Chicago-based art rock trio Arthhur – comprised of Mike Fox, Matt Cian, and Luke Dahlgren – released their fourth record on December 14th, and we’re really digging it. The 6 track tape is titled Lost In The Walled City, and is packed to the brim with attitude and a certain, unexplainable je ne sais quoi, if you will.
The title track hits hard, revving us up for the disco-laden rhythm of “Kinky Post-It”. (Yes, that’s the name of a song.) “Astral Fortnight” speaks to our higher beings, upbeat and ready to party, while “Choc Electronique” is something we would totally enter a dance contest with, as it would seem a little out of left field though the instrumentals are insanely catchy and could inspire a new line dance, if we’re being honest.
“Large Party” kicks it off with a series of sound effects and continues in the same artsy, experimental way, something we would definitely mosh to at a live show. Arthhur rounds it all out with “Get Fermented!” which is a track we’re into just from the mention of the title. Its smooth, enticing soundscape lures you in to a night of – if you’re lucky – consequence-free bad decision-making.
Deepening their roots in the Chicago, Illinois music scene, two piece rock outfit Arthhur has brought their a-game with their newest single release, “Come Meet the Opposite Committee,” off their album of the same name. Along with having every component that composes a successful song, the underlying meaning behind the lyrics brings an all new wave of depth and social importance. Combined with their stellar beats and rhythms, Arthhur speaks up for those who deal with obsessive compulsive disorder as well as anxiety through his many musical movements and detailed lyrical presence. Throughout the track, the music is often punctuated with sudden loud releases of talent and excitement.
In what they consider, “a labor of love,” Arthhur built the new ten track album from the ground up and have come out with a masterpiece that is bound to get some traction throughout the music community. Songs like “Sheffield & Armitage” and “Katalog” are comforting in their existence, while tracks like “Character Death” and “Oral Anxiety Exam” are intriguing simply because of their titles, and continue to captivate the listener throughout. Each track is beautifully written, with lyricism tactics to combat the rest. In the future, fans can expect more art from this group that is equally as powerful and meaningful as Come Meet the Opposite Committee.
Come Meet the Opposite Committee is available now.
