if we’re being completely honest – to the slower, more tribal sounds of “Airport”, through to the last lines of far more experimental and jarring track “1982”, we’re smitten. In fact, we are given the impression by this album that we just went back in time to 1982, and hopped into their forward-thinking minds to their idea of the future, and then were spit back out again. It was a quick ride, but well worth it!
by Aubrey Hanson | Sep 4, 2018 | albums, review
You may have already heard of emotional singer/songwriter Harry Myers, also known as Thoreau from his interviews, reviews, works, or playlists with popular music accounts such as Billboard, Trap Nation, and many more, but you’re going to want to make sure you listen to his new EP Reflections that was just released. This entire EP is built up of the emotions that you may feel throughout a relationship which makes his music not only enjoyable, but also relatable.
“In For” and “Afraid” are the most upbeat tracks that you will hear on the album, and also some of the most emotional. These songs describe fear, weaknesses, and emotions that you have to push through and learn how to live with throughout life and relationships. And every single track has this smooth, intense and robust soundscape that makes the EP an easy listener with a few friends, or the backdrop at a big party. It fits into so many environments sonically that we’re actually impressed by it. This EP resembles some aspects from the pop genre, but also R&B which gives it a different feel from the usual singer/songwriter likeness.
Make sure to check out the new Reflections EP, and you will not be disappointed!
Keep up with Thoreau here.
**co-written by meredith schneider
