Los Angele’s latest blessing to the music world is a noteworthy new artist named Alonzo. Last week, he released his new single “Respect” and we couldn’t help but put this one in the mix for new shares. The song’s pace is like a slow walk through a scenic park – a romantic movie montage, perhaps, in its speed – making the words that much more healing in their overlay.
Once Alonzo’s breathy, sensual vocals hit the track, the Prince comparisons are boundless. And his admirable way with words makes this release that more striking. It’s no coincidence that a song that demands African American worth is being released during Black History Month, but the way it hits will undoubtedly keep it in heavy rotation for months to come. Says Alonzo of the track: “I wanted to release this song to kick off Black History Month as an affirmation. A new anthem that Black people can sing from the rooftops with pride & confidence.”
It is with great pleasure that we wait with bated breath for Kansas City’s own Amy Farrand and The Like to play the official record release show for their debut album One this Saturday, April 28th. The band – adequately self-described as genre-defiant – is comprised of a group of incredible musicians, including, of course, esteemed songwriter and multi-instrumentalist (and band namesake) Amy Farrand, who has been working on this musical project since 2015. Having entertained at some incredible local events – including, but certainly not limited to, Kansas City’s Middle of The Map Fest and Apocalypse Meow – the sextet is amped to let their work reach more ears, and to continue with their incredibly endearing live performance tactics with the new tracks.
One was recorded at Weights and Measures Lab with Duane Trower and is an eleven track stunner you absolutely do not want to miss. If you haven’t heard it already, it was released recently, following the success of the single “Scared To Death of Dying”, which is the perfect jam track. A musical journey alongside Amy Farrand and The Like includes some incredibly soulful vocal vibes, accompanied by a robust-sounding horns section and high energy percussion that really bring everything to life and create some versatility to the tracks. While tracks like “White Girl Wasted” and “Scared to Death of Dying” actually address some common social commentary, the band is laser-focused on tracks like “Dragon Woman” and “Sweet Thing”, two of our absolute favorites from this collection.
Join Amy Farrand and The Likes in celebration of this honest and beautiful collection of songs on April 28th at 8pm at Davey’s Uptown Rambler’s Club (3402 Main Street, Kansas City, MO). Inviting the warm weather in with this crowd is going to be an absolute delight!
Just ahead of Acid Tongue‘s October full-length release Babies, the highly entertaining musical duo of Guy Keltner and Ian Cunningham – who are often joined by “friends” and operate out of New York, Los Angeles, and Seattle – has been busy, busy, busy. First premiering their track “If I Really Loved Her” via All Things Go, which boasted that “the band demonstrate both instrumental prowess and respect for their musical heritage as the sons of psychedelic forebears,” and they’re not wrong. These guys have got a handle on crooning, beautiful, psych sounds that could really drive the way you see your autumn if you choose to partake in some listening pleasure.Â
But we don’t just have the inside scoop on the album release. (Friday October 13th, mark your calendars.) We also have a little more insight on some of the tracks, their feelings on the music industry, and snacks in this quick (and fun) interview with Guy Keltner that happened in honor of their upcoming album release. Ch-ch-ch-ch-ch-ch-check it out!
What is the first song or album you ever remember hearing, and who introduced it to you? Probably my mom playing Bob Marley or the Cranberries to us as kids. We had one of those old Technics sound systems with the tall boxy speaker cabinets. I’m sure we danced like goofy little kids to that stuff.
Was there a moment that it struck you and you realized you were going to pursue music, or did it kind of slowly evolve? I used to think I was going to be an astronaut. I started playing piano at five, but I wasn’t exactly keen on scheduled lessons and the homework that came with it. I finally got a guitar when I was 11 and I think that’s when everything clicked. I mostly just banged on it for the first year or so, but my parents set me up with this great teacher, an old session musician from Seattle named Al Kaatz. He’s really into soul, classic R&B and reggae, and helped shape my taste and how I approach music to date.
And did you choose the “post-menopausal” life, or did it choose you? (Referencing their “genre” categorization on Facebook.) Life moves pretty fast. If you don’t stop and look around once in a awhile, you could miss it.
“If I Really Loved Her” has such a beautiful sentiment behind it. Can we expect more of the same emotion behind the rest of Babies? The entire album is full of little easter eggs, relatable songs about daily life, but with a much deeper meaning to them. I’m not always just signing about the good stuff, either. There’s a lot of odes to life’s minutiae, thoughts on how mundane things can get. I don’t think people always want to hear about breakups and star-crossed lovers. There’s something beautiful about eating top ramen and being broke with your friends, talking about nothing and killing time.
“Talking In Your Sleep” struck our fancy with its title, and it’s one of our favorites off the release. Is this a love letter to a certain someone, or does it pull from many places? This song is about charisma. The type of people who spin webs and can turn a boring story into something compelling. We all have friends or co-workers or family that do this.
“Accidental Drug Use” threw us for a loop, one of those “well, that escalated quickly” songs when it comes to lyrics. It’s amazing. How was this one to work on in studio? That song was actually written the night Bowie died. I don’t usually get upset when one of these aging rockers passes away. They’ve lived epic lives, and lot of that generation is pretty old and has seen their best days already. Bowie’s new record was surprisingly great, though, and I felt this new excitement for his music after that. KEXP in Seattle did a Bowie day, a tribute to his tunes, right after that record dropped. A few days later, I’m hearing Bowie all day again and wondering “what the hell?”. When I heard he had passed, I was absolutely crushed and this song just spilled out.
Did you choose Friday the 13th as release date for any particular reason? Sometimes things just work out that way.
Do either of you have a favorite song off of Babies, or is that feeling applied to the entire work, since it’s your first release? I’m torn between “Humpty Dumpty” and “If I Really Loved Her”. Both of those fell into place so perfectly during the sessions, and they are such strange tunes in general. Ian is partial to “Accidental Drug Use” though. I really dig the way his drums turned out.
What has been your favorite memory together as a band so far? We did a short run in the Northwest recently, opening for De La Soul, playing Upstream Festival in Seattle, and generally having a blast with our friends when we were home visiting. Our bassist, Alessio, is from Italy and lives in Paris now. It was his first time in that part of the country and it’s such a different vibe than the rest of the US. We started laying down the tracks for our next LP, the follow-up to Babies. Just a really perfect trip.
How do you imagine people listening to this album? Everywhere. It’d be so cool to just have this be one of those LPs that synonymous with rock & roll during our era. One of those things you hear at dive bars, coffee shops, taxi cabs, wherever.
Guilty pleasure snack. Go! Chopped cheese.
What is your opinion of the modern music industry? It’s amazing that I have access to literally everything I could want to listen to in the palm of my hand. I’m a huge fan of Spotify and I think this is a cool era, we just have to slug it out and be persistent to make any money from our art.
Anything else you’d like to add? Go out and buy/steal/stream Babies as soon as you can. The vinyl looks really cool, too.
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Babies is out October 13th. Keep up with Acid Tongue here.
Experimental darkwave collective BARK releases their enticingly layered track “Malady” today, and we’ve got your first listen. Though the collaboration itself comes from New York City at present, the origins of the three-person project – effortlessly crafted by Alessio Casalini, Alexey Artemov and Marc Potts – are far-reaching, and include Italy and Ukraine. We’re particular fans of the way BARK’s sound tends to bring out the gorgeous textures and audio quirks of the places they’ve been, perspectives they’ve experienced. The robust, almost warm, vocals are enchanting enough to propel the track, however, the composition and its ever-evolving pace is too interesting not to have an equal role in the intensity of this beast of a track.
Says Marc Potts of the track: “’Malady’ is about the appreciation of change or transitions.  It tries to attribute an aesthetic of sickness or ‘malady’ as a transition point for something powerful and/or resilient. So embrace malady as a stepping point through adversity.”
I’m not sure about you, but I can hear the power in this song. Try it on for size below!
If you’re looking for a track with an energy unlike any other you’ve experienced recently, Elsie and Mayhem’s new track “Cherry Bomb” is equal parts theatrical, rock, and psychedelic sidekick. They’ve created a monster of a track with the new single, and we’re thrilled to premiere it.
The Portland, Oregon-based alt duo also happens to be a couple, but their backstory isn’t what you’d imagine. In January 2020, they were struggling with their marriage and headed for divorce. Says singer/songwriter Elsie Black (Emily Alexander):
We’ve been together for almost 20 years, and we were at a place where most couples would have said f-it. But we found we were willing to work on songs together and that meant we were willing to work on us. What we couldn’t talk about overtly, we communicated to each other with lyrics.
Creating this work probably saved them, and the emotion involved in that process is evident in “Cherry Bomb.” Get your ears on it below!
A rush of sound, gentle vocals, a building composition that both blends together seamlessly and allows you to feel the impact of each layer singularly. Missoula-based indie rock group Arrowleaf carries their particular brand of gorgeous sound with Sarah Marker at the helm as the lead singer and songwriter. Their new track “HDYK” is out today, and we’ve got your official premiere.
Here’s the deal. Take away all of the band details, technical terminology, and extra fluff. Look at the photo of this band. This music is clearly inspired by their ecosystem, and the incredible landscape that surrounds them. It’s like they have found a way to close your eyes and FEEL Montana. Honestly? That perfect balance of grace and lightness with the endearingly rough guitar, captivating audio pivots, crashing cymbals, and bravado of a rock band suits that location immensely, with the beauty of the greenery framed by the grandness of the rock formations.
This month threw so much talent in our face, and 2021 really feels like something special because of it. Check out some of the best music videos we have seen this month, and check back all year to re-visit 2021’s first releases! Including videos from Bailey Bryan, Evan Stanley, Planned Dilemma, ALPHA HOPPER, and more.
There is a unique cadence to Nainnoh’s vocals that immediately draws you into the psychedelic, genre-bending, soulful work she creates. Her Eastern European upbringing, of course, influences those vocals, and has played an essential role in the type of Georgian folk, indie psych touches we get from her music. With her new track “Vital Illusions,” there is a beautiful, meandering quality from the composition that allows you to sort of melt into the soundscape and absorb the song’s energy as it plays.
What a way to start off 2021 for the talented songstress.
Nainnoh’s self-titled debut is due out April 2021.
If it’s been a second since you let yourself get totally wrapped up in melancholy, Zoe Wees’ single “Girls Like Us” is the perfect opportunity to get all up in your feels. The woman’s insanely rich vocals glide across a dance beat, as her heartbreak is laid out for all to witness.
The accompanying music video? Even more intense and dramatic. Gorgeous jewel tones inform the visuals, as Wees can be seen singing, crying, having makeup removed, and singing her lungs out over a variety of striking backdrops.
It moved me to tears.
“It’s not always good to think about how you look to the rest of the world,” shares Weed. “It’s much more important to think about how you feel inside. It is not easy to call yourself beautiful but being confident helps you to accept and love yourself.”
